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October 2018 Issue 311

  1 NOTES FROM THE DARKROOM: michael fitzgerald   john stezaker,  pair xxvii , 2015, collage, 20.3 x 24.2cm; image courtesy of the artist and the approach, london

1 NOTES FROM THE DARKROOM: michael fitzgerald

john stezaker, pair xxvii, 2015, collage, 20.3 x 24.2cm; image courtesy of the artist and the approach, london

  2 conceptual art and after: the rise of the interesting: susan best   taloi havini,  an imaginary line (ii),  2018, kodachrome slide transferred to digital and installed as wallpaper, dimensions variable

2 conceptual art and after: the rise of the interesting: susan best

taloi havini, an imaginary line (ii), 2018, kodachrome slide transferred to digital and installed as wallpaper, dimensions variable

  3 returning the gaze: hayley millar-baker and james tylor in conversation   james tylor,  vanished scenes from an untouched landscape #12 , 2018, inkjet print on Hahnemühle paper with hole removed to a black velvet void, 25 x 25cm; image courtesy of vivien anderson gallery, melbourne, and gagprojects, adelaide and berlin

3 returning the gaze: hayley millar-baker and james tylor in conversation

james tylor, vanished scenes from an untouched landscape #12, 2018, inkjet print on Hahnemühle paper with hole removed to a black velvet void, 25 x 25cm; image courtesy of vivien anderson gallery, melbourne, and gagprojects, adelaide and berlin

  4 making new: tony albert and marian tubbs in conversation   tony albert,  invisibility , 2017, vintage playing cards on found paper, 54 x 81.2cm; image courtesy the artist and sullivan+strumpf, sydney and singapore

4 making new: tony albert and marian tubbs in conversation

tony albert, invisibility, 2017, vintage playing cards on found paper, 54 x 81.2cm; image courtesy the artist and sullivan+strumpf, sydney and singapore

  5 shiga lieko; resisting time: reuben keehan   shiga lieko.  rasen kaigan (spinal coast) , 2008-12, detail; chromogenic development print, dimensions variable; image courtesy the artist

5 shiga lieko; resisting time: reuben keehan

shiga lieko. rasen kaigan (spinal coast), 2008-12, detail; chromogenic development print, dimensions variable; image courtesy the artist

  6 the new algorithm of the photobook: a reading: patrick pound   tim coghlan,  hell’s gates , PERIMETER editions/knowledge editions, melbourne, 2018, 224 pages: essay by dan rule; edition of 666: courtesy the artist

6 the new algorithm of the photobook: a reading: patrick pound

tim coghlan, hell’s gates, PERIMETER editions/knowledge editions, melbourne, 2018, 224 pages: essay by dan rule; edition of 666: courtesy the artist

  7 still looking: peter mcleavey and the last photograph: kyla mcfarlane   francis frith,  the pyramids of dahshoor, from the east,  1858, albumem photograph from mammoth-plate glass negative, 35.6 x 45.7cm

7 still looking: peter mcleavey and the last photograph: kyla mcfarlane

francis frith, the pyramids of dahshoor, from the east, 1858, albumem photograph from mammoth-plate glass negative, 35.6 x 45.7cm