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May 2019 Issue 316

1 Dispatches: andrew stephens   Bianca Beetson,  Beerwah & Tibrogargan , 2015, digital photo on metallic paper, 84x 59cm; courtesy the artist

1 Dispatches: andrew stephens

Bianca Beetson, Beerwah & Tibrogargan, 2015, digital photo on metallic paper, 84x 59cm; courtesy the artist

2 Notes from the field: Chloé Wolifson   Telly Tuita, from the series ‘A Professional Brown Man’, 2018, photographic work; image courtesy the artist and Weasel Gallery, Hamilton

2 Notes from the field: Chloé Wolifson

Telly Tuita, from the series ‘A Professional Brown Man’, 2018, photographic work; image courtesy the artist and Weasel Gallery, Hamilton

3 Peter Adsett’s ‘frame-work’ invites us to join in: patrick hutchings   Peter Adsett,  frame-work no. 7 ,  frame-work no. 8  and frame-work no. 9 , 2019, acrylic paint, pencil, linen, wallpaper, 50 x 40cm (each); courtesy the artist and Yuill / Crowley, Sydney; photo: Felix Adsett

3 Peter Adsett’s ‘frame-work’ invites us to join in: patrick hutchings

Peter Adsett, frame-work no. 7, frame-work no. 8 andframe-work no. 9, 2019, acrylic paint, pencil, linen, wallpaper, 50 x 40cm (each); courtesy the artist and Yuill / Crowley, Sydney; photo: Felix Adsett

4 Encountering ‘afterness’; Dane Mitchell at the 58th venice biennale: andrew paul wood   Dane Mitchell,  Iris, Iris, Iris , 2017, installation view, Auckland Art Gallery Toi o Tāmaki, 2018; courtesy the artist

4 Encountering ‘afterness’; Dane Mitchell at the 58th venice biennale: andrew paul wood

Dane Mitchell, Iris, Iris, Iris, 2017, installation view, Auckland Art Gallery Toi o Tāmaki, 2018; courtesy the artist

5 we shall assemble, play, dance and transgress; angela mesiti at the 58th venice biennale: dunja   Rmandić   Angelica Mesiti,  Relay League , 2017, still; three-channel HD video, 16:9, colour, sound, 9mins 11secs duration; courtesy the artist and Anna Schwartz Gallery, Melbourne

5 we shall assemble, play, dance and transgress; angela mesiti at the 58th venice biennale: dunja Rmandić

Angelica Mesiti, Relay League, 2017, still; three-channel HD video, 16:9, colour, sound, 9mins 11secs duration; courtesy the artist and Anna Schwartz Gallery, Melbourne

6 beneath the juggernaut; encountering art basel hong kong: Michael fitzgerald,  hong kong    Gerasimos Floratos,  Pressing into crowds, there is still space upstairs , 2018–19, installation view, ‘Encounters: Still We Rise’, Art Basel Hong Kong, 2019; wood, canvas, oil paint, mixed media, dimensions variable; image courtesy the artist and Pilar Corrias, London

6 beneath the juggernaut; encountering art basel hong kong: Michael fitzgerald, hong kong

Gerasimos Floratos, Pressing into crowds, there is still space upstairs, 2018–19, installation view, ‘Encounters: Still We Rise’, Art Basel Hong Kong, 2019; wood, canvas, oil paint, mixed media, dimensions variable; image courtesy the artist and Pilar Corrias, London

7 janet burchill and jennifer mccamley; culture jamming at heide: sophie Knezic,  melbourne    Janet Burchill and Jennifer McCamley,  Inland Empire , 2008, installation view, Kellerberrin, Western Australia, 2008; neon tubing, electrical components, scaffolding, dimensions variable; image courtesy the artists and Neon Parc, Melbourne; © the artists

7 janet burchill and jennifer mccamley; culture jamming at heide: sophie Knezic, melbourne

Janet Burchill and Jennifer McCamley, Inland Empire, 2008, installation view, Kellerberrin, Western Australia, 2008; neon tubing, electrical components, scaffolding, dimensions variable; image courtesy the artists and Neon Parc, Melbourne; © the artists

8 ildiko kovacs; a decade of mark making: rebecca blake   Ildiko Kovacs,  T.T. , 2004, synthetic polymer paint on masonite, 63.5 x 64cm; Museum of Contemporary ArtAustralia, Sydney, donated through the Australian Government’s Cultural Gifts Program by Ann Lewis AO, 2009

8 ildiko kovacs; a decade of mark making: rebecca blake

Ildiko Kovacs, T.T., 2004, synthetic polymer paint on masonite, 63.5 x 64cm; Museum of Contemporary ArtAustralia, Sydney, donated through the Australian Government’s Cultural Gifts Program by Ann Lewis AO, 2009