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August 2018 Issue 309

  1 Dispatches:  Andrew Stephens   brook andrew, 2015: image courtesy the biennale of sydney; photo: trent walter 

1 Dispatches:  Andrew Stephens

brook andrew, 2015: image courtesy the biennale of sydney; photo: trent walter 

  2 notes from the field: Chloé Wolifson   danh vo,  dos xx ambar,  2016, dos xx ambar beer box found in mexico city, gilded in thailand, 50 x 140cm; image courtesy the artist, arndt art agency (a3), berlin, and kurimanzutto, mexico city

2 notes from the field: Chloé Wolifson

danh vo, dos xx ambar, 2016, dos xx ambar beer box found in mexico city, gilded in thailand, 50 x 140cm; image courtesy the artist, arndt art agency (a3), berlin, and kurimanzutto, mexico city

  3 Curating 'from will to form': emily cormack in conversation with amita kirpalani   starlie geikie,  abri i , 2018, archival pigment inkjet print on hahnemühle photo rag, 74.5 x 111.8cm; image courtesy the artist 

3 Curating 'from will to form': emily cormack in conversation with amita kirpalani

starlie geikie, abri i, 2018, archival pigment inkjet print on hahnemühle photo rag, 74.5 x 111.8cm; image courtesy the artist 

  4 a celebration of life force: 'divided worlds',   chris reid,  adelaide     emily floyd,  icelandic puffins,  2017, installation view, 'divided worlds', anne & gordon samstag museum of art, adelaide, 2018; photo: saul steed 

4 a celebration of life force: 'divided worlds', chris reid, adelaide

emily floyd, icelandic puffins, 2017, installation view, 'divided worlds', anne & gordon samstag museum of art, adelaide, 2018; photo: saul steed 

  5 reorient: surveying a region in the 'apb foundation signature art prize 2018', tai mitsuji,  singapore     leung chi wo and sara wong,  he was lost yesterday and we found him today,  2015, detail from photographic series; image courtesy the artists and blindspot gallery, hong kong 

5 reorient: surveying a region in the 'apb foundation signature art prize 2018', tai mitsuji, singapore

leung chi wo and sara wong, he was lost yesterday and we found him today, 2015, detail from photographic series; image courtesy the artists and blindspot gallery, hong kong 

  6 the dynamic terrain of the contemporary desert, kim mahood    kaylene whiskey work featured in the 'desert mob 2017' exhibition, araluen arts centre: cultural precinct, alice springs, 2017; image courtesy araluen arts centre, alice springs 

6 the dynamic terrain of the contemporary desert, kim mahood

kaylene whiskey work featured in the 'desert mob 2017' exhibition, araluen arts centre: cultural precinct, alice springs, 2017; image courtesy araluen arts centre, alice springs 

  7 eric bridgeman: 'kala büng (colours join together)'    eric bridgeman: my brother and the beast,  2018, exhibition installation view, gallerysmith, melbourne, 2018; image courtesy the artist and gallerysmith, melbourne; photos: ian hill 

7 eric bridgeman: 'kala büng (colours join together)'

eric bridgeman: my brother and the beast, 2018, exhibition installation view, gallerysmith, melbourne, 2018; image courtesy the artist and gallerysmith, melbourne; photos: ian hill 

  8 action and re-action: peter maloney and 'missing in action', caren florance,  canberra      peter maloney: missing in action,  exhibition installation view, drill hall gallery, canberra, 2018: image courtesy the artist and utopia art sydney; photo: rob little, rldi

8 action and re-action: peter maloney and 'missing in action', caren florance, canberra

peter maloney: missing in action, exhibition installation view, drill hall gallery, canberra, 2018: image courtesy the artist and utopia art sydney; photo: rob little, rldi

  9 polixeni papapetrou 1960-2018, natalie king     art monthly's  july 2008 cover featuring polixeni papapetrou,  olympia as lewis carroll's beatrice hatch before white cliffs,  2003, detail; type-C print 

9 polixeni papapetrou 1960-2018, natalie king

art monthly's july 2008 cover featuring polixeni papapetrou, olympia as lewis carroll's beatrice hatch before white cliffs, 2003, detail; type-C print