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April 2019 Issue 315

1 Dispatches: andrew stephens   kirsha kaechele; photo: rémi Chauvin

1 Dispatches: andrew stephens

kirsha kaechele; photo: rémi Chauvin

2 Notes from the field: Chloé Wolifson   Jan Albers,  rOckrOughrOuge , 2019, epoxy resin and spray-paint on polystyrene; image courtesy the artist and Fox Jensen McCrory, Auckland

2 Notes from the field: Chloé Wolifson

Jan Albers, rOckrOughrOuge, 2019, epoxy resin and spray-paint on polystyrene; image courtesy the artist and Fox Jensen McCrory, Auckland

3 finding freedom; hirschfeld-Mack at geelong gallery: Sally groom  geelong    Ludwig Hirschfeld-Mack,  Musical instruments , 1950–65, monotype; Geelong Gallery, gift of Mrs Olive Hirschfeld, 1976

3 finding freedom; hirschfeld-Mack at geelong gallery: Sally groom geelong

Ludwig Hirschfeld-Mack, Musical instruments, 1950–65, monotype; Geelong Gallery, gift of Mrs Olive Hirschfeld, 1976

4 writing their own history; yang zhichao’s  chinese bible : Michael young   Yang Zhichao, Panjiayuan flea market, Beijing, January 2015; photo: Michael Young

4 writing their own history; yang zhichao’s chinese bible: Michael young

Yang Zhichao, Panjiayuan flea market, Beijing, January 2015; photo: Michael Young

5 resonance; xiao lu’s  impossible dialogue  at 4a: julie ewington  sydney    Xiao Lu,  Polar  (极地), 2016, installation detail view, 4A Centre for Contemporary Asian Art, Sydney, 2019; type-C prints and video documentation of performance, 23 October 2016; photos by Yi Zhilei; video filmed by Zhang Zhiqiang and Li Kai, edited by Zhang Li and Xiao Lu; courtesy the artist; photo: Kai Wasikowski

5 resonance; xiao lu’s impossible dialogue at 4a: julie ewington sydney

Xiao Lu, Polar (极地), 2016, installation detail view, 4A Centre for Contemporary Asian Art, Sydney, 2019; type-C prints and video documentation of performance, 23 October 2016; photos by Yi Zhilei; video filmed by Zhang Zhiqiang and Li Kai, edited by Zhang Li and Xiao Lu; courtesy the artist; photo: Kai Wasikowski

6 stockholm syndrome and neuroscience; two young chinese artists, the great firewall and the internet: luise guest   Miao Ying,  Problematic GIFS – No Problem At All , 2016, GIF compilation on lightbox, flat-screen TV, 298 x 241 x 8cm; image courtesy White Rabbit Collection, Sydney

6 stockholm syndrome and neuroscience; two young chinese artists, the great firewall and the internet: luise guest

Miao Ying, Problematic GIFS – No Problem At All, 2016, GIF compilation on lightbox, flat-screen TV, 298 x 241 x 8cm; image courtesy White Rabbit Collection, Sydney

7 a poetic pilgrimage; anthony bond’s  ken unsworth : gary sangster   Ken Unsworth,  The weight of stone , 2011, installation view, Cockatoo Island, Sydney, 2011; angel, steel cages, religious books, remote-control trucks, river stone and smoke, dimensions variable; image courtesy the artist; photo: Paul Green

7 a poetic pilgrimage; anthony bond’s ken unsworth: gary sangster

Ken Unsworth, The weight of stone, 2011, installation view, Cockatoo Island, Sydney, 2011; angel, steel cages, religious books, remote-control trucks, river stone and smoke, dimensions variable; image courtesy the artist; photo: Paul Green

8 pushing from the edges; michael fitzgerald in conversation with clothilde bullen, anna davis, daniel mudie cunningham and isobel parker philip   The Unbound Collective (Ali Gumillya Baker, Faye Blanch, Natalie Harkin and Simone Tur),  Sovereign Acts II , 2015; image courtesy and © the artists; photo: Steve Rendoulis

8 pushing from the edges; michael fitzgerald in conversation with clothilde bullen, anna davis, daniel mudie cunningham and isobel parker philip

The Unbound Collective (Ali Gumillya Baker, Faye Blanch, Natalie Harkin and Simone Tur), Sovereign Acts II, 2015; image courtesy and © the artists; photo: Steve Rendoulis

9 kwementyaye (kathleen) petyarre c. 1938 - 2018: christine nicholls   Kathleen Petyarre,  Mountain Devil Lizard Dreaming , 1995, synthetic polymer paint on Belgian linen, 152 x 152cm; private collection, Sydney

9 kwementyaye (kathleen) petyarre c. 1938 - 2018: christine nicholls

Kathleen Petyarre, Mountain Devil Lizard Dreaming, 1995, synthetic polymer paint on Belgian linen, 152 x 152cm; private collection, Sydney