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September 2019 Issue 318

1 Dispatches: andrew stephens   Detail of Mangkaja Arts x Gorman Collection 2019 with work by Daisy Japulija, Sonia Kurarra, Tjigila Nada Rawlins and Ms Uhl for ‘The National 2019’, Museum of Contemporary Art Australia, Sydney, 2019; image courtesy Gorman, Melbourne

1 Dispatches: andrew stephens

Detail of Mangkaja Arts x Gorman Collection 2019 with work by Daisy Japulija, Sonia Kurarra, Tjigila Nada Rawlins and Ms Uhl for ‘The National 2019’, Museum of Contemporary Art Australia, Sydney, 2019; image courtesy Gorman, Melbourne

2 Notes from the field: Chloé Wolifson   Oliver King,  My initials are o.k. , 2019, digital print on acrylic and mixed media, 116 x 78cm; courtesy the artist and Paulnache, Gisborne

2 Notes from the field: Chloé Wolifson

Oliver King, My initials are o.k., 2019, digital print on acrylic and mixed media, 116 x 78cm; courtesy the artist and Paulnache, Gisborne

3 awakening unheard voices: Alex burchmore,  singapore    Huang Yong Ping,  Reptiles , 1989/2013, installation view, ‘Awakenings’, National Gallery Singapore, 2019; paper pulp, iron and washing machine, 495 x 1300 x 900cm; M+, Hong Kong; image courtesy National Gallery Singapore

3 awakening unheard voices: Alex burchmore, singapore

Huang Yong Ping, Reptiles, 1989/2013, installation view, ‘Awakenings’, National Gallery Singapore, 2019; paper pulp, iron and washing machine, 495 x 1300 x 900cm; M+, Hong Kong; image courtesy National Gallery Singapore

4 the view from tokyo: crossings, connections and context: judy annear,  tokyo    Mé,  Contact , 2019, installation view, ‘Roppongi Crossing 2019: Connexions’, Mori Art Museum, Tokyo, 2019; mixed media, 230 x 700 x 800cm; image courtesy Mori Art Museum, Tokyo; photo: Kioku Keizo

4 the view from tokyo: crossings, connections and context: judy annear, tokyo

Mé, Contact, 2019, installation view, ‘Roppongi Crossing 2019: Connexions’, Mori Art Museum, Tokyo, 2019; mixed media, 230 x 700 x 800cm; image courtesy Mori Art Museum, Tokyo; photo: Kioku Keizo

5 worrying together: ‘on vulnerability and doubt’ at acca: tom melick,  melbourne    Linda Marrinon,  The four cruelties , 1982, detail; synthetic polymer paint on cardboard, 101.8 x 75.8cm (each, four panels); collection of the artist; courtesy the artist and Roslyn Oxley9 Gallery, Sydney

5 worrying together: ‘on vulnerability and doubt’ at acca: tom melick, melbourne

Linda Marrinon, The four cruelties, 1982, detail; synthetic polymer paint on cardboard, 101.8 x 75.8cm (each, four panels); collection of the artist; courtesy the artist and Roslyn Oxley9 Gallery, Sydney

6 broad specificity: ‘the national 2019’: tai mitsuji,  sydney    Nat Thomas,  Postcards from the Edge , 2019, installation view, ‘The National 2019: New Australian Art’, Carriageworks, 2019; projection, set, fan, dimensions variable; courtesy and © the artist; photo: Zan Wimberley

6 broad specificity: ‘the national 2019’: tai mitsuji, sydney

Nat Thomas, Postcards from the Edge, 2019, installation view, ‘The National 2019: New Australian Art’, Carriageworks, 2019; projection, set, fan, dimensions variable; courtesy and © the artist; photo: Zan Wimberley

7 under the skin: michael armitage’s ‘the promised land’: MICHAEL FITZGERALD,  sydney    Michael Armitage,  Kampala Suburb , 2014, oil on Lubugo barkcloth, 196 x 150cm; private collection, London; image courtesy the artist and White Cube; © the artist; photo: Prudence Cuming Associates Ltd, White Cube

7 under the skin: michael armitage’s ‘the promised land’: MICHAEL FITZGERALD, sydney

Michael Armitage, Kampala Suburb, 2014, oil on Lubugo barkcloth, 196 x 150cm; private collection, London; image courtesy the artist and White Cube; © the artist; photo: Prudence Cuming Associates Ltd, White Cube

8 savanhdary vongpoothorn’s interwoven perspectives: rebecca blake,  canberra    Savanhdary Vongpoothorn,  Wrapped 1 , 2001, from the ‘Moonlight’ series; acrylic on perforated Japanese paper, 44.5 x 37.5cm; collection of Andrew Shapiro and Hannah Fink; photo: Andy Stevens

8 savanhdary vongpoothorn’s interwoven perspectives: rebecca blake, canberra

Savanhdary Vongpoothorn, Wrapped 1, 2001, from the ‘Moonlight’ series; acrylic on perforated Japanese paper, 44.5 x 37.5cm; collection of Andrew Shapiro and Hannah Fink; photo: Andy Stevens

9 he yunchang: a buddhist’s approach to the unspeakable: yu-chieh li   He Yunchang,  One Meter of Democracy , 10 October 2010, performance documentation; 6 photographic prints, 32 x 46cm (each); image courtesy White Rabbit Collection, Sydney

9 he yunchang: a buddhist’s approach to the unspeakable: yu-chieh li

He Yunchang, One Meter of Democracy, 10 October 2010, performance documentation; 6 photographic prints, 32 x 46cm (each); image courtesy White Rabbit Collection, Sydney

10 edmund capon am, obe 1940-2019: steven miller   Edmund Capon AM, OBE with a calligraphy painting from his own collection in1999; photo: Jenni Carter, AGNSW

10 edmund capon am, obe 1940-2019: steven miller

Edmund Capon AM, OBE with a calligraphy painting from his own collection in1999; photo: Jenni Carter, AGNSW