Art Monthly Australasia-Issue 284 October 2015

1 The Tasmanian effect: Fernando do Campo, HobartMarina Abramović: Private Archaeology, exhibition entrance view, Museum of Old and New Art (MONA), Hobart; image courtesy MONA, Hobart; photo: MONA/Rémi Chauvin — 1 The Tasmanian effect: Fernando do Campo, *Hobart*
Marina Abramović: *Private Archaeology*, exhibition entrance view, Museum of Old and New Art (MONA), Hobart; image courtesy MONA, Hobart; photo: MONA/Rémi Chauvin

2 World-in-a-world: ‘The Shadows Calling’ at Detached: Rachel Kent, HobartPatricia Piccinini and Peter Hennessey, Kami, 2015, installation view, Detached Cultural Organisation, Old Mercury Building, Hobart, 2015; Formply, chairs, rope, ABS plastic; … — 2 World-in-a-world: ‘The Shadows Calling’ at Detached: Rachel Kent, *Hobart*
Patricia Piccinini and Peter Hennessey, *Kami*, 2015, installation view, Detached Cultural Organisation, Old Mercury Building, Hobart, 2015; Formply, chairs, rope, ABS plastic; image courtesy the artists and Detached, Hobart; photo: MONA/Rémi Chauvin

3 Embodying culture: Lola Greeno and Marina Abramović: Gabriella Coslovich, HobartLola Greeno’S necklace of 143 Bungana (king) maireener shells threaded on stainless steel with human hair clasp, 25cm; commissioned by the Museum of Old and New Art (M… — 3 Embodying culture: Lola Greeno and Marina Abramović: Gabriella Coslovich, *Hobart*
Lola Greeno’S necklace of 143 Bungana (king) maireener shells threaded on stainless steel with human hair clasp, 25cm; commissioned by the Museum of Old and New Art (MONA), Hobart, in January 2015 and presented to Marina Abramović on 14 June 2015; photo © MONA: Rosie Hastie

4 In the moment: Marina Abramović’s ‘Private Archaeology’ at MONA: Diane Soumilas, HobartMarina Abramović and Ulay, AAA–AAA, 1978, performance for video, RTB Television Studio, Liège, 15 mins duration; black-and-white video, sound, 9:54 mins duratio… — 4 In the moment: Marina Abramović’s ‘Private Archaeology’ at MONA: Diane Soumilas, *Hobart*
Marina Abramović and Ulay, *AAA–AAA,* 1978, performance for video, RTB Television Studio, Liège, 15 mins duration; black-and-white video, sound, 9:54 mins duration; Museum of Old and New Art (MONA), Hobart; image courtesy MONA, Hobart; photo: MONA/Rémi Chauvin

5 A growing medium: The garden in art and design: Julia Jones, SydneyJanet Laurence, Treelines Track, Bundanon NSW, 2014–16, detail views; linear passage of trees forming a walking track; stones scripted with text; dimensions variable; images courte… — 5 A growing medium: The garden in art and design: Julia Jones, *Sydney*
Janet Laurence, *Treelines Track*, Bundanon NSW, 2014–16, detail views; linear passage of trees forming a walking track; stones scripted with text; dimensions variable; images courtesy the artist

6 Suspending disbelief: ‘The photograph and Australia’: Claire Capel-Stanley, SydneyThe photograph and Australia, exhibition view, Art Gallery of New South Wales (AGNSW), Sydney, 2015, with archival display and artworks by Tracey Moffatt; photo © AG… — 6 Suspending disbelief: ‘The photograph and Australia’: Claire Capel-Stanley, *Sydney*
The photograph and Australia, exhibition view, Art Gallery of New South Wales (AGNSW), Sydney, 2015, with archival display and artworks by Tracey Moffatt; photo © AGNSW: Jenni Carter

7 Against the grain: Melinda Harper’s ‘Colour Sensation’ at Heide: Carolyn Barnes, MelbourneColour Sensation: The Works of Melinda Harper, exhibition view with 10 objects, each Untitled, 2006, private collection, Melbourne; Heide Museum of Modern Ar… — 7 Against the grain: Melinda Harper’s ‘Colour Sensation’ at Heide: Carolyn Barnes, *Melbourne*
Colour Sensation: The Works of Melinda Harper, exhibition view with 10 objects, each Untitled, 2006, private collection, Melbourne; Heide Museum of Modern Art, Melbourne, 2015; photo: Christian Capurro

8 Coincident lines: Ruark Lewis and Barayuwa Mununggurr at the Northern Centre for Contemporary Art: James Paull, DarwinRambangi, Together as Equals, exhibition views, Northern Centre for Contemporary Art (NCCA), Darwin, 2015; images courtesy the NC… — 8 Coincident lines: Ruark Lewis and Barayuwa Mununggurr at the Northern Centre for Contemporary Art: James Paull, *Darwin*
Rambangi, *Together as Equals*, exhibition views, Northern Centre for Contemporary Art (NCCA), Darwin, 2015; images courtesy the NCCA; photos: Fiona Morrison

9 Closing the temporal distance: Khadija von Zinnenburg Carroll’s Art in the Time of Colony: Stephen Gilchrist, SydneyImage courtesy and © Bob Newman — 9 Closing the temporal distance: Khadija von Zinnenburg Carroll’s Art in the Time of Colony: Stephen Gilchrist, *Sydney*
Image courtesy and © Bob Newman

10 Connecting threads: Go East, Chinese Bible and Jitish Kallat: Chloé Wolifson, SydneyCovers and pages from Go East, Chinese Bible and Jitish Kallat; photos: © and courtesy Bob Newman — 10 Connecting threads: Go East, Chinese Bible and Jitish Kallat: Chloé Wolifson, *Sydney*
Covers and pages from Go East, Chinese Bible and Jitish Kallat; photos: © and courtesy Bob Newman

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.