https://www.artmonthly.org.au/blog daily 1.0 2023-02-01 https://www.artmonthly.org.au/blog/bundanon-bagan-bariwariganyan monthly 0.5 2025-01-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1736822179676-MPQJM9IR9OYBE3ODR3BB/BundanonBaganBariwariganyan-011.jpg Blog - The South Coast Style Endures: ‘bagan bariwariganyan: echoes of country’ at Bundanon Tommy McRae and Mickey of Ulladulla, Corobboree, 1860-1901. Installation view, ‘bagan bariwariganyan: echoes of country’, Bundanon, 2024. Photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1736822210387-548S8ZIAKF9HJL90LPEA/BundanonBaganBariwariganyan-001-2.jpg Blog - The South Coast Style Endures: ‘bagan bariwariganyan: echoes of country’ at Bundanon Aunty Cheryl Davison, Aunty Julie Freeman, Mickey of Ulladulla and Jonathan Jones, ‘bagan bariwariganyan: echoes of country’, exhibition installation view, Bundanon, 2024. Photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1736822240564-U0KLDTL9DOIQKTCW9FLH/BundanonBaganBariwariganyan-019.jpg Blog - The South Coast Style Endures: ‘bagan bariwariganyan: echoes of country’ at Bundanon Aunty Cheryl Davison, Dhawalanj bunbal-ba banggawu (Many trees and Burrawangs). Installation view,‘bagan bariwariganyan: echoes of country’, Bundanon, 2024. Photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1736822267535-99VL5JHDE8FE9W9G2V7U/BundanonBaganBariwariganyan-021.jpg Blog - The South Coast Style Endures: ‘bagan bariwariganyan: echoes of country’ at Bundanon Aunty Julie Freeman, Biddi-gal noon-kan-leek (Grandmothers belonging to me). Installation view, ‘bagan bariwariganyan: echoes of country’, Bundanon, 2024. Photo: Zan Wimberley https://www.artmonthly.org.au/blog/julie-mehretu-mca monthly 0.5 2025-01-14 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1734568109865-IKCEKLD641RTX3BIALWL/2024_11_27-MCAJulieMehretu-022_edit.jpg Blog - ‘Julie Mehretu: A Transcore of the Radical Imaginatory’ at the Museum of Contemporary Art Australia Installation view, ‘Julie Mehretu: A Transcore of the Radical Imaginatory’, Museum of Contemporary Art Australia, Warrang/Sydney, 2024. Image courtesy of Julie Mehretu and Museum of Contemporary Art Australia. © Julie Mehretu. Photograph: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1734561376913-WZ48ETYWT1RQOJOOVU45/JM_0190_23_Femenine+in+nine+part+1_2023_WC_3.jpg Blog - ‘Julie Mehretu: A Transcore of the Radical Imaginatory’ at the Museum of Contemporary Art Australia Julie Mehretu, Femenine in nine, part 1, 2023, ink and acrylic on canvas. Image courtesy and © Julie Mehretu. Photograph: White Cube https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1734561309925-CU2NFO40MQ64KRGWISAE/JM_1290_23_TRANSpaintings+%28oneiromancer%29+2023_Photo_White_Cube_Theo_Christelis_det_5+%28HighRes%29.jpg Blog - ‘Julie Mehretu: A Transcore of the Radical Imaginatory’ at the Museum of Contemporary Art Australia Julie Mehretu, TRANSpaintings (oneiromancer), 2023, ink and acrylic on monofilament polyester mesh in an aluminium sculpture, and Upright Brackets by Nairy Baghramian. Installation view, ‘They departed for their own country another way (a 9x9x9 hauntology)’, White Cube Bermondsey, London, 2023. Image courtesy and © Julie Mehretu and White Cube. Photograph: Theo Christelis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1734561679107-T5OIN1PKZAMR0ONKYLQ6/JM_0290_19_Haka_%28and_Riot%29_Photo_Tom_Powel_Imaging+%28HighRes%29.jpg Blog - ‘Julie Mehretu: A Transcore of the Radical Imaginatory’ at the Museum of Contemporary Art Australia Julie Mehretu, Haka (and Riot), 2019, ink and acrylic on canvas. Collection of the Los Angeles County Museum of Art, gift of Andy Song. Image courtesy and © Julie Mehretu. Photograph: Tom Powel Imaging https://www.artmonthly.org.au/blog/why-work-with-paint monthly 0.5 2025-02-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1732679914372-KBSQW1R7YXDCWQDJFRFM/Opinion-Horizontal.jpg Blog - Why do you choose to work with paint? From top left, left to right: Abdul Abdullah, Christopher Bassi, Dean Cross, Gian Manik, Jelena Telecki, Khadim Ali, Louise Zhang, Marikit Santiago and Prudence Flint https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/3a3b17ea-570f-4aa7-85d5-25b4cdc19264/Abdul+Abdullah+by+Art+Sodsirikul.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/69f56590-5d67-4bfa-b702-3d93529579b8/Christopher+Bassi+by+Joe+Ruckli.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/84623dca-ff0c-4920-9fc5-d68dac789c30/Dean+Cross_Headshot_photocredit_Dario_Hardaker.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8b1fa722-61ae-4933-a422-fbd384822a71/Gian+Manik+by+Alex+Kelaart.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/e39a7c7c-1a00-4724-a8be-b1dd43512a98/Jelena+Telecki+by+%C2%A9+Art+Gallery+of+New+South+Wales%2C+Felicity+Jenkins%2C+2024-2.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/0680f725-5033-43c2-a44a-a4f54338c245/Khadim+Ali+by+Yasa+Ali.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/85b33d2d-4b65-4c80-9aba-89967e6112a2/Louise+Zhang+by+Garry+Trinh.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/6a80b8a5-c6cd-4c99-8bcc-75835e45fdd2/Marikit+Santiago+by+Garry+Trinh.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/60190993-da9e-47bb-80f8-aa5d3ae114bc/Prudence+Flint+photo+credit+Karina+Dias+Pires++copy.jpg Blog - Why do you choose to work with paint? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.artmonthly.org.au/blog/juliemehretu monthly 0.5 2024-12-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1732060189144-O6B8P2AQBBXAG544Y5KW/_DSC2170.jpg Blog - Repatriate Love Back to Our Ancestors: The Unbound Collective’s ‘Sovereign Acts | Love Praxis’ at Flinders University Museum of Art Unbound Collective, Natalie Harkin and Seana O’Brien, Archive Performance Skirts (detail), 2019, calico, poems and archival material on banana leaf paper, marine ply and bamboo, foliage, incandescent bulb with wiring, variable sizes. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1732060227355-EZWM67BGH5SG48LJ27NA/_DSC2079.jpg Blog - Repatriate Love Back to Our Ancestors: The Unbound Collective’s ‘Sovereign Acts | Love Praxis’ at Flinders University Museum of Art ‘Sovereign Acts | Love Praxis: Unbound Collective’, exhibition installation view, Flinders University Museum of Art, Tarntaya/Adelaide, 2024. Photo: FUMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1732060270819-8MTHNG7T8SN12HSHQVBW/_DSC2100.jpg Blog - Repatriate Love Back to Our Ancestors: The Unbound Collective’s ‘Sovereign Acts | Love Praxis’ at Flinders University Museum of Art Unbound Collective, Ali Baker and Seana, Skirt nets (detail), 2023, recycled cotton with found feathers and manila rope, variable sizes https://www.artmonthly.org.au/blog/first-nations-art-frieze-cmdhf monthly 0.5 2024-11-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1729038523288-OAK5D91OGO59SK53V1BH/D%27Lan+Contemporary-FRIEZE+Masters_09.10.24_Dan+Weill+Photography-6.jpg Blog - Australian First Nations art was in the spotlight at Frieze London and Frieze Masters 2024 ‘Paddy Bedford: Sprit + Truth’, exhibition installation view, Frieze Masters, London, 2024. Courtesy of D’Lan Contemporary https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1729038966932-N9733CQ4JCOVNW0XE5QE/D%2527Lan%2BContemporary-FRIEZE%2BMasters_09.10.24_Dan%2BWeill%2BPhotography-39-2.jpg Blog - Australian First Nations art was in the spotlight at Frieze London and Frieze Masters 2024 Paddy Bedford, Blanket Lizard – Motor Car Yard, 2004. Installation view, Frieze Masters, London, 2024. Courtesy of D’Lan Contemporary https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1729038740081-8WMMHNDN4A2BJTJVNB85/D%27Lan+Contemporary-FRIEZE+Masters_09.10.24_Dan+Weill+Photography-34.jpg Blog - Australian First Nations art was in the spotlight at Frieze London and Frieze Masters 2024 ‘Paddy Bedford: Sprit + Truth’, exhibition installation view, Frieze Masters, London, 2024. Courtesy of D’Lan Contemporary https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1729038518099-XXVFMGIKVWCU7MJ7KJ30/Naminapu+Maymuru-White_2024_08_03-001.jpg Blog - Australian First Nations art was in the spotlight at Frieze London and Frieze Masters 2024 Naminapu Maymuru-White, Milŋiyawuy, 2024, installation view, Frieze London, 2024. Courtesy of the artist and Sullivan+Strumpf https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1729038521563-RKSMQWIXT9HAYDAMS6EM/Naminapu+Maymuru-White_2024_08_03-019.jpg Blog - Australian First Nations art was in the spotlight at Frieze London and Frieze Masters 2024 Naminapu Maymuru-White, Milŋiyawuy, 2024, detail. Installation view, Frieze London, 2024. Courtesy of the artist and Sullivan+Strumpf https://www.artmonthly.org.au/blog/canberra-art-biennial-jazz-money monthly 0.5 2024-10-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1727832154086-1QLYSJ453MM0BVVYZ46L/IMG_6962+copy.jpg Blog - Canberra Art Biennial 2024: Jazz Money’s ‘Only Country Lasts Forever’ shifts our perspective on a familiar landscape Jazz Money, Only Country Lasts Forever, 2024, powder coated aluminium and steel, LED solar lights. Installation view, ‘Canberra Art Biennial’, Kamberri/Canberra, 2024. Courtesy of Kevin Miller and Canberra Art Biennial https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1727832172405-PWSTNKBGXRMKJ2D9X1XR/IMG_7019+copy.jpg Blog - Canberra Art Biennial 2024: Jazz Money’s ‘Only Country Lasts Forever’ shifts our perspective on a familiar landscape Jazz Money, Only Country Lasts Forever, 2024, powder coated aluminium and steel, LED solar lights. Installation view, ‘Canberra Art Biennial’, Kamberri/Canberra, 2024. Courtesy of Kevin Miller and Canberra Art Biennial https://www.artmonthly.org.au/blog/primavera2024-mca monthly 0.5 2024-10-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1726619785635-SWT19SOP3T36EY9TV6RG/MCAPrimaveraPhotoZanWimberley-002.jpg Blog - Loss, language and love: How young Australian artists are navigating cultural dislocation Aidan Hartshorn, Yiramir Mayiny (River People), 2024, printed vinyl on aluminium. Installation view, ‘Primavera 2024: Young Australian Artists’, Museum of Contemporary Art Australia, Warrang/Sydney, 2024. Courtesy of the artist and Museum of Contemporary Art Australia. © Aidan Hartshorn. Photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1726619789204-85AWVOP6ACMDTZ0ZEMWL/MCAPrimaveraPhotoZanWimberley-009.jpg Blog - Loss, language and love: How young Australian artists are navigating cultural dislocation Monica Rani Rudhar, We Were Connected in a More Complicated Way Than Either of Us Could Even Begin to Understand, 2023, single channel video. Installation view, ‘Primavera 2024: Young Australian Artists’, Museum of Contemporary Art Australia, Warrang/Sydney, 2024. Courtesy of the artist and Museum of Contemporary Art Australia. © Monica Rani Rudhar. Photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1726619790686-N49J6V34O2B8AAL49LYC/MCAPrimaveraPhotoZanWimberley-013.jpg Blog - Loss, language and love: How young Australian artists are navigating cultural dislocation Chun Yin Rainbow Chan, Long Distance Call 長途電話, 2024, silk dye on habotai silk, wax resist, freshwater pearls, linocut print, jute twine, digital animation projection, audio track. Installation view, ‘Primavera 2024: Young Australian Artists’, Museum of Contemporary Art Australia, Warrang/Sydney, 2024. Courtesy of the artist and Museum of Contemporary Art Australia. © Chun Yin Rainbow Chan. Photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1726621073728-5DD1GV8UWRKH6DIXM1I9/MCAPrimaveraPhotoZanWimberley-005.jpg Blog - Loss, language and love: How young Australian artists are navigating cultural dislocation Sarah Ujmaia, And thank you to my baba for laying the timber floor, 2024, calcite (from bisque eggshell and shell grit), calcium carbonate (from unfired shell grit), calcium sulphate dihydrate (from gypsum). Installation view, ‘Primavera 2024: Young Australian Artists’, Museum of Contemporary Art Australia, Warrang/Sydney, 2024. Courtesy of the artist and Museum of Contemporary Art Australia. © Sarah Ujmaia. Photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1726619793298-2EV8KRZ2K55KESEZVU6R/MCAPrimaveraPhotoZanWimberley-010-2.jpg Blog - Loss, language and love: How young Australian artists are navigating cultural dislocation Teresa Busuttil, sinners grotto, 2023, fibreglass, shell, synthetic polymer paint, adhesive, grout, foam, LED light, concrete, sandstone. Installation view, ‘Primavera 2024: Young Australian Artists’, Museum of Contemporary Art Australia, Warrang/Sydney, 2024. Courtesy of the artist and Museum of Contemporary Art Australia. © Teresa Busuttil. Photo: Zan Wimberley https://www.artmonthly.org.au/blog/jasper-jordan-lang-cache monthly 0.5 2024-09-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1724807986119-7VRWS37NS8J9G9HH3KCW/_TNR0613.jpg Blog - Jasper Jordan-Lang: ‘Attention Interest Action’ at Cache Jasper Jordan-Lang, Untitled, 2024, inkjet print mounted on particleboard, 107 x 80 cm. Courtesy of Cache. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1724807992219-QVDEKY4QQ2AWEOL5YVLN/_TNR0618.jpg Blog - Jasper Jordan-Lang: ‘Attention Interest Action’ at Cache ‘Jasper Jordan-Lang: Attention Interest Action’, exhibition installation view, Cache, Naarm/Melbourne. Courtesy of Cache. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1724808160872-EJZEQ8UA183FPO9EMMPN/Jasper-4.jpg Blog - Jasper Jordan-Lang: ‘Attention Interest Action’ at Cache Jasper Jordan-Lang, Untitled, 2024, inkjet print mounted on particleboard, 107 x 80 cm. Courtesy of Cache. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1724808078208-NBBUSJWR9AC737HOXEB9/_TNR0632.jpg Blog - Jasper Jordan-Lang: ‘Attention Interest Action’ at Cache ‘Jasper Jordan-Lang: Attention Interest Action’, exhibition installation view, Cache, Naarm/Melbourne. Courtesy of Cache. https://www.artmonthly.org.au/blog/gail-mabo-nikau-hindin-sydney-opera-house monthly 0.5 2024-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723074093842-2S5NOIB71KNQ1JCHJSRF/Gail+Mabo+Nikau+Hindin+Sydney+Opera+House.jpg Blog - Artists Gail Mabo and Nikau Hindin introduce their project for the Sydney Opera House Nikau Hindin and Gail Mabo in front of Badu Gili: Celestial.  Presented in collaboration with the Biennale of Sydney, the Sydney Opera House and the Fondation Cartier pour l’art contemporain. Photo: Mark Pokorny https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723074095010-OAJA70T7BU0LSMVEOPYZ/Nikau+Hindin+Sydney+Opera+House.jpg Blog - Artists Gail Mabo and Nikau Hindin introduce their project for the Sydney Opera House Nikau Hindin for Badu Gili: Celestial  (the 2024 commission also features artist Gail Mabo) projected onto the Bennelong sails of the Sydney Opera House. Presented in collaboration with the Biennale of Sydney, the Sydney Opera House and the Fondation Cartier pour l’art contemporain. Photo: Mark Pokorny https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723074100272-FWXN7VCRM142MSTMTS16/Gail+Mabo+Sydney+Opera+House+1.jpg Blog - Artists Gail Mabo and Nikau Hindin introduce their project for the Sydney Opera House Gail Mabo for Badu Gili: Celestial  (the 2024 commission also features artist Nikau Hindin) projected onto the Bennelong sails of the Sydney Opera House. Presented in collaboration with the Biennale of Sydney, the Sydney Opera House and the Fondation Cartier pour l’art contemporain. Photo: Mark Pokorny https://www.artmonthly.org.au/blog/claudia-nicholson-uts monthly 0.5 2024-08-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723600269901-7YJAWFJ44N2RDYTA45W2/UTSArt_ClaudiaNicholson_2024_credit_JacquieManning-49.jpg Blog - Claudia Nicholson: ‘If The Mountain Is Burning, Let It Burn’ at UTS Gallery ‘Claudia Nicholson: If The Mountain Is Burning, Let It Burn’, exhibition installation view, UTS Gallery, Warrang/Sydney, 2024. Photo: Jacquie Manning. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723600271851-RPD8QP539T0K95KKG2T1/UTSArt_ClaudiaNicholson_2024_credit_JacquieManning-13.jpg Blog - Claudia Nicholson: ‘If The Mountain Is Burning, Let It Burn’ at UTS Gallery Claudia Nicholson, The Deep Rivers Say It Slowly, 2023, single channel HD video, glitter, 9 mins, 33 secs, original music by Monica Brooks. Photo: Jacquie Manning. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723600278210-VLXXHI7QP4IH1G9GCJD7/UTSArt_ClaudiaNicholson_2024_credit_JacquieManning-35.jpg Blog - Claudia Nicholson: ‘If The Mountain Is Burning, Let It Burn’ at UTS Gallery Claudia Nicholson, Mercedes with butterfly, 2024, archival pigment prints, 81 x 109.5cm each, diptych. Photo: Jacquie Manning. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723600275263-K32X6BF9OOI7I8HZGKGB/UTSArt_ClaudiaNicholson_2024_credit_JacquieManning-16.jpg Blog - Claudia Nicholson: ‘If The Mountain Is Burning, Let It Burn’ at UTS Gallery ‘Claudia Nicholson: If The Mountain Is Burning, Let It Burn’, exhibition installation view, UTS Gallery, Warrang/Sydney, 2024. Photo: Jacquie Manning. https://www.artmonthly.org.au/blog/curating-first-nations-art monthly 0.5 2024-08-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723003660436-0W8BIFYTB4BVV79CPGV8/Freddy+Mamani+Biennale+of+Sydney+Fondation+Cartier.jpg Blog - Tony Albert, Erin Vink and Kimberley Moulton discuss curating First Nations art across borders Freddy Mamani, Diablada, 2024, wood, gloss enamel. Commissioned by the Biennale of Sydney and the Fondation Cartier pour l’art contemporain. Courtesy the artist and laplurinacional.com.bo. © Freddy Mamani Silvestre. Installation view, 24th Biennale of Sydney, ‘Ten Thousand Suns,’ 2024, Museum of Contemporary Art Australia. Photo: Hamish McIntosh https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1723003668346-NY5USV6F6LTM0LOA7P8W/Nikau+Hindin+Biennale+of+Sydney+Fondation+Cartier.jpg Blog - Tony Albert, Erin Vink and Kimberley Moulton discuss curating First Nations art across borders Nikau Hindin, Eboni Fifita-Laufilitoga-Maka Fungamapitoa, Hina Puamohala Kneubuhl Kihalaupoe, Hinatea Colombani, Kesaia Biuvanua, Rongomai Grbic-Hoskins,  Aumoana, 2023-24. Commissioned by the Biennale of Sydney and the Fondation Cartier pour l’art contemporain with generous support from Creative New Zealand. Courtesy the artists. © The artists. Installation view, 24th Biennale of Sydney, ‘Ten Thousand Suns,’ 2024, White Bay Power Station. Photo: Document Photography https://www.artmonthly.org.au/blog/tim-hardy-treadler monthly 0.5 2024-08-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1722387294588-TBFAGAGKZ90KXIFO5UQK/_DSF1800lrg.jpg Blog - Tim Hardy: ‘Decor’ at Treadler 'Tim Hardy: Decor’, exhibition installation view, Treadler, Tāmaki Makaurau/Auckland. Courtesy of Treadler. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1722387296687-ZN5PK157XG2YFHAW9B9Q/_DSF1791lrg.jpg Blog - Tim Hardy: ‘Decor’ at Treadler Tim Hardy, Act One: Domestic Scene, 2024, archival prints on baryta paper, custom blackwood frame, 370 × 1120 mm. Courtesy of Treadler. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1722387296271-EDALQXUAUW0SFBQ5Q1OW/_DSF1787lrg.jpg Blog - Tim Hardy: ‘Decor’ at Treadler Tim Hardy, Act Three: The Lament, 2024, detail, archival print on baryta paper, custom blackwood frame, 370 × 1120 mm. Courtesy of Treadler. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1722387406268-GA5M0H99FC4QGSUMFBRZ/_DSF1781lrg.jpg Blog - Tim Hardy: ‘Decor’ at Treadler Tim Hardy, Act Two: Compact Mirror, 2024, detail, archival print on baryta paper, custom blackwood frame, 370 × 1120 mm. Courtesy of Treadler. https://www.artmonthly.org.au/blog/mangala-bai-maravi-baiga-tattooing monthly 0.5 2024-07-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1721192088075-M7ZGRQEIEB878OVQR0DH/Opening+spread%E2%80%94Mangala+Bai_Biennale+of+Sydney+2024_005+%281%29.jpg Blog - How Mangala Bai Maravi is preserving the Baiga art of tattooing Mangala Bai Maravi at White Bay Power Station in front of Baiga Godna Indian Tribe, 2024. Commissioned by the Biennale of Sydney and the Fondation Cartier pour l’art contemporain. Courtesy the Baiga Tribe. Artist Assistant: Amit Arjel-Sharma. © Baiga Tribe. Photograph: Mark Pokorny https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1721192085383-1C7RQ40JAVUBJ3TMG51U/Mangala+and+Amit.jpg Blog - How Mangala Bai Maravi is preserving the Baiga art of tattooing Mangala Bai Maravi and Amit Arjel-Sharma in their temporary studio on campus at the University Sydney ahead of the opening of the Biennale of Sydney. Photograph: Mark Pokorny https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1721192079624-MLFMQVQ1V42S9CQS0YYV/Mangala+Bai+Maravi_09.JPG Blog - How Mangala Bai Maravi is preserving the Baiga art of tattooing Mangala Bai Maravi, Baiga Godna Indian Tribe, 2024, ink on paper. Commissioned by the Biennale of Sydney and the Fondation Cartier pour l’art contemporain. Courtesy the Baiga Tribe. Artist Assistant: Amit Arjel-Sharma. © Baiga Tribe. Photo: David James https://www.artmonthly.org.au/blog/robert-fielding-canberra-glassworks monthly 0.5 2024-07-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1721204342517-G8GD0BQWCAJ5RVZM48YS/Robert+Fielding+Canberra+Glassworks+1.jpg Blog - 'Robert Fielding: NYARU’ at Canberra Glassworks Robert Fielding, Kapi iili (steady rain), 2024, installation view, 'Robert Fielding: NYARU', Canberra Glassworks, Kamberri/Canberra. Courtesy of Canberra Glassworks. Photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1721204346168-X4R499KVJJ1LDQT8GIHN/Robert+Fielding+Canberra+Glassworks+2.jpg Blog - 'Robert Fielding: NYARU’ at Canberra Glassworks Robert Fielding, Kapi iili (steady rain), 2024, installation view, 'Robert Fielding: NYARU', Canberra Glassworks, Kamberri/Canberra. Courtesy of Canberra Glassworks. Photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1721204361914-CXJK59WZZ6UQP5B85AF9/Robert+Fielding+Canberra+Glassworks+3.jpg Blog - 'Robert Fielding: NYARU’ at Canberra Glassworks Robert Fielding, Milkali Kutji, 2024, installation view, 'Robert Fielding: NYARU', Canberra Glassworks, Kamberri/Canberra. Courtesy of Canberra Glassworks. Photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1721204365737-99ZWJO5ZGJKFKP2X9Q7Z/Robert+Fielding+Canberra+Glassworks+4.jpg Blog - 'Robert Fielding: NYARU’ at Canberra Glassworks 'Robert Fielding: NYARU', exhibition installation view, Canberra Glassworks, Kamberri/Canberra. Courtesy of Canberra Glassworks. Photo: Brenton McGeachie https://www.artmonthly.org.au/blog/biennale-sydney-kieran-satour monthly 0.5 2024-07-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1720575595271-W0936N7Q8YY77O6H6MQ3/Christina+Flores+Pescoran+Spread.jpg Blog - The importance of narrative sovereignty Cristina Flores Pescorán’s performance at White Bay Power Station. Recorded by Tyson Perkins on 16mm film https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1720575599436-CQZPNR01BD4JFJAA3HUH/Mangala+Bai+Maravi+.jpg Blog - The importance of narrative sovereignty Mangala Bai Maravi. Photographed by Kieran Satour on 35mm film https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1720575603738-JAJGAH2QHAELJY5OKT96/Kieran+Satour+Spread.jpeg Blog - The importance of narrative sovereignty From left: Cristina Flores Pescorán; Eric-Paul Riege; and Mangala Bai Maravi, all pictured working on their commissions for the 24th Biennale of Sydney. Captured by Kieran Satour on Super 8 film https://www.artmonthly.org.au/blog/wilderness-ideology monthly 0.5 2024-07-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1720413249589-CWP25HFSCLF9UWWJL2E6/Syd+Bruce+Shortjoe%E2%80%94Sea+Turtle+Initiation.jpg Blog - What is ‘Wilderness Ideology’ and why is it problematic? Syd Bruce Shortjoe, Sea Turtle Initiation, acrylic on linen, 75 x 105cm. © The artist and Pormpuraaw Art & Culture Centre Inc. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1720413282392-C3UH8CWH398K7I00T595/Mavis+Ngallametta.jpeg Blog - What is ‘Wilderness Ideology’ and why is it problematic? Mavis Ngallametta, Dragging Net at Less Creek, 2015, natural ochres and charcoal with acrylic binder on linen, 264 x 200 cm. Collection of the Queensland Art Gallery l Gallery of Modern Art, Meanjin/Brisbane. Donated under the Australian Government’s Cultural Gifts Program by Mr J. Kahlbetzer, 2024. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1720413306107-0P9NUIT37GKJMAA4KS3M/Tania+Major%E2%80%94Dragon+Flys+Everywhere-+Coming+Into+The+Dry+Season%2C+Tania+Major%2C+2022.+Image+courtesy+of+the+artist+and+Cairns+Indigenous+Art+Fair.jpg Blog - What is ‘Wilderness Ideology’ and why is it problematic? Tania Major, Dragon Flys Everywhere: Coming Into The Dry Season, 2022. Courtesy of the artist https://www.artmonthly.org.au/blog/kith-and-kin monthly 0.5 2024-07-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1715150102756-CFS397JJZEPL16RD1TOX/Archie+Moore+kith+and+kin+Australian+Pavilion+Venice+Biennale+1.jpeg Blog - Inside Archie Moore’s ‘kith and kin’—the exhibition that won the Golden Lion at the 60th Venice Biennale Archie Moore: kith and kin, exhibition installation view, Australia Pavilion at the Venice Biennale, Venice, 2024; © Archie Moore; courtesy of the artist and The Commercial; photo: Andrea Rossetti https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1715150103173-4VXC5F8RCEJJB5V757U5/Archie+Moore+kith+and+kin+Australian+Pavilion+Venice+Biennale+2.jpeg Blog - Inside Archie Moore’s ‘kith and kin’—the exhibition that won the Golden Lion at the 60th Venice Biennale Archie Moore: kith and kin, exhibition installation detail, Australia Pavilion at the Venice Biennale, Venice, 2024; © Archie Moore; courtesy of the artist and The Commercial; photo: Andrea Rossetti https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1715150112984-T0EFO89BLR89OP7G5SZC/Archie+Moore+kith+and+kin+Australian+Pavilion+Venice+Biennale+3.jpeg Blog - Inside Archie Moore’s ‘kith and kin’—the exhibition that won the Golden Lion at the 60th Venice Biennale Archie Moore: kith and kin, exhibition installation view, Australia Pavilion at the Venice Biennale, Venice, 2024; © Archie Moore; courtesy of the artist and The Commercial; photo: Andrea Rossetti https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1715150124598-8722YQSC5UFOW3WIE2I6/Archie+Moore+kith+and+kin+Australian+Pavilion+Venice+Biennale+4.jpeg Blog - Inside Archie Moore’s ‘kith and kin’—the exhibition that won the Golden Lion at the 60th Venice Biennale Archie Moore: kith and kin, exhibition installation detail, Australia Pavilion at the Venice Biennale, Venice, 2024; © Archie Moore; courtesy of the artist and The Commercial; photo: Andrea Rossetti https://www.artmonthly.org.au/blog/justine-youssef monthly 0.5 2024-05-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1710892376902-7QVQPB3W87Y9P804GPQN/Justine+Youssef_02.png Blog - Justine Youssef: ‘Somewhat Eternal’ at the Institute of Modern Art Justine Youssef: Somewhat Eternal, exhibition installation view, Institute of Modern Art, Meanjin/Brisbane, 2024; courtesy Institute of Modern Art, Meanjin/Brisbane; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1710892325552-BXY4T6PJI8YW5NABJPKL/Justine+Youssef_04.jpg Blog - Justine Youssef: ‘Somewhat Eternal’ at the Institute of Modern Art Justine Youssef: Somewhat Eternal, exhibition installation view, Institute of Modern Art, Meanjin/Brisbane, 2024; courtesy Institute of Modern Art, Meanjin/Brisbane; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1710892378215-QSGXXOGHL0D5JBDNMPNF/Justine+Youssef_01.png Blog - Justine Youssef: ‘Somewhat Eternal’ at the Institute of Modern Art Justine Youssef: Somewhat Eternal, exhibition installation view, Institute of Modern Art, Meanjin/Brisbane, 2024; courtesy Institute of Modern Art, Meanjin/Brisbane; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1710892325551-J5RSVOMKCE4Y0F2CNH12/Justine+Youssef_07.jpg Blog - Justine Youssef: ‘Somewhat Eternal’ at the Institute of Modern Art Justine Youssef: Somewhat Eternal, exhibition installation view, Institute of Modern Art, Meanjin/Brisbane, 2024; courtesy Institute of Modern Art, Meanjin/Brisbane; photo: Carl Warner https://www.artmonthly.org.au/blog/ngv-triennial monthly 0.5 2024-03-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1709678295524-WP0U2ZY9PLIFJKCY68FH/ARTS027961.jpg Blog - Inside and out: Notions of interiority at the NGV Triennial Sheila Hicks, Nowhere to go, 2022; courtesy the artist and Alison Jacques https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1709678295525-YT2NV1XOXYM1GREY125T/128A1624.jpg Blog - Inside and out: Notions of interiority at the NGV Triennial Sheila Hicks, Nowhere to go, 2022, installation view, ‘NGV Triennial’, NGV International, Naarm/Melbourne, 2023; courtesy the artist; photo: Sean Fennessy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1709678283257-JX1R2T8DQJ6UULFSZGHH/EXHI069089.jpg Blog - Inside and out: Notions of interiority at the NGV Triennial Prudence Flint pictured in her studio; photo: Karina Dias Pires https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1709678282491-IHT5KNR1QF6YDZTTKGWC/SF_Triennial_603.jpg Blog - Inside and out: Notions of interiority at the NGV Triennial Prudence Flint, ‘Hunting and Fishing’ series, 2023, installation view, ‘NGV Triennial’, NGV International, Naarm/Melbourne, 2023; photo: Sean Fennessy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1709678268892-HK1ZVJQV591NQ1BJ3ZI3/EXHI069088.jpg Blog - Inside and out: Notions of interiority at the NGV Triennial Petrit Halilaj, Very volcanic over this green feather, 2021; photo: Guy Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1709678268894-55JOPS8XDC9DGCA92S1D/128A1678.jpg Blog - Inside and out: Notions of interiority at the NGV Triennial Petrit Halilaj, Very volcanic over this green feather, 2021, installation view, ‘NGV Triennial’, NGV International, Naarm/Melbourne, 2023; photo: Sean Fennessy https://www.artmonthly.org.au/blog/contact-high monthly 0.5 2024-03-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1708472158745-AUSTZOJG3TWK9Y2JDGMG/8.jpg Blog - Non-fungible movements: ‘Contact High’ at Gertrude Contemporary Sarah Aiken, Body Corp (iteration no.4), 2024, performance view, ‘Contact High’, Gertrude Contemporary, Naarm/Melbourne; courtesy Gertrude and Performance Review; photo: Machiko Abe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1708471970486-1K4PEV2C7820LYZG3Y0L/3.jpg Blog - Non-fungible movements: ‘Contact High’ at Gertrude Contemporary Mara Galagher, unnamed work, 2024, performance view, ‘Contact High’, Gertrude Contemporary, Naarm/Melbourne, with performers Andrea Illés and Nelly Clifton; courtesy Gertrude and Performance Review; photo: Machiko Abe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1708471900920-GRI2GGYUAF2W7CANMDJ4/1.jpg Blog - Non-fungible movements: ‘Contact High’ at Gertrude Contemporary Harrison Ritchie-Jones, Cold Tooth, 2024, performance view, ‘Contact High’, Gertrude Contemporary, Naarm/Melbourne, with performer Jon Dinapoli; courtesy Gertrude and Performance Review; photo: Machiko Abe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1708472209838-3TCMRAO34ESLEMLNHRWH/6.jpg Blog - Non-fungible movements: ‘Contact High’ at Gertrude Contemporary Mara Galagher, unnamed work, 2024, performance view, ‘Contact High’, Gertrude Contemporary, Naarm/Melbourne; courtesy Gertrude and Performance Review; photo: Machiko Abe https://www.artmonthly.org.au/blog/jordan-wolfson monthly 0.5 2024-02-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1702594284809-GZZYQZ8TAMA0TAJL43II/20231207_Body+Sculpture_004.jpg Blog - The body that holds us: Jordan Wolfson’s ‘Body Sculpture’ at the National Gallery of Australia Jordan Wolfson, Body Sculpture, 2023, installation detail, National Gallery of Australia, ‘Jordan Wolfson: Body Sculpture’, Kamberri/Canberra; photo: Sam Cooper, © Jordan Wolfson. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1702593779384-KCY8KJR2WZ8OIAM83J7R/1587_JWO_001_0472_v1-RGB-Large+Viewing+%28JPEG+4200px%29.jpg Blog - The body that holds us: Jordan Wolfson’s ‘Body Sculpture’ at the National Gallery of Australia Jordan Wolfson, Body Sculpture, 2023, installation detail, National Gallery of Australia, ‘Jordan Wolfson: Body Sculpture’, Kamberri/Canberra; courtesy Gagosian, Sadie Coles HQ, and David Zwirner; photo: David Sims, © Jordan Wolfson. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1702593685436-Q3LE1YZBYW2PBYNTICK3/20231207_Body+Sculpture_012.jpg Blog - The body that holds us: Jordan Wolfson’s ‘Body Sculpture’ at the National Gallery of Australia Jordan Wolfson, Body Sculpture, 2023, installation detail, National Gallery of Australia, ‘Jordan Wolfson: Body Sculpture’, Kamberri/Canberra; photo: Sam Cooper, © Jordan Wolfson. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1702593704318-ZI34HFVRQGVWDY6F5TOD/20231207_Body+Sculpture_003.jpg Blog - The body that holds us: Jordan Wolfson’s ‘Body Sculpture’ at the National Gallery of Australia Jordan Wolfson, Body Sculpture, 2023, installation detail, National Gallery of Australia, ‘Jordan Wolfson: Body Sculpture’, Kamberri/Canberra; photo: Sam Cooper, © Jordan Wolfson. https://www.artmonthly.org.au/blog/hoda-afshar monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1701215702941-KXJWVSTACJQ76DJM7BKD/20230901HodaAfsharMarcomms_041exodus.jpg Blog - If the heart has an eye: Hoda Afshar at the Art Gallery of New South Wales Hoda Afshar: A Curve is a Broken Line, exhibition installation view, Art Gallery of New South Wales, Warrang/Sydney, 2023; photo: Christopher Snee https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1701215708942-AEU8PAIAKCCQ2QIKGGJ4/HOD2023SUPP.jpg Blog - If the heart has an eye: Hoda Afshar at the Art Gallery of New South Wales Hoda Afshar, Remain, 2018, production still from two-channel digital video, 23 mins 33 secs duration; image courtesy the artist and Art Gallery of New South Wales; © Hoda Afshar https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1701215692509-92F0F1559SYTW7I78N0M/20230901HodaAfsharMarcomms_005+1.jpg Blog - If the heart has an eye: Hoda Afshar at the Art Gallery of New South Wales Hoda Afshar: A Curve is a Broken Line, exhibition installation view, Art Gallery of New South Wales, Warrang/Sydney, 2023; photo: Christopher Snee https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1701218438312-9DQ7VYEEH1YRMNOPTL7L/SID92743%23%23M.jpg Blog - If the heart has an eye: Hoda Afshar at the Art Gallery of New South Wales Hoda Afshar, Untitled #18, 2015-22, from the series ‘Speak the wind’, pigment photographic print; image courtesy the artist; © Hoda Afshar https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1701215699104-JMN4793ME3GN55NUKC8P/20230901HodaAfsharMarcomms_027.jpg Blog - If the heart has an eye: Hoda Afshar at the Art Gallery of New South Wales Hoda Afshar: A Curve is a Broken Line, exhibition installation view, Art Gallery of New South Wales, Warrang/Sydney, 2023; photo: Christopher Snee https://www.artmonthly.org.au/blog/tarnanthi monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1700135688002-UYFSR4DC5GNKSVWD18T4/20231019+Tarnanthi+Djakanu+Yunupingu+SRGB+2000px+Photo+Saul+Steed+0Z2Y7734.jpeg Blog - To rise and appear: Tarnanthi at AGSA Djakaŋu Yunupiŋu, Tears of the Djulpan, 2023, installation view, 'Tarnanthi 2023', Art Gallery of South Australia, Tarntanya/Adelaide, 2023; photo: Saul Steed. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1700187815448-3K2UUCK5EII6FFSP0JGE/20231018+Tarnanthi+Installation+SRGB+2000px+Photo+Saul+Steed+0Z2Y7672.jpg Blog - To rise and appear: Tarnanthi at AGSA Bugai Whyoulter, Wantili (Warntili, Canning Stock Route Well 25), 2020-22, installation view, 'Tarnanthi 2023', Art Gallery of South Australia, Tarntanya/Adelaide, 2023; photo: Saul Steed. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1700135712216-3050N6WGZWVMT0A8FQKI/20231016+Tarnanthi+Installation+Adobe+RGB+4000px+Photo+Saul+Steed+0Z2Y7511.jpeg Blog - To rise and appear: Tarnanthi at AGSA Vincent Namatjira: Australia in colour as part of Tarnanthi 2023, 2023, exhibition installation view, Art Gallery of South Australia, Tarntanya/Adelaide, 2023; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1700187915074-OQRX9FU7W0Q26MN0AGNM/Timo_install_3.jpg Blog - To rise and appear: Tarnanthi at AGSA Timo Hogan: Kumpilpa Ngaranyi – Unseen, 2023, exhibition installation view, Light Square Gallery, Tarntanya/Adelaide, 2023; courtesy Salon Art Projects https://www.artmonthly.org.au/blog/open-glossary monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1698209729529-HUUU63968O268ACAEZN2/3.+James+Nguyen+and+Budi+Sudarto%2C+White+shirt+installation+2023+%28detail%29.jpg Blog - What do you mean: James Nguyen’s ‘Open Glossary’ at ACCA James Nguyen and Budi Sudarto, White shirt installation, 2023, installation view, ‘James Nguyen: Open Glossary’, Australian Centre for Contemporary Art, Naarm/Melbourne; courtesy the artists; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1698209733315-5T3I2P06GS3L5UH984TN/6.+James+Nguyen+and+Budi+Sudarto%2C+Open+glossary+on+hold+2023.jpg Blog - What do you mean: James Nguyen’s ‘Open Glossary’ at ACCA James Nguyen and Budi Sudarto, Open glossary on hold, 2023, installation view, ‘James Nguyen: Open Glossary’, Australian Centre for Contemporary Art, Naarm/Melbourne; courtesy the artists; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1698209739460-21QYJXLALAO6HR0MBW0S/James+Nguyen%2C+Open+Glossary+2023.+ACCA.+Photo-Casey+Horsfield_4.jpg Blog - What do you mean: James Nguyen’s ‘Open Glossary’ at ACCA Tamsen Hopkinson and James Nguyen, HuiHụi, 2023, installation view, ‘James Nguyen: Open Glossary’, Australian Centre for Contemporary Art, Naarm/Melbourne; courtesy the artists; photo: Casey Horsfield https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1698209743619-H6RIWNMHCWUGYQTMJY8S/James+Nguyen%2C+Open+Glossary+2023.+ACCA.+Photo-Casey+Horsfield_3.jpg Blog - What do you mean: James Nguyen’s ‘Open Glossary’ at ACCA James Nguyen: Open Glossary, exhibition installation view, Australian Centre for Contemporary Art, Naarm/Melbourne, 2023; featuring works by James Nguyen and Kate ten Buuren; courtesy the artists; photo: Casey Horsfield https://www.artmonthly.org.au/blog/through-shaded-glass monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1696986465660-RQN02U05RRZ31O7WMTX3/ShadedGlass_image1.png Blog - Women’s work Tyree Studio (Rose Frank), Rose Frank holding a photographic portrait, c. 1900, gelatin dry plate glass negative; Nelson Provincial Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1696986473225-GFF141WJGBUHDGCO3ZD3/ShadedGlass_image2.png Blog - Women’s work Helen Stuart, Hand-painted portrait of an unidentified Māori woman, 1886, painted cabinet card print; collection of Peter Alsop https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1696986473233-6S7204SVNXNX90H6C53Z/ShadedGlass_image3.png Blog - Women’s work Elin ‘Elfie’ Ralph, Fire, c. 1929, hand-coloured silver gelatin print; collection of Susan Omundsen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1696986955298-H0WIGD6FQO4RJ0V0GUWE/ShadedGlass_image4.png Blog - Women’s work Hanne Easterbrook-Smith, Self-portrait with Leica camera, c. 1940, silver gelatin print; collection of Sonja Easterbrook-Smith https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1696986976682-AWKL11Y6CMZS9V5B6EG8/ShadedGlass_image5.jpg Blog - Women’s work Courtesy Te Papa Press, Te Whanganui-a-Tara/Wellington https://www.artmonthly.org.au/blog/marco-fusinato monthly 0.5 2023-09-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1695538591653-225IWBXL5DBT0XAH8KKG/Marco+Fusinato+-+Berlin_Atonal_23_day+5_%C2%A9%EF%B8%8FHelge+Mundt+%40studiomundt-123.jpg Blog - Crushed by waves: Reuben Holt in conversation with Marco Fusinato Marco Fusinato, DESASTRES, performance documentation, Berlin Atonal, 2023; photo: Helge Mundt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1695537792991-CWTLJ2EZC2MQU7M2I7QT/Marco+Fusinato+145_BA23+by+Frankie+Casillo_13.9.jpg Blog - Crushed by waves: Reuben Holt in conversation with Marco Fusinato Marco Fusinato, DESASTRES, performance documentation, Berlin Atonal, 2023; photo: Frankie Casillo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1695538630751-SB0QVZWRAIZQ3TOLWGBK/Marco+Fusinato+71_BA23+by+Frankie+Casillo_11.9.jpg Blog - Crushed by waves: Reuben Holt in conversation with Marco Fusinato Marco Fusinato, DESASTRES, performance documentation, Berlin Atonal, 2023; photo: Frankie Casillo https://www.artmonthly.org.au/blog/daniel-mudie-cunningham monthly 0.5 2023-10-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1694071583008-629LFLS1EUDMNHOU0Q88/DMC+Gender+is+a+Drag+1993+Photo+Ross+Cunningham.jpeg Blog - Death and forever: Daniel Mudie Cunningham at Wollongong Art Gallery Daniel Mudie Cunningham, Gender is a Drag, 1993, production still (from a single channel video 15 mins duration); courtesy the artist; photo: Ross Cunningham https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1694071565442-DTHHYAF5CCM5CON50ULD/DMC+Are+You+There_+install.+Photo+Silveralt.jpg Blog - Death and forever: Daniel Mudie Cunningham at Wollongong Art Gallery Are You There?, exhibition installation view, Wollongong Art Gallery, Woolyungah/Wollongong, 2023; courtesy the artist; photo: Silveralt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1694071933470-YDTV50H5FUOBAE8MTXH7/DMC+Lonesome+Cowboy+1993+install.jpeg Blog - Death and forever: Daniel Mudie Cunningham at Wollongong Art Gallery Daniel Mudie Cunningham, Lonesome Cowboy, 1993, printed 2023, installation view, ‘Are You There?’, Wollongong Art Gallery, Woolyungah/Wollongong, 2023; gelatin silver photographs, hand printed on resin-based paper, 41.5 x 59.3 cm each; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1694071555965-1C0BDEN7MMVGWEWTGFZR/DMC+Repeats+%28Erna+Lilje%29+2000+Photo+DMC.jpeg Blog - Death and forever: Daniel Mudie Cunningham at Wollongong Art Gallery Daniel Mudie Cunningham, Repeats (Erna Lilje), 2000, production still (from a single channel video 15 mins duration); courtesy the artist https://www.artmonthly.org.au/blog/huarere monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1692753942938-PP1S4FJEA4CEBJ175R6D/1.jpg Blog - Watching, listening and acting: ‘Huarere: Weather Eye, Weather Ear’ at Te Tuhi Huarere: Weather Eye, Weather Ear, exhibition installation view, Te Tuhi, Tamaki Makaurau/Auckland, 2023; featuring works by Phil Dadson (left) and James McCarthy (right); photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1692753957047-YGZY2WIGWUR6LZ46ALZW/7.jpg Blog - Watching, listening and acting: ‘Huarere: Weather Eye, Weather Ear’ at Te Tuhi Kalisolaite ‘Uhila, Sun Gate: Ha‘amonga a Maui, 2023, installation view, ‘Huarere: Weather Eye, Weather Ear’, Te Tuhi, Tamaki Makaurau/Auckland, 2023; mixed-media installation, dimensions variable https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1692754000421-U647ZEGC3N38OLYTUJXF/5.jpg Blog - Watching, listening and acting: ‘Huarere: Weather Eye, Weather Ear’ at Te Tuhi Paul Cullen, Weather Stations, 2009, installation view, ‘Huarere: Weather Eye, Weather Ear’, Te Tuhi, Tamaki Makaurau/Auckland, 2023; galvanised steel framing and concrete, hosing, pipes and glass vitrines, dimensions variable; courtesy Paul Cullen Archive; photo: Sam Hartnett https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1692753968267-CCGGKW6KIQCKLBFA765L/2.jpg Blog - Watching, listening and acting: ‘Huarere: Weather Eye, Weather Ear’ at Te Tuhi Denise Batchelor, Maureen Lander and Stìobhan Lothian, Ngaru Paewhenua, 2023, installation view, ‘Huarere: Weather Eye, Weather Ear’, Te Tuhi, Tamaki Makaurau/Auckland, 2023; dried harakeke strips, single-channel video and sound, dimensions variable; photo: Sam Hartnett https://www.artmonthly.org.au/blog/jim-allen monthly 0.5 2023-08-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1691541915971-TZ1QEMCCPF54C2JQB72R/Allen_image1.jpg Blog - Vale: Jim Allen MNZM, 1922 – 2023 Jim Allen, 2015; photo: Derek Henderson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1691541929422-UD3TC4VYAOYERQSOHTKX/Allen_image2.jpg Blog - Vale: Jim Allen MNZM, 1922 – 2023 Jim Allen, On Planting a Native, 1976/2014, performance view, Michael Lett, Karangahape Road, 2014; courtesy the artist and Michael Lett, Tamaki Makaurau/Auckland; photo: Victoria Wynne-Jones https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1691541914455-HBDAF0OPB4LEZFS1SZGG/Allen_image3.png Blog - Vale: Jim Allen MNZM, 1922 – 2023 Jim Allen, Poetry for Chainsaws, 1974/2006, performance view, Michael Lett, Karangahape Road, 2006; courtesy the artist and Michael Lett, Tamaki Makaurau/Auckland; photo: Rob Garrett https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1691541905971-KPFXHJ3WOKLE33JHN2I0/Allen_image4.jpg Blog - Vale: Jim Allen MNZM, 1922 – 2023 Ruth Allen performing Jim Allen, Poetry for Chainsaws, 1974/2022, performance view, Michael Lett, 3 East Street, 2022; courtesy the artist and Michael Lett, Tamaki Makaurau/Auckland; photo: Samuel Hartnett https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1691541921300-BEFKS32J8HG4HI18FFAJ/Allen_image5.jpeg Blog - Vale: Jim Allen MNZM, 1922 – 2023 Courtesy Clouds and Michael Lett; photo: Samuel Hartnett https://www.artmonthly.org.au/blog/museum-of-sydney monthly 0.5 2023-08-09 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1690331671871-5KLN01F3CI4TEI86N1IF/MoS_image1.jpg Blog - Retooling the conventions of value: An Indigenous perspective at the Museum of Sydney Esme Timbery, Untitled (shellworked Sydney Opera House), 2002, installation view, ‘The People’s House: Sydney Opera House at 50’, Museum of Sydney, Warrang/Sydney, 2023; Sydney Opera House Trust Collection; photo: © James Horan for Museums of History NSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1690331694215-PX0V7O2QSNRVRBGX59XV/MoS_image2.jpg Blog - Retooling the conventions of value: An Indigenous perspective at the Museum of Sydney Steven Russell and Phyllis Stewart, Untitled (woven Sydney Opera House), 2023, installation view, ‘The People’s House: Sydney Opera House at 50’, Museum of Sydney, Warrang/Sydney, 2023; Museum of Sydney Collection, Museums of History NSW; photo: © James Horan for Museums of History NSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1690331709773-LJUK5EWRHAY7CSWOD8KE/MoS_image3.jpg Blog - Retooling the conventions of value: An Indigenous perspective at the Museum of Sydney The People’s House: Sydney Opera House at 50, exhibition installation view, Museum of Sydney, Warrang/Sydney, 2023; photo: © James Horan for Museums of History NSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1690331730030-TGUO8NJNTX9UU7PWYKWV/MoS_image4.jpg Blog - Retooling the conventions of value: An Indigenous perspective at the Museum of Sydney The People’s House: Sydney Opera House at 50, exhibition installation view, Museum of Sydney, Warrang/Sydney, 2023; photo: © James Horan for Museums of History NSW https://www.artmonthly.org.au/blog/haegue-yang-nga monthly 0.5 2024-01-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1689728397551-SSB2873ASPZGBP0S5WKK/HaegueYang_image1.png Blog - Imagined encounters: Haegue Yang at the NGA Haegue Yang, Sonic Intermediates – Three Differential Equations, 2020; National Gallery of Australia, Kamberri/Canberra, purchased 2023; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1689728426825-ICZSJ6N3UO8QUWG8G54Q/HaegueYang_image2.jpeg Blog - Imagined encounters: Haegue Yang at the NGA Haegue Yang, Non-Linear and Non-Periodic Dynamics, 2020, installation view, National Gallery of Australia, Kamberri/Canberra, 2023; purchased 2023, © the artist; the selection of local elements was made in consultation with Paul Girrawah House, Ngambri (Walgalu)/Wallabalooa (Ngunnawal)/Pajong (Gundungurra)/Wiradjuri (Erambie) peoples, featuring Barbara Hepworth’s Two Figures, 1968, National Capital Authority © Bowness; photo: Karlee Holland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1689728385340-OXJFHTU903B179CSXT7D/HaegueYang_image3.jpeg Blog - Imagined encounters: Haegue Yang at the NGA Haegue Yang: Changing From From to From, exhibition installation view, National Gallery of Australia, Kamberri/Canberra, 2023; © the artist; photo: Karlee Holland https://www.artmonthly.org.au/blog/shadow-spirit monthly 0.5 2023-07-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1689138027799-X4GU3YFEBR01WE9WWKLX/ShadowSpirit_image1.jpg Blog - A revealing darkness: ‘Shadow Spirit’ at Flinders Street Station Shadow Spirit, exhibition installation view (with the work of Warwick Thornton, right), RISING, Flinders Street Station, Naarm/Melbourne, 2023; photo: Eugene Hyland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1689138052781-FBDJ8AUZW9E0JGNGYWUP/ShadowSpirit_image2.jpg Blog - A revealing darkness: ‘Shadow Spirit’ at Flinders Street Station Hayley Millar Baker, The Umbra, 2023, installation view, RISING, Flinders Street Station, Naarm/Melbourne, 2023; courtesy the artist; photo: Eugene Hyland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1689138129406-WDB6VHVGS3MMN25SBSPD/ShadowSpirit_image3.jpg Blog - A revealing darkness: ‘Shadow Spirit’ at Flinders Street Station Tiger Yaltangki and Jeremy Whiskey, ROCK N ROLL, 2023, installation view, RISING, Flinders Street Station, Naarm/Melbourne, 2023; courtesy the artists; photo: Eugene Hyland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1689138346831-TSBJVTVMCXWSOXZ7YQTZ/ShadowSpirit_image4.jpg Blog - A revealing darkness: ‘Shadow Spirit’ at Flinders Street Station The Mulka Project with Mulkun Wirrpanda, Rarrirarri, 2023, installation view, RISING, Flinders Street Station, Naarm/Melbourne, 2023; courtesy the artists; photo: Eugene Hyland https://www.artmonthly.org.au/blog/stolon-press monthly 0.5 2023-07-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1688519489613-0U4447IM0IKMAA4K4188/Stolon_image1.jpg Blog - Filling a cup in a river / working in the open: Lachlan Thompson in conversation with Stolon Press’s Tom Melick and Simryn Gill Simryn Gill and Stolon Press, installation view, ‘The National 4: Australian Art Now’, Museum of Contemporary Art Australia, Warrang/Sydney, 2023; courtesy and © the artist; photo: Jenni Carter https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1688519500820-6CP7C0FELVFS4I6ENK7H/Stolon_image2.jpg Blog - Filling a cup in a river / working in the open: Lachlan Thompson in conversation with Stolon Press’s Tom Melick and Simryn Gill Simryn Gill: Clearing, Stolon Press in association with the Art Gallery of New South Wales, 2022; courtesy the artist and Stolon Press https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1688519505413-Z20BRRCKOLIGELHFYAAS/Stolon_image3.jpg Blog - Filling a cup in a river / working in the open: Lachlan Thompson in conversation with Stolon Press’s Tom Melick and Simryn Gill William Eric Brown and Tom Melick, A Sentence for the Sun, Stolon Press, 2022; courtesy the artist and Stolon Press https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1688519784973-5CDQLZRTA0V7W7ZPPLY4/Stolon_image4.jpg Blog - Filling a cup in a river / working in the open: Lachlan Thompson in conversation with Stolon Press’s Tom Melick and Simryn Gill Tom Melick and Simryn Gill, May 2023; courtesy Stolon Press; photo: Tom Polo https://www.artmonthly.org.au/blog/juan-davila monthly 0.5 2023-07-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1687306282977-V6P2IPU9VLL9CPZD3Q2Z/1.+JD+2.jpg Blog - A spectrum of disgust, celebrated: Juan Davila at Foxy Production Juan Davila, exhibition installation view, Foxy Production, New York City, 2023; courtesy Foxy Production; photo: Charles Benton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1687306319289-GQLHX6NNL75BWP3ILK04/2.+JD++1.jpg Blog - A spectrum of disgust, celebrated: Juan Davila at Foxy Production Juan Davila, exhibition installation view, Foxy Production, New York City, 2023; courtesy Foxy Production; photo: Charles Benton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1687306350260-XP86UX66Z7TUR5DM8KCR/3.+JD+1.JPG Blog - A spectrum of disgust, celebrated: Juan Davila at Foxy Production Juan Davila, Two women on the banks of the Yarra, 2003, oil and collage on canvas, 175 x 260cm; courtesy Kalli Rolfe Contemporary Art, Naarm/Melbourne; © Juan Davila; photo: Mark Ashkanasy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1687306356013-IF88NUYAE3JD4BC7LXUR/4.+JD+1.jpg Blog - A spectrum of disgust, celebrated: Juan Davila at Foxy Production Juan Davila, Untitled, 2022, oil on canvas, 160 x 240cm; courtesy Kalli Rolfe Contemporary Art, Naarm/Melbourne; © Juan Davila; photo: Mark Ashkanasy https://www.artmonthly.org.au/blog/grace-culley monthly 0.5 2023-07-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1682034676968-JV3PLJJSBRVA5X2SQZJG/GC.Image+1.jpg Blog - Grace Culley’s ‘Surprised face; Heart eyes’ at West Space Grace Culley: Surprised face; Heart eyes, exhibition installation view, West Space, Naarm/Melbourne, 2023; photo: Janelle Low https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1682034573938-H8D0KOYO7N0HZVA5D4F8/GC.Image+2.jpg Blog - Grace Culley’s ‘Surprised face; Heart eyes’ at West Space Grace Culley, E, 2023, airbrush on canvas, steel frame, 173 x 161cm; photo: Janelle Low https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1682034661542-ZRC2UPRKWT3CBSQU8VVO/GC.Image+3.jpg Blog - Grace Culley’s ‘Surprised face; Heart eyes’ at West Space Grace Culley: Surprised face; Heart eyes, exhibition installation view, West Space, Naarm/Melbourne, 2023; photo: Janelle Low https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1682034723643-VUP3KSYLWG5EV02K4DH5/GC.Image+4.jpg Blog - Grace Culley’s ‘Surprised face; Heart eyes’ at West Space Grace Culley, Fallen from Grace, 2023, biro pen on cotton rag, 194 x 98cm; photo: Janelle Low https://www.artmonthly.org.au/blog/drill-hall-fluent monthly 0.5 2023-07-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680668880530-AZ7VP2YDZOEXI26ES315/Fluent_image1.jpeg Blog - Linear invention: Nonggirrnga Marawili and Leo Loomans at the Drill Hall FLUENT: Nonggirrnga Marawili and Leo Loomans, exhibition installation view, Drill Hall Gallery, Kamberri/Canberra, 2023; photo: David Paterson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680669040281-VYO6ZN2IDQ9VDUWVQM42/Fluent_image3.jpeg Blog - Linear invention: Nonggirrnga Marawili and Leo Loomans at the Drill Hall FLUENT: Nonggirrnga Marawili and Leo Loomans, exhibition installation view, Drill Hall Gallery, Kamberri/Canberra, 2023; photo: David Paterson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680668915886-3EZBWNTJ98U7XIRMWMYR/Fluent_image2.jpeg Blog - Linear invention: Nonggirrnga Marawili and Leo Loomans at the Drill Hall FLUENT: Nonggirrnga Marawili and Leo Loomans, exhibition installation view, Drill Hall Gallery, Kamberri/Canberra, 2023; photo: David Paterson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680669067512-8IYDXYQZICTFJYO1JAFC/Fluent_image4.jpeg Blog - Linear invention: Nonggirrnga Marawili and Leo Loomans at the Drill Hall FLUENT: Nonggirrnga Marawili and Leo Loomans, exhibition installation detail, Drill Hall Gallery, Kamberri/Canberra, 2023; photo: David Paterson https://www.artmonthly.org.au/blog/data-relations monthly 0.5 2023-07-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680055990850-QM7IUMX6P0VYK2YW2BC0/datarelations_image1.jpg Blog - Algorithmic shifts: ‘Data Relations’ at ACCA Lauren Lee McCarthy, Surrogate, 2022– , and LAUREN, 2017– , installation view, ‘Data Relations’, Australian Centre for Contemporary Art (ACCA), Naarm/Melbourne; courtesy the artist; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680056004625-QM50RVTRNBYB1OWHOPNS/datarelations_image2.jpg Blog - Algorithmic shifts: ‘Data Relations’ at ACCA Machine Listening (Sean Dockray, James Parker, Joel Stern), After words, 2022, installation view, ‘Data Relations’, ACCA, Naarm/Melbourne; courtesy the artist; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680056023904-QKN0V1O7TDURZ9AUVCUO/datarelations_image3.jpg Blog - Algorithmic shifts: ‘Data Relations’ at ACCA Mimi Onuoha, These networks in our skin, 2021, installation view, ‘Data Relations’, ACCA, Naarm/Melbourne; courtesy the artist; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1680056038835-LPBTMRWYOLKZJMF8BOHC/datarelations_image4.jpg Blog - Algorithmic shifts: ‘Data Relations’ at ACCA Tega Brain and Sam Lavigne, Synthetic messenger, 2021, installation view, ‘Data Relations’, ACCA, Naarm/Melbourne; courtesy the artist; photo: Andrew Curtis https://www.artmonthly.org.au/blog/the-party monthly 0.5 2023-03-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677799387931-N8HAS72DJK6W4N3EYU6D/TheParty_image1.jpg Blog - Tell me you’ll come: ‘THE PARTY’ at UNSW Galleries THE PARTY, exhibition installation view, UNSW Galleries, Warrang/Sydney, 2023; featuring works by Tim Gruchy and Billy Yip relating to the Recreational Arts Team (RAT) Parties; photo: Jacquie Manning https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677799417830-73UF31A9YLU5HVSH67T7/TheParty_image2.jpg Blog - Tell me you’ll come: ‘THE PARTY’ at UNSW Galleries THE PARTY, exhibition installation view, UNSW Galleries, Warrang/Sydney, 2023; featuring various posters relating to ‘Safe Sex Ball’ (1988), ‘PRIDE’ (1989–2000), ‘Attitude’ (1989–92), and ‘Hand in Hand’ (1991–96) party series; photo: Jacquie Manning https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677799387931-41DP1SN2ZO0U5NZ3SP5K/TheParty_image3.jpg Blog - Tell me you’ll come: ‘THE PARTY’ at UNSW Galleries THE PARTY, exhibition installation view, UNSW Galleries, Warrang/Sydney, 2023; featuring a poster by David McDiarmid (left) and photographs by Rob Walls relating to the 1973 Gay Liberation Fundraising Dance; photo: Jacquie Manning https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677799372450-56BXJ2MTUDPM1HLW99Y5/TheParty_image4.jpg Blog - Tell me you’ll come: ‘THE PARTY’ at UNSW Galleries THE PARTY, exhibition installation view, UNSW Galleries, Warrang/Sydney, 2023; featuring photographs by C. Moore Hardy and video by Alan Ingram documenting the Stranded nightclub; photo: Jacquie Manning https://www.artmonthly.org.au/blog/singapore-biennale monthly 0.5 2023-03-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677085211990-MNSP1QZ72X9ZQCD1BF22/Natasha_image1+%281%29.png Blog - The 7th Singapore Biennale: In search of Natasha Haegue Yang, The Hybrid Intermediates – Flourishing Electrophorus Duo, 2022, installation view, 7th Singapore Biennale, ‘Natasha’, 2022; courtesy the artist and Singapore Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677084236915-JMNQMYCAL6AXYR9MKAYI/Natasha_image2.jpg Blog - The 7th Singapore Biennale: In search of Natasha Raed Ibrahim, Scripted Tablets, 2022, installation view, 7th Singapore Biennale, ‘Natasha’, 2022; courtesy the artist and Singapore Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677085215679-MWIRW91SKMNP514DK7WP/Natasha_image3+%281%29.jpg Blog - The 7th Singapore Biennale: In search of Natasha Trevor Yeung, Pavilion of Regret, 2022, installation view, 7th Singapore Biennale, ‘Natasha’, 2022; courtesy the artist and Singapore Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1677084262043-FV0MRKGP6CV1ZLRZU5I2/Natasha_image4.jpg Blog - The 7th Singapore Biennale: In search of Natasha Heman Chong and Renée Staal, The Library of Unread Books, 2016– , installation detail, 7th Singapore Biennale, ‘Natasha’, 2022; courtesy the artist and Singapore Art Museum https://www.artmonthly.org.au/blog/hilarie-mais monthly 0.5 2023-07-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1675285060264-ZS8MIGROSI6CLVUSM0AT/image_1.+%281%29.jpg Blog - A private evening: Hilarie Mais’s ‘Night Simile’ at Downs & Ross Hilarie Mais: Night Simile, exhibition installation view, Downs & Ross, New York, 2022; courtesy the artist and Downs & Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1675284779206-LVRES9QDTZ5YVXU10OY2/image_5.jpg Blog - A private evening: Hilarie Mais’s ‘Night Simile’ at Downs & Ross Hilarie Mais: Night Simile, exhibition installation view, Downs & Ross, New York, 2022; courtesy the artist and Downs & Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1675285068548-9SNWFM01VLDV1NBRI9F5/image_4+%281%29.jpg Blog - A private evening: Hilarie Mais’s ‘Night Simile’ at Downs & Ross Hilarie Mais, Simile A1, 2005, oil on wood, 21 x 21 x 9cm; courtesy the artist and Downs & Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1675284759373-4LOJYVN4CINKPL2W8PVC/image_2.jpg Blog - A private evening: Hilarie Mais’s ‘Night Simile’ at Downs & Ross Hilarie Mais: Night Simile, exhibition installation view, Downs & Ross, New York, 2022; courtesy the artist and Downs & Ross https://www.artmonthly.org.au/blog/enigmagnetic monthly 0.5 2023-07-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1673922446587-22JI6UTX4KHPNDPFYQBV/Rose_image1.jpg Blog - Memory traces: Jacqueline Rose’s ‘Enigmagnetic’ Jacqueline Rose: Enigmagnetic, exhibition installation view, Woollahra Gallery at Redleaf, Warrang/Sydney, 2022; installation assistance: Harry Copas; courtesy the artist; photo: Docqment https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1673922447480-NEHQROJASMLVFGDP4CM5/Rose_image2.jpg Blog - Memory traces: Jacqueline Rose’s ‘Enigmagnetic’ Jacqueline Rose: Enigmagnetic, exhibition installation view, Woollahra Gallery at Redleaf, Warrang/Sydney, 2022; installation assistance: Harry Copas; courtesy the artist; photo: Docqment https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1673922448008-3HS6YJ162QU850AL3UR5/Rose_image3.jpg Blog - Memory traces: Jacqueline Rose’s ‘Enigmagnetic’ Jacqueline Rose: Enigmagnetic, exhibition installation view, Woollahra Gallery at Redleaf, Warrang/Sydney, 2022; installation assistance: Harry Copas; courtesy the artist; photo: Docqment https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1673922449425-RZPU81FW7B45ENHW5I5K/Rose_image4.jpg Blog - Memory traces: Jacqueline Rose’s ‘Enigmagnetic’ Jacqueline Rose, Intervals #3, 2020, etching and collage on paper, 80 x 105cm; etching printed by John Loane, Viridian Press; courtesy the artist; photo: Michèle Brouet https://www.artmonthly.org.au/blog/the-return monthly 0.5 2023-01-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1669355823604-JO4G5G87NFPGJ8OSESY5/TheReturn_image1.jpg Blog - ‘The Return’: An intimately scaled encounter Te Hokinga (Te Reo Maori), Malaku Pitjangu (Pitjantjatjara), The Return, exhibition installation view, day01., Warrang/Sydney, 2022; photo: Pim Van Nunen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1669355830763-8MIFCIHLMYDTNXSBQIPV/TheReturn_image2.jpg Blog - ‘The Return’: An intimately scaled encounter Te Hokinga (Te Reo Maori), Malaku Pitjangu (Pitjantjatjara), The Return, exhibition installation detail, day01., Warrang/Sydney, 2022; photo: Pim Van Nunen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1669355828186-PSRLMUAE4RUK0POJK3Y9/TheReturn_image3.jpg Blog - ‘The Return’: An intimately scaled encounter Raukura Turei, Whatipu (onepu) II, 2021, oil and onepu (black manganite sand) on linen, 46 x 35.5 x 2.5cm; courtesy the artist; photo: Pim Van Nunen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1669355897336-17MIE27ESEJBP05CYTH3/TheReturn_image4.jpg Blog - ‘The Return’: An intimately scaled encounter Kunmanara (Pepai) Jangala Carroll, Walungurru, 2019, stoneware with sgraffito, 43 x 35 x 23cm; courtesy the artist’s estate; photo: Pim Van Nunen https://www.artmonthly.org.au/blog/justene-williams monthly 0.5 2022-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1668650027682-9M6606M2JNC93X4QVJ3S/Williams_image1.jpg Blog - Saucepans and data: Justene Williams’s ‘Victory over the Sun’ Justene Williams, Victory over the Sun, performance still, National Gallery of Australia, Kamberri/Canberra, October 2022; photo: Creswick Collective https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1668650033754-VL0C7OH6MV9R56FGWDE4/Williams_image2.jpg Blog - Saucepans and data: Justene Williams’s ‘Victory over the Sun’ Justene Williams, Victory over the Sun, performance still, National Gallery of Australia, Kamberri/Canberra, October 2022; photo: Creswick Collective https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1668650032295-SGF8ML7HBDZXG77ZZC65/Williams_image3.jpg Blog - Saucepans and data: Justene Williams’s ‘Victory over the Sun’ Justene Williams, Victory over the Sun, performance still, National Gallery of Australia, Kamberri/Canberra, October 2022; photo: Creswick Collective https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1668650032293-093EN3W1LSCK0TVTZ22H/Williams_image4.jpg Blog - Saucepans and data: Justene Williams’s ‘Victory over the Sun’ Justene Williams, Victory over the Sun, performance still, National Gallery of Australia, Kamberri/Canberra, October 2022; photo: Creswick Collective https://www.artmonthly.org.au/blog/picasso monthly 0.5 2022-11-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1665027636827-G78OU9U5MVNLABGKRXLX/Picasso_image1.jpg Blog - Patriarchal heroism and ‘The Picasso Century’ The Picasso Century, exhibition installation view, NGV International, Naarm/Melbourne, 2022; photo: Sean Fennessy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1665027643263-LDITSZMKKU2OMRSHHCGK/Picasso_image2.jpg Blog - Patriarchal heroism and ‘The Picasso Century’ The Picasso Century, exhibition installation view, NGV International, Naarm/Melbourne, 2022; photo: Tom Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1665027641617-O0T8SKX0EPP10NWITBIO/Picasso_image3.jpg Blog - Patriarchal heroism and ‘The Picasso Century’ The Picasso Century, exhibition installation view, NGV International, Naarm/Melbourne, 2022; photo: Tom Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1665027638016-A2DY19RNROOVGE2KBGTG/Picasso_image4.jpg Blog - Patriarchal heroism and ‘The Picasso Century’ The Picasso Century, exhibition installation view, NGV International, Naarm/Melbourne, 2022; photo: Sean Fennessy https://www.artmonthly.org.au/blog/angelagohsuyuhsin monthly 0.5 2022-10-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1663716838065-1BZ69SN6SPGY10F20390/BLEED_image1.JPG Blog - An intimate togetherness: Angela Goh and Su Yu Hsin’s ‘Paeonia Drive’ Angela Goh and Su Yu Hsin, Paeonia Drive, performance documentation, Taipei Performing Arts Centre (TPAC), 2022; courtesy the artists and TPAC; photo: Matt Cornell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1663716922789-2RQ2DZP1AJD3MKCORTWO/BLEED_image2.png Blog - An intimate togetherness: Angela Goh and Su Yu Hsin’s ‘Paeonia Drive’ Angela Goh and Su Yu Hsin, Paeonia Drive, performance documentation, Taipei Performing Arts Centre (TPAC), 2022; courtesy the artists and TPAC; photo: Wade Cherng https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1663716954484-NAUF2VHETJYDMW19ZT9L/BLEED_image3.png Blog - An intimate togetherness: Angela Goh and Su Yu Hsin’s ‘Paeonia Drive’ Angela Goh and Su Yu Hsin, Paeonia Drive, performance documentation, Taipei Performing Arts Centre (TPAC), 2022; courtesy the artists and TPAC; photo: Yuro Huang https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1663716970866-XFH93P1MVPE4U4R049O9/BLEED_image4.png Blog - An intimate togetherness: Angela Goh and Su Yu Hsin’s ‘Paeonia Drive’ Angela Goh and Su Yu Hsin, Paeonia Drive, performance documentation, Taipei Performing Arts Centre (TPAC), 2022; courtesy the artists and TPAC; photo: Yuro Huang https://www.artmonthly.org.au/blog/lukebrennan monthly 0.5 2022-09-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1662687405874-4PX5PBS4OGDVS55E7WL6/2.+Luke+Brennan+PANGS_D0A7647.jpg Blog - This is the place: Luke Brennan’s ‘Pangs’ at Al Fresco Luke Brennan: Pangs, exhibition installation view, Al Fresco, Kamberri/Canberra, 2022; photo: David Paterson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1662687377569-HTMZ4WLSL2TVNPBVCXUC/4.+Luke+Brennan+PANGS_D0A7658.jpg Blog - This is the place: Luke Brennan’s ‘Pangs’ at Al Fresco Luke Brennan: Pangs, exhibition installation view, Al Fresco, Kamberri/Canberra, 2022; photo: David Paterson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1662687488649-HZ14X34HZTIK4CMK0HRL/10.1+Luke+Brennan+PANGS_D0A7692.jpg Blog - This is the place: Luke Brennan’s ‘Pangs’ at Al Fresco Luke Brennan: Pangs, exhibition installation view, Al Fresco, Kamberri/Canberra, 2022; photo: David Paterson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1662687500441-AW1OZV9GZOVDC3HC4AFW/11.+Luke+Brennan+PANGS_D0A7729.jpg Blog - This is the place: Luke Brennan’s ‘Pangs’ at Al Fresco Luke Brennan: Pangs, exhibition installation view, Al Fresco, Kamberri/Canberra, 2022; photo: David Paterson https://www.artmonthly.org.au/blog/max-meldrum-k4sae monthly 0.5 2022-09-09 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660782094214-NXHMPK8T1GWGFOT7VJWH/Meldrum_image1.png Blog - Tonal dissonance and painting local: ‘Light + Shade’ at the Art Gallery of Ballarat Max Meldrum, Mica Smith, 1923, oil on canvas, 72 x 61.2cm; Art Gallery of Ballarat, purchased by public subscription, 1934; © Estate of Max Meldrum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660782116030-RDT5C1GD34JO06H2URMT/Meldrum_image2.jpg Blog - Tonal dissonance and painting local: ‘Light + Shade’ at the Art Gallery of Ballarat Irene Hewett, Black Hill, Ballarat, c. 1930s, oil on canvas, 31 x 23.4cm; Art Gallery of Ballarat, gift of the artist, 1937 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660782114499-NO382F3P9VA00L80TS8U/Meldrum_image3.jpg Blog - Tonal dissonance and painting local: ‘Light + Shade’ at the Art Gallery of Ballarat Clarice Beckett, The beach, c. 1930, oil on board, 23 x 43.7cm; Art Gallery of Ballarat, acquired through the Maud Rowe Bequest, 1937; frame conserved with funds from the U3A History of the Art Gallery class, 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660782120213-DCP6YFCOCM4H1YE65QHL/Meldrum_image4.png Blog - Tonal dissonance and painting local: ‘Light + Shade’ at the Art Gallery of Ballarat Light + Shade: Max Meldrum and his followers, exhibition installation view, Art Gallery of Ballarat, 2022; courtesy Art Gallery of Ballarat https://www.artmonthly.org.au/blog/hadleys-art-prize monthly 0.5 2022-08-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660182035756-9577C89QEE5NA4F09B0J/Hadley_image1.jpg Blog - Ecological variations, harmonic contemplation and songlines: ‘Hadley’s Art Prize 2022’ Tuppy Ngintja Goodwin, Antara, 2020, polymer on linen, 150 x 150cm; courtesy the artist and Mimili Maku Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660182031642-7VPNRO9H4ND4I4E6QSTS/Hadley_image2.jpg Blog - Ecological variations, harmonic contemplation and songlines: ‘Hadley’s Art Prize 2022’ Melissa Smith, this hush – Lake Sorell, 2022, intaglio collagraph print, 65 x 160cm; courtesy the artist and Handmark Gallery, nipaluna/Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660182041057-3DD9JN3AMYVL1CZ4LECH/Hadley_image3.jpg Blog - Ecological variations, harmonic contemplation and songlines: ‘Hadley’s Art Prize 2022’ Harrison Bowe, Beyond the Citadel, 2022, enamel and beeswax on canvas, 155 x 95cm; courtesy the artist and Despard Gallery, nipaluna/Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1660182046765-W99XC5YOISDWV3R7IL49/Hadley_image4.jpg Blog - Ecological variations, harmonic contemplation and songlines: ‘Hadley’s Art Prize 2022’ Kate Lewis, Arduous Fantasy, 2022, oil on wood, 44 x 56cm; courtesy the artist https://www.artmonthly.org.au/blog/jeremy-shaw monthly 0.5 2022-08-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1659571957277-ZMLLLDJEVO6TO9GOI1QR/1.jpg Blog - Ritual and ecstasy: Jeremy Shaw’s ‘Phase Shifting Index’ Jeremy Shaw: Phase Shifting Index, exhibition installation view, Museum of Old and New Art (MONA), nipaluna/Hobart, 2022; photo: Jesse Hunniford, MONA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1659571967559-YNKIL5QHGMTNDED4USEB/2.jpg Blog - Ritual and ecstasy: Jeremy Shaw’s ‘Phase Shifting Index’ Jeremy Shaw: Phase Shifting Index, exhibition installation view, Museum of Old and New Art (MONA), nipaluna/Hobart, 2022; photo: Jesse Hunniford, MONA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1659571973043-YCT1H60DIQPW9WQE4XE2/3.jpg Blog - Ritual and ecstasy: Jeremy Shaw’s ‘Phase Shifting Index’ Jeremy Shaw: Phase Shifting Index, exhibition installation view, Museum of Old and New Art (MONA), nipaluna/Hobart, 2022; photo: Jesse Hunniford, MONA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1659571977255-95A5WZHXB7Y2KAZ1O6RU/4.jpg Blog - Ritual and ecstasy: Jeremy Shaw’s ‘Phase Shifting Index’ Jeremy Shaw: Phase Shifting Index, exhibition installation view, Museum of Old and New Art (MONA), nipaluna/Hobart, 2022; photo: Jesse Hunniford, MONA https://www.artmonthly.org.au/blog/clay-dynasty monthly 0.5 2022-08-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658978105576-UWCOUM7TLEHD10FELUFE/Clay_image1.png Blog - Illuminating a medium’s expressive potential Clay Dynasty, exhibition installation view, Powerhouse Museum, Sydney, 2021; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658978150397-2VQXZB0J7WSX16Y2G696/Clay_image2.jpg Blog - Illuminating a medium’s expressive potential Gwyn Hanssen Pigott, Still life with yellow bowls, 2002, installation view, ‘Clay Dynasty’, Powerhouse Museum, Sydney, 2021; Limoges porcelain, ‘Southern Ice’ porcelain; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658978107345-VQQUN7K5M7DTR9QQTCQO/Clay_image3.jpg Blog - Illuminating a medium’s expressive potential Margaret Dodd, Two Blues Holden, 1976–77, earthenware, 17.5 x 20cm; Powerhouse Museum, Sydney, purchased 1987; photo: Marinco Kojdanovski https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658978225430-R7C1O7BMPJSBLH0X6WTJ/Clay_image4.jpg Blog - Illuminating a medium’s expressive potential Joan Grounds, Ceramic Parcel, 1972, stoneware, 34 x 36 x 14.5cm; Powerhouse Museum, Sydney, purchased 1988; photo: Marinco Kojdanovski https://www.artmonthly.org.au/blog/thailand monthly 0.5 2022-07-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658879069034-YYHJZHH47MHPGIGEH72F/Thailand_image1.jpg Blog - Arresting and nuanced: ‘Other Possible Worlds: Contemporary Art from Thailand’ Busui Ajaw, Panatipata Weramani (Do not kill) and Atinna Tana Veramanee (Do not steal), both 2022, installation view, ‘Other Possible Worlds’, Delmar Gallery, Sydney, 2022; acrylic on canvas, 120 x 100cm (each); courtesy the artist and 16albermarle Project Space, Sydney; photo: Silversalt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658879204268-0EBLKYN15YBA60HI236F/Thailand_image2.jpg Blog - Arresting and nuanced: ‘Other Possible Worlds: Contemporary Art from Thailand’ Tada Hengsapkul, They Said They Didn’t Use Live Rounds, 2014, four digital C-prints, 84 x 59.4cm; courtesy the artist and 16albermarle Project Space, Sydney; photo: Silversalt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658879281977-XZRWQ0W3QS65YACJQ3V5/Thailand_image3.jpg Blog - Arresting and nuanced: ‘Other Possible Worlds: Contemporary Art from Thailand’ Imhathai Suwatthanasilp, Dark Hope, 2022, Thai flag woven in human hair, dimensions variable; courtesy the artist and 16albermarle Project Space, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1658879358682-PFP142DJIZKZ5RGV17ND/Thailand_image4.jpg Blog - Arresting and nuanced: ‘Other Possible Worlds: Contemporary Art from Thailand’ Other Possible Worlds: Contemporary Art from Thailand, exhibition installation view, Delmar Gallery, Sydney, 2022, with work from (Mariem) Thidarat Chantachua (left) and Kusofiyah Nibuesa; courtesy the artist and 16albermarle Project Space, Sydney; photo: Silversalt https://www.artmonthly.org.au/blog/helen-grace monthly 0.5 2022-07-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657756947061-6T5E0X9YSSVILWXJQ478/0H6A0885.jpg Blog - Picturing a shared legal history: Helen Grace and Julie Ewington’s ‘Justice for Violet and Bruce’ Helen Grace and Julie Ewington: Justice for Violet and Bruce, exhibition installation view, Wagga Wagga Art Gallery, 2022; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657756946480-58J6YS5YC2DJ630BVK33/0H6A0889.jpg Blog - Picturing a shared legal history: Helen Grace and Julie Ewington’s ‘Justice for Violet and Bruce’ Helen Grace and Julie Ewington: Justice for Violet and Bruce, exhibition installation view, Wagga Wagga Art Gallery, 2022; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657757043383-ZBRW7WHHX4TFO79XB1JL/0H6A0905.jpg Blog - Picturing a shared legal history: Helen Grace and Julie Ewington’s ‘Justice for Violet and Bruce’ Helen Grace and Julie Ewington: Justice for Violet and Bruce, exhibition installation view, Wagga Wagga Art Gallery, 2022; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657757061830-1CDKG9P5UL3OSHCKQMT8/0H6A0919.jpg Blog - Picturing a shared legal history: Helen Grace and Julie Ewington’s ‘Justice for Violet and Bruce’ Helen Grace and Julie Ewington: Justice for Violet and Bruce, exhibition installation view, Wagga Wagga Art Gallery, 2022; photo: Tayla Martin https://www.artmonthly.org.au/blog/helmut-newton monthly 0.5 2022-07-13 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657159055423-MDOMR5YUWIAFCNOMQY80/Newton_image2.png Blog - Portrait of the artist as a young man: Helmut Newton at the Jewish Museum of Australia Helmut Newton: In Focus, exhibition installation view, Jewish Museum of Australia, Melbourne, 2022; photo: Marie-Luise Skibbe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657159062093-7YEZEKDXZZG53L0G0Y45/Newton_image3.jpeg Blog - Portrait of the artist as a young man: Helmut Newton at the Jewish Museum of Australia Helmut Newton, Woman into man, Paris, 1979, silver gelatin print; for Yves Saint Laurent, Vogue Paris; courtesy the Helmut Newton Foundation, Berlin; © Helmut Newton Estate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657159064830-FFE8Z1E6C27WKR7ETB7K/Newton_image1.png Blog - Portrait of the artist as a young man: Helmut Newton at the Jewish Museum of Australia Helmut Newton: In Focus, exhibition installation view, Jewish Museum of Australia, Melbourne, 2022; photo: Marie-Luise Skibbe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1657159043983-3GLIQ8QAZ7ZGYQ8C6B0R/Newton_image4.png Blog - Portrait of the artist as a young man: Helmut Newton at the Jewish Museum of Australia Helmut Newton, Shoe, Monte Carlo, 1983, silver gelatin print; for Walter Steiger; courtesy the Helmut Newton Foundation, Berlin; © Helmut Newton Estate https://www.artmonthly.org.au/blog/gay-hawkes monthly 0.5 2022-07-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1656556885677-UJMPKJXZ4GR0YPEJ7NFD/Hawkes_image1.jpg Blog - Hope by way of melancholia: Gay Hawkes’s ‘The House of Longing’ Gay Hawkes: The House of Longing, exhibition installation view, TMAG, nipaluna/Hobart, 2022; photo: Richard Jupe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1656556918061-EMNF8C89BUDQWKY3T8EQ/Hawkes_image3.jpg Blog - Hope by way of melancholia: Gay Hawkes’s ‘The House of Longing’ Gay Hawkes: The House of Longing, exhibition installation view, TMAG, nipaluna/Hobart, 2022; photo: Richard Jupe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1656556898365-843B76FMSEZ3R70X1T8W/Hawkes_image2.jpg Blog - Hope by way of melancholia: Gay Hawkes’s ‘The House of Longing’ Gay Hawkes: The House of Longing, exhibition installation view, TMAG, nipaluna/Hobart, 2022; photo: Richard Jupe https://www.artmonthly.org.au/blog/niaf-2022 monthly 0.5 2022-06-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1656555812562-FS2KW35V6O2XF53GIHC7/NIAF_image1.jpg Blog - ‘Get Up! Stand Up! Show Up!’: How NIAF is showing Sydney the way Courtesy NIAF and Gapuwiyak Culture and Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1656555831014-MZO365LX48444XP3KE2X/NIAF_image3.jpg Blog - ‘Get Up! Stand Up! Show Up!’: How NIAF is showing Sydney the way Heart in Art, exhibition installation view, Woollahra Gallery at Redleaf, 2022; courtesy Woollahra Gallery at Redleaf https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1656555831011-QN5UPY3MOB30AVW40P31/NIAF_image2.jpg Blog - ‘Get Up! Stand Up! Show Up!’: How NIAF is showing Sydney the way Courtesy NIAF and Injalak Arts, Gunbalanya https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1656555814913-VKF1K3GEMSP8CN3EEPHQ/NIAF_image4.jpg Blog - ‘Get Up! Stand Up! Show Up!’: How NIAF is showing Sydney the way Margaret Djarbalarbal Malibirr, Blanket, 2022, stringybark with natural dyes, 135 x 90cm; courtesy the artist and Bula’bula Arts, Ramingining https://www.artmonthly.org.au/blog/daniel-crooks monthly 0.5 2022-06-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655959095593-DSQUX997G9DTEU2LT93O/Crooks_image1.jpg Blog - Inhabiting the edges: Daniel Crooks’s 'Boundary Conditions' Daniel Crooks, Boundary Conditions, 2022, installation view, Hyde Park Barracks, Sydney, 2022; courtesy the artist and Anna Schwartz Gallery, Melbourne; © Daniel Crooks; photo: © Joshua Morris for Sydney Living Museums https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655959068213-XAAPI3ZUC4IS5UTLELXR/Crooks_image4.png Blog - Inhabiting the edges: Daniel Crooks’s 'Boundary Conditions' Daniel Crooks, Boundary Conditions, 2022, detail; courtesy the artist and Anna Schwartz Gallery, Melbourne; © Daniel Crooks; photo: © Joshua Morris for Sydney Living Museums https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655959082022-SYRAO42AM2PY3DGVV8YB/Crooks_image3.png Blog - Inhabiting the edges: Daniel Crooks’s 'Boundary Conditions' Daniel Crooks, Boundary Conditions, 2022, detail; courtesy the artist and Anna Schwartz Gallery, Melbourne; © Daniel Crooks; photo: © Joshua Morris for Sydney Living Museums https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655959094615-G4AQ4GOXYW2ALGIDT0PR/Crooks_image2.png Blog - Inhabiting the edges: Daniel Crooks’s 'Boundary Conditions' Daniel Crooks, Boundary Conditions, 2022, detail; courtesy the artist and Anna Schwartz Gallery, Melbourne; © Daniel Crooks; photo: © Joshua Morris for Sydney Living Museums https://www.artmonthly.org.au/blog/albert-yonathan-setyawan monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655958409489-2NK2IJ9JMWULKL9BYOMO/Setyawan_image1.jpg Blog - States of rapture: Albert Yonathan Setyawan’s ‘Speaking in Tongues’ Albert Yonathan Setyawan: Speaking in Tongues, installation view, Mind Set Art Centre, Taipei, 2022; courtesy Mind Set Art Centre, Taipei; photo: Zhu Chi-Hong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655958425847-KIJJA9PLEFN8TS0OQB0H/Setyawan_image2.jpg Blog - States of rapture: Albert Yonathan Setyawan’s ‘Speaking in Tongues’ Albert Yonathan Setyawan, Aeviternum, 2022, detail; terracotta, slip-casting, 210 x 210cm (536 pieces); courtesy Mind Set Art Centre, Taipei; photo: Zhu Chi-Hong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655958453646-J25AI49Y51PWAZRMG63W/Setyawan_image3.jpg Blog - States of rapture: Albert Yonathan Setyawan’s ‘Speaking in Tongues’ Albert Yonathan Setyawan, Capturing Silence, 2019, installation view, ‘Speaking in Tongues’, Mind Set Art Centre, Taipei, 2022; terracotta, slip-casting, 25 x 9 x 4cm (480 pieces); courtesy Mind Set Art Centre, Taipei; photo: Zhu Chi-Hong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1655958442567-S1SD0RKKG3IY04ZSD1MY/Setyawan_image4.jpg Blog - States of rapture: Albert Yonathan Setyawan’s ‘Speaking in Tongues’ Albert Yonathan Setyawan, Infinitude, 2022, installation view, ‘Speaking in Tongues’, Mind Set Art Centre, Taipei, 2022; terracotta, slip-casting, 400 x 1700cm (2552 pieces); courtesy Mind Set Art Centre, Taipei; photo: Zhu Chi-Hong https://www.artmonthly.org.au/blog/land-abounds monthly 0.5 2022-06-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1654133776261-79O4NQTS409R57GVJ8O1/Ngununggula_image3.jpg Blog - ‘Land Abounds’: Considering the breadth and blind spots of art history Abdul-Rahman Abdullah, The Dogs, 2017, installation view, ‘Land Abounds’, Ngununggula, Bowral, 2022; courtesy the artist and Moore Contemporary, Perth; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1654133780892-MQCIK6BBZABJHJZJ3GEL/Ngununggula_image2.jpg Blog - ‘Land Abounds’: Considering the breadth and blind spots of art history Land Abounds, exhibition installation view, Ngununggula, Bowral, 2022, with (from foreground): Abdul-Rahman Abdullah, Dead Horse, 2022, courtesy the artist and Moore Contemporary, Perth; Abdul Abdullah, Legacy assets, 2022, courtesy the artist and Yavuz Gallery, Singapore and Sydney; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1654133833745-60CXQJIG2SX3SXQF8ZMY/Ngununggula_image1.jpg Blog - ‘Land Abounds’: Considering the breadth and blind spots of art history Ngununggula, exterior view, 2021; photo: Zan Wimberley https://www.artmonthly.org.au/blog/radical-slowness monthly 0.5 2022-06-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1652855666965-X01XYYDNYAR6PG3A2452/Slowness_image1.jpeg Blog - The call for slow art in a fast world: ‘Radical Slowness’ at the Lock-Up Tané Andrews, The Eyes Say More than the Mouth, 2022, installation view, ‘Radical Slowness’, the Lock-Up, Newcastle, 2022; stainless steel, speakers, looped ASMR track, pearl nautilus shells; courtesy the artist and the Lock-Up, Newcastle; photo: Ben Adams https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1652855666733-SNPB499N6SG9ZF5HAAWU/Slowness_image2.jpeg Blog - The call for slow art in a fast world: ‘Radical Slowness’ at the Lock-Up Radical Slowness, exhibition installation view with the work of Emma Fielden, the Lock-Up, Newcastle, 2022; courtesy the artist and the Lock-Up, Newcastle; photo: Ben Adams https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1652855667692-7QNKPJ6V7YA67UMYASQU/Slowness_image3.jpeg Blog - The call for slow art in a fast world: ‘Radical Slowness’ at the Lock-Up Dean Cross, The First Second, 2019, installation view, ‘Radical Slowness’, the Lock-Up, Newcastle, 2022; high-definition video with sound, 7mins 2secs duration; courtesy the artist and the Lock-Up, Newcastle; photo: Ben Adams https://www.artmonthly.org.au/blog/welcome-to-issue-331 monthly 0.5 2022-05-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1651708810753-ANJF8Z4ZTYSLDNNUCPP2/AMA331_AUT_Cover.jpg Blog - Welcome to Issue 331 Clare Milledge, Dacelo Moons: Dichétal di Chennaib, 2022, oil on toughenedglass, 100 x 100 x 6.5cm; courtesy the artist and STATION, Melbourne and Sydney; photo: Jessica Maurer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1651709494592-7TO8DBFKTVZKGLJIRY1F/Cerveny_pages52-53.jpg Blog - Welcome to Issue 331 Alex Cerveny, Glossário dos nomes próprios, 2015, installation view, Glossário dos nomes proprios, Paço Imperial, Rio de Janeiro, 2015; courtesy the artist and Casa Triângulo, São Paulo; photo: Edouard Fraipont https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1651708959513-FG9OXJY38PV6E0R6WZIT/Warren_image4.JPG Blog - Welcome to Issue 331 Helen Davison, Lament, 2020, SITE collaborative performance action, the Warren, Folkestone, 2020; photo: Ash McNaughton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1651720710847-XFZMTNPREQ8WROIMX29A/Anderson_image1.jpg Blog - Welcome to Issue 331 Carolina Caycedo, Wanaawna (Santa Ana), 2019, installation view, MOMENTA Biennale de l’image, Galerie de l’UQAM, Montréal, 2021; photograph printed on fabric, 1500 x 160cm; commissioned by the Orange County Museum of Art, Santa Ana; courtesy the artist and Commonwealth and Council, Los Angeles; photo: Jean-Michael Seminaro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1651720737605-UE920ZY1LCS35XIEUA8R/Gatt_image1.png Blog - Welcome to Issue 331 Teho Ropeyarn, Ayarra (rainy season), 2021, vinyl-cut print on paper, 154 x 227cm; courtesy the artist and Onespace Gallery, Brisbane; photo: Louis Lim https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1651710559668-VX8DWKCVVXG7BKAUACVE/Amakaba_image7.jpg Blog - Welcome to Issue 331 Tabita Rezaire, Amakaba, 2021, production still (from a video 4mins 4secs duration); courtesy Amakaba https://www.artmonthly.org.au/blog/april-glaser-hinder monthly 0.5 2022-05-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1649295894743-GK6FUNW48WZM1OT2RXFV/Glaser-Hinder_image3.png Blog - The meandering line in April Glaser-Hinder’s ‘One does nothing alone’ April Glaser-Hinder, The Wave, when Water touches Sky, 2019, installation view, ‘One does nothing alone’, Wagga Wagga Art Gallery, 2022; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1649295863160-B1ERFT65KTACGIJBNKKG/Glaser-Hinder_image2.png Blog - The meandering line in April Glaser-Hinder’s ‘One does nothing alone’ April Glaser-Hinder: One does nothing alone, exhibition installation view, Wagga Wagga Art Gallery, 2022; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1649295857923-4DJEL5WMGTDSKXEB241T/Glaser-Hinder_image1.jpg Blog - The meandering line in April Glaser-Hinder’s ‘One does nothing alone’ April Glaser-Hinder, Slide Over, 1975, spray-painted steel; Wagga Wagga Art Gallery, gift of the artist, 1984; courtesy the artist and Wagga Wagga Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1649295941831-955IY1I2T2UYQB3FA8A6/Glaser-Hinder_image4.png Blog - The meandering line in April Glaser-Hinder’s ‘One does nothing alone’ April Glaser-Hinder: One does nothing alone, exhibition installation view, Wagga Wagga Art Gallery, 2022; photo: Tayla Martin https://www.artmonthly.org.au/blog/theodorakis monthly 0.5 2022-03-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1647572236022-D7V9MWXMY2DUGQ57DB7Y/Theodorakis_image1.png Blog - The ecology of Rachel Theodorakis Rachel Theodorakis, Januss – Goddess of Transitions, 2021, bone, hand-dyed silk ribbon, cotton thread, 60 x 45 x 25cm; courtesy the artist and Grainger Gallery, Canberra; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1647572251381-DCSNMCBF69K1509RBQ8C/Theodorakis_image2.png Blog - The ecology of Rachel Theodorakis Rachel Theodorakis, Transference, 2017, bone, synthetic polymer paint, cotton thread, beeswax, aluminium, 45 x 32 x 20cm; courtesy the artist and Grainger Gallery, Canberra; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1647572268443-AO6920CLNK6JT1A782AX/Theodorakis_image3.png Blog - The ecology of Rachel Theodorakis Rachel Theodorakis, Nurture Series V, 2021, bone, synthetic polymer sealer, cotton rope, beeswax, 28 x 40 x 28cm; courtesy the artist and Grainger Gallery, Canberra; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1647572287330-2NK9O0BJJH0HRQG6X1T1/Theodorakis_image4.png Blog - The ecology of Rachel Theodorakis Rachel Theodorakis, Twentytwenty, 2021, bone, synthetic polymer sealer, cotton rope, beeswax, acrylic, 14 x 27 x 27cm; courtesy the artist and Grainger Gallery, Canberra; photo: Brenton McGeachie https://www.artmonthly.org.au/blog/margaret-olley-ben-quilty-n9nds monthly 0.5 2022-03-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1644453185065-JATB6V2Y2H9OROARWUK0/Tweed_image1.jpeg Blog - On home turf: Margaret Olley and Ben Quilty at Tweed At Home: Margaret Olley and Ben Quilty, exhibition installation view, Tweed Regional Gallery and Margaret Olley Art Centre, Murwillumbah, 2022; photo: Kate Holmes https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1644454224276-UM57TUWZBOZA6PGD3R0F/Tweed_image2.jpeg Blog - On home turf: Margaret Olley and Ben Quilty at Tweed At Home: Margaret Olley and Ben Quilty, exhibition installation view, Tweed Regional Gallery and Margaret Olley Art Centre, Murwillumbah, 2022; photo: Kate Holmes https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1644454236641-FLZYEHAIMTXOIZOCS3B0/Tweed_image3.jpeg Blog - On home turf: Margaret Olley and Ben Quilty at Tweed At Home: Margaret Olley and Ben Quilty, exhibition installation view, Tweed Regional Gallery and Margaret Olley Art Centre, Murwillumbah, 2022; photo: Kate Holmes https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1644454272118-AK0CUFGLP6XLKAODV4F0/Tweed_image4.jpeg Blog - On home turf: Margaret Olley and Ben Quilty at Tweed At Home: Margaret Olley and Ben Quilty, exhibition installation view, Tweed Regional Gallery and Margaret Olley Art Centre, Murwillumbah, 2022; photo: Kate Holmes https://www.artmonthly.org.au/blog/big-in-china monthly 0.5 2022-02-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643262503395-GACIOMI1GGLP1ZNM6O33/WhiteRabbit_image3.jpeg Blog - Into the warren: White Rabbit’s microcosm of contemporary China Xu Zhen, Hello, 2018–19, installation view, ‘Big in China’, White Rabbit Gallery, Sydney, 2021–22; robotic mechanisms, stainless steel, styrofoam, polyurethane foam, silicone, paint, sensors, electronic controls, 350 x 750 x 800cm; courtesy the artist and White Rabbit Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643262484338-RQO2SQ5C9FMI36Q4MQB5/WhiteRabbit_image1.png Blog - Into the warren: White Rabbit’s microcosm of contemporary China Feng Mengbo, Long March – Restart, 2008, installation view, ‘Big in China’, White Rabbit Gallery, Sydney, 2021–22; 8-channel interactive video installation, dimensions variable; courtesy the artist and White Rabbit Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643262484164-I87K57W9GFCQ5NEEBRB2/WhiteRabbit_image2.png Blog - Into the warren: White Rabbit’s microcosm of contemporary China Lin Yan, Sky 2, 2016, installation view, ‘Big in China’, White Rabbit Gallery, Sydney, 2021–22; ink, xuan paper, 330 x 1600 x 520cm; courtesy the artist and White Rabbit Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643262495306-0AIEHE4HTX5MN52MGO91/WhiteRabbit_image4.png Blog - Into the warren: White Rabbit’s microcosm of contemporary China Tang Nannan, Faith Mountain, 2015, installation view, ‘Big in China’, White Rabbit Gallery, Sydney, 2021–22; video (colour, sound), 4mins 3secs duration; courtesy the artist and White Rabbit Gallery, Sydney https://www.artmonthly.org.au/blog/anne-marsh monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643249526930-G6R37BGXD8VKLHXOLMKS/Feminism_image1.jpeg Blog - Continuities and change: 'Doing Feminism' by Anne Marsh Courtesy Miegunyah Press, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643249536326-PBY3YK0RSJRYUSODR55Q/Feminism_image2.jpeg Blog - Continuities and change: 'Doing Feminism' by Anne Marsh Anne Marsh, courtesy Miegunyah Press, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643249542562-KB4SQ58JRLG35728YPRS/Feminism_image4.png Blog - Continuities and change: 'Doing Feminism' by Anne Marsh Julie Rrap, Window Dresser #1 (Marilyn), 2000, from the series ‘A-R-Mour’, digital print; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1643249543613-PA9BAE4KY1F4B1XCC13L/Feminism_image3.jpeg Blog - Continuities and change: 'Doing Feminism' by Anne Marsh Nasim Nasr, Forty Pages #3, 2016, from the series ‘Forty Pages’, Giclée archival digital print; courtesy the artist https://www.artmonthly.org.au/blog/sarah-lucas monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1642557729311-Y8VMUVOFYKBXWWRX45DY/Lucas_image1.jpeg Blog - Titular puns and Freudian slips: Sarah Lucas at the NGA Sarah Lucas, SUGAR, 2020, installation view, ‘Project 1: Sarah Lucas’, National Gallery of Australia, Canberra, 2021; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1642557732610-TRHJRVMC1J3UJEKZ3MLP/Lucas_image2.jpeg Blog - Titular puns and Freudian slips: Sarah Lucas at the NGA Sarah Lucas, TITTIPUSSIDAD, 2018, installation view, ‘Project 1: Sarah Lucas’, National Gallery of Australia, Canberra, 2021; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1642557735262-Y2OPCQEIRHF0920Z1HLQ/Lucas_image3.jpeg Blog - Titular puns and Freudian slips: Sarah Lucas at the NGA Sarah Lucas, ELF WARRIOR, 2018, installation view, ‘Project 1: Sarah Lucas’, National Gallery of Australia, Canberra, 2021; © the artist https://www.artmonthly.org.au/blog/brenda-l-croft-hand-made-held-ground monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1641962899055-Q3M0TH9NGLG3VP4LIHW4/Brenda_image1.jpeg Blog - Mapping Croft’s voyages and traces of Country at CMAG Brenda L. Croft, Kurrwa, 2017–21, Blackwood crystal, red Gaffer lead crystal, Corten steel, stainless steel, Sikaflex, electrical wire, 12-volt globe, dimensions variable; image © Brenda L. Croft https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1641962916847-S7H2I97IRPABFCNFNXMQ/Brenda_image2.jpeg Blog - Mapping Croft’s voyages and traces of Country at CMAG Brenda L. Croft: hand/made/held/ground, exhibition installation detail, Canberra Museum and Gallery, 2021; photo: Rob Little, RLDI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1641962932603-KHYGD6S0SY0XHL1CZTWZ/Brenda_image3.jpeg Blog - Mapping Croft’s voyages and traces of Country at CMAG Brenda L. Croft: hand/made/held/ground, exhibition installation detail, Canberra Museum and Gallery, 2021; photo: Rob Little, RLDI https://www.artmonthly.org.au/blog/mama-simmer monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1641947014297-FM4F8YDH5W1RTYGM435F/Simmer_image1.jpeg Blog - Satiating artists and audiences: ‘SIMMER’ at MAMA Nabilah Nordin, Domestic Dough Facility, 2021, installation view, ‘SIMMER’, Murray Art Museum Albury, 2021; photo: Jeremy Weihrauch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1641947025712-561FIGXHIDKJ16IC9EMM/Simmer_image3.jpeg Blog - Satiating artists and audiences: ‘SIMMER’ at MAMA Navi Kaur, Mērā Ghar, 2021, installation view, ‘SIMMER’, Murray Art Museum Albury, 2021; single-channel video installation, 9mins duration; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1641947320209-N1ONDIJWNTYTQRZIZIPZ/Simmer_image4.jpg Blog - Satiating artists and audiences: ‘SIMMER’ at MAMA E. J. Son, T tree, 2021, installation view, ‘SIMMER’, Murray Art Museum Albury, 2021; silicone, steel, LED light; photo: Jeremy Weihrauch https://www.artmonthly.org.au/blog/alexa-malizon monthly 0.5 2022-01-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1638848925141-8VUY9E604ZA01XTF5VOJ/Malizon_image1.jpeg Blog - Alexa Malizon: Navigating the in-between Alexa Malizon: Diversitea Talks, exhibition detail view, Tuggeranong Arts Centre, Canberra, 2021; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1638849009035-OUZAEDGPM9AY3ODZBCDR/Malizon_image4.png Blog - Alexa Malizon: Navigating the in-between Alexa Malizon, Maganda (My Identity), 2021, still; digital video and colour, 4mins 48secs duration; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1638848987604-MKE983X6TYL12UNNPNAW/Malizon_image3.png Blog - Alexa Malizon: Navigating the in-between Alexa Malizon, Mag Otso Otso, 2020, installation view, Tuggeranong Arts Centre, Canberra, 2021; two-channel digital video, colour and sound, 1min 12secs duration; courtesy the artist https://www.artmonthly.org.au/blog/wu-mali monthly 0.5 2021-12-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1637715105695-E13Z03DVSTTNU54A2345/Wu_Mali_image1.jpeg Blog - A single drop: Wu Mali’s ‘Plum Tree Creek’ project Wu Mali, Art as Environment – A Cultural Action at Plum Tree Creek, 2010– , documentation image; courtesy the artist and Bamboo Curtain Studio, Taipei. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1637715166014-CBVRS81EE4PTFU943436/Wu_Mali_image2.jpeg Blog - A single drop: Wu Mali’s ‘Plum Tree Creek’ project Wu Mali, Art as Environment – A Cultural Action at Plum Tree Creek, 2010– , documentation image; courtesy the artist and Bamboo Curtain Studio, Taipei. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1637715186482-3ATJTC3YLOYCZ5ZY3LBC/Wu_Mali_image3.jpeg Blog - A single drop: Wu Mali’s ‘Plum Tree Creek’ project Wu Mali, Art as Environment – A Cultural Action at Plum Tree Creek, 2010– , documentation image; courtesy the artist and Bamboo Curtain Studio, Taipei. https://www.artmonthly.org.au/blog/desart-art-centres-on-screen monthly 0.5 2021-11-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1635398478015-3C5BY30Q3KRHQQDORNCT/Desart_image1.jpg Blog - Capturing Country: ‘Art Centres on Screen’ Noreen Parker, Camouflage army truck, acrylic on found metal oil sump, pram wheels, fencing wire, 72 x 34 x 32cm; cinematographer: Devris Hasan; image courtesy Desart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1635398470258-7V8Z9MIXK5ALFU4GN7KU/Desart_image3.jpg Blog - Capturing Country: ‘Art Centres on Screen’ Noreen Parker’s Camouflage army truck with Russell Bryant’s Ngangkari Taraka; cinematographer: Devris Hasan; image courtesy Desart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1635398469403-JT3GF6HHFJ5YU7CQ93CW/Desart_image2.jpg Blog - Capturing Country: ‘Art Centres on Screen’ Russell Bryant, Ngangkari Taraka, acrylic on found metal oil sump, pram wheels, tent poles, 72 x 34 x 33cm; cinematographer: Devris Hasan; image courtesy Desart https://www.artmonthly.org.au/blog/julia-roche-under-a-winter-moon monthly 0.5 2021-10-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1634185271543-95JW7A06OZ5GDN3TFO9U/Roche_image1.jpeg Blog - The land’s disquiet: Julia Roche’s ‘Under a Winter Moon’ at MAMA Julia Roche, Night Lit, 2021, studio view above cotton rag study, 2021; courtesy the artist; photo: Jacqui Cooper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1634185270267-Z5Q0CV14HIIYLR21ULVT/Roche_image3.jpeg Blog - The land’s disquiet: Julia Roche’s ‘Under a Winter Moon’ at MAMA Julia Roche: Under a Winter Moon, exhibition installation view, Murray Art Museum Albury, 2021; photo: Jeremy Weihrauch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1634185261600-PC4CO2V32MLVWXT1AOKN/Roche_image2.jpeg Blog - The land’s disquiet: Julia Roche’s ‘Under a Winter Moon’ at MAMA Julia Roche, Floating Gums Under Blanket Blue, 2021, detail; oil, mixed media on canvas, 122 x 153cm; courtesy the artist; photo: Jacqui Cooper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1634185274693-S3OF7SJKKJT73G3ZFQYO/Roche_image4.jpeg Blog - The land’s disquiet: Julia Roche’s ‘Under a Winter Moon’ at MAMA Julia Roche: Under a Winter Moon, exhibition installation view, Murray Art Museum Albury, 2021; photo: Jeremy Weihrauch https://www.artmonthly.org.au/blog/thenational2021 monthly 0.5 2021-09-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630022338907-P9PCAZV9GW84ATUBRJJD/TheNational_image1.png Blog - Beyond museology: ‘The National 2021’ Lorraine Connelly-Northey, Narrbong Galang, 2021, installation view, ‘The National 2021: New Australian Art’, Carriageworks, Sydney, 2021; courtesy and © the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630022335502-VPLURZP05JVER0ZQB0H5/TheNational_image3.png Blog - Beyond museology: ‘The National 2021’ Fiona Hall, EXODUST, 2021, installation view, ‘The National 2021: New Australian Art’, Art Gallery of New South Wales (AGNSW), Sydney, 2021; courtesy the artist and Roslyn Oxley9 Gallery, Sydney; © the artist; photo: Felicity Jenkins, AGNSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630022445449-DVT7T4I3B76ZW6KCNCL4/TheNational_image2.png Blog - Beyond museology: ‘The National 2021’ Lauren Berkowitz, Plastic Topographies, 2020–21, installation detail, ‘The National 2021: New Australian Art’, Museum of Contemporary Art Australia, Sydney, 2021; image courtesy and © the artist; photo: Anna Kučera https://www.artmonthly.org.au/blog/nightblue monthly 0.5 2021-08-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1629849079321-LH5EW3F4QU95AG969395/NightBlue_image1.jpg Blog - Returning the gaze: Angela O’Keeffe’s 'Night Blue' Courtesy Transit Lounge Publishing, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1629849131010-DCV3LY66NR92N18RU5L6/NightBlue_image2.jpg Blog - Returning the gaze: Angela O’Keeffe’s 'Night Blue' Angela O’Keeffe; courtesy Transit Lounge Publishing, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1629849179287-J7562VH2W70HDNMOBUEI/NightBlue_image3.jpg Blog - Returning the gaze: Angela O’Keeffe’s 'Night Blue' Jackson Pollock, Blue poles, 1952, enamel and aluminium paint with glass on canvas, 212.1 x 488.9cm; National Gallery of Australia, Canberra, purchased 1973; © Pollock-Krasner Foundation, ARS/Copyright Agency https://www.artmonthly.org.au/blog/cairnsritual monthly 0.5 2021-08-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1629166953563-B6AFUM296H9W1D57LDKS/Ritual_image1.png Blog - Contemporary adaptations and future rituals in Cairns Ritual: The past in the present, exhibition installation view, Cairns Art Gallery, 2021; courtesy Cairns Art Gallery; photo: Michael Marzik https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1629166895033-9ZWCDJSZTEVPFWZGCWX9/Ritual_image2.png Blog - Contemporary adaptations and future rituals in Cairns Ritual: The past in the present, exhibition installation view, Cairns Art Gallery, 2021; courtesy Cairns Art Gallery; photo: Michael Marzik https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1629166919678-SBCA4UZ21VGIJUQ9647J/Ritual_image3.png Blog - Contemporary adaptations and future rituals in Cairns Ritual: The past in the present, exhibition installation view, Cairns Art Gallery, 2021; courtesy Cairns Art Gallery; photo: Michael Marzik https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1629167678964-TFBTN5FNE1M4DOKAHL93/Ritual_image4.jpg Blog - Contemporary adaptations and future rituals in Cairns Ritual: The past in the present, exhibition installation view, Cairns Art Gallery, 2021; courtesy Cairns Art Gallery; photo: Michael Marzik https://www.artmonthly.org.au/blog/tate-moderns-a-year-in-art-australia-1992 monthly 0.5 2021-08-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1626739045802-OL7MFVR25K1AXQ5PO0GY/Tate_image1.jpg Blog - Sparse yet strong: Tate Modern’s ‘A Year in Art: Australia 1992’ A Year in Art: Australia 1992, exhibition installation view, Tate Modern, London, 2021; photo and ©: Joe Humphrys, Tate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1626738920693-4YL3DQCRR2BKAJCFL3HX/Tate_image2.jpg Blog - Sparse yet strong: Tate Modern’s ‘A Year in Art: Australia 1992’ A Year in Art: Australia 1992, exhibition installation view, Tate Modern, London, 2021; photo and ©: Joe Humphrys, Tate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1626738926628-AU7UZ1517CLN6FRTBBN9/Tate_image3.jpg Blog - Sparse yet strong: Tate Modern’s ‘A Year in Art: Australia 1992’ A Year in Art: Australia 1992, exhibition installation view, Tate Modern, London, 2021; photo and ©: Joe Humphrys, Tate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1626738934747-HWILVIW7JI9DFXUIT3NL/Tate_image4.jpg Blog - Sparse yet strong: Tate Modern’s ‘A Year in Art: Australia 1992’ Vernon Ah Kee, tall man, 2010, installation view, ‘A Year in Art: Australia 1992’, Tate Modern, London, 2021; photo and ©: Joe Humphrys, Tate https://www.artmonthly.org.au/blog/lincolnaustinipswich monthly 0.5 2021-07-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625617260228-HG5FYMRF6FQOVQNDLM3H/Austin_image1.jpg Blog - Connecting artist, object and audience: Lincoln Austin’s ‘The Space Between Us’ Lincoln Austin, Don’t Get Carried Away with Yourself, Lincoln, 2020– , polyurethane-coated nylon fabric, nylon thread, carbon fibre, brass, 300cm (diameter); photo: Steve Ryan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625617258014-3MZF99C87JB0NRUOBL3P/Austin_image2.jpg Blog - Connecting artist, object and audience: Lincoln Austin’s ‘The Space Between Us’ Lincoln Austin: The Space Between Us, exhibition installation view, Ipswich Art Gallery, 2021; image courtesy Ipswich Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625617279298-28AOIGXH036VGTL0F5KD/Austin_image3.jpg Blog - Connecting artist, object and audience: Lincoln Austin’s ‘The Space Between Us’ Lincoln Austin: The Space Between Us, exhibition installation view, Ipswich Art Gallery, 2021; image courtesy Ipswich Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625617278068-HCCID9GC69CJEBN0Z960/Austin_image4.jpg Blog - Connecting artist, object and audience: Lincoln Austin’s ‘The Space Between Us’ Lincoln Austin: The Space Between Us, exhibition installation view, Ipswich Art Gallery, 2021; image courtesy Ipswich Art Gallery https://www.artmonthly.org.au/blog/flippingthebird monthly 0.5 2021-07-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625114849338-A5DMUNYPCR0Y8LEZS7T1/Wart_image1.jpg Blog - Flipping the bird
 Wart, Get That Itch, 2018, mixed media on paper, 135 x 138cm; courtesy the artist and Rogue Pop-up Gallery, Sydney; photo: Ian Hobbs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625115128883-86GGJ022QHIW74DT59PE/Wart_image2.jpg Blog - Flipping the bird
 Wart, Love a Long Neck, 2021, oil and acrylic on board, 122 x 91.5cm; courtesy the artist and Rogue Pop-up Gallery, Sydney; photo: Ian Hobbs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625114934090-OZ7LVEAP4N0NO1MGDYNC/Wart_image3+copy.jpg Blog - Flipping the bird
 Eye See Pink, Black and White, exhibition installation view; courtesy the artist and Rogue Pop-up Gallery, Sydney; photo: Ian Hobbs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1625114942963-6VS1W57NRH141URQCSQ6/Wart_image4.jpg Blog - Flipping the bird
 Eye See Pink, Black and White, exhibition installation view; courtesy the artist and Rogue Pop-up Gallery, Sydney; photo: Karen Brown https://www.artmonthly.org.au/blog/thedarkside2021 monthly 0.5 2021-06-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1624429383238-5OIWKNHGLDMDHY4XLZHU/TheDarkSide_image1+copy.png Blog - Working through ‘The Dark Side’ Sharyn Egan, Our Babies, 2019, 100 sardine tins, cloth, pebble gravel, dimensions variable; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1624429467068-N35KNZRKB875UUG2WMPC/TheDarkSide_image2+copy.jpg Blog - Working through ‘The Dark Side’ Tyrown Waigana, A Nice Place to Hate Yourself, 2021, acrylic on canvas, 51 x 61 x 4cm; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1624429498288-7WCPMZ67ZMZVRRDBGDOB/TheDarkSide_image3+copy.jpg Blog - Working through ‘The Dark Side’ Tarryn Gill, Pink Feline Trickster, 2018, EPE foam, LED lights with microcontroller, hand-sewn synthetic fabric, threads, 90 x 50 x 15cm; courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1624429489425-58FZ6Y1FE1TQ23P3GFWS/TheDarkSide_image4+copy.jpeg Blog - Working through ‘The Dark Side’ The Dark Side, exhibition installation view, There Is, Perth, 2021; courtesy Ted Snell https://www.artmonthly.org.au/blog/constructing-a-national-narrative-the-ncpi-in-taipei monthly 0.5 2021-06-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1623134966245-3C2SH715Q2ZZPGQQCW3U/Taipei_image1+%281%29.jpeg Blog - Constructing a national narrative: The NCPI in Taipei Courtesy the National Center of Photography and Images (NCPI), Taipei https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1623135187741-GA09MPBXE1M1H4PLP4W7/Taipei_image2.jpeg Blog - Constructing a national narrative: The NCPI in Taipei Hold the Mirror up to His Gaze: the Early History of Photography in Taiwan (1869–1949), exhibition installation view, NCPI, Taipei, 2021; courtesy NCPI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1623135193032-7XTJ7MMS9Q2M6GHAYECJ/Taipei_image3.jpeg Blog - Constructing a national narrative: The NCPI in Taipei A Handful of Dust: from the Cosmic to the Domestic, exhibition installation view, NCPI, Taipei, 2021; courtesy NCPI https://www.artmonthly.org.au/blog/unpacking-the-wunderkammer monthly 0.5 2021-06-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1621487821299-YTKOQKOCZF7Y5FRWIOS8/Vault%2Bby%2BCaroline%2BRothwell.jpg Blog - Unpacking the ‘wunderkammer’: The 2021 Ravenswood Australian Women’s Art Prize Caroline Rothwell, Vault, 2020, acrylic on linen, 163 x 183cm; courtesy the artist and Yavuz Gallery, Singapore and Sydney https://www.artmonthly.org.au/blog/adelaideinternationalfestival2021 monthly 0.5 2021-05-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1621488135431-NKYHA8PYVU361SNFBHW9/AdelaideInternational_image1.JPG Blog - Through lines: ‘2021 Adelaide//International’ at Samstag Museum of Art Jesse Jones, Tremble Tremble, 2017, installation view, ‘2021 Adelaide//International’, Samstag Museum of Art, University of South Australia, Adelaide, with performer Emily Clinton; photo: Sia Duff https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1621488133873-R8HLKM3CHMFBR8RJYSSW/AdelaideInternational_image2.JPG Blog - Through lines: ‘2021 Adelaide//International’ at Samstag Museum of Art Taloi Havini, Tsomi wan-bel, 2017, installation view, ‘2021 Adelaide//International’, Samstag Museum of Art, University of South Australia, Adelaide; photo: Sia Duff https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1621488230231-JT6LUFMLT63QT9EBOMXG/AdelaideInternational_image3.JPG Blog - Through lines: ‘2021 Adelaide//International’ at Samstag Museum of Art James Tylor, The Darkness of Enlightenment, 2021, installation view, ‘2021 Adelaide//International’, Samstag Museum of Art, University of South Australia, Adelaide; photo: Sia Duff https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1621488242216-6QV4EQLG9WXS8R1KNF6B/AdelaideInternational_image4.JPG Blog - Through lines: ‘2021 Adelaide//International’ at Samstag Museum of Art Fayen d’Evie, Endnote: The Ethical Handling of Empty Spaces, 2021, installation view, ‘2021 Adelaide//International’, Samstag Museum of Art, University of South Australia, Adelaide, with performer Benjamin Hancock; photo: Sia Duff https://www.artmonthly.org.au/blog/miffy-and-friends-qut monthly 0.5 2021-04-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1617231524029-QEU1OOG6GS5W920FAJ39/Miffy_image1.jpg Blog - The rabbit in art: ‘miffy & friends’ miffy & friends, exhibition installation view, QUT Art Museum, Brisbane, 21 November 2020 – 14 March 2021; Collection Mercis bv / Dick Bruna; photo: Louis Lim https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1617231526037-THQQNIAXD70J95IHUNH2/Miffy_image2.jpg Blog - The rabbit in art: ‘miffy & friends’ miffy & friends, exhibition installation view, QUT Art Museum, Brisbane, 21 November 2020 – 14 March 2021; Collection Mercis bv / Dick Bruna; photo: Louis Lim https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1617231563923-UZJKQMSC99PC1DINFTVI/Miffy_image3.jpg Blog - The rabbit in art: ‘miffy & friends’ miffy & friends, exhibition installation view, QUT Art Museum, Brisbane, 21 November 2020 – 14 March 2021, with the work of Nell; photo: Louis Lim https://www.artmonthly.org.au/blog/ash-keating-chinatown monthly 0.5 2021-03-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1616019904837-C28BWXOQ7FZAZUNOPLN6/Keating_image1.jpg Blog - Ash Keating’s metaphorical flames Ash Keating, Chinatown Response Painting, 10 January 2021; courtesy the artist and KRONENBERG MAIS WRIGHT, Sydney; photo: Dan Preston https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1616019923813-D8OQSJAOYVYXA6RE6G89/Keating_image2.jpg Blog - Ash Keating’s metaphorical flames Ash Keating, Chinatown Response Painting, 10 January 2021; courtesy the artist and KRONENBERG MAIS WRIGHT, Sydney; photo: Dan Preston https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1616019947403-HVM2X5R5Q9HR2CZ26J9H/Keating_image3.jpg Blog - Ash Keating’s metaphorical flames Ash Keating, Chinatown Response Painting, 10 January 2021; courtesy the artist and KRONENBERG MAIS WRIGHT, Sydney; photo: Dan Preston https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1616019969894-KTGCPFRTMM6K1IURNE3V/Keating_image4.jpg Blog - Ash Keating’s metaphorical flames Ash Keating, Chinatown Response Painting, 10 January 2021; courtesy the artist and KRONENBERG MAIS WRIGHT, Sydney; photo: Dan Preston https://www.artmonthly.org.au/blog/sean-rafferty-nauru monthly 0.5 2021-03-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1615423392424-LPSL2DOVQBML0WANA5B9/Rafferty_image1.jpg Blog - Shapes of ongoing fascination, shapes of ongoing dismay Sean Rafferty, Nauru, 2020, specimen pins, mixed media, cardboard, Foamcore, plywood, timber and acrylic cover, 100 x 100 x 10cm; courtesy the artist; photo: Louis Lim https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1615423511514-7NIMDX706BFXNC977M3Z/Rafferty_image2.jpg Blog - Shapes of ongoing fascination, shapes of ongoing dismay Sean Rafferty, Nauru, 2020, detail; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1615423533081-8QMYVJVAQ3IHPQULNWT3/Rafferty_image3.jpg Blog - Shapes of ongoing fascination, shapes of ongoing dismay Sean Rafferty, Nauru, 2020, detail; courtesy the artist https://www.artmonthly.org.au/blog/wayne-eager-bitumen-dirt monthly 0.5 2021-03-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614723691380-7YPVEMITBIXFFPOWFS0O/Eager_image1.jpg Blog - Layering the land: Wayne Eager’s ‘Bitumen & Dirt’ Bitumen & Dirt – Wayne Eager: Thirty Years in the Territory, exhibition installation view, Charles Darwin University Art Gallery, Darwin, 2021; photo: Eileen Lim https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614723248711-3W6TDHLPU5VM17SUD80X/Eager_image2.jpg Blog - Layering the land: Wayne Eager’s ‘Bitumen & Dirt’ Bitumen & Dirt – Wayne Eager: Thirty Years in the Territory, exhibition installation view, Charles Darwin University Art Gallery, Darwin, 2020; photo: Helen Orr https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614723787268-4OBCXRHQWO0ZBK3P69VJ/Eager_image3.jpg Blog - Layering the land: Wayne Eager’s ‘Bitumen & Dirt’ Bitumen & Dirt – Wayne Eager: Thirty Years in the Territory, exhibition installation view, Charles Darwin University Art Gallery, Darwin, 2021; photo: Eileen Lim https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614723243033-GGNXB8O8L3NRX68TT8C0/Eager_image4.jpg Blog - Layering the land: Wayne Eager’s ‘Bitumen & Dirt’ Wayne Eager, Linework No.1, 2013, gouache on paper, 56 x 76cm; on loan from Faye Alexander; photo: Anna Cadden https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614723252292-NJ12BECW45XLR8W9G89D/Eager_image5.jpg Blog - Layering the land: Wayne Eager’s ‘Bitumen & Dirt’ Wayne Eager, Red Town, 2018, oil on linen, 138 x 122.5cm; on loan from the artist; photo: Anna Cadden https://www.artmonthly.org.au/blog/david-keeling-stranger-tmag monthly 0.5 2021-03-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614142594270-5GJD2VUVJ2X9FUIYIWVS/Keeling_image2.jpg Blog - Returnings home: David Keeling’s ‘Stranger’ at TMAG David Keeling: Stranger, exhibition installation view, Tasmanian Museum and Art Gallery (TMAG), Hobart, 2020–21; courtesy the artist and TMAG, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614142618831-C3ASN85QT2SOQMM7PBEU/Keeling_image1.jpg Blog - Returnings home: David Keeling’s ‘Stranger’ at TMAG David Keeling, Two worlds collide – garage sale, 2000–01, oil on linen, 122 x 152cm; private collection, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614142613420-EQW5PVXG5IJNIPYLBMXO/Keeling_image3.jpg Blog - Returnings home: David Keeling’s ‘Stranger’ at TMAG David Keeling: Stranger, exhibition installation view, TMAG, Hobart, 2020–21; courtesy the artist and TMAG, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614142631437-PTD4AOS1AQ84TZ6MVXVI/Keeling_image4.jpg Blog - Returnings home: David Keeling’s ‘Stranger’ at TMAG David Keeling: Stranger, exhibition installation view, TMAG, Hobart, 2020–21; courtesy the artist and TMAG, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614142643191-RFID09MLP4ANAH8NNXBL/Keeling_image5.jpg Blog - Returnings home: David Keeling’s ‘Stranger’ at TMAG David Keeling, Sweet Honeymoon Bay, 2020, oil on linen, 198 x 274cm; collection: TMAG, Hobart; courtesy the artist https://www.artmonthly.org.au/blog/kirsten-coelho-wakefield-press monthly 0.5 2021-02-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611706239081-DGVP1YXJ0KG4SLY5906F/Coelho_image1.jpg Blog - Giving voice to Kirsten Coelho’s quiet forms Courtesy Wakefield Press, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611706245046-V1CQQPKZT0SQ1SM3JY64/Coelho_image2.jpg Blog - Giving voice to Kirsten Coelho’s quiet forms Kirsten Coelho, Ithaca, 2020, installation view, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, 16 October – 28 November 2020; photo: Sam Noonan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611706257254-L6YQ91S9U5W13W449NQC/Coelho_image3.jpg Blog - Giving voice to Kirsten Coelho’s quiet forms Kirsten Coelho, Ithaca, 2020, installation view, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, 16 October – 28 November 2020; photo: Sam Noonan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611706259812-2AKUKQUPM7HKN7FNY0SC/Coelho_image4.jpg Blog - Giving voice to Kirsten Coelho’s quiet forms Kirsten Coelho, Ithaca, 2020, installation view, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, 16 October – 28 November 2020; photo: Sam Noonan https://www.artmonthly.org.au/blog/hardenvale-waggawagga monthly 0.5 2021-01-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611185895367-E7MX7UDUF7DSV9JWE0WA/Hardenvale_image1.jpg Blog - Transcendence of the benign: ‘Hardenvale’ at Wagga Wagga Art Gallery Todd Fuller, Kellie O’Dempsey and Catherine O’Donnell, Hardenvale – our home in Absurdia, 2019– , installation view, Wagga Wagga Art Gallery, 2020; courtesy the artists; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611185892256-GHU5QJVGYPLYZLUR2LG9/Hardenvale_image2.jpg Blog - Transcendence of the benign: ‘Hardenvale’ at Wagga Wagga Art Gallery Todd Fuller, Kellie O’Dempsey and Catherine O’Donnell, Hardenvale – our home in Absurdia, 2019– , installation view, Wagga Wagga Art Gallery, 2020; courtesy the artists; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611185961590-L0LGUCPTZ79JZVT5VTYI/Hardenvale_image3.jpg Blog - Transcendence of the benign: ‘Hardenvale’ at Wagga Wagga Art Gallery Todd Fuller, Kellie O’Dempsey and Catherine O’Donnell, Hardenvale – our home in Absurdia, 2019– , installation view, Wagga Wagga Art Gallery, 2020; courtesy the artists; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611186035081-4W0WXGE62BRKLXCMDOWH/Hardenvale_image4.jpg Blog - Transcendence of the benign: ‘Hardenvale’ at Wagga Wagga Art Gallery Todd Fuller, Kellie O’Dempsey and Catherine O’Donnell, Hardenvale – our home in Absurdia, 2019– , installation view, Wagga Wagga Art Gallery, 2020; courtesy the artists; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1611186043467-57Q0ZZUUIPE4OIQRSCN9/Hardenvale_image5.jpg Blog - Transcendence of the benign: ‘Hardenvale’ at Wagga Wagga Art Gallery Todd Fuller, Kellie O’Dempsey and Catherine O’Donnell, Hardenvale – our home in Absurdia, 2019– , installation view, Wagga Wagga Art Gallery, 2020; courtesy the artists; photo: Tayla Martin https://www.artmonthly.org.au/blog/declaring-presence-ngaliya-diyam monthly 0.5 2021-01-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1608520104191-KPOU1A084H01NHDL6D6T/Ngaliya_image1.jpg Blog - Declaring presence: ‘Ngaliya Diyam’ at Granville Centre Art Gallery Ngaliya Diyam, exhibition installation view, Granville Centre Art Gallery, Western Sydney, 2020; courtesy the artists; photo: Document Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1608594591969-O7E90KA2EMW7HXXWI29V/Ngaliya_image2.jpg Blog - Declaring presence: ‘Ngaliya Diyam’ at Granville Centre Art Gallery Ngaliya Diyam, exhibition installation view, Granville Centre Art Gallery, Western Sydney, 2020, featuring the work of Aunty Esme Timbery (foreground); courtesy the artist; photo: Document Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1608520151135-WYXNGI5KA0X7LCWSK7T1/Ngaliya_image3.jpg Blog - Declaring presence: ‘Ngaliya Diyam’ at Granville Centre Art Gallery Lucy Simpson, Necklace for a Boy, 2016, installation view, ‘Ngaliya Diyam’, Granville Centre Art Gallery, Western Sydney, 2020; courtesy the artist; photo: Document Photography https://www.artmonthly.org.au/blog/the-possibilities-of-strangeness monthly 0.5 2020-12-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1607906122917-SN5NDS6Q5U6LXCS6W8FU/StrangeFlower_image1.jpg Blog - The possibilities of strangeness: Christian Thompson’s ‘Strange Flower’ at the Australian Embassy in Berlin Dr Christian Thompson AO, Rule of Three, 2020, installation view, ‘Strange Flower’, Australian Embassy, Berlin, 2020; type-C print on Fuji Pearl Metallic Paper, four panels, 120 x 120cm (each); courtesy the artist, Michael Reid Sydney + Berlin, and the Australian Embassy, Berlin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1607905726902-MTPAQWD7L10WE38H9URC/StrangeFlower_image2.jpg Blog - The possibilities of strangeness: Christian Thompson’s ‘Strange Flower’ at the Australian Embassy in Berlin Dr Christian Thompson AO, ‘We Bury Our Own’ series detail, 2012, installation view, ‘Strange Flower’, Australian Embassy, Berlin, 2020; courtesy the artist, Michael Reid Sydney + Berlin, and the Australian Embassy, Berlin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1607905818464-HD23REKDTL88081HUB9L/StrangeFlower_image3.jpg Blog - The possibilities of strangeness: Christian Thompson’s ‘Strange Flower’ at the Australian Embassy in Berlin Dr Christian Thompson AO, Strange Flower, exhibition installation view, Australian Embassy, Berlin, 2020; courtesy the artist, Michael Reid Sydney + Berlin, and the Australian Embassy, Berlin https://www.artmonthly.org.au/blog/a-singular-vision monthly 0.5 2020-12-14 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606280052906-3D4N3UKPTI8KGVB1GJT8/Coventry_image4.jpg Blog - A singular vision: ‘COVENTRY’ at the New England Regional Art Museum COVENTRY, exhibition installation view, New England Regional Art Museum, Armidale, 2020; photo: Simon Scott https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606280043810-K43WWBZXPEKOHJHYPA0J/Coventry_image2.jpg Blog - A singular vision: ‘COVENTRY’ at the New England Regional Art Museum COVENTRY, exhibition installation view, New England Regional Art Museum, Armidale, 2020; photo: Simon Scott https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606280167718-LSFI6AUJ84XHE3YQPSPZ/Coventry_image3.jpg Blog - A singular vision: ‘COVENTRY’ at the New England Regional Art Museum COVENTRY, exhibition installation view, New England Regional Art Museum, Armidale, 2020; photo: Simon Scott https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606280171923-RURUIGQHN1L5XD6JXZAU/Coventry_image1.jpg Blog - A singular vision: ‘COVENTRY’ at the New England Regional Art Museum COVENTRY, exhibition installation view, New England Regional Art Museum, Armidale, 2020; photo: Simon Scott https://www.artmonthly.org.au/blog/chromophilia monthly 0.5 2020-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1605651831002-CBTMAL38YVQ5YH2ZT1JR/Chromophilia_image1.png Blog - Bringing colour to forgotten histories in Gary Carsley’s ‘Chromophilia’ Gary Carsley, Sleeping Ariadne (Ariadne Sleeps Unrepentant), 2020, single-channel video, 2:01mins duration; soundscape: Louise Loh; videography: Kenn Huang; unique state sublimation print from video still on laser-cut aluminium in the size and shape of a 10.9-inch iPad Air; project made possible by Create NSW; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1605651828868-NQT0XM5L2OEAD9HIG14M/Chromophilia_image2.png Blog - Bringing colour to forgotten histories in Gary Carsley’s ‘Chromophilia’ Gary Carsley, Sleeping Ariadne (Ariadne Sleeps Unrepentant), 2020, single-channel video, 2:01mins duration; soundscape: Louise Loh; videography: Kenn Huang; unique state sublimation print from video still on laser-cut aluminium in the size and shape of a 10.9-inch iPad Air; project made possible by Create NSW; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1605666008899-NTEETLZDNWP3AZGU1R8T/Carsley_image3+%28small%29.jpg Blog - Bringing colour to forgotten histories in Gary Carsley’s ‘Chromophilia’ Gary Carsley, D.116 Purple Reign, 2018–20, installation view, ‘ARBOUR ARDOUR’, Roslyn Oxley9 Gallery, Sydney, 2020; type-C print, Dibond with split battens, IKEA cupboard, chair and stool, overall dimensions as assembled: 236.4 x 60 x 100cm; courtesy the artist and Roslyn Oxley9 Gallery, Sydney; photo: Luis Power https://www.artmonthly.org.au/blog/a-studied-elegance monthly 0.5 2020-11-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1604292401706-K48992H7KBEIY2UAXCZM/Woodward_image1.jpg Blog - A studied elegance: Margaret Woodward at the Grace Cossington Smith Gallery Margaret Woodward, Self Portrait, n.d., oil on canvas, 123 x 120cm; courtesy the artist; photo: Richard Glover https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1604292467722-BV8N6OL85OFC031U5CEF/Woodward_image2.jpg Blog - A studied elegance: Margaret Woodward at the Grace Cossington Smith Gallery Margaret Woodward: From the Studio, exhibition installation view, Grace Cossington Smith Gallery, Sydney, 2020; courtesy the artist; photo: Richard Glover https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1604292489635-EGAV57WK74QMB2A5UGM9/Woodward_image3.jpg Blog - A studied elegance: Margaret Woodward at the Grace Cossington Smith Gallery Margaret Woodward: From the Studio, exhibition installation view, Grace Cossington Smith Gallery, Sydney, 2020; courtesy the artist; photo: Richard Glover https://www.artmonthly.org.au/blog/material-limits monthly 0.5 2020-11-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1603150772574-CL87UYW9PFXAC9KQN9JR/Venables_image1.jpg Blog - Material limits: Prue Venables’s ‘impossible’ porcelain and elusive forms Prue Venables, Esme’s Dressing Table, 2017, hand-thrown porcelain, silver, copper, thread, bristles, sponge, cloth; photo: Terence Bogue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1603150776144-6XUI6STBDXSNNMDP28ZQ/Venables_image2.jpg Blog - Material limits: Prue Venables’s ‘impossible’ porcelain and elusive forms Prue Venables, Betty’s Kitchen, 2017, detail; Limoges porcelain, thrown and altered, silver, copper, thread, various dimensions; photo: Terence Bogue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1603150707439-BVR7AN4BOT3I71X02J2A/Venables_image3.jpg Blog - Material limits: Prue Venables’s ‘impossible’ porcelain and elusive forms Living Treasures: Masters of Australian Craft / Prue Venables, exhibition installation view, Australian Design Centre, Sydney, 2019; photo: Rhiannon Hopley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1603150689752-F4Q2AS5LDGGFJ8MRUGON/Venables_image4.jpg Blog - Material limits: Prue Venables’s ‘impossible’ porcelain and elusive forms Living Treasures: Masters of Australian Craft / Prue Venables, exhibition installation view, Australian Design Centre, Sydney, 2019; photo: Rhiannon Hopley https://www.artmonthly.org.au/blog/catharsis-and-clairvoyance monthly 0.5 2020-10-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1602029375553-JV465OZ6GQY1ADXFVNBL/ACE_Open_image3.jpg Blog - Catharsis and clairvoyance: ‘If the future is to be worth anything’ at ACE Open Carly Tarkari Dodd, Sticks and Stones, 2020, installation view, ‘If the future is to be worth anything’, ACE Open, Adelaide, 2020; photo: Morgan Sette https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1602029522190-M88RCJG2XXA4U7QFSPOK/ACE_Open_image2.jpg Blog - Catharsis and clairvoyance: ‘If the future is to be worth anything’ at ACE Open Kate Bohunnis, edges of excess, 2020, installation view, ‘If the future is to be worth anything’, ACE Open, Adelaide, 2020; photo: Sam Roberts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1602029519104-L2GVNXUL595JLBX46URD/ACE_Open_image1.jpg Blog - Catharsis and clairvoyance: ‘If the future is to be worth anything’ at ACE Open Yusuf Ali Hayat, Baab Al-Salaam, 2020, installation view, ‘If the future is to be worth anything’, ACE Open, Adelaide, 2020; photo: Morgan Sette https://www.artmonthly.org.au/blog/fuse-and-meroogal monthly 0.5 2020-10-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601466911195-Z6GJNZUZ8D9CRNOF6HL9/Cobi%2BCockburn.jpg Blog - Winners announced for the 2020 FUSE Glass Prize and 18th Meroogal Women’s Art Prize Cobi Cockburn, Murmuration (Light), 2019; glass, 1150 x 1150 x 40cm; courtesy the JamFactory, Adelaide, and the Australian Design Centre, Sydney; photo: Greg Piper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601466878022-4UJ754Z6JI4TQ1ZLS02J/Madisyn%2BZabel.jpg Blog - Winners announced for the 2020 FUSE Glass Prize and 18th Meroogal Women’s Art Prize Madisyn Zabel, Illuminate III, 2020; cold-worked glass, 70 x 500 x 400cm; courtesy the JamFactory, Adelaide, and the Australian Design Centre, Sydney; photo: the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601466972176-ZGY9GALEHNSYDWCQD82H/Goffman.jpg Blog - Winners announced for the 2020 FUSE Glass Prize and 18th Meroogal Women’s Art Prize Sarah Goffman, Blue willow, 2020; plastic, permanent marker, clay, variable dimensions; courtesy Meroogal and Sydney Living Museums; photo: Joshua Morris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601466942606-DR24D1BZYG58A6MA9AUW/Park.jpg Blog - Winners announced for the 2020 FUSE Glass Prize and 18th Meroogal Women’s Art Prize Sassy Park, Garden play set, 2020; ceramic, wood, found object, variable dimensions; courtesy Meroogal and Sydney Living Museums; photo: Joshua Morris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601467009983-8WVQ3A1WNOGUZGST3RTK/Patterson.jpg Blog - Winners announced for the 2020 FUSE Glass Prize and 18th Meroogal Women’s Art Prize Julie Paterson, A dozen modest fancies, 2020; printed linen, vintage chair, variable dimensions; courtesy Meroogal and Sydney Living Museums; photo: courtesy Joshua Morris https://www.artmonthly.org.au/blog/art-of-lockdown monthly 0.5 2020-09-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601467464226-EDDCPZA6NYEGMWKRA4XX/Buxton%2Bstill%2B1.jpg Blog - The art of lockdown Laresa Kosloff, Radical Acts, 2020, production still, 4K video (stock footage), 7:29mins duration; image courtesy Buxton Contemporary, the University of Melbourne; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601467478553-DFQ2ATCD4THYBX2AEH2M/Buxton%2Bstill%2B2.jpg Blog - The art of lockdown Laresa Kosloff, Radical Acts, 2020, production still, 4K video (stock footage), 7:29mins duration; image courtesy Buxton Contemporary, the University of Melbourne; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1601467497565-U3G41OU0AEH1XXQ5CH85/Unwelcome%2BVisitant.jpg Blog - The art of lockdown Camila Galaz, Unwelcome Visitant, 2020, production still, video, 16:51mins duration; image courtesy and © the artist https://www.artmonthly.org.au/blog/love-and-conflict monthly 0.5 2020-09-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1599018738762-DYZ9DX777G0W51QGTDUZ/Rachel%2BWard%2Band%2BBryan%2BBrown-3.jpg Blog - Love and conflict @ the National Portrait Gallery and UQ Art Museum Peter Brew-Bevan, Rachel Ward and Bryan Brown, 2006 (printed 2020), inkjet print on paper; image courtesy National Portrait Gallery, Canberra; © Peter Brew-Bevan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1599018779280-FDJZ0906PZAQAIOC7N64/Self_portrait_Joy_Hester-A_Tucker%2Bcopy.jpg Blog - Love and conflict @ the National Portrait Gallery and UQ Art Museum Albert Tucker, In the mirror: Self portrait with Joy Hester, 1939, silver gelatin photograph on paper; image courtesy National Portrait Gallery, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1599018836000-P1RXUEWAQWMAVJ9YC91P/Screen%2BShot%2B2020-09-02%2Bat%2B1.50.47%2Bpm.jpg Blog - Love and conflict @ the National Portrait Gallery and UQ Art Museum John Tsiavis, Kath & Kim, c. 2011; © John Tsiavis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1599018763808-5OG7V31VIOUGLDR7U5D6/ideo-log_PROMO_text-chain.jpg Blog - Love and conflict @ the National Portrait Gallery and UQ Art Museum Daniel McKewen and Anonymous, chat with anon, 2020, production still from The ‘ideo-log’ Project, found iPhone, digital images and videos, dimensions variable; image courtesy and © the artist and Milani Gallery, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1599018810760-2LQELK87KSCYTGSEP56Q/DOBBIE_Harriet_300ppi.jpg Blog - Love and conflict @ the National Portrait Gallery and UQ Art Museum Xanthe Dobbie, Harriet, 2018, still from the series ‘Wallpaper Queens’, digital collage and BuzzFeed quiz, dimensions variable; image courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1599018858403-ZPSL8D9X4PCZTNBFPP7A/GECK_schema.jpg%2Bhighest%2Bresolution.jpg Blog - Love and conflict @ the National Portrait Gallery and UQ Art Museum Kate Geck, Schema.jpg, 2020, digital image, dimensions variable; image © the artist https://www.artmonthly.org.au/blog/altered-states monthly 0.5 2020-09-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596517247980-1U7Z8AZ5EFXZEXOM49J6/Mel_image2.jpg Blog - Altered states of consciousness in Mel O’Callaghan’s ‘Centre of the Centre’ Mel O’Callaghan, Centre of the Centre, 2019, digital still; courtesy the artist and KRONENBERG MAIS WRIGHT, Sydney; Galerie Allen, Paris; Belo-Galsterer, Lisbon https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596517218726-16Z5MGPHS2A6ZOHCWDN5/Mel_image1.jpg Blog - Altered states of consciousness in Mel O’Callaghan’s ‘Centre of the Centre’ Mel O’Callaghan, Respire, respire, 2019, performance view, Artspace, Sydney, 2019; photo: Clemens Habicht https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596517252611-977YJ8IMNG1Y469BGOKB/Mel_image3.jpg Blog - Altered states of consciousness in Mel O’Callaghan’s ‘Centre of the Centre’ Mel O’Callaghan, Centre of the Centre, 2019, installation view, Artspace, Sydney, 2019; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596517628283-W4E4ETBBKMZGAFRX95WD/Mel_image4.jpg Blog - Altered states of consciousness in Mel O’Callaghan’s ‘Centre of the Centre’ Mel O’Callaghan, Respire, respire, 2019, performance view, Le Confort Moderne, Poitiers; photo: Clemens Habicht https://www.artmonthly.org.au/blog/barbara-mcgrady monthly 0.5 2020-08-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596008963064-LAULCO2Z6MTKSXYK66FH/CAC22MCG_ZW_5560_10+-+1--3ALL003.jpg Blog - ‘The photos say they can’t breathe’: Barbara McGrady at Campbelltown Barbara McGrady (with John Janson-Moore), Ngiyaningy Maran Yaliwaunga Ngaara-li (Our Ancestors Are Always Watching), exhibition installation view, Campbelltown Arts Centre, Sydney, 2020; courtesy the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596008999274-VSO053XWHN6LUL0BJGEM/CAC22MCG_ZW_5560_10+-+1--3ALL004.jpg Blog - ‘The photos say they can’t breathe’: Barbara McGrady at Campbelltown Barbara McGrady (with John Janson-Moore), Ngiyaningy Maran Yaliwaunga Ngaara-li (Our Ancestors Are Always Watching), exhibition installation view, Campbelltown Arts Centre, Sydney, 2020; courtesy the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596009057229-G188RG8Q1ZS3CGO9UXA0/CAC22MCG_ZW_5560_13-120320-CACopening-178.jpg Blog - ‘The photos say they can’t breathe’: Barbara McGrady at Campbelltown Barbara McGrady (with John Janson-Moore), Ngiyaningy Maran Yaliwaunga Ngaara-li (Our Ancestors Are Always Watching), exhibition installation view, Campbelltown Arts Centre, Sydney, 2020; courtesy the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1596009338766-8WKUI1FNBWBT9N4VEP3Q/McGrady+AGNSW.jpg Blog - ‘The photos say they can’t breathe’: Barbara McGrady at Campbelltown NIRIN: 22nd Biennale of Sydney, exhibition installation view, Art Gallery of New South Wales, Sydney, 2020, with (from left): Barbara McGrady, Black Lives Matter, Martin Place, 2015, inkjet print; and Sovereignty Never Ceded. Redfern Aboriginal Tent Embassy set up by Wiradjuri woman Jenny Munro to protest the gentrification and the erasing of Aboriginal families by the Aboriginal Housing Company & their developers, 2016, inkjet print; photo: Zan Wimberley https://www.artmonthly.org.au/blog/brave-new-world monthly 0.5 2020-07-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595909869849-JCHIPC6N4GT1549IBSCS/Screen%2BShot%2B2020-07-28%2Bat%2B2.12.31%2Bpm.jpg Blog - A blueprint for a brave new world at Carriageworks Giselle Stanborough, Cinopticon (Mirror), 2020, still; single-channel HD video with mirrored film, 9:16, no sound, 5mins duration; courtesy the artist and Carriageworks, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595909834573-O3S8Y00YE236G4FA59W7/Stanborough_image3.jpg Blog - A blueprint for a brave new world at Carriageworks Giselle Stanborough: Cinopticon, exhibition installation view, Carriageworks, Sydney, 2020; courtesy the artist and Carriageworks, Sydney; photo: Mark Pokorny https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595909856348-A138BMGY08W1KIKFSJ11/Stanborough_image2.jpg Blog - A blueprint for a brave new world at Carriageworks Giselle Stanborough: Cinopticon, exhibition installation view, Carriageworks, Sydney, 2020; courtesy the artist and Carriageworks, Sydney; photo: Mark Pokorny https://www.artmonthly.org.au/blog/where-is-home monthly 0.5 2020-07-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595291616337-TG737SGDBZW6WSR9UT52/NGALLAMETTAmavis_EndSwampII_2017_PC_001.jpg Blog - Where is home: Mavis Ngallametta at Queensland Art Gallery Mavis Ngallametta, End Swamp #2, 2017, natural ochres and charcoal with acrylic binder on linen, 200.5 x 284cm; © The estate of Mavis Ngallametta https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595398276112-ITAGXT67ULFKDWNWOV67/QAG_MavisNgallametta_installationview_20200320_ccallistemon_045.jpg Blog - Where is home: Mavis Ngallametta at Queensland Art Gallery Mavis Ngallametta: Show Me the Way to Go Home, exhibition installation view, Queensland Art Gallery, Brisbane, 2020; photo: Chloë Callistemon, QAGOMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595398299605-JMI42YASN9VAOYVJM7SQ/QAG_MavisNgallametta_installationview_20200320_nharth_016.jpg Blog - Where is home: Mavis Ngallametta at Queensland Art Gallery Mavis Ngallametta: Show Me the Way to Go Home, exhibition installation view, Queensland Art Gallery, Brisbane, 2020; photo: Natasha Harth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595398210901-4501VJRM8WXXBRQU0GOZ/BushFire.jpg Blog - Where is home: Mavis Ngallametta at Queensland Art Gallery Mavis Ngallametta, Bush Fire at Kutchendoopen, 2014, ochres and charcoal with acrylic binder on canvas, 267.5 x 200cm; courtesy the Art Gallery of New South Wales, Sydney; © The estate of Mavis Ngallametta https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595398239079-3WK6AI9AU44XD2T277LX/Ikalath.jpg Blog - Where is home: Mavis Ngallametta at Queensland Art Gallery Mavis Ngallametta, Ikalath #10, 2012, natural ochres and charcoal with acrylic binder on linen, 298.5 x 200.5cm; © The estate of Mavis Ngallametta; photo: Jenni Carter https://www.artmonthly.org.au/blog/destiny-deacon monthly 0.5 2020-07-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595290994037-B4BAT8E4IFT7W3VEQAL9/EXHI059073_RGB.jpg Blog - Destiny Deacon: Showing colour Destiny Deacon, Last laughs, 1995, lightjet photograph from Polaroid photograph, 80 x 100cm; image courtesy and © Destiny Deacon https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595291045615-J7CMBRTVRVBCVH9WGOI5/Ae100148_RGB.jpg Blog - Destiny Deacon: Showing colour Destiny Deacon, Smile, 2017, lightjet photograph from Polaroid photograph, 80 x 100cm; image courtesy NGV, Melbourne; © Destiny Deacon https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595291073572-ITJZ4ULBNT0YAJQWYKI9/EXHI059057_RGB.jpg Blog - Destiny Deacon: Showing colour Destiny Deacon, Escape – From the whacking spoon, 2007, lightjet photograph from Polaroid photograph, 80 x 100cm; image courtesy and © Destiny Deacon https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1595291092845-N9DHGMTZUG5I5ZLWSPF8/EXHI059135_RGB.jpg Blog - Destiny Deacon: Showing colour Destiny Deacon, Where’s Mickey?, 2002, lightjet photograph from Polaroid photograph, 80 x 100cm; image courtesy National Gallery of Victoria (NGV), Melbourne; © Destiny Deacon https://www.artmonthly.org.au/blog/seen-and-unseen monthly 0.5 2020-07-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594703757487-4C49QBZLXT0GA5EDGUU1/Glassworks_Tony_Albert_027.jpg Blog - The seen and unseen in Tony Albert’s ‘Duty of Care’ at Canberra Glassworks Tony Albert, Piracy, 2020, detail; installation view, ‘Duty of Care’, Canberra Glassworks, 2020; sandblasted commemorative plates; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594703770005-TL93LKD9LLHWO1IQ3YGL/Glassworks_Tony_Albert_009.jpg Blog - The seen and unseen in Tony Albert’s ‘Duty of Care’ at Canberra Glassworks Tony Albert, Duty of care, 2020, installation view, ‘Duty of Care’, Canberra Glassworks, 2020; fused, cold-worked and constructed glass, ink; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594703788707-R3K82J1SBLXMKTKRV1FL/Albert%2Bimage.jpg Blog - The seen and unseen in Tony Albert’s ‘Duty of Care’ at Canberra Glassworks Tony Albert, Brother (The invisible prodigal son) II, 2020, installation view, ‘Duty of Care’, Canberra Glassworks, 2020; glass, digital print glass decal, lead, painted steel; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594703819854-VV1ZKXIURRTYF3NUM5A8/Albert%2Bimage%2B02.jpg Blog - The seen and unseen in Tony Albert’s ‘Duty of Care’ at Canberra Glassworks Tony Albert, Uncodified (I want to beLIEve), 2020, installation view, ‘Duty of Care’, Canberra Glassworks, 2020; sandblasted recycled glass; photo: Brenton McGeachie https://www.artmonthly.org.au/blog/finding-a-post-internet-self monthly 0.5 2020-07-14 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594172932070-E9MK4GG8L92TZ1TNDK5G/Post-internet_image1.jpg Blog - Finding a post-internet self Jess Herrington, Slinky Face, 2019, augmented reality face filter (available on Instagram @jess.herrington); image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594173125849-I8V00CN452NV7WKQYX4U/Post-internet_image2.jpg Blog - Finding a post-internet self Jess Herrington, Slinky Face, 2019, augmented reality face filter (available on Instagram @jess.herrington); image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594172920390-AT20BSD0B707SZ620BWH/Post-internet_image3.jpg Blog - Finding a post-internet self Jess Herrington, The Feeling of You, 2019, augmented reality face filter (available on Instagram @jess.herrington); image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594173239351-L1DKCLXH4XYU1XZY4DE0/Post-internet_image4.jpg Blog - Finding a post-internet self Jess Herrington, The Feeling of You, 2019, augmented reality face filter (available on Instagram @jess.herrington); image courtesy the artist https://www.artmonthly.org.au/blog/anxiety-and-allure monthly 0.5 2020-07-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594080388524-WE8FHEG3YXQ3T69H399G/Disquiet_image4.jpg Blog - Anxiety and allure in the work of Barbara Dover and Robyn Glade-Wright Disquiet: Ecological Anxieties and Transformations, exhibition installation view, Artspace Mackay, 2020; photo: Jim Cullen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594080386451-33HHZJYA0HIGKYDBX3FS/Disquiet_image3.jpg Blog - Anxiety and allure in the work of Barbara Dover and Robyn Glade-Wright Disquiet: Ecological Anxieties and Transformations, exhibition installation view, Artspace Mackay, 2020; photo: Jim Cullen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594080465177-GR3I3EJM41C286KFRJ73/Disquiet_image2.jpg Blog - Anxiety and allure in the work of Barbara Dover and Robyn Glade-Wright Robyn Glade-Wright, ‘Choke’ series, 2018, installation view (right), ‘Disquiet: Ecological Anxieties and Transformations’, Artspace Mackay, 2020; found plastic debris and rope, 25 x 90 x 5cm; photo: Jim Cullen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1594080474092-FJQWVNOZIQQMGVYQKADO/Disquiet_image1.jpg Blog - Anxiety and allure in the work of Barbara Dover and Robyn Glade-Wright Barbara Dover, Deep Light, 2019, installation view (foreground), ‘Disquiet: Ecological Anxieties and Transformations’, Artspace Mackay, 2020; found objects, squid hooks, 160 x 80 x 80cm; photo: Jim Cullen https://www.artmonthly.org.au/blog/decentring-whiteness monthly 0.5 2020-07-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593565662796-6Z81VJYPCIG5K5969PKP/Wansolwara%2B06.jpg Blog - Decentring whiteness: ‘Wansolwara’ and the need for critical diversity Shivanjani Lal, Yaad Karo (1879–1920), 2019, installation view, ‘Wansolwara: One Salt Water’, UNSW Galleries, Sydney, 2020; hand-stitched prints on recycled paper with kite thread; courtesy the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593565674210-UTKE7K0211CMV6NCI47J/Wansolwara%2B05.jpg Blog - Decentring whiteness: ‘Wansolwara’ and the need for critical diversity Wansolwara: One Salt Water, exhibition installation view, UNSW Galleries, Sydney, 2020 with (from left): Caroline Monnet, Creatura Dada, 2016; Gutinarra Yunupingu, Gurrutu’mi Mala (My Connections), 2019; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593565684169-JPUUR3N1KWZIAJC4WRU0/Wansolwara%2B04.jpg Blog - Decentring whiteness: ‘Wansolwara’ and the need for critical diversity Wansolwara: One Salt Water, exhibition installation view, UNSW Galleries, Sydney, 2020 with (from left): asinnajaq, Rock Piece (Ahuriri), 2018; Amrita Hepi, A Body of Work (At The End Of The Earth) (Jahra Rager), 2017; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593565699636-GW7EZ72PV15FCGA6SORS/Wansolwara%2B03.jpg Blog - Decentring whiteness: ‘Wansolwara’ and the need for critical diversity Ruha Fifita, Lototo, 2016, installation view, ‘Wansolwara: One Salt Water’, UNSW Galleries, Sydney, 2020; earth pigments, natural dyes and tuitui (candlenut soot) on ngatu (barkcloth); courtesy the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593565717640-GNDHDNWQEPG7SIQ7SCNB/Wansolwara%2B02.jpg Blog - Decentring whiteness: ‘Wansolwara’ and the need for critical diversity Shivanjani Lal, Yaad Karo (1879–1920), 2019, installation view, ‘Wansolwara: One Salt Water’, UNSW Galleries, Sydney, 2020; hand-stitched prints on recycled paper with kite thread; courtesy the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593566240659-BAXVIEUA7D4VFAQOM8ZB/Wansolwara+01.JPG Blog - Decentring whiteness: ‘Wansolwara’ and the need for critical diversity Shannon Te Ao, my life as a tunnel, 2018, installation view, ‘Wansolwara: One Salt Water’, UNSW Galleries, Sydney, 2020; two-channel HD video with sound, 9:48mins duration; cinematographer Iain Frengley; courtesy the artist and Mossman, Wellington; photo: Zan Wimberley https://www.artmonthly.org.au/blog/floating-absorbent-expansive monthly 0.5 2020-07-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593479721618-OEYSQ82537QM9KVFCDNU/Awavena_image1.jpg Blog - Floating, absorbent, expansive and free: Lynette Wallworth’s 'Awavena' Lynette Wallworth, Awavena, 2018, production still; photo: Greg Downing https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593479713311-SPL6QP35Z8SHV1FD48AR/Awavena_image2.JPG Blog - Floating, absorbent, expansive and free: Lynette Wallworth’s 'Awavena' Lynette Wallworth, Awavena, 2018, production still; photo: Greg Downing https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593479721347-NMXRZM53IUIUP5V1450U/Awavena_image3.jpg Blog - Floating, absorbent, expansive and free: Lynette Wallworth’s 'Awavena' Lynette Wallworth, Awavena, 2018, production still; photo: Greg Downing https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1593479757061-VYSSL9NVNGAGMN05DTB8/Awavena_image4.JPG Blog - Floating, absorbent, expansive and free: Lynette Wallworth’s 'Awavena' Lynette Wallworth, Awavena, 2018, production still; photo: Greg Downing https://www.artmonthly.org.au/blog/artists-in-isolation monthly 0.5 2020-06-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592957132598-IDYETHTRWBLS117EVSQM/Tiana%2BJefferies%2BStill%2B1.jpg Blog - Artists in isolation, the ‘Lockdown Studio’ and a COVIDSafe arts ecology Tiana Jefferies; image courtesy Griffith University Art Museum, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592957157504-OT3R19ZN7ASO0OPFKE29/Tiana%2BJefferies%2BStill%2B2.jpg Blog - Artists in isolation, the ‘Lockdown Studio’ and a COVIDSafe arts ecology Work in progress in Tiana Jefferies’s studio; image courtesy Griffith University Art Museum, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592957063021-FMZK2M8Q9W6WVYTUDOJP/Patrick%2BLester%2BStill%2B1.jpg Blog - Artists in isolation, the ‘Lockdown Studio’ and a COVIDSafe arts ecology Patrick Lester; image courtesy Griffith University Art Museum, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592957089519-5Q09HUXH2QZZPUD0JVQK/Richard%2BBell%2BStill%2B1.jpg Blog - Artists in isolation, the ‘Lockdown Studio’ and a COVIDSafe arts ecology Richard Bell; image courtesy Griffith University Art Museum, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592957109231-9746GQ0WH07VS8LUEFUQ/Richard%2BBell%2BStill%2B2.jpg Blog - Artists in isolation, the ‘Lockdown Studio’ and a COVIDSafe arts ecology Richard Bell; image courtesy Griffith University Art Museum, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592957174504-Z2RPLO0XD03BRDURO5US/Lindy%2BLee%2BStill%2B1.jpg Blog - Artists in isolation, the ‘Lockdown Studio’ and a COVIDSafe arts ecology Lindy Lee; image courtesy Griffith University Art Museum, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592957197468-77CLLKIHIK9JS2R9WKKY/Lindy%2BLee%2BStill%2B3.jpg Blog - Artists in isolation, the ‘Lockdown Studio’ and a COVIDSafe arts ecology Work in progress in Lindy Lee’s studio; image courtesy Griffith University Art Museum, Brisbane https://www.artmonthly.org.au/blog/compelling-and-urgent monthly 0.5 2020-06-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592870633823-TYZ43K8JMTI8ISSZ3OS8/NewYork_image1.jpg Blog - Compelling and urgent: Artist initiatives in a New York under crisis Fulton Street, Brooklyn, New York, 2020; photo: Annette An-Jen Liu https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592870625043-ESU5T833QCX7042DZYOP/NewYork_image2.jpg Blog - Compelling and urgent: Artist initiatives in a New York under crisis Maira Kalman, Love in the Time of Corona, 2020, installation view; courtesy Poster House and Times Square Arts, New York; photo: Ian Douglas https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592870722102-S7J3AY8YJGVBD9L6GLXW/NewYork_image3.jpg Blog - Compelling and urgent: Artist initiatives in a New York under crisis Marlene Dumas, James Baldwin, 2014, from the series ‘Great Men’; courtesy the artist and Between Bridges, New York https://www.artmonthly.org.au/blog/seen-and-heard monthly 0.5 2020-06-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592270172292-PPQ0THR1ZZPSP9O6GWA1/Monsters_image1.jpg Blog - Seen and heard: ‘Monster Theatres’ at AGSA Karla Dickens, A Dickensian Country Show, 2020, installation view, ‘Monster Theatres’, Art Gallery of South Australia (AGSA), Adelaide, 2020; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592270187956-SH9496255NTJ4OZHCGAF/Monsters_image2.jpg Blog - Seen and heard: ‘Monster Theatres’ at AGSA Julia Robinson, Beatrice, 2019–20, installation view, ‘Monster Theatres’, Museum of Economic Botany, Adelaide, 2020; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592270239863-U9WZK9ICJSJQEBB75NL3/Monsters_image3.jpg Blog - Seen and heard: ‘Monster Theatres’ at AGSA Erin Coates and Anna Nazzari, Internal Interior, 2019, installation detail, ‘Monster Theatres’, AGSA, Adelaide, 2020; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592270227436-LNUU70SD8ZWVZ5I0BK1A/Monsters_image4.jpg Blog - Seen and heard: ‘Monster Theatres’ at AGSA Brent Harris, ‘Grotesquerie’ series, 2001–09, installation view, ‘Monster Theatres’, AGSA, Adelaide, 2020; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1592270241534-8SCQZU7UOVDYWWYDS4PK/Monsters_image5.jpg Blog - Seen and heard: ‘Monster Theatres’ at AGSA Julian Day, The Body Is An Act, 2020, installation view, ‘Monster Theatres’, AGSA, Adelaide, 2020; photo: Saul Steed https://www.artmonthly.org.au/blog/decolonised-gaze monthly 0.5 2020-06-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591747058992-V1D19TZAFG6HQKMVN54X/Terra_image3.jpg Blog - Decolonised gaze: ‘Terra inFirma’ at Blacktown Arts Venessa Possum, Murura – Pathways, 2020, installation detail, ‘Terra inFirma’, Leo Kelly Blacktown Arts Centre, Sydney, 2020; photo: Jennifer Leahy, Silversalt Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591747087903-W5UQB5YD5HGZIH7PSTPD/Terra_image2.jpg Blog - Decolonised gaze: ‘Terra inFirma’ at Blacktown Arts Terra inFirma, exhibition installation view, Leo Kelly Blacktown Arts Centre, Sydney, 2020; photo: Jennifer Leahy, Silversalt Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591747102403-HUM5FL90L1P0LAIB9B5D/Terra_image1.jpg Blog - Decolonised gaze: ‘Terra inFirma’ at Blacktown Arts Shivanjani Lal, I am not an island, I am an archipelago, 2020, installation view, ‘Terra inFirma’, Leo Kelly Blacktown Arts Centre, Sydney, 2020; photo: Jennifer Leahy, Silversalt Photography https://www.artmonthly.org.au/blog/crossing-continents monthly 0.5 2020-06-09 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591161764232-5LSAN77MY57M38P98B2B/Cover.JPG Blog - Crossing continents and time: Daniel Thomas on the incomparable Christo Art Monthly Australia, no. 46, December/January 1991-92; photo: Bob Newman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591161762124-21WMYRDMHL69DHSTK6LY/Spread+02.JPG Blog - Crossing continents and time: Daniel Thomas on the incomparable Christo Daniel Thomas, ‘The Christo backlash’, Art Monthly Australia, no. 46, December/January 1991-92, pp. 9-11; photo: Bob Newman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591161762622-Q08X9PFT7UX01TTM9C8T/Spread+01.JPG Blog - Crossing continents and time: Daniel Thomas on the incomparable Christo Daniel Thomas, ‘The Christo backlash’, Art Monthly Australia, no. 46, December/January 1991-92, pp. 9-11; photo: Bob Newman https://www.artmonthly.org.au/blog/together-in-art monthly 0.5 2020-06-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590552315544-5IDTJAA6VLLBI2Y2F0G0/EM_Hunt%2BOutside4.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Emily Hunt, (Returned) three Gorgons, 2020, collaged akua ink on paper, 42 x 62cm; courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590552331945-K2YJIII0LPUL4OOEQ15D/Jelena%2BTelecki_outsideWindow.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Jelena Telecki, Midnight snack, 2020, oil on paper; courtesy the artist and Sarah Cottier Gallery, Sydney; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590552145008-4S8W03WLJLEBWP4JBZ3F/Jude%2BRae%2BOut%2Bmy%2Bwindow.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Jude Rae, Out my window 1, 2020, graphite and watercolour on Saunders Waterford rough paper, 37.5 x 55.5cm; courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590552114505-BQEIMECQJ01GVRXD2VVJ/Jumaadi%2BHalf%2BFish%2BMask.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Jumaadi, Sometimes he is a fish. But sometimes he is just a boy, 2020, pencil and gouache on paper, 21 x 29.7cm; courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590553024820-8I22PTGPC4PD3ISA1MDN/Marikit%2BSantiago%2BThank%2Byou%2Bfor%2Bkeeping%2Bus%2Bsafe%2B.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Marikit Santiago with Maella Pearl, age 5; Santiago Pearl, age 4; and Sarita Pearl, age 1, Thank you for keeping us safe in the Coronavirus Days, 2020, pencil, pen and texta on paper, 29.7 x 21cm; courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590553095335-1MB1JRV1O51T9NZGED92/Mitch%2BCairns%2BDice%2BUndone%2B%2528garden%2Bview%2529.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Mitch Cairns, Dice undone (garden view), 2020, linocut on paper, 29.7 x 21cm; courtesy the artist and The Commercial, Sydney; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590552481358-QHIBEUOLP1OUT4XGZQTR/Thea%2BPerkins%2B2.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Thea Perkins, Raven, 2020, watercolour on Arches paper, 38 x 28.5cm; courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590553466892-32KV49DJUJHP5Y07O08E/Tom%2BCarment_Out%2Bthe%2Bfront%2Bdoor%2Bwatercolour%2Band%2Bpigment%2Bink%2B16x11.5.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Tom Carment, Out the front door, 2020, watercolour and pigment ink, 16 x 11.5cm; courtesy the artist and King Street Gallery, Sydney; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1590553643572-FJSF1UC2JF56G11QRN9R/Tom%2BPolo%2BOutside%2BMy%2BWindow%2BAGNSW%2BTitle%2Bnel%2Bquesto%2Bgiardino%2B2020%2Bacrylic%2Band%2Bink%2Bon%2Bpaper.jpg Blog - Familiarity and intimacy: ‘Together in Art’ Tom Polo, nel questo giardino, 2020, acrylic and ink on paper; courtesy the artist, Roslyn Oxley9 Gallery, Sydney, and STATION, Melbourne and Sydney https://www.artmonthly.org.au/blog/reopening-windows monthly 0.5 2020-05-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941149240-54V4BE4UEXRFR8NOE6XZ/BurningHearts_MAGNT_035-6.jpg Blog - 'Reopening windows to other worlds through art' Therese Ritchie: burning hearts, exhibition installation view, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2020; image courtesy MAGNT, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941232327-ND2S1NA8YBXO91RHW1MC/20200225+BIENNIAL+Installation+JW+SRGB+2000px+Photo+Saul+Steed+0Z2Y0858.jpg Blog - 'Reopening windows to other worlds through art' 2020 Adelaide Biennial of Australian Art: Monster Theatres, exhibition installation view, Art Gallery of South Australia (AGSA), Adelaide, 2020, with: Judith Wright, Tales of Enchantment, 2020; courtesy the AGSA, Adelaide; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941149166-4RR0FQ52KWK60JZOX0RJ/BurningHearts_MAGNT_010.jpg Blog - 'Reopening windows to other worlds through art' Therese Ritchie: burning hearts, exhibition installation view, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2020; image courtesy MAGNT, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941232645-Y88B3S02T8T7V71C7293/20200225+BIENNIAL+Installation+JW+SRGB+2000px+Photo+Saul+Steed+0Z2Y0870.jpg Blog - 'Reopening windows to other worlds through art' 2020 Adelaide Biennial of Australian Art: Monster Theatres, exhibition installation view, Art Gallery of South Australia (AGSA), Adelaide, 2020, with: Judith Wright, Tales of Enchantment, 2020; courtesy the AGSA, Adelaide; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941170450-EDREL90GV8MLGO5TYFE9/BurningHearts_MAGNT_018.jpg Blog - 'Reopening windows to other worlds through art' Therese Ritchie: burning hearts, exhibition installation view, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2020; image courtesy MAGNT, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941250338-02MKUABQS73KKHWONG2M/20200227+BIENNIAL+Installation+KD+SRGB+2000px+Photo+Saul+Steed+0Z2Y1736.jpg Blog - 'Reopening windows to other worlds through art' 2020 Adelaide Biennial of Australian Art: Monster Theatres, exhibition installation view, Art Gallery of South Australia (AGSA), Adelaide, 2020, with: Karla Dickens, A Dickensian Country Show, 2020; courtesy the AGSA, Adelaide; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941168697-2QK7ETDAFNSA9PVQ9FCH/BurningHearts_MAGNT_050.jpg Blog - 'Reopening windows to other worlds through art' Therese Ritchie: burning hearts, exhibition installation view, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2020; image courtesy MAGNT, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941254717-FAYX1GIDNJ1NJJ2GFZYB/20200227+BIENNIAL+Installation+KD+SRGB+2000px+Photo+Saul+Steed+0Z2Y1747.jpg Blog - 'Reopening windows to other worlds through art' 2020 Adelaide Biennial of Australian Art: Monster Theatres, exhibition installation view, Art Gallery of South Australia (AGSA), Adelaide, 2020, with: Karla Dickens, A Dickensian Country Show, 2020; courtesy the AGSA, Adelaide; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941184803-QV5MN62Q2EBJTCO86NR6/BurningHearts_MAGNT_054.jpg Blog - 'Reopening windows to other worlds through art' Therese Ritchie: burning hearts, exhibition installation view, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2020; image courtesy MAGNT, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941261646-7OU5YQ3HGTCXQ62MKAFI/20200320+BIENNIAL+Installation+JD+SRGB+2000px+Photo+Saul+Steed+0Z2Y3410.jpg Blog - 'Reopening windows to other worlds through art' 2020 Adelaide Biennial of Australian Art: Monster Theatres, exhibition installation view, Art Gallery of South Australia (AGSA), Adelaide, 2020, with: Julian Day, The Body is an Act, 2020; courtesy the AGSA, Adelaide; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589941188883-PNENQ46436MCXHK6MGTD/BurningHearts_MAGNT_005.jpg Blog - 'Reopening windows to other worlds through art' Therese Ritchie: burning hearts, exhibition installation view, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2020; image courtesy MAGNT, Darwin https://www.artmonthly.org.au/blog/artist-conversations monthly 0.5 2020-05-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589331279302-IZKX5V1SYDRBQ2XR9LAF/MCA+Artist+Voice_Claire+Healy+and+Sean+Cordeiro_Saskia+Wilson_2.jpeg Blog - Artist conversations 'dig deep within the soul' Claire Healy and Sean Cordeiro; image courtesy the MCA, Sydney; photo: Saskia Wilson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589332524307-N8U1GCITCBAOS73JYITM/MCA%2BArtist%2BVoice_Jemma%2BSmith_Unknown%2BPhotographer.jpg Blog - Artist conversations 'dig deep within the soul' Gemma Smith; image courtesy the MCA, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589331338159-RLQ4UMP8UHGZNAPU9Y5C/MCA+Artist+Voice_Lee+Mingwei_Matteo+Carcelli.jpeg Blog - Artist conversations 'dig deep within the soul' Lee Mingwei; image courtesy the MCA, Sydney; photo: Matteo Carcelli https://www.artmonthly.org.au/blog/jes-fan monthly 0.5 2020-05-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1588556912176-DEVXHHF6PJSGDUBWMH9B/JesFan_image.jpg Blog - Infection and intolerance: Xenophobic imaginings in the art of Jes Fan Jes Fan with his installation for ‘NIRIN’, the 22nd Biennale of Sydney at the Museum of Contemporary Art Australia (MCA), Sydney, 2020; image courtesy the artist and the MCA, Sydney; © the artist; photo: Ken Leanfore https://www.artmonthly.org.au/blog/remembering-james-mollison monthly 0.5 2020-04-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1588047091093-2I6YNTGD7BK1SS21XUTL/YoRDGAFw.jpeg Blog - Remembering James Mollison: A flair for collection-building James Mollison AO and former prime minister Gough Whitlam with Jackson Pollock’s Blue poles (1952); © Pollock-Krasner Foundation, ARS/Copyright Agency https://www.artmonthly.org.au/blog/yuillcrowley monthly 0.5 2020-04-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1587708266447-BK2VXUJQU6KWR9BVQ3N1/YuillCrowley.jpeg Blog - Freedom and horror: et al. and Newell Harry at Yuill/Crowley Newell Harry, (Untitled) Nimoa and Me: Kiriwina Notes, 2015–16, installation view, ‘575 / TWO PROJECTS: et al. and Newell Harry’, Yuill/Crowley, Sydney, 2020; courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://www.artmonthly.org.au/blog/title/day/month/year-5 monthly 0.5 2020-04-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1586912665918-GGB9G57YR0C1BYMPZQ3P/20170609_Art-Monthly_0151.JPG Blog - Art Monthly and the Australia Council 300 covers: ART MONTHLY in Australia 1987 – 2017, exhibition installation view, Foyer Gallery, ANU School of Art & Design, Canberra, 7–17 June 2017; photo: Aishah Kenton https://www.artmonthly.org.au/blog/turning-inwards-and-outwards monthly 0.5 2020-05-13 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1586231575737-S70Q85GW4Y64FWDX9U87/Notes_April2020_image3.jpg Blog - Turning inwards, and outwards: Galleries in the time of coronavirus Linda Puna, Ngayuku Ngura (My Home), 2020, acrylic on linen, 152 x 152cm; courtesy the artist and Mimili Maku Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1586231286902-G6K5L8CE4MN6ORIT41K8/Notes_April2020_image2.jpg Blog - Turning inwards, and outwards: Galleries in the time of coronavirus Jacqueline Aust, Agitation III, 2020, work on paper, 81 x 50cm; courtesy the artist and Solander Gallery, Wellington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1586231370997-76EMZ0N2KZ46MJT9A0ZW/Notes_April2020_image5.png Blog - Turning inwards, and outwards: Galleries in the time of coronavirus Lisa Reihana, Quills, 2020, acrylic facemount on Crystal flex paper, 130 x 100cm, edition of 5 + 2 AP; courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1586231314905-0MZJJSAQLXLWQGLDNCN5/Notes_April2020_image4.jpg Blog - Turning inwards, and outwards: Galleries in the time of coronavirus Jan Murray, Andrea's Dress (Hanging), 2020, oil on linen, 153 x 107cm; courtesy the artist and Charles Nodrum Gallery, Melbourne https://www.artmonthly.org.au/blog/april monthly 0.5 2020-04-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585785197747-IA0FT4Y56EPUEWEW94JK/Denny_image2.jpg Blog - April issue's letter from the editor Simon Denny, Amazon Worker Cage Patent (US 9,280,157 B2: ‘System for transporting personal within an active workspace’, 2016) with King Island Brown Thornbill renders, 2019, installation view, ‘Mine’, Museum of Old and New Art (MONA), Hobart, 2019–20; photo: Jesse Hunniford, MONA https://www.artmonthly.org.au/blog/coronavirus monthly 0.5 2020-03-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585045438555-DEF80LBLMYJB9EUHDXZ9/HaringBasquiat_image1.jpg Blog - April issue and art in the age of coronavirus Keith Haring preparing an artwork on the Waterwall of the National Gallery of Victoria (NGV), Melbourne, 1984; image courtesy the NGV, Melbourne; photo: Geoffrey Burke https://www.artmonthly.org.au/blog/rite monthly 0.5 2020-06-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1584596564629-HAD00GR3BY5B90S1GTB1/RiteOfPassage_image.jpg Blog - Voices of survival: ‘Rite of Passage’ at QUT Jenna Lee,un/bound passage, 2019, installation detail, ‘Rite of Passage’, QUT Art Museum, Brisbane, 2020; hand-dyed and folded paper installation from pages of The Voyages of Captain Cook (Ladybird Books), with video projection; courtesy the artist; photo: Louis Lim https://www.artmonthly.org.au/blog/supernatural monthly 0.5 2020-02-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1582847162524-ESHG4BP16I3GTJOJYM0L/Japan_online_image.jpg Blog - Gods and monsters: ‘Japan supernatural’ at AGNSW Japan supernatural, exhibition installation view with the work of Takashi Murakami, Art Gallery of New South Wales (AGNSW), Sydney, 2019–20; artworks © the artist; photo: Jenni Carter, AGNSW https://www.artmonthly.org.au/blog/singapore2020 monthly 0.5 2020-02-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1582178681429-6NMB4EAG43X8OWE72E6F/Singapore_blog_image.jpg Blog - History afoot: The sixth Singapore Biennale, ‘Every Step in the Right Direction’ Hera Büyüktaşçıyan, A Study on Endless Archipelagos, 2017–19, installation detail, National Gallery Singapore, 2019–20; cement, bronze and wood, dimensions variable; courtesy the artist and Green Art Gallery, Dubai; photo: Singapore Art Museum https://www.artmonthly.org.au/blog/milan monthly 0.5 2020-02-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1580691782411-0OGICPGZKUZ4JYHORNQ3/Antipodean_image.jpg Blog - Soft power: ‘Antipodean Stories’ in Milan AUSTRALIA. Antipodean Stories, exhibition installation view, Padiglione d’Arte Contemporanea (PAC), Milan, 2019–20, with the work of Patricia Piccinini, Fiona Hall, Judy Watson and Jill Orr; image courtesy the artists and PAC, Milan; photo: Nico Covre Vulcano https://www.artmonthly.org.au/blog/foley monthly 0.5 2020-01-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1579822799670-00YJF4BJW11916TYN9UF/Foley_image.jpg Blog - Resonance: Fiona Foley at the National Art School Fiona Foley: Who are these strangers and where are they going?, exhibition installation view, National Art School (NAS), Sydney, 2020; image courtesy NAS, Sydney; photo: Peter Morgan https://www.artmonthly.org.au/blog/klippel monthly 0.5 2020-01-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1579558706224-PDDPIC4NR8JO4M4N5L13/Klippel_image.jpg Blog - Symphonic: Robert Klippel at TarraWarra ASSEMBLED: The Art of Robert Klippel, exhibition installation view, TarraWarra Museum of Art, Healesville, 2019–20; courtesy the Robert Klippel Estate, represented by Annette Larkin Fine Art, Sydney, and Galerie Gmurzynska, Zurich; © Andrew Klippel; photo: Andrew Curtis https://www.artmonthly.org.au/blog/streeton monthly 0.5 2019-12-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1577676605989-Z2HLTULTR17BP0NH7IG9/Streeton_image.jpg Blog - A significant Streeton rediscovery: 'The Grand Canal' (1908) Arthur Streeton, The Grand Canal, 1908, oil on canvas, 93 x 169cm (36.61 x 66.54in); private collection; photo: Glen Watson https://www.artmonthly.org.au/blog/wallace monthly 0.5 2019-12-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1576537785468-WZ5BF3AF5DDPLQM7NNL3/Wallace_image.jpg Blog - Sweet and sour: Anne Wallace’s ‘Strange Ways’ at QUT Art Museum Anne Wallace: Strange Ways, exhibition installation view, QUT Art Museum, Brisbane, 2019; image courtesy QUT Art Museum, Brisbane; photo: Carl Warner https://www.artmonthly.org.au/blog/denny monthly 0.5 2019-12-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1576030929615-56DHU6TO5WXV0ZZB5PQJ/Denny_image.jpg Blog - Remote control: Simon Denny’s ‘Mine’ at MONA Simon Denny: Mine, exhibition installation view, Museum of Old and New Art (MONA), Hobart, 2019; image courtesy MONA, Hobart; photo: MONA/Jesse Hunniford https://www.artmonthly.org.au/blog/korea monthly 0.5 2020-01-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1575865194941-Z4T9RD46B9DJ4M1QYGC9/Korea_image.jpg Blog - Between art and life: The 8th Korea Artist Prize Jewyo Rhii, Love Your Depot, 2019, installation view, National Museum of Modern and Contemporary Art, Seoul, 2019; © Jewyo Rhii; photo: Alex Burchmore https://www.artmonthly.org.au/blog/leemingwei monthly 0.5 2019-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574380917375-7SH4VYBW3I3EVJZYHRUY/SonicBlossom_image.jpg Blog - In the receiving seat: Lee Mingwei’s 'Sonic Blossom' Lee Mingwei, Sonic Blossom, 2013– , performance view, Art Gallery of South Australia, Adelaide, 2019; photo: Saul Steed; © Lee Mingwei https://www.artmonthly.org.au/blog/lambie monthly 0.5 2019-11-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1573880962327-5VFFC06J4GW8XMT5QLWT/Lambie_image.jpg Blog - Making sunshine: Jim Lambie’s ‘Wild Is The Wind’ at Roslyn Oxley9 Gallery Jim Lambie: Wild Is The Wind, exhibition installation view, Roslyn Oxley9 Gallery, Sydney; image courtesy Roslyn Oxley9 Gallery, Sydney; photo: Luis Power https://www.artmonthly.org.au/blog/dreyfus monthly 0.5 2019-10-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1571798448829-6RP4M8DL6BTZDFT0OU99/Dreyfus_image1.jpg Blog - Other ways of seeing: Ella Dreyfus’s ‘Under Twenty-Seven’ at Bondi Pavilion Gallery Under Twenty-Seven, exhibition installation view, Watt Space Gallery, University of Newcastle, May 2019; image courtesy the artist https://www.artmonthly.org.au/blog/ceramics monthly 0.5 2019-10-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569969130949-FJ38PRECTPXVVVFHJHUI/Heide_image.jpg Blog - Collective thinking: ‘An Idea Needing to Be Made’ at Heide An Idea Needing to Be Made, exhibition installation view, Heide Museum of Modern Art, Melbourne, 2019; courtesy Heide Museum of Modern Art, Melbourne; photo: Christian Capurro https://www.artmonthly.org.au/blog/tainted monthly 0.5 2019-08-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1566886891705-QM7CB1P22NVT86EZJ4E2/Tainted_image.jpg Blog - Stand the way you tease: ‘Tainted Love’ at CCAS Jordana Bragg, Enthusiastic Valentine, 2019, installation view, ‘Tainted Love’, Canberra Contemporary Art Space (CCAS), 2019; HD video, mirror ball and disco lighting, 3:30 mins duration; courtesy the artist and CCAS, Canberra; photo: Brenton McGeachie https://www.artmonthly.org.au/blog/material monthly 0.5 2019-08-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1565572872984-DN5MV14ZF0YAA6XO4HIB/MaterialPlace_image.jpg Blog - Embedded in the land: ‘Material Place’ at UNSW Galleries Material Place: Reconsidering Australian Landscapes, exhibition installation view, UNSW Galleries, Sydney, 2019, with the work of Bonita Ely, Gunybi Ganambarr, Megan Cope and Mabel Juli; photo: Zan Wimberley https://www.artmonthly.org.au/blog/cuppaidge monthly 0.5 2019-07-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1563320202141-U1NVD4IEBODXC5QK2TYY/Cuppaidge_install.jpg Blog - Verve and breadth: Virginia Cuppaidge at Newcastle Art Gallery Virginia Cuppaidge: The Nature of Abstraction, exhibition installation view, Newcastle Art Gallery, 2019, with (from left): Saix, 1974, and Lyon, 1972; image courtesy Newcastle Art Gallery https://www.artmonthly.org.au/blog/zzzzz monthly 0.5 2019-07-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1563150391695-E0KC5S0X4B3P7BUE7XZX/Zzzzz_image.jpg Blog - Dreaming of sleep: ‘Zzzzz’ at MAMA Zzzzz: Sleep, Somnambulism, Madness, exhibition installation view, Murray Art Museum Albury (MAMA), 2019; image courtesy MAMA, Albury; photo: Jules Boag https://www.artmonthly.org.au/blog/siloam monthly 0.5 2019-07-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1562892468226-DFXJMJB7A8AV9G8FOR7R/MONA_image.jpg Blog - Oh my God! MONA’s new tunnels to enlightenment Ai Weiwei, White House, 2015, installation view, Museum of Old and New Art (MONA), Hobart, 2019; image courtesy MONA, Hobart; photo: MONA/Jesse Hunniford https://www.artmonthly.org.au/blog/vanishing monthly 0.5 2019-07-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1562735483399-OSBSNSYZ2ZECJKCNWZV7/Vanishing_image.jpg Blog - Beyond geography: ‘Vanishing Point’ at the ANU School of Art & Design Vanishing Point, exhibition installation view, ANU School of Art & Design Gallery, Canberra, 16 May – 14 June 2019; photo: Ellen Dahl https://www.artmonthly.org.au/blog/cai monthly 0.5 2019-08-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1561689654253-L8Y3ORUWK5W0IPS7ULT6/NGV_image.jpg Blog - Reigniting the past: Three explosive displays of Chinese art at the NGV Cai Guo-Qiang: The Transient Landscape, exhibition installation view, NGV International, Melbourne, 2019; © Cai Guo-Qiang; photo: Sean Fennessy https://www.artmonthly.org.au/blog/marriage monthly 0.5 2019-06-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1560999814126-YQLGA2WRC42C66WETNT3/Marriage_image.jpg Blog - What’s love got to do with it: ‘Marriage’ at Penrith Regional Gallery Freya Jobbins, Party 1 and Party 2, 2019, installation view, ‘Marriage: Love + Law’, Penrith Regional Gallery, Sydney, 2019; plastic assemblage; photo: Silversalt https://www.artmonthly.org.au/blog/awakenings monthly 0.5 2019-06-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1560819932660-OZJ3HVE13Y0QFL5HFUK3/Awakenings_image.jpg Blog - Regional dialogue and homely conversation: ‘Awakenings’ at the National Gallery Singapore Siti Adiyati, Eceng Gondok Berbunga Emas (Water Hyacinth with Golden Roses), 1979/2017, installation view, ‘Awakenings: Art in Society in Asia 1960s–1990s’, National Gallery Singapore, 2019; image courtesy National Gallery Singapore https://www.artmonthly.org.au/blog/ravenswood2019 monthly 0.5 2019-06-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559525482827-KSA6EJL3VWRMY091WKWH/Ravenswood_image.jpg Blog - Flaunting it: The 2019 Ravenswood Australian Women’s Art Prize Joanna Braithwaite, Bold and the Beautiful, 2019, oil on canvas, 137 x 121cm; courtesy the artist and Martin Browne Contemporary, Sydney https://www.artmonthly.org.au/blog/auckland monthly 0.5 2019-05-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1558487247320-X63XF14GTWZ3Z3OVNK7I/Auckland_image.JPG Blog - Size matters: The 2019 Auckland Art Fair Auckland Art Fair 2019, installation view, The Cloud, Auckland, May 2019, featuring the work of Séraphine Pick; image courtesy Michael Lett, Auckland; photo: Josef Scott https://www.artmonthly.org.au/blog/apocryphilia monthly 0.5 2019-05-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1556253424459-HWEYIZPFI836NIPB78A8/Apocryphilia_image.jpg Blog - Waxing faith: Matthew van Roden’s ‘Apocryphilia’ at the NCCA Matthew van Roden: Apocryphilia, exhibition installation view, Northern Centre for Contemporary Art, Darwin, March 2019; photo: Fiona Morrison https://www.artmonthly.org.au/blog/myanmar monthly 0.5 2019-04-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1555378813177-DHJWHU3MKV7HD7M2DSTQ/Transition.jpg Blog - Pictures of transition: Contemporary paintings from Myanmar Pictures of Transition: Contemporary Paintings from Myanmar, exhibition installation view, ANU School of Art & Design Gallery, Canberra, March 2019; photo: David Lindesay https://www.artmonthly.org.au/blog/tv monthly 0.5 2019-04-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554676225941-MKENGBFMDLL3Z7PR7FFA/TV_Show_image.jpg Blog - Collective fantasies: ‘The TV Show’ at Wollongong Art Gallery The TV Show, exhibition installation view, Wollongong Art Gallery, 2019; photo: Document Photography https://www.artmonthly.org.au/blog/perth monthly 0.5 2019-03-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1552251837576-YQXQIUO8J04I3TINVSP8/Noonan_image.jpg Blog - Re-runs and re-enactments at the Perth Festival David Noonan, Untitled, 2019, installation view, ‘A Dark and Quiet Place’, Fremantle Arts Centre, 2019; Jacquard tapestry, stainless steel hanging system, 190 x 300cm; photo: Rebecca Mansell https://www.artmonthly.org.au/blog/minimalism monthly 0.5 2019-02-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1550528962441-LT80AWPDKE4MXB0XJV8N/Minimalism_image.png Blog - Maximising minimalism Gerard Byrne, A thing is a hole in a thing it is not, 2010, still; five-channel HD video projection, 2mins to 30mins duration; image courtesy the artist and Lisson Gallery; © Gerard Byrne https://www.artmonthly.org.au/blog/daughters monthly 0.5 2019-02-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1550013246359-V4PY0MQSSLLY0YX1EUCQ/Daughters_image.jpg Blog - Intimate illuminations: ‘Daughters of the Sun’ at Bendigo Art Gallery Daughters of the Sun: Christian Waller and Klytie Pate, exhibition installation view, Bendigo Art Gallery, 2018–19; image courtesy Bendigo Art Gallery https://www.artmonthly.org.au/blog/termasuk monthly 0.5 2019-02-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1549590792164-U3MD5WYNL6IH072MPSCO/termasuk_image.jpg Blog - Coming together: ‘Termasuk: Contemporary Art from Indonesia’ at Darren Knight Gallery Termasuk: Contemporary Art from Indonesia, exhibition installation view, Darren Knight Gallery, Sydney, 19 January – 16 February 2019, with the works of Setu Legi and Mohamad ‘Ucup’ Yusuf; image courtesy the artists and Darren Knight Gallery, Sydney https://www.artmonthly.org.au/blog/cuenca monthly 0.5 2019-01-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1548808376011-7BAAM7TY4GYTVEJKV4Z6/Cuenca_image.jpg Blog - Transporting delight: The 14th Cuenca Biennial Cecilia López, Red, 2018, installation view, Museo del Monasterio de las Conceptas, 14th Cuenca Biennial, 2018; audio cables, double basses, stereo; photo: Natalia Ottolenghi Bradshaw https://www.artmonthly.org.au/blog/gwangju monthly 0.5 2019-01-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1547089774226-R1QW419QHEBXH556LI4B/Gwangju_image.jpg Blog - Border anxiety: The 12th Gwangju Biennale Chen Wei, New City/History of Enchantment – Tunnel, 2010–18, mixed-media installation: neon lights, inkjet prints, light box, LED display module, prints, dimensions variable; image courtesy the artist and ShanghART Gallery, Beijing, Singapore and Shanghai https://www.artmonthly.org.au/blog/manifesta12 monthly 0.5 2018-11-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542664673526-M017FCOFVGPB9BVJ3SO4/Manifesta_image.JPG Blog - Syncretic thinking: ‘Manifesta 12’ in Palermo Patricia Kaersenhout, The Soul of Salt, 2016, installation view, Palazzo Forcella De Seta, Palermo, June 2018; photo: En Young Ahn https://www.artmonthly.org.au/blog/interior-outlook-issue-312 monthly 0.5 2018-12-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541384805215-JGNU21CZGV2XV60WMJS7/Wedd_image5.jpg Blog - Interior outlook: Gerry Wedd in conversation with Liz Nowell Gerry Wedd, SONGS FOR A ROOM, 2018, installation views, ACE Open, Adelaide, 2018; glazed ceramic, dimensions variable; images courtesy the artist; photos: Sam Roberts Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541385324081-SHNTC2IGPLFNR10JJHSJ/image-asset.jpeg Blog - Interior outlook: Gerry Wedd in conversation with Liz Nowell Gerry Wedd, SONGS FOR A ROOM, 2018, installation views, ACE Open, Adelaide, 2018; glazed ceramic, dimensions variable; images courtesy the artist; photos: Sam Roberts Photography https://www.artmonthly.org.au/blog/contour monthly 0.5 2019-02-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540268408801-D3ECR4LTHHJ9226JSMYQ/Contour_image.jpg Blog - Lulled locality: Surveying ‘Contour 556’ Richard Tipping, Artwork (End Artwork / Artwork Ahead), 2004, installation view, ‘Contour 556’, Canberra, 2018; reflective tape and metal, 120 x 150cm, edition of 4; courtesy the artist; photo: Jordan Evans-Tse https://www.artmonthly.org.au/blog/2018-natsiaas-issue-310 monthly 0.5 2018-10-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539572487596-RXFXBKI9NJGV9KDIIS8H/NATSIAAs_image1.jpg Blog - Ineffable distillations: The 2018 NATSIAAs Wukun Wanambi, Destiny, 2018, natural pigments on stringybark pole and video, 280 x 200 x 200cm (overall); image courtesy the artist and the Museum and Art Gallery of the Northern Territory (MAGNT), Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539571020788-USXUT8RNVT3WUGUUD1RQ/Wukun++Wanambi%2C++Destiny%2C2018%2C++natural++pigments++on++stringybark++pole++and++video%2C++280++x++200++x++200cm++%28overall%29%3B++image++courtesy++the++artist++and++the++Museum++and++Art++Gallery++of++the++Northern++Territory++%28MAGNT%29%2C++Darwin Blog - Ineffable distillations: The 2018 NATSIAAs Gunybi Ganambarr, Buyku, 2018, etching on aluminium board, 300 x 300cm; image courtesy the artist and MAGNT, Darwin https://www.artmonthly.org.au/blog/notes-from-the-darkroom-issue-311 monthly 0.5 2018-10-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539045155912-R6KX82QRBWFDQMM6BDX8/Notes_image1+%281%29.jpg Blog - Notes from the darkroom John Stezaker, Pair XXVII, 2015, collage, 20.3 x 24.2cm; image courtesy the artist and The Approach, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539041769466-FSWVBHZX24MD1NXV715D/Notes_image2.jpeg Blog - Notes from the darkroom Utako Shindo,Ode to the Zephyr’s murmuring petal, 2018, detail; cyanotype print on paper, 99 x 181cm; image courtesy the artist and Sutton Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539041852731-WUU11W2S9USKSM2HDLSW/Notes_image3.jpg Blog - Notes from the darkroom David Goldblatt, Concession store (shop catering especially to Black miners), interior, Crown Mines, May 1967, 1967, silver gelatin photograph on fibre-based paper; image courtesy the artist and Goodman Gallery, Johannesburg and Cape Town; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539041884419-ZYUOYOG7GJ992Z8P18AY/Notes_image4.jpg Blog - Notes from the darkroom Drew Pettifer, Mapping the interior: In search of an inland sea, 2013, video still; three-channel HD video, 18mins duration; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539041977915-RGD3IBVAZ0QDAOOLQRZX/Notes_image5.jpg Blog - Notes from the darkroom Hendrik Kerstens, Doily, 2011, ultrachrome print, 62.5 x 50cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539042026712-QU74ERYYTEWZFTGREFWJ/Notes_image6.jpg Blog - Notes from the darkroom Julie Rrap, Breath stream, 2018, pigment inkjet print, hand-ground glass, 66 x 116cm; image courtesy the artist, Arc One Gallery, Melbourne, and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539042072711-SF1U3Y2N8LC91FN0MKQP/Notes_image7.jpg Blog - Notes from the darkroom Justine Varga, Marking time, 2015–16, from ‘Memoire’, type-C photograph, 141 x 115cm; image courtesy the artist and Hugo Michell Gallery, Adelaide; recipient of the 2016 Josephine Ulrick and Win Schubert Photography Award https://www.artmonthly.org.au/blog/painting monthly 0.5 2018-10-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1538436736553-9GEPYWSPDV44MYJCC2X6/PAOT_image.jpg Blog - Is expanded painting a dirty word? Painting Amongst Other Things, exhibition installation view, Drill Hall Gallery, Canberra, 2018, with (foreground): Ti Parks, Banner, 1969, National Gallery of Australia, Canberra; photo: David Paterson, Dorian Photographics https://www.artmonthly.org.au/blog/connecting-threads-so-fine-issue-310 monthly 0.5 2018-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537759083212-KFGO37I6IP97VV1SK3AB/4.SA+photomedia.jpg Blog - Connecting threads: ‘So Fine’ at the National Portrait Gallery Nusra Latif Qureshi, Refined Portraits of Desire, 2018, watercolour, gouache, cotton, polyester thread, acrylic on illustration boards, 180 x 430cm; image courtesy the artist and Sutton Gallery, Melbourne https://www.artmonthly.org.au/blog/churchie monthly 0.5 2018-09-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537310930910-OCJOCDINK3VH90FIMYHV/Churchie_image.jpg Blog - Born in Brisbane: Three decades of ‘the churchie’ Caroline Gasteen, Plantin’ Seeds, 2018, oil on board, 38 x 30cm; image courtesy the artist https://www.artmonthly.org.au/blog/maxxi monthly 0.5 2018-09-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537145632263-7ZBJME4O9W88R32VQI3I/MAXXI_image.JPG Blog - Aria from Europe: The ‘MAXXI Bulgari Prize 2018’ Diego Marcon, Ludwig, 2018, still; video, CGI animation, colour, sound, loop; image courtesy the artist and Ermes-Ermes, Vienna https://www.artmonthly.org.au/blog/the-dynamic-terrain-of-the-contemporary-desert-issue-309 monthly 0.5 2018-09-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1534913860284-YISLYAFIKB6FQWLIRKKD/DesertMob_image2.jpg Blog - The dynamic terrain of the contemporary desert  Kaylene Whiskey works featured in the ‘Desert Mob 2017’ exhibition, Araluen Arts Centre: Cultural Precinct, Alice Springs, 2017; image courtesy Araluen Arts Centre, Alice Springs https://www.artmonthly.org.au/blog/liverpool monthly 0.5 2018-08-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1534416008050-O83YW44DOA3U3YS7Q6AB/Liverpool_image.jpg Blog - Existence is resistance: The 2018 Liverpool Biennial Aslan Gaisumov, People of No Consequence, 2016, installation view, ‘Beautiful world, where are you?’, Victoria Gallery and Museum, Liverpool, 2018; photo: Thierry Bal https://www.artmonthly.org.au/blog/persson monthly 0.5 2018-07-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1531959991172-7LS2DHM0VDK7R41AW5IA/Stieg_image.jpg Blog - Dark star: Stieg Persson’s ‘Polyphonic’ at the Potter Stieg Persson: Polyphonic, exhibition installation view, Ian Potter Museum of Art, University of Melbourne, 2018; image courtesy the artist and Anna Schwartz Gallery, Melbourne; photo: Christian Capurro https://www.artmonthly.org.au/blog/commissioned monthly 0.5 2018-07-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1531184925255-K9S64GN4CGQ7IHUIL094/Vernon+Ah+Kee.jpg Blog - ‘COMMISSIONED’: Coming soon to the Nishi Gallery, Canberra Vernon Ah Kee, Gaze, 2012, from ‘Unwritten’ series; lithograph on Arches paper, 76 x 56cm, edition of 30; printer John Loane, Viridian Press, Melbourne https://www.artmonthly.org.au/blog/tiatia monthly 0.5 2018-06-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1529293787159-Y59BSQ05K2ISUQ380UCX/Tiatia_image.png Blog - Delirious descent: Angela Tiatia’s ‘The Fall’ Angela Tiatia, The Fall, 2017, still; HD video 16:9, 4mins 58secs duration; commissioned by the Australian War Memorial, Canberra, 2017; image courtesy the artist and Sullivan+Strumpf, Sydney https://www.artmonthly.org.au/blog/cmag monthly 0.5 2018-05-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1526432774292-G4UEZ3M9O9K9YOX9T8FS/CMAG_image.jpg Blog - A multifarious offering: Two decades of collecting Canberra Celebration: 20 years of collecting visual art at CMAG, exhibition installation view featuring the work of (from left): Masahiro Asaka, Neil Roberts, David Jensz and Kensuke Todo; image courtesy CMAG, Canberra; photo: Rob Little, RLDI https://www.artmonthly.org.au/blog/kimsooja monthly 0.5 2018-05-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1524642329538-DQWYRFGJLAQ1UA8EQQFE/Kimsooja_image.jpg Blog - Gestures of the possible?: Kimsooja’s ‘Zone of Nowhere’ at PICA Kimsooja, To Breathe – Zone of Nowhere and Bottari, 2018; installation detail view, Perth Institute of Contemporary Arts (PICA), 2018; site-specific installation; image courtesy PICA, Perth; photo: Alessandro Bianchetti https://www.artmonthly.org.au/blog/scenic monthly 0.5 2018-04-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1523923453038-BHRGK8RJ4KNS31UD52EV/Scenic_image.jpg Blog - Jurassic park: ‘Sculpture at Scenic World 2018’ Rochelle Quantock, Choking Hazard, 2018, installation view, ‘Sculpture at Scenic World 2018’, Katoomba; image courtesy Scenic World https://www.artmonthly.org.au/blog/basel monthly 0.5 2018-03-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522443961685-H1ZEJ1D77M00E4AQV4I7/joyce+ho%2C+balancing+act%2C+tgk+gallery.jpg Blog - Forging ahead: 2018’s Art Basel Hong Kong Joyce Ho, Balancing Act, 2018, installation view, TKG+ booth, Art Basel Hong Kong, March 2018; photo: Chloé Wolifson https://www.artmonthly.org.au/blog/hahan monthly 0.5 2018-02-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519005497548-4XMTRPEF0F57U4FLJRMX/Hahan_image2.jpg Blog - Disrupting dichotomies: Uji Handoko Eko Saputro at the ‘NGV Triennial’ Uji Handoko Eko Saputro (a.k.a. Hahan), Young speculative wanderers, 2014–15, installation view, ‘NGV Triennial’, NGV International, Melbourne, 2017; National Gallery of Victoria, Melbourne, purchased through NGV Supporters of Contemporary Art, 2016; photo: Tom Ross https://www.artmonthly.org.au/blog/rist monthly 0.5 2018-02-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1518065136357-73ZCQHCRNC7H22B0DRON/Rist_image.jpg Blog - Through the looking glass: Pipilotti Rist at the MCA Pipilotti Rist, Das Zimmer (The Room), 1994/2017, installation view, ‘Pipilotti Rist: Sip my Ocean’, Museum of Contemporary Art Australia, Sydney, 2017; image courtesy the artist, Hauser & Wirth and Luhring Augustine; © the artist; photo: Daniel Boud https://www.artmonthly.org.au/blog/call-me-by-your-name monthly 0.5 2018-02-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1517786198244-JSWUKBNKUT3ZSB9O8R9L/Call_image.jpg Blog - Luca Guadagnino’s 'Call Me by Your Name': The power of improvisation https://www.artmonthly.org.au/blog/french monthly 0.5 2018-01-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1517196634080-FA65UWKTVDOER3UIO8K7/French_image.jpg Blog - Léonor Serraille’s free-wheeling feature debut Laetitia Dosch in Léonor Serraille’s Montparnasse Bienvenüe (Jeune Femme), 2017; image courtesy Alliance Française French Film Festival https://www.artmonthly.org.au/blog/singapore monthly 0.5 2018-01-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1516942502607-XBI8RRULEDMVTULK2OJK/ArtStage_image.jpeg Blog - Taking the pulse: ‘Art Stage Singapore 2018’ Thidarat Chantachua, Restart, 2018, installation view, SAC Gallery booth at the 8th Art Stage Singapore, January 2018; photo: Anne-Marie Jean https://www.artmonthly.org.au/blog/billy monthly 0.5 2018-01-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1516168240624-ESSMWABKDEYN814DCTHU/Fuller_image.JPG Blog - Like electricity: Todd Fuller and 'Billy’s Swan' Todd Fuller, Billy’s Swan, 2017, video still; chalk and charcoal animation and video, 5:37 mins duration; image courtesy the artist and May Space, Sydney https://www.artmonthly.org.au/blog/kusama monthly 0.5 2017-11-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1512010079889-ZI9NOP1YLQYO4VB3PEVL/Kusama_image.jpg Blog - Into infinity: Yayoi Kusama in Brisbane Yayoi Kusama, The Spirits of the Pumpkins Descended into the Heavens, 2017, installation view, ‘Yayoi Kusama: Life is the Heart of a Rainbow’, Queensland Art Gallery / Gallery of Modern Art (QAGOMA), Brisbane, 2017; mirror box 200 x 200 x 200cm (approx.); room 300 x 600 x 600cm (approx.); photo: Natasha Harth, QAGOMA https://www.artmonthly.org.au/blog/mesiti monthly 0.5 2017-11-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511133004670-L1NT3R953X9DB1K7XAKX/Mesiti_image.jpg Blog - Angelica Mesiti’s calling at the NGA Angelica Mesiti, The calling, 2013–14, still; 3-channel HD video installation; colour, sound, 35:36 mins duration; National Gallery of Australia, Canberra, purchased 2017; image courtesy the artist and Anna Schwartz Gallery, Melbourne https://www.artmonthly.org.au/blog/richter monthly 0.5 2017-11-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1510801687369-5CYR8T6XJ498EIRQV1OX/Richter_image.jpg Blog - Reading Gerhard Richter at QAGOMA Gerhard Richter: The Life of Images, exhibition installation view, Queensland Art Gallery / Gallery of Modern Art (QAGOMA), Brisbane, 2017, with Reader (804) and Reader (799-1), both 1994; photo: Natasha Harth, QAGOMA https://www.artmonthly.org.au/blog/jumaadi monthly 0.5 2018-06-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508976549194-W6QG8QXGUMA9EHZQZRFJ/Jumaadi_image.jpg Blog - Jumaadi’s some kind of record Jumaadi, Some kind of record, 2016, acrylic on 24 card index dividers, 119 x 99cm; image courtesy the artist, Watters Gallery, Sydney, and Jan Manton Art, Brisbane https://www.artmonthly.org.au/blog/philippines monthly 0.5 2017-10-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508456929954-CRUWXWSN3T5XTZT9YDG6/Philippines_image.jpg Blog - Curating the Filipino: The ‘Bayanihan Philippine Art Project’ Balik Bayan, exhibition installation detail, Blacktown Arts Centre, 2017, with (from left): Ala Paredes, ‘Power Pose’ series, 2017, articulated paper puppets; Alwin Reamillo, Bayanihan Hopping Spirit House, 2015–17, mixed media, courtesy Urban Theatre Projects; Marikit Santiago, installation of paintings and sculptures, 2017; Melissa Ramos, Distant Memories, 2017, 3-channel video transferred from super-8 film, 6 mins 41 secs duration; image courtesy Blacktown Arts Centre; photo: Sharon Hickey https://www.artmonthly.org.au/blog/hockney monthly 0.5 2017-10-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1507607009032-5PBE1R08IKEYVOM4YPAN/Hockney_image.jpg Blog - David Hockney: An even bigger picture David Hockney, 4 Blue Stools, 2014, photographic drawing printed on paper, mounted on Dibond, edition of 25, 107.9 x 176cm; from the collection of John and Helen Hockney; © David Hockney; photo: Richard Schmidt https://www.artmonthly.org.au/blog/townsend monthly 0.5 2017-10-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1507264751721-4DFOBQKXJM4F1EEIAVXY/Woodcut_image.jpg Blog - A meeting of heroes: Selections from the Townsend Collection of Chinese woodcuts at the NGA Shi Lu, A meeting of heroes, 1938–49, woodcut, printed in black ink, from one block; National Gallery of Australia, Canberra; Peter Townsend Collection, purchased with the assistance of the Australia-China Council 1985 https://www.artmonthly.org.au/blog/a-curated-vision-for-the-2018-natsiaas monthly 0.5 2017-08-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1502425842267-L1VC8X4CCSCXNOONA23R/image-asset.jpeg Blog - A curated vision for the 2017 NATSIAAs Anwar Young, Unrupa Rhonda Dick and Frank Young, Kulata Tjuta – Wati kulunypa tjukurpa (Many spears – Young fella story), 2017, digital print, wood, kangaroo tendon, kiti (natural glue); print 148 x 176cm; spears 280 x 2 x 2cm approx. (37 pieces); image courtesy the artists and the Museum and Art Gallery of the Northern Territory, Darwin https://www.artmonthly.org.au/blog/robert-boyness-modern-times-at-the-drill-hall monthly 0.5 2017-07-13 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1499907391386-BWRTRCQLZ1XS28CD2C9I/image-asset.jpeg Blog - On the stage of his canvas: Robert Boynes’s ‘Modern Times’ at the Drill Hall Gallery Robert Boynes: Modern Times, exhibition install view, ANU Drill Hall Gallery, Canberra, July 2017; photo: Rob Little, RLDI https://www.artmonthly.org.au/blog/looking-through-barangaroo-sabine-hornigs-through-site-link-project monthly 0.5 2017-06-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1498539218841-EEZ4ZGFWZHC8FCA3UM7C/image-asset.jpeg Blog - Looking through Barangaroo: Sabine Hornig’s ‘Through Site Link’ project Sabine Hornig, Shadows, computer rendering; image courtesy Sabine Hornig, Berlin, and Tanya Bonakdar Gallery, New York; © Sabine Hornig and VG-Bild Kunst, Bonn 2017 https://www.artmonthly.org.au/blog/dazzling-duet-two-wings-to-fly-not-one-at-pakistans-national-art-gallery monthly 0.5 2017-06-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1498176151843-Q9ZJUHCKA5EM6K627JZA/TwoWings_image.jpg Blog - Dazzling duet: ‘Two Wings to Fly, Not One’ at Pakistan’s National Art Gallery Two Wings to Fly, Not One, exhibition install view, National Art Gallery of Pakistan, Islamabad, 2017; photo: Atif Saeed and Kamran Saleem https://www.artmonthly.org.au/blog/what-lies-beneath-mutable-histories-at-the-museum-of-brisbane monthly 0.5 2017-06-14 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1497422261341-SDDJZDFAEIGWF4U8NTIS/image-asset.jpeg Blog - What lies beneath: ‘Mutable histories’ at the Museum of Brisbane Robert Andrew: Our mutable histories, exhibition install view, Museum of Brisbane, 2017; image courtesy the Museum of Brisbane https://www.artmonthly.org.au/blog/wave-action-scott-gardiners-night-swimming monthly 0.5 2017-05-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1495174357681-SUQ5YJU9ZI3RPGSGAI2B/Gardiner_image.jpg Blog - Wave action: Scott Gardiner’s ‘Night Swimming’ at Palmer Art Projects https://www.artmonthly.org.au/blog/communal-convergence-cementa-17 monthly 0.5 2017-05-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494376472190-68Q8O7STZUVSR4QBU7VZ/image-asset.jpeg Blog - Kandos convergence: ‘Cementa 17’ Skye Saxon, The Snowflake Shaman’s Winter Wonderland, 2017, installation and performance view, ‘Cementa 17’, Kandos, April 2017; photo: Alex Wisser https://www.artmonthly.org.au/blog/f4l9mt3gfep72mw4eke6jpnjgcnjcb monthly 0.5 2017-04-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492739682056-9CY4JH22CIOCT1S8EM0A/image-asset.jpeg Blog - Winning weight: ‘Versus Rodin: bodies across space and time’ Versus Rodin: bodies across space and time, exhibition install view, Art Gallery of South Australia (AGSA), Adelaide, 2017; image courtesy AGSA, Adelaide; photo: Saul Steed https://www.artmonthly.org.au/blog/sneak-peek-of-our-april-issue-garage-chic-in-manila monthly 0.5 2017-04-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491183967630-QHPVPT99DE7O0BWRPSB2/image-asset.jpeg Blog - Sneak peek of our April issue: Garage chic in Manila Maria Jeona Zoleta, Forced Farts … until Hell Freezes Over is a Freak Show, 2017, installation view, 5th Art Fair Philippines, Manila, February 2017; image courtesy Art Fair Philippines https://www.artmonthly.org.au/blog/f72f7nkxzhmm7wt3mndalrmsd5m95m monthly 0.5 2017-03-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932818936-NUF161PEYR47BG598LLC/image-asset.jpeg Blog - Artistic aftershocks: Guirguis New Art Prize 2017 Yhonnie Scarce, The More Bones the Better, 2016, installation view; image courtesy the artist and Post Office Gallery, Federation University Australia https://www.artmonthly.org.au/blog/zz4zpcx33hb3ywjlkwe2fpreerhz5k monthly 0.5 2017-03-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488949625165-2AM1HG1VUGNGHXAG5ABF/image-asset.jpeg Blog - Empire strikes back: ‘Australia’s Impressionists’ at the National Gallery, London Australia’s Impressionists, exhibition installation view, Sunley Room, National Gallery, London, 2017; image courtesy and © The National Gallery, London https://www.artmonthly.org.au/blog/26lsp2jzpxbnpwjmgtepnm5e6pcpn6 monthly 0.5 2017-02-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488157065307-QH0KE2I3XH0RRUD1ARCO/image-asset.jpeg Blog - Painterly pleasures: Tom Loveday’s ‘Erotic Painting’ Tom Loveday, Erotic Edge in Embryo #1–13, 2017, detail; acrylic on canvas, 25 x 25cm (each); image courtesy the artist https://www.artmonthly.org.au/blog/title/day/month/year-4 monthly 0.5 2017-02-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1487305320172-K7VXBB5LZYQOS8VUDSO6/image-asset.jpeg Blog - The 3rd Kochi-Muziris Biennale: ‘Forming in the pupil of an eye’ Praneet Soi, Astatic Garden, 2016, installation view, Pepper House, Kochi-Muziris Biennale 2016; image courtesy the Kochi-Muziris Biennale, Kochi https://www.artmonthly.org.au/blog/title/day/month/year-3 monthly 0.5 2017-01-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1485492134246-LEEHO8HVZPWG6AJ20O1Q/image-asset.png Blog - 'The Static of Nature' by Tane Andrews Tane Andrews, The Static of Nature, 2017; image courtesy the artist https://www.artmonthly.org.au/blog/title/day/month/year-2 monthly 0.5 2017-01-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484269404619-69IUPGB665NG8V8WKMQP/image-asset.jpeg Blog - Tintin Wulia at Art Stage Singapore Tintin Wulia, Untold Movements Act 1 – Neitherland, Whitherland, Hitherland, 2015, installation view; 32-channel sound installation, dimensions variable; image courtesy the artist and Milani Gallery, Brisbane https://www.artmonthly.org.au/blog/title/day/month/year monthly 0.5 2016-12-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1482456092048-QC94DNF3807IKFYS7I9H/image-asset.jpeg Blog - ‘Artist and Empire’ at the National Gallery Singapore Artist and Empire: (En)countering Colonial Legacies, exhibition install view featuring the work of Lee Wen (left) and George Francis Joseph; image courtesy the National Gallery Singapore https://www.artmonthly.org.au/blog/primavera-2016-at-the-mca monthly 0.5 2016-12-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481514501805-G9EVIQMO0XOT9VMBCLGV/image-asset.jpeg Blog - ‘Primavera 2016’ at the MCA Primavera 2016: Young Australian Artists, exhibition install view, Museum of Contemporary Art Australia, Sydney, 2016, featuring: Mira Oosterweghel, Precarious Life, 2016; Steven Cybulka, Divisions, 2016; and Ruth McConchie, salines, sirius, obelisk, 2016; image courtesy and © the artists; photo: Christopher Snee https://www.artmonthly.org.au/blog/ramesh-mario-nithiyendran-at-the-ian-potter monthly 0.5 2016-12-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481088601912-IP4CC3KEHJS2CXIP32JM/image-asset.jpeg Blog - Online review: Ramesh Mario Nithiyendran at the Ian Potter Ramesh Mario Nithiyendran, In the Beginning, exhibition detail view, Ian Potter Museum of Art, Melbourne, 2016; photo: Christian Capurro https://www.artmonthly.org.au/blog/zn2z54yk8gmsl2jfg2t9zh88jptb77 monthly 0.5 2016-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480300993883-SJ62AENXRJCUMJPY1UM2/image-asset.jpeg Blog - Sneak Peek of Our December Issue! : The 5th Singapore Biennale Chia Chuyia, Knitting the Future, 2015–16, installation view, 5th Singapore Biennale, 2016; performance with knitting needles and leeks, dimensions variable; image courtesy the artist and Singapore Art Museum https://www.artmonthly.org.au/blog/yxy3c52nb89z9mycawkgpjfnnycdhj monthly 0.5 2016-10-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477026347506-F1REDMWOPXPMG62B3OKD/image-asset.jpeg Blog - Isaac Julien Takes 'Refuge' in Sydney Isaac Julien, En Passage (Stones Against Diamonds), 2015, Premier Photograph, 180 x 240cm, Edition of 6 plus 1 AP; image Courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477026433758-KCNNT67CI9S0QZ9XS2LE/image-asset.jpeg Blog - Isaac Julien Takes 'Refuge' in Sydney Isaac Julien, Echo (Stones Against Diamonds), 2015, Duratrans image in lightbox, 120 x 120cm, Edition of 4 plus 1 AP.; image Courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://www.artmonthly.org.au/blog/9m9e9bss6yptstfb8wj8s9l5e8w9gw monthly 0.5 2016-09-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474776316064-TZOHQLRD5LOAZA2JZNXU/image-asset.jpeg Blog - Ajit Ninan: The Searing Art of Political Commentary AJIT NINAN, Installation view, MUSEUM OF AUSTRALIAN DEMOCRACY, CANBERRA; image COURTESY CAITLIN SEYMOUR-KING https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474776364012-3Q9H1EW0782S3IK9GMD1/image-asset.jpeg Blog - Ajit Ninan: The Searing Art of Political Commentary AJIT NINAN, Installation view of 'politrix' series, MUSEUM OF AUSTRALIAN DEMOCRACY, CANBERRA; image COURTESY CAITLIN SEYMOUR-KING https://www.artmonthly.org.au/blog/x2kb2b3l4r4944mkea7ebbc5tc28lj monthly 0.5 2016-09-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474081902505-G2ZTJ246RVRPUA1AIRMX/image-asset.jpeg Blog - Waterhouse Art Prize Arrives in Canberra Winner of the Emerging Artist Category: Dan Power, G[RAZED], 2016, Pen and ink on bull skull; image courtesy the national archives of australia, canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474082637485-1165KT3OXTYMULIUHCYY/image-asset.jpeg Blog - Waterhouse Art Prize Arrives in Canberra Highly Commended: Jenni Kemarre Martiniello, Parachilna bicornual set, 2016, Hot blown glass with murrine; image courtesy the national archives of australia, canberra https://www.artmonthly.org.au/blog/6el64e2d2a54y9nbj8f9hsk74zdpaz monthly 0.5 2016-09-17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474002678311-Z07ITASM3K97DHAY0L68/image-asset.jpeg Blog - Diverse Indigenous Voices Heard in US Exhibition; 'Everywhen' Stephen Gilchrist, the Australian Studies Visiting Curator at the Harvard Art Museums, in front of Vernon Ah Kee’s many lies (2004), during preparation for ‘Everywhen: The Eternal Present in Indigenous Art from Australia’, Harvard Art Museums, 2016; image courtesy and © President and Fellows of Harvard College, Cambridge, Massachusetts; photo: Kris Snibbe/Harvard University https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474002768169-Z4CC2BPMHO6FMQI90I6U/image-asset.jpeg Blog - Diverse Indigenous Voices Heard in US Exhibition; 'Everywhen' Everywhen: The Eternal Present in Indigenous Art from Australia, exhibition view of the Seasonality-themed gallery, Harvard Art Museums, 2016; image courtesy and © President and Fellows of Harvard College, Cambridge, Massachusetts; photo: Harvard Art Museums https://www.artmonthly.org.au/blog/x8dxr962ek3egtw6jrd2bckzzcaklk monthly 0.5 2016-09-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472791785480-1ZQACACEEKIA74EAUVSZ/image-asset.jpeg Blog - Your Own Piece of Parr! MIKE PARR, THE WIND, 1993, EDITION OF 99, AU$850 ETCHING, 54 X 39.8CM (SHEET); PRINTER: JOHN LOANE, VIRIDIAN PRESS, MELBOURNE https://www.artmonthly.org.au/blog/sneak-peak-of-our-september-issue monthly 0.5 2016-08-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472617614007-9A7BLFT5H5HLRLO4Y9VP/image-asset.jpeg Blog - Sneak Peek of Our September Issue! https://www.artmonthly.org.au/blog/r2x6t5j5bfwknjdmb9ljsrl9bmwdd9 monthly 0.5 2016-08-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471572065170-JCXVQ361HGC48JUG79EE/image-asset.jpeg Blog - Hope and Optimism from Art Collective WA Trevor Vickers, Breakfast Variations, Projection, 2016; image courtesy sno contemporary art projects, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471572118689-E5JP6FAXCXZXF11A99AZ/image-asset.jpeg Blog - Hope and Optimism from Art Collective WA Helen Smith, Reunification Series # 70 , 2016, Found image assemblages; image courtesy the artist and SNO contemporary art projects, Sydney https://www.artmonthly.org.au/blog/69mcyj2b93grjyca9b2mwk2ddfz6gn monthly 0.5 2016-08-12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470966472790-SLQ1UM1WVDU80H8IQ22F/image-asset.jpeg Blog - Much-Anticipated Parr Survey Opens at the NGA mike parr: foreign looking, exhibition view, national gallery of australia, canberra, 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470966528795-B1M73RFCZYMYXCNJDEN7/image-asset.jpeg Blog - Much-Anticipated Parr Survey Opens at the NGA Bronze liars (1996): parr constructed these portrait busts partially blinded https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470966986419-6U0ZI6XOMO4Q8RW8P0LS/image-asset.jpeg Blog - Much-Anticipated Parr Survey Opens at the NGA Information Centre is the site for early work as well as archival and reading material https://www.artmonthly.org.au/blog/2wb7nzxmk5jm45ba3e53ldt8wy7dw4 monthly 0.5 2016-08-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470364329799-4I0S3OT2RE2SSTNESPPY/image-asset.jpeg Blog - NATSIAA Winner Announced! Harold Joseph Thomas (Bundoo) with his work Tribal Abduction, overall winner of the 2016 Telstra Art Award https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470364228770-5GJH5LKYCWSBSA7S8OBX/image-asset.jpeg Blog - NATSIAA Winner Announced! Betty Kuntiwa Pumani with her work which won the Telstra General Painting Award https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470364903530-MGOYEY7XAUH1NL4YBL8X/image-asset.jpeg Blog - NATSIAA Winner Announced! Nicole Monks and her performance piece, We are all animals, which won the Wandjuk Marika Memorial 3D Award (sponsored by Telstra) https://www.artmonthly.org.au/blog/9363dfp6kycpzmaa86mwrfaajgwpgg monthly 0.5 2016-08-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470354296408-VHT79Q88WERFYOFRM0E9/image-asset.jpeg Blog - Two Stellar Exhibitions Open at Beaver Galleries Detail of Storm from Mount Ainslie by Alicia Mozqueira; image courtesy the artist and beaver galleries, canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470360861344-LQ2CXKEKDBG4QRB4W0J4/image-asset.jpeg Blog - Two Stellar Exhibitions Open at Beaver Galleries Detail of Tribute by Lucienne RIckard; image courtesy the artist and beaver galleries, canberra https://www.artmonthly.org.au/blog/xfxlebtg864k7czpjmnmrkyepjecft monthly 0.5 2016-07-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469764239709-UVI9XEC7ICI0KODIDL71/image-asset.jpeg Blog - Speculating 'Imagined Worlds' at Melbourne's Town Hall Gallery imagined worlds, Installation view; image courtesy Town Hall Gallery, melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469764273028-30BR0JFY0MOR5WPXTAPU/image-asset.jpeg Blog - Speculating 'Imagined Worlds' at Melbourne's Town Hall Gallery imagined worlds, Installation view; image courtesy Town Hall Gallery, melbourne https://www.artmonthly.org.au/blog/8mbetsjp4e6p5bgw2x8yw8x2ncckbt monthly 0.5 2016-07-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469510162869-OSTLSWKWBTKDFN5PKRHA/image-asset.jpeg Blog - MPavilion 2016 Design and Writer Announced! Model of MPavilion design by Bijoy Jain; image courtesy Studio Mumbai https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469512398036-KQNE7HVJBDP0HF09S4B5/image-asset.jpeg Blog - MPavilion 2016 Design and Writer Announced! recipient of the MPavilion/Art Monthly Writing Award; image courtesy tess maunder https://www.artmonthly.org.au/blog/7fwr6kszjytrwkytyy83n32bjz3kfd monthly 0.5 2016-07-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469153275957-JV8N1VG19FUXQJV2PUZ6/FullSizeRender+%287%29.jpg Blog - Incredible Craftsmanship in Takeyoshi Mitsui's Sublime 'Sense' https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469154891408-26ZJOZ3JSQJGGDYPQZA6/image-asset.jpeg Blog - Incredible Craftsmanship in Takeyoshi Mitsui's Sublime 'Sense' https://www.artmonthly.org.au/blog/k6c2f3mg5m8bg6n4az9sjl8a52xrc4 monthly 0.5 2016-07-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1468973252693-U8Y4VWRSG7D0WHJZ3ZGC/FullSizeRender+%285%29.jpg Blog - NGA Announces Summer Blockbuster, 'Versailles' These mesdames and messieurs showED off the pomp and ceremony of the French court https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1468974436039-CU0Y21TZZ8VAHMH25TSR/FullSizeRender+%286%29.jpg Blog - NGA Announces Summer Blockbuster, 'Versailles' Gerard Vaughan, Beatrix Saule, Catherine Pegard, Andrew Barr and Christophe Lecourtier https://www.artmonthly.org.au/blog/ycsebd66brga6a7hxy6gzlfhwxsxat monthly 0.5 2016-07-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1468547041784-Q4POKBHRT7V0VH0SF0E7/image-asset.jpeg Blog - Drill Hall Gallery Reopens After Extensive Refurb Visitors at the 'Streets of Papunya' exhibition showing at the Drill Hall Gallery, canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1468547143012-OLPOM20F5EXMWPABVU3C/image-asset.jpeg Blog - Drill Hall Gallery Reopens After Extensive Refurb Linda Tjunkaya Syddick Napaltjarri and her sister Martha McDonald Napaltjarri, both around 80 years old, at the opening of 'Streets of Papunya' https://www.artmonthly.org.au/blog/7k9993b6pnj4mdyb5he8gydg2el9wr monthly 0.5 2016-07-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1468550517315-PXI7ANVSDLI8X2K0JLYT/image-asset.jpeg Blog - 'Tough and Tender' opens at National Portrait Gallery, Canberra Robert Mapplethorpe, Sebastian, 1980, silver gelatin photograph, National Gallery of Australia, Canberra, purchased 1980 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1468550719213-RTJNNS646YN3THPLE21J/image-asset.jpeg Blog - 'Tough and Tender' opens at National Portrait Gallery, Canberra Entry and title wall to exhibition https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1468550883178-O7DBBWGIQWGVNKCWW5VZ/image-asset.jpeg Blog - 'Tough and Tender' opens at National Portrait Gallery, Canberra Christos Tsiolkas toasting with artists Warwick Baker and Rozalind Drummond https://www.artmonthly.org.au/blog/2g7m7nrg5s3yggdmj75nmtwtactz6b monthly 0.5 2016-07-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467541502309-0J28NNV2Z69WH5YAR0EP/image-asset.png Blog - A.C.T. ‘Grants In The City’ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467541396694-LQE3CRGRJWTZ26YFM4UV/image-asset.jpeg Blog - A.C.T. ‘Grants In The City’ https://www.artmonthly.org.au/blog/rjps3catzsl7kx2bmw8kt7rtmsnxbn monthly 0.5 2016-07-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467533570914-WWMIZ7XMB5R4DHQ9VTWD/image-asset.jpeg Blog - Josephine Ulrick and Win Schubert Photography Award Image credit: © Justine Varga ‘Marking Time’ (2016). Type C hand print, 122 x 98.5cm Courtesy of Stills Gallery, Sydney and Hugo Michell Gallery https://www.artmonthly.org.au/blog/xtntm7pgj4lehzaf72mft4n9f6z2ah monthly 0.5 2016-07-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467533344332-RKR81LSBU4IMUSZSHBH4/image-asset.jpeg Blog - Behind Your Eyes, Between Your Ears: Neurofeedback portrait project https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467533382093-MAQIYR7EIXYJL1R5W91P/image-asset.jpeg Blog - Behind Your Eyes, Between Your Ears: Neurofeedback portrait project Image: Behind Your Eyes, Between Your Ears: Neurofeedback portrait studio, George Gnut with David Morris-Oliveros, Performance Space, Carriageworks, 2015. Photography Amanda James https://www.artmonthly.org.au/blog/9wr4zlmags7s25tg6z762h363arazk monthly 0.5 2016-07-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1466736686672-JDUAP9PJTMYK7K4JQXUE/image-asset.jpeg Blog - Colonial Imperialsim and Indigenous History Greg Semu, The Arrival, diptych, 2014–15 type-C photograph, 126.5 x 168.7cm (image and sheet); Collection of the artist, Sydney; image courtesy Alcaston Gallery, Melbourne; © Greg Semu https://www.artmonthly.org.au/blog/tag/Imelda+Wood+Melamurrk monthly 0.5 https://www.artmonthly.org.au/blog/tag/Women%27s+Art+Prize monthly 0.5 https://www.artmonthly.org.au/blog/tag/NCPI+in+Taipei monthly 0.5 https://www.artmonthly.org.au/blog/tag/24thBiennaleofSydney monthly 0.5 https://www.artmonthly.org.au/blog/tag/Ravenswood monthly 0.5 https://www.artmonthly.org.au/blog/tag/wunderkammer monthly 0.5 https://www.artmonthly.org.au/blog/tag/CarolineRothwell monthly 0.5 https://www.artmonthly.org.au/blog/tag/Taipei monthly 0.5 https://www.artmonthly.org.au/blog/tag/SymoneMale monthly 0.5 https://www.artmonthly.org.au/blog/tag/2023 monthly 0.5 https://www.artmonthly.org.au/blog/tag/2022 monthly 0.5 https://www.artmonthly.org.au/blog/tag/2021 monthly 0.5 https://www.artmonthly.org.au/blog/tag/Ravenswood+Art+Prize monthly 0.5 https://www.artmonthly.org.au/blog/tag/Unpacking+the+%E2%80%98wunderkammer%E2%80%99 monthly 0.5 https://www.artmonthly.org.au/blog/tag/Society+of+Photographic+Museum+and+Culture+of+Taiwa monthly 0.5 https://www.artmonthly.org.au/blog/tag/2024 monthly 0.5 https://www.artmonthly.org.au/blog/tag/Canberra+Glassworks monthly 0.5 https://www.artmonthly.org.au/blog/tag/Yavuz+Gallery monthly 0.5 https://www.artmonthly.org.au/blog/tag/Constructing+a+national+narrative monthly 0.5 https://www.artmonthly.org.au/blog/tag/Annette+An-Jen+Liu monthly 0.5 https://www.artmonthly.org.au/blog/tag/Robert+Fielding monthly 0.5 https://www.artmonthly.org.au/archive-gallery daily 0.75 2024-12-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8df3659d-7739-4b97-aae7-22944a700ba2/AMA340+Spring+Front+Cover.jpg Archive Gallery - Issue 340 Spring 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f9497c50-3144-4bc8-a4f4-e0f2165db87a/AMA341+Summer+Front+Cover.jpg Archive Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8df3659d-7739-4b97-aae7-22944a700ba2/AMA340+Spring+Front+Cover.jpg Archive Gallery - Issue 340 Spring 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bf2ba037-d642-41ce-8a36-14a4fd7fba3d/AMA339_Winter_FrontCover.jpg Archive Gallery - Issue 339 Winter 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/dded5a4a-074e-40fb-a972-b265471423b2/AMA338_Cartier_FrontCover.jpg Archive Gallery - The 24th Biennale of Sydney Issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1a319440-ed39-4933-9dd7-64afe21f16a2/AMA%23338_AUTUMN_Front+Cover.jpg Archive Gallery - Issue 338 Autumn 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/05512dd3-66d5-4afd-8aa8-c872ef8bb1d5/image-asset.jpeg Archive Gallery - Issue 337 Summer 2023/24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bfbed95c-b353-4878-9f10-0cb4d76ee12a/AMA336-Cover+For+Mockup.jpg Archive Gallery - Issue 336 Winter 2023 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/992d22ad-49dd-405d-97cc-5dc9ce9e8e92/AMA335_AUTUMN_Covers.jpg Archive Gallery - Issue 335 Autumn 2023 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1678146674508-XZ9N3OHY526L5AR6SSXG/image-asset.jpeg Archive Gallery - Issue 334 Summer 2022/23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a3981e11-a91c-4585-a60c-5f4293a7edfe/image-asset.jpeg Archive Gallery - Issue 330 Summer 2021/22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/fe17c9dd-a773-4a17-934c-893a82c2c89a/AMA333_SPRING_Cover.jpg Archive Gallery - Issue 333 Spring 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1e7938d1-6ba3-4a4a-8127-e5ea0c5a1bce/image-asset.jpeg Archive Gallery - Issue 332 Winter 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1653532439832-GDITRFT7J7YUV4RZAHKW/AMA332_WINTER_Cover.jpg Archive Gallery - Issue 331 Autumn 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a3981e11-a91c-4585-a60c-5f4293a7edfe/image-asset.jpeg Archive Gallery - Issue 330 Summer 2021/22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1638847367947-6LFQ5A05QKPB14UYHPE6/image-asset.jpeg Archive Gallery - Issue 329 Spring 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630463616297-11VYJQ7KIYASTJ2MP0QN/AMA328_WINTER_FC.jpg Archive Gallery - Issue 328 Winter 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622604520964-HL79XK8REJBUD7DKSOEJ/image.jpg Archive Gallery - Issue 327 Autumn 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622604489652-85BQV7VNO7399RVC6O36/image-asset.jpg Archive Gallery - Issue 326 Summer 2020-2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606775545096-6YU2UG33B2E9HBNPIKQQ/image-asset.jpeg Archive Gallery - Issue 325 Spring 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598917342167-J0GPY54QZ8HEQXFZNJRY/image-asset.jpeg Archive Gallery - Issue 324 Winter 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591056484547-YKH334O8ZDCMREA1634E/image-asset.jpeg Archive Gallery - Issue 323 April 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585694989578-5IO51T8FMGR69M5D3PFQ/image-asset.jpeg Archive Gallery - Issue 322 March 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583109436363-D6M6AG310TFOTEWXCV2P/AMA321_SUMMER_FrontCover.jpg Archive Gallery - Issue 321 Summer 2019/20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1575325312100-MWGNTX4O65OKL0KDOU6G/AMA320_NOV_Cover.jpg Archive Gallery - Issue 320 November 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572907265435-14CLK7LDIYWOIC918EVF/AMA319_OCT_FrontCover.jpg Archive Gallery - Issue 319 October 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569896328476-K1WIHPOFG891MW7L086N/AMA318_SEP_FC.jpg Archive Gallery - Issue 318 September 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568082914643-IHG3QXYG4GMLW259HK2E/AMA317_Winter_FrontCover.jpg Archive Gallery - Issue 317 Winter 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559793119653-BB4JM6YPPKN5PYO5ULR9/316+May+cover.png Archive Gallery - Issue 316 May 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557372671835-9G68WZFM0T0FW2XIYHO3/AMA315_APR_FrontCover.jpg Archive Gallery - Issue 315 April 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554686476668-6UYFIJH4J7JD0SUTFRGS/314+Cover.jpg Archive Gallery - Issue 314 March 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551672740728-Z3VD463G10SKTR6LQVZZ/ArtMonthly_Dec18_cover.png Archive Gallery - Issue 313 Summer 2018/19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543811077832-CJSLJEOU8EACR9KFID5F/AMA312_NOV_COV_hires.jpg Archive Gallery - Issue 312 November 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541115354525-LVI5WN5DSRKLXUMQO69K/AMA311_OCT_LG.jpg Archive Gallery - Issue 311 October 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537943324208-YN3HP44EX62I8VWISL25/AMA310_SEP_Cover.jpg Archive Gallery - Issue 310 September 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1535958861861-U19I20AE3FHWUN9RLQ0N/AMA309_AUG_Cover_LG.jpg Archive Gallery - Issue 309 August 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1533171680129-73VA7XB3HPEKYEDC9UGK/AMA308_Cover_LG.jpg Archive Gallery - Issue 308 June/July 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527646426348-V51I3JLPMABK0MLK5TV5/AMA307_Cover_LG.jpg Archive Gallery - Issue 307 May 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525138139918-W9YWW3HGXFGCKY8CYFWU/AMA306_APR_Cover_LG.jpg Archive Gallery - Issue 306 April 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522715496614-8BYHCNA36W4T26O4SY0N/AMA305_Cover_LG.jpg Archive Gallery - Issue 305 March 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519969005034-DRFG15QYAKRG5Y67TRLL/AMA304_Cover_LG.jpg Archive Gallery - Issue 304 Summer 2017/18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519968785374-2NFG0UF35GYK8JPTQEGT/AMA303_LG.jpg Archive Gallery - Issue 303 November 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1509508053359-KN82R8XZS8NKNX3V60EA/AMA302_OCT_LG.jpg Archive Gallery - Issue 302 October 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583109320181-9QDMER9M58JWDVPD8HTY/image-asset.jpeg Archive Gallery - Issue 321 Sumer 2019/20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506986489258-JQBFJGIFJFY2LVNN0I6M/AMA301_SEP_Cover_LG.jpg Archive Gallery - Issue 301 September 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504059266924-OOSPT5OR85074GZ16WUX/AMA300_Cover_LG.jpg Archive Gallery - Issue 300 August 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501631606743-T580VDZZ88W37X31ZIS2/-1.jpg Archive Gallery - Issue 299 June-July 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496364294116-P9WWP563YDADNVSUBVB5/AMA298_Cover_LG.jpg Archive Gallery - Issue 298 May 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494206133904-9PUYJ3COXPYIB669LZZX/AMA297_Cover_LG.jpg Archive Gallery - Issue 297 April 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491131166922-SSN8INGCAG6ARSMA6F5H/1488499610612.jpeg Archive Gallery - Issue 296 March 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488335207615-T6US95KCO043UBZ23MVW/AMA295_COV_LG.jpg Archive Gallery - Issue 295 Summer 2016/17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480648401875-SC0PGROVNT923LJIUPEY/AMA294_LG.jpg Archive Gallery - Issue 294 November 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477876144513-F2NH8NO1E2Q4DNE270XM/AMA293_COV_LG.jpg Archive Gallery - Issue 293 October 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478729363639-0ATMR1M1POYCKZANMVQZ/issue+292+sep+2016+cover.jpg Archive Gallery - Issue 292 September 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472611589686-IIV32YRWYJ0749HFZVQQ/AMA291_Cover_LG.jpg Archive Gallery - Issue 291 August 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469966726930-6O0OZVJRMVDD5ZNX52DR/AMA289_FrontCover_LG.jpg Archive Gallery - Issue 290 June/July 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464757203591-C1XOJITV8XMEMH3AGVVL/AMA289_FrontCover_LG.jpg Archive Gallery - Issue 289 May 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1462408054669-M8R2Y4B6K3XTHZU4FKX7/AMA288_LG.jpg Archive Gallery - Issue 288 April 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1462407597406-ZZRN870IAFSE9943NV6P/AMA287_Cover_LG2.jpg Archive Gallery - Issue 287 March 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456653835895-ZQNQVLWPQ7374I4F7XUM/image-asset.jpeg Archive Gallery - Issue 286 Summer 2015/16 Feminism Now, guest edited by Susan Best and Louise Mayhew.   https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654141948-LC5DDEYHS6JLZOK8ONX2/Nov_Cover_LG.jpg Archive Gallery - Issue 285 November 2015 Lisa Reihana, New Zealand Focus Issue, 8th Asia Pacific Triennial of Contemporary Art. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654403841-6FJWOFLXWDS3A903H0GT/Oct_LG.jpg Archive Gallery - Issue 284 October 2015 Lola Greene and Marina Abramović, The Inaugural MPavilion/Art Monthly Australia essay on interdisciplinary art, Tasmania focus issue   https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654817014-PJB1THQY4ZIN84OEM5IP/AMA283_LG.jpg Archive Gallery - Issue 283 September 2015 Michelle Nikou, South Australia focus issue, Remembering Mirdidingkingathi Juwarnda (Mrs Gabori) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654825541-WZ7EXS98MMH7KFU4BR8G/AMA_282_LG.jpg Archive Gallery - Issue 282 August 2015 NT Focus issue, Julian Engberg on the 56th Venice Biennale, Patrick Hall at TMAG https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654827501-DVFFB036YXYIK84WM774/AMA_281_LG.jpg Archive Gallery - Issue 281 July 2015 Janet DeBoon, 14th Australian Ceramics Triennale, Special issue guest-edited by Glenn Barkley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654835311-BITEN0IDMLRAHF5MLXHX/AMA280_Milsom_LG.jpg Archive Gallery - Issue 280 June 2015 Nigel Milsom, New South Wales Focus issue, Janine Barke on animals in curatorial practice https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654841071-AAYYCCLSO6CDRAXQ9TYB/AMA_279_ZAVROS_LG.jpg Archive Gallery - Issue 279 May 2014 Michael Zavros, Queensland Focus issue, Lee Weng Choy on curating contemporary art from Southeast Asia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654847473-FG3CQAHRUG6T6OXBS2FQ/AMA_278_LG.jpg Archive Gallery - Issue 278 April 2015 Tony Albert's untold stories, "do it" in Adelaide", State focus on Western Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654852180-P0FJHI0GQT6FO56A4ODN/ama_277_LG.jpg Archive Gallery - Issue 277 March 2015 Singapore overview, Hito Steyerl in Brisbane, State focus on Victoria https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087164812-E9335HJ5T92YKJ2TQ3X5/image-asset.jpeg Archive Gallery - Issue 276 Summer 2014/15 Hyperreality, "Pop to Popism", Summer bumper issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087257250-3D7DLLU92P6R375XOD5F/image-asset.jpeg Archive Gallery - Issue 275 November 2014 Fashion in the art museum, Matthew Barney's "River of Fundament", Tasmania Focus issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087327359-76G1ESTFKLIMDTLTQD6R/image-asset.jpeg Archive Gallery - Issue 274 October 2014 South Australia Focus issue, Nicholas Folland, Julie Ewington on Pierre Huyghe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087442119-C55RPHN3YK1TQFLP0KG7/image-asset.jpeg Archive Gallery - Issue 273 September 2014 Pat Brassington, Revisiting Albert Namatjira, Special Nothern Territory focus https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467935543257-N51CRZ47YZ6G99X4DLYQ/ama272.coverLG.border.jpeg Archive Gallery - Issue 272 August 2014 'Henri Matisse' The Cut Outs, New South Wales focus issue, Ken Unsworth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458088073275-694SM1AOFOF0Q029TUUD/image-asset.jpeg Archive Gallery - Issue 271 July 2014 Guy Grey-Smith, Annette Messager's motion, emotion', Specia focus on Queensland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458088474417-YPJ9GXN24EEDP9R3DRYP/ama270.coverLG.jpg Archive Gallery - Issue 270 June 2014 The Sydney Biennale and Adelaide Biennial in review, ACT Focus issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458088489854-KVRP7BRC3DT0M4RN7CG4/ama269.cover.LG.jpg Archive Gallery - Issue 269 May 2014 Art across the Pacific, Inside Margaret Olley's studio, Focus on Western Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471826278619-6D028POGC9TLF43PZHSS/ama268.coverLG.jpg Archive Gallery - Issue 268 April 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471826793630-X0Z6YQIOWIYXHDW4NQP6/ama267cover.LG.jpg Archive Gallery - Issue 267 March 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827933676-9IWWJ7ITYL8EETMSFISJ/ama266.cover.LG.jpg Archive Gallery - Issue 266 Summer 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827941358-0CV9Q61DUP6LEQDIJL3O/265.cover.LG.jpg Archive Gallery - Issue 265 November 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827945550-X2FCJ2M644WB9F8LZBPC/264.cover.LG.jpg Archive Gallery - Issue 264 October 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827948855-BQGJ71C850LLVT38JG2I/263.cover.LG.jpg Archive Gallery - Issue 263 September 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829971429-CPAVC4OQ5GND5R330JCV/262.cover.borderLG.jpg Archive Gallery - Issue 262 August 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829973597-KE5WYTPZSS7JPY3QA7GF/261.cover.LG.jpg Archive Gallery - Issue 261 July 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832802611-EMBQR7PU9QTR7OTMWCPB/260.cover.LG.jpg Archive Gallery - Issue 260 June 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472427957361-94U67QA4YLC1BWUR71P0/259.Cover.LG.jpg Archive Gallery - Issue 259 May 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472427961628-OX896T92I00IM0EW04P1/258.cover.LG.jpg Archive Gallery - Issue 258 April 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472427963948-APDJFAWH28UNDICK2NGW/257.cover.LG.jpg Archive Gallery - Issue 257 March 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431506826-BRVRLOJ9VOHARHHKUIIH/256.cover.LG.jpg Archive Gallery - Issue 256 Summer 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431509354-P36U8K78GCKM4PX17AD6/ama.255.cover.LG.jpg Archive Gallery - Issue 255 November 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431513657-ZMVWF91EP6KYBHS7385S/254.cover.LG.jpg Archive Gallery - Issue 254 October 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433391346-D3P9NJUR0OR3I08PYOEP/253.cover.LG.jpg Archive Gallery - Issue 253 September 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433395039-T5IED9CA21R2Q190ANIA/252.cover.web.jpg Archive Gallery - Issue 252 August 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433400560-XQ11L2I20EDDZFF1MYVE/251.cover.LG.jpg Archive Gallery - Issue 251 July 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472436088323-I0TDPYHZSXZF9YNJ6RUD/AMA250.jpg Archive Gallery - Issue 250 June 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473222665566-LS1RYXSCTABIT50TT3ED/249.cover.LG.jpg Archive Gallery - Issue 249 May 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473220151357-HQ5PIEFUZDAMRV0H3Z75/248.cover.LG.jpg Archive Gallery - Issue 248 April 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638175956-GZQRIEKQPZ14WCSZCQ2A/247.cover.LG.jpg Archive Gallery - Issue 247 March 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638179315-XHUCJJPXF1UUN1U1HCJ9/petrina.cover.LG.jpg Archive Gallery - Issue 246 Summer 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249851009-MEBTL9JR95O261UZUMWD/rsz_ssue_245_november_2011.jpg Archive Gallery - Issue 245 November 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519968673459-PJ8171HTSAVZW07DJCFN/AMA303_LG.jpg Archive Gallery - Issue 303 November 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249858692-I81O5VKAL1GLHFGLT2OA/cover+244.LG300.jpg Archive Gallery - Issue 244 October 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249870905-Z97MPIVRYNG0YYA24BIH/issue+243+september+2011.jpg Archive Gallery - Issue 243 September 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249887146-VEDP8CLKVJPVGHB0ZMFZ/issue+242+august+2011.jpg Archive Gallery - Issue 242 August 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249894055-GCS99BIS74AXXUG3KGV9/cover+241.LG.jpg Archive Gallery - Issue 241 July 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249921154-CKAOIXQOUYNGRUSCUNAD/240+inside+cover+LG.jpg Archive Gallery - Issue 240 June 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249938217-ZQ9P6ZW2O2GICCZWKEU6/239.coverLG.jpg Archive Gallery - Issue 239 May 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249944609-778EPUDF9VU90GCJLXDR/issue+238+april+2011.jpg Archive Gallery - Issue 238 April 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249950875-Q5FM3Q091AFP7ULHBZRK/LG+cover+237.jpg Archive Gallery - Issue 237 March 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660400023-E96USX0CAI308STHTDVD/issue+236+december+2010.jpg Archive Gallery - Issue 236 Summer 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660409953-7I2PGLFK1EFLOZF4Q0GY/issue+235+november+2010.jpg Archive Gallery - Issue 235 November 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663100876-2YP9S6W6C7UJ6PU8UIUE/234coverLG.jpg Archive Gallery - Issue 234 October 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663108760-B56A5QW2PGPIDYMXEBAY/issue+233+september+2010.jpg Archive Gallery - Issue 233 September 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663115038-YY8AVSRX9RIM6AKTUPMH/232cover.jpg Archive Gallery - Issue 232 August 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663274012-FARE45CJQZWDS6USJGL4/231.coverLG.jpg Archive Gallery - Issue 231 July 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663576806-5KEPZ0KCDWDRHEC7H4AA/cover.image230.jpg Archive Gallery - Issue 230 June 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665485302-9SRU36VELNWEW6RITI4D/issue+229+may+2010.jpg Archive Gallery - Issue 229 May 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665486577-J6R218OD8JN4T0370AAT/228coverLG.jpg Archive Gallery - Issue 228 April 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477262795839-MARNT1YBTXKLZ40E8PGW/227.cover.jpg Archive Gallery - Issue 227 March 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477262814933-QFKPZDCVN4WJCRYIO76Q/issue+226+december+2009.jpg Archive Gallery - Issue 226 Summer 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269057396-ODKL9RDIESRK8JFRNQBJ/225.sound.coverLG.jpg Archive Gallery - Issue 225 November 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269068046-KDD14OJACS368EFKCNW6/224.cover.jpg Archive Gallery - Issue 224 October 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269076210-EQRWRT7E7CQP5IJNN162/223.coverLG.jpg Archive Gallery - Issue 223 September 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269088043-R8HG0DDD0ODA073IH66B/1477266247245.jpeg Archive Gallery - Issue 222 August 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269091850-CNN51PV7Y6NS66DUWUAB/221.cover.LG.jpg Archive Gallery - Issue 221 July 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269095360-0EOIWNMG7GQQ7JEDG8AS/220.Cover.LG.jpg Archive Gallery - Issue 220 June 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269104368-AKXNDR7DSA8FIFYP3Q5T/issue+219+may+2009.jpg Archive Gallery - Issue 219 May 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867298352-K7FJISYH297PMXEXTDI3/218_cover-1.lg.jpg Archive Gallery - Issue 218 April 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867418414-RWSM1W5LNHJ0G2S3NGCD/217_coverFULLWEB-1.jpg Archive Gallery - Issue 217 March 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867419632-SCUHJ738R1G87YTLQHBT/216_COVER_LG.jpg Archive Gallery - Issue 216 Summer 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867425716-EGEM6NG7QP63GMU26XNJ/215_coverLG-1.jpg Archive Gallery - Issue 215 November 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867428096-4Z6ZS95TRXFXEZRTAP82/214_COVER-1.jpg Archive Gallery - Issue 214 October 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481364803-GFDH3RDHQ8HEG8NGFSBM/213_coverLG.jpg Archive Gallery - Issue 213 September 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481367363-7HH3XD3V078IC38TL2XM/August212_cover.jpg Archive Gallery - Issue 212 August 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481371217-MANDWWIR2SN5483RDIFI/Cover211_classification_lg.jpg Archive Gallery - Issue 211 July 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858313774-A3P8PIR2ZU8CFJMOQX1G/WEB_210CoverLG.jpg Archive Gallery - Issue 210 June 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858318816-VPOY3ZGVTCF2H6ZIVUBF/Cover-LG-209.jpg Archive Gallery - Issue 209 May 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858323184-9TA6EXRW6KSL24VCGHG4/cover208LG.jpg Archive Gallery - Issue 208 April 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858327345-ER2ORTVUZMWM59CO8UJH/cover_207.jpg Archive Gallery - Issue 207 March 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858334921-XYRNGLXP2EZVLJZOHWNX/cover_206WEB.jpg Archive Gallery - Issue 206 Summer Dec-Feb 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861635849-927MJVW5J6OV153936RQ/cover_205.jpg Archive Gallery - Issue 205 November 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861638847-7728CNEL5TMPO7D53A2L/cover_204_lg.jpg Archive Gallery - Issue 204 October 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861643913-3T8SM4N660YZ3KMTI8NG/cover_203.jpg Archive Gallery - Issue 203 September 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861648042-QIDW53HWXJ3ITTVXG38D/cover_202.jpg Archive Gallery - Issue 202 August 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481865933209-17LSWSR1Q09UWQHPQXC0/201+july+2007.jpg Archive Gallery - Issue 201 July 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481865935489-N6QAP641I3N9GIT2BMAG/Issue+200+June+2007.jpg Archive Gallery - Issue 200 June 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484530024415-U4ON9BXBEDHNAWFK2QPR/cover_199_image.jpg Archive Gallery - Issue 199 May 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484531184606-SMG4TAS8T6DLBBO8OD5X/cover_198_COVERIMAGE.jpg Archive Gallery - Issue 198 April 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484531846035-O14K3DFV97Y1AHC0E8J1/cover197_large.jpg Archive Gallery - Issue 197 March 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537021330-1G4MB1B3DDT8HUBMIMVY/cover_196_imagecover.jpg Archive Gallery - Issue 196 Summer 2006/07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538123324-C24M2KHYF82XXGWZ8SVV/cover_195_coverpage.jpg Archive Gallery - Issue 195 November 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539211775-81KGANUXI3CUT88G1QPX/cover_194image.jpg Archive Gallery - Issue 194 October 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540192333-H65UG77PARZAAHY5UGJU/cover_image.jpg Archive Gallery - Issue 193 September 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540889394-3BE5HH0ZJ13TW253Y1MI/cover192_300px2.jpg Archive Gallery - Issue 192 August 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488498931661-ELF55UVRXELWURNL5VTT/300pxcover191.jpg Archive Gallery - Issue 191 July 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488502499903-QHZHWXVF07DYVJ4UO6AE/cover_image_190.jpg Archive Gallery - Issue 190 June 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489105388069-GAKST5FH9VCPD6IUVABZ/cover_189_300px.jpg Archive Gallery - Issue 189 May 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107232576-6DEXLKLJFL36X9QNTS8X/cover_april_300px.jpg Archive Gallery - Issue 188 April 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109769378-NR15V6Q2SVUMUSIO7ID8/187Cover+big.jpg Archive Gallery - Issue 187 March 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109955939-RN7FM7O1VX6Y5P53OPRL/186DECCover.jpg Archive Gallery - Issue 186 Summer 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110664370-7FB08Z2BP7JUXAC3RSC3/185NOV.Cover.jpg Archive Gallery - Issue 185 November 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110665789-7784NGS88ZUVGB8S1HJY/184OCTcover.jpg Archive Gallery - Issue 184 October 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110757604-4YUJSWHIK2I2GSDSMLHL/183SeptcoverBig.jpg Archive Gallery - Issue 183 September 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110760890-YEGQKV5173EI9JAD8QMZ/182+Augus+Big.jpg Archive Gallery - Issue 182 August 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110762257-1AFOCOKGXFYSIRXENN09/181JulyBig.jpg Archive Gallery - Issue 181 July 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110881789-IN8S9FTJTE00ZSMCTKU8/180JuneCover.jpg Archive Gallery - Issue 180 June 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110883495-7HLGC041AJ4NQF0GW2WX/179MayCoverBig.jpg Archive Gallery - Issue 179 May 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110886747-CLYZ1WWL7VB212DCTTC4/178Aprilcover.Big.jpg Archive Gallery - Issue 178 April 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110891767-HPXKEJ03WIMV7NPLLDKO/177coverbig.jpg Archive Gallery - Issue 177 March 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110894587-MLRT9THKGVOWK88ZOL42/DecFebBig.jpg Archive Gallery - Issue 176 Summer 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329313924-77CCJTM4SR05CIIIQXIN/AMA+600+res+cover+175.jpg Archive Gallery - Issue 175 November 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329417786-LOKF76T5H9UYPS40TJ4F/AMA+600+res+cover+174.jpg Archive Gallery - Issue 174 October 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329588482-KEOYYVXO73TB32SA0FVT/AMA+600+res+cover+173.jpg Archive Gallery - Issue 173 September 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329839443-LLIT8Q3B48HKODXMEB5J/AMA+600+res+cover+172.jpg Archive Gallery - Issue 172 August 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329977580-HBXNHNQEOCVNF4XUAYWN/AMA+600+res+cover+171.jpg Archive Gallery - Issue 171 July 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330213057-UMUBPPTTEEXJP4SGMX2P/AMA+600+res+cover+170.jpg Archive Gallery - Issue 170 June 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330368009-TM638DNGDSL8Q8U3UCSK/AMA+600+res+cover+169.jpg Archive Gallery - Issue 169 May 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330515184-6I4CSEHS718FTG2O1OVL/AMA+600+res+cover+168.jpg Archive Gallery - Issue 168 April 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330657307-E66VOKSL1SDDI4O6Z1R1/AMA+600+res+cover+167.jpg Archive Gallery - Issue 167 March 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330787907-E8X91L3V5Z6VI22VO3QA/AMA+600+res+cover+166.jpg Archive Gallery - Issue 166 December 2003 - February 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331093025-9RP0QMN2L9NSPJ0OIBE0/AMA+600+res+cover+165.jpg Archive Gallery - Issue 165 November 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331247677-Y50ZY3H17T539KXGW5X3/AMA+600+res+cover+164.jpg Archive Gallery - Issue 164 October 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331396366-94SGBRSWCBB1I39Q3MMQ/AMA+600+res+cover+163.jpg Archive Gallery - Issue 163 September 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331550401-UZI1NEAOQV3LFYZIAQYK/AMA+600+res+cover+162.jpg Archive Gallery - Issue 162 August 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331704064-LNAY8NYTEQ0T3XA9KFWA/AMA+600+res+cover+161.jpg Archive Gallery - Issue 161 July 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928251893-BH0XFMUMQNSH07QBM9DM/AMA+600+res+cover+160.jpg Archive Gallery - Issue 160 June 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491358310559-D0QSIGKY8DGDUXG3U7WI/AMA+600+res+cover+159.jpg Archive Gallery - Issue 159 May 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928424293-NYAVJSDNS4EP5WWPUS72/AMA+600+res+cover+158.jpg Archive Gallery - Issue 158 April 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928663585-1BC5GOJ0PRF1WYPK88YT/AMA+600+res+cover+157.jpg Archive Gallery - Issue 157 March 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928809692-RBO4IVQVTLGAVFSH88MU/AMA+600+res+cover+156.jpg Archive Gallery - Issue 156 December 2002 - February 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928907198-MPIWZ50ULKJLXDSS4SDE/AMA+600+res+cover+155.jpg Archive Gallery - Issue 155 November 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929231755-8LH1IP7AJHYS5667V2FI/AMA+600+res+cover+154.jpg Archive Gallery - Issue 154 October 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929408386-KSGKNZC0FQVSK96X3R3W/AMA+600+res+cover+153.jpg Archive Gallery - Issue 153 September 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929589535-2B137CATRQPXHSGAPQBV/AMA+600+res+cover+152.jpg Archive Gallery - Issue 152 August 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929756785-OKNOA3FFTV1FT6XXZDLZ/AMA+600+res+cover+151.jpg Archive Gallery - Issue 151 July 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929913938-T8XHO1AZ3CU0FNQT4Z1V/AMA+600+res+cover+150.jpg Archive Gallery - Issue 150 June 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930109573-2J6OM9HH92LSQL424NJU/AMA+600+res+cover+149.jpg Archive Gallery - Issue 149 May 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930328241-6ARBOLCK1AM75EHANMEF/AMA+600+res+cover+148.jpg Archive Gallery - Issue 148 April 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930495853-UPHG2ESDA4XE7RJ8UE7W/AMA+600+res+cover+147.jpg Archive Gallery - Issue 147 March 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930667496-QNADPFLUR93VCFIDDVP3/AMA+600+res+cover+146.jpg Archive Gallery - Issue 146 December 2001 - February 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930823307-1SGQR9FKRD6G185QX0M9/AMA+600+res+cover+145.jpg Archive Gallery - Issue 145 November 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931051087-1H95GITCO2FHR8023GJI/AMA+600+res+cover+144.jpg Archive Gallery - Issue 144 October 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931217867-KSUPN2UXBHGF7V9OXVIG/AMA+600+res+cover+143.jpg Archive Gallery - Issue 143 September 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931406934-6QIW6T6YRIRYLLOKO8CN/AMA+600+res+cover+142.jpg Archive Gallery - Issue 142 August 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931617342-E2153I0US2LPP4HWN44T/AMA+600+res+cover+141.jpg Archive Gallery - Issue 141 July 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931749334-KYNDVYOQNRKOOCD44K0T/AMA+600+res+cover+140.jpg Archive Gallery - Issue 140 June 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931824865-72RX6K3LX7L2PGKJMKZ3/AMA+600+res+cover+139.jpg Archive Gallery - Issue 139 May 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932040410-1X6N9MBLQT2Y0ZXA58XI/AMA+600+res+cover+138.jpg Archive Gallery - Issue 138 April 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932216923-AYID5KRA95DPZCUR82MM/AMA+600+res+cover+137.jpg Archive Gallery - Issue 137 March 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932383215-PX98D8IVJWL5F3OI0TFU/AMA+600+res+cover+136.jpg Archive Gallery - Issue 136 December 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932623131-1EHXYCEY48AQ6G2QO2UJ/AMA+600+res+cover+135.jpg Archive Gallery - Issue 135 July 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977599230-LZZE9FRB5WEM9I4O16H1/300AMA+600+res+cover+134.jpg Archive Gallery - Issue 134 October 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977504986-SZJRWK7WQ0O01SWQGLOG/300AMA+600+res+cover+133.jpg Archive Gallery - Issue 133 September 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977435749-FEZV1FQREMKLYDDKYKSN/300AMA+600+res+cover+132.jpg Archive Gallery - Issue 132 August 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977273652-7POV0QWT7O9S8WNR284N/300AMA+600+res+cover+130%28131%29.jpg Archive Gallery - Issue 131 (130.2) July 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977669815-1UKFGX2BV65GZR0XYJ8F/300AMA+600+res+cover+130.jpg Archive Gallery - Issue 130 June 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977710353-LAK1GQI9B7HIBPU4R59R/300AMA+600+res+cover+129.jpg Archive Gallery - Issue 129 May 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977746435-TY1O09C3JPNP7MY7Z012/300AMA+600+res+cover+128.jpg Archive Gallery - Issue 128 April 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977794697-OHFEBETADD1JY5DMZQEI/300AMA+600+res+cover+127.jpg Archive Gallery - Issue 127 March 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977834924-XLDHTPZZNBXK3RMO2IG0/300AMA+600+res+cover+126.jpg Archive Gallery - Issue 126 Summer 99/2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977889940-XLIC0HW4Z4T9C45SXW9V/300AMA+600+res+cover+125.jpg Archive Gallery - Issue 125 November 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977936625-601FFXKT4K90RQPYBSAP/300AMA+600+res+cover+124.jpg Archive Gallery - Issue 124 October 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977981920-46TMD7ILT4OMQ9K5XGNY/300AMA+600+res+cover+123.jpg Archive Gallery - Issue 123 September 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491978138654-C6TXCLALXPQ3CBLOWYGL/300AMA+600+res+cover+122.jpg Archive Gallery - Issue 122 August 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491978180640-1E6R7CWT8SBI5HJJ3A9P/300AMA+600+res+cover+121.jpg Archive Gallery - Issue 121 July 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646192669-G7V2I6GVG1H00OD8Y8PU/300AMA+600+res+cover+120.jpg Archive Gallery - Issue 120 June 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646239043-8HKYDY6IW0WWQIXYC7BD/300AMA+600+res+cover+119.jpg Archive Gallery - Issue 119 May 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1653532157160-USZMLT4R2XSBBJAODXCU/image-asset.jpeg Archive Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646286789-SQ005TGFEJIS5A0LTDBG/300AMA+600+res+cover+118.jpg Archive Gallery - Issue 118 April 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646368934-4H77BMKX40T4HTUSR8HX/300AMA+600+res+cover+117.jpg Archive Gallery - Issue 117 March 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646452022-1IWVRSKL7YT3861TEV1H/300AMA+600+res+cover+116.jpg Archive Gallery - Issue 116 Summer 1998/99 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646566310-80X9V432NTIH23E0EMCZ/300AMA+600+res+cover+115.jpg Archive Gallery - Issue 115 November 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646602143-S9RUN8JNWZQTM0T90KGJ/300AMA+600+res+cover+114.jpg Archive Gallery - Issue 114 October 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646650665-NGUG1572PH4I5LGFUXEK/300AMA+600+res+cover+113.jpg Archive Gallery - Issue 113 September 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646699829-EZLNSKAHYR3DIW7VLK8K/300AMA+600+res+cover+112.jpg Archive Gallery - Issue 112 August 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646740055-6RA7TTC3RRVDVL9CV73K/300AMA+600+res+cover+111.jpg Archive Gallery - Issue 111 July 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646845234-9SUPRY0UCYOOI7PZOW77/300AMA+600+res+cover+110.jpg Archive Gallery - Issue 110 June 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646899733-SHFHI978BJ77FFZREY2Q/300AMA+600+res+cover+109.jpg Archive Gallery - Issue 109 May 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646941820-D655YTSCWUHCJWSK1VBN/300AMA+600+res+cover+108.jpg Archive Gallery - Issue 108 April 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646981104-S2I749BP01X3G1JLDCPD/300AMA+600+res+cover+107.jpg Archive Gallery - Issue 107 March 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647018558-KHUZPPHPH3QAODRAJYM6/300AMA+600+res+cover+106.jpg Archive Gallery - Issue 106 Summer 1998/97 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489705475703-4S85Y5PR3QSYIU5Y9LQG/AMA+600+res+cover+102.jpg Archive Gallery - Issue 102 August 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647059941-G8GS0MLTMSYPLJD0O495/300AMA+600+res+cover+105.jpg Archive Gallery - Issue 105 November 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647093474-SPMFZ8Z5SFODWX0P6TFT/300AMA+600+res+cover+104.jpg Archive Gallery - Issue 104 October 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647474877-CUQE5L0COX9BE3L0NYHB/300AMA+600+res+cover+103.jpg Archive Gallery - Issue 103 September 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489705711836-KE0U9D1D3UPLM483AXGW/AMA+600+res+cover+101.jpg Archive Gallery - Issue 101 July 1997 https://www.artmonthly.org.au/archive-gallery-150 daily 0.75 2020-02-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492999094708-IDXQNUWMRHWSITZVMJ81/AMA+600+res+cover+100.jpg Archive Gallery 1-100 - Issue 100 June 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492999094708-IDXQNUWMRHWSITZVMJ81/AMA+600+res+cover+100.jpg Archive Gallery 1-100 - Issue 100 June 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492999062977-NGK169O0AQX2UFENS1VH/AMA+600+res+cover+99.jpg Archive Gallery 1-100 - Issue 99 May 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998974907-47CITX6IFHDMH9KULRY5/AMA+600+res+cover+98.jpg Archive Gallery 1-100 - Issue 98 April 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998930341-T2QA2C8OYZ8BO1H4685F/AMA+600+res+cover+97.jpg Archive Gallery 1-100 - Issue 97 March 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998885782-RJKVTXRMB13ZL4FEMUWV/AMA+600+res+cover+96.jpg Archive Gallery 1-100 - Issue 96 December 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998850132-GONWFCU4DVH59SFBUOSN/AMA+600+res+cover+95.jpg Archive Gallery 1-100 - Issue 95 November 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998806956-6V4C1G1H246QG5TN3Y7U/AMA+600+res+cover+94.jpg Archive Gallery 1-100 - Issue 94 October 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998638790-3SB11OJ23RQ7DVKW4JQJ/AMA+600+res+cover+93+%28called+92%29.jpg Archive Gallery 1-100 - Issue 93 (called 92) September 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998574724-T0PCZFSUHY4RP151FP3E/AMA+600+res+cover+92+.jpg Archive Gallery 1-100 - Issue 92 August 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998523637-AS0M7M0JDR8T88QKPF7J/AMA+600+res+cover+91.jpg Archive Gallery 1-100 - Issue 91 July 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998389938-3GGK9JN4H9WNHT6MWFBN/AMA+600+res+cover+90.jpg Archive Gallery 1-100 - Issue 90 June 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998345927-DS1VR9FWDERZREXFAG09/AMA+600+res+cover+89.jpg Archive Gallery 1-100 - Issue 89 May 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998303870-S4TILNR1Q537LJINMIZ1/AMA+600+res+cover+88.jpg Archive Gallery 1-100 - Issue 88 April 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998260720-QSSEMMEK1PMOKD7SYAC6/AMA+600+res+cover+87.jpg Archive Gallery 1-100 - Issue 87 March 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998219364-P65H2CKKAL5980AO9ODC/AMA+600+res+cover+86.jpg Archive Gallery 1-100 - Issue 86 Summer 1995/6 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998163332-AU5ZRDWK9EV0HYBQT8DB/AMA+600+res+cover+85.jpg Archive Gallery 1-100 - Issue 85 November 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998105202-EYRHHZWM7ZUY6MYD6DT3/AMA+600+res+cover+84.jpg Archive Gallery 1-100 - Issue 84 October 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998064569-EAPIXB09MD4LV9TKJVQB/AMA+600+res+cover+83.jpg Archive Gallery 1-100 - Issue 83 September 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998024324-65CMXWIILGJ0KUEP6ZGM/AMA+600+res+cover+82.jpg Archive Gallery 1-100 - Issue 82 August 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997979238-P3ZSCNR9TCP117E0X8VO/AMA+600+res+cover+81.jpg Archive Gallery 1-100 - Issue 81 July 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997306320-IFHD067QJ6IM3T8GCROG/AMA+600+res+cover+80.jpg Archive Gallery 1-100 - Issue 80 June 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997261309-K6LYSK4KVZC867SDSHSJ/AMA+600+res+cover+79.jpg Archive Gallery 1-100 - Issue 79 May 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997215164-B7DS7XU7O2TXS2O8DH6C/AMA+600+res+cover+78.jpg Archive Gallery 1-100 - Issue 78 April 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997119926-CFGBKTTQC42N5IQBBEOX/AMA+600+res+cover+77.jpg Archive Gallery 1-100 - Issue 77 March 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997082142-02XGLDK3U9179JGV05G2/AMA+600+res+cover+76.jpg Archive Gallery 1-100 - Issue 76 December 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997038706-25KJIAQPVAYQMYVT2IMZ/AMA+600+res+cover+75.jpg Archive Gallery 1-100 - Issue 75 November 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996984670-K3HIRC51L87TDRZW9GVF/AMA+600+res+cover+74.jpg Archive Gallery 1-100 - Issue 74 October 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996944355-OM9D8FZKQ52Q2081JDQU/AMA+600+res+cover+73.jpg Archive Gallery 1-100 - Issue 73 September 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996908807-IXNM09CVXVHBE15C7IE9/AMA+600+res+cover+72.jpg Archive Gallery 1-100 - Issue 72 August 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996829829-0DKADG86OL4SQB0GMAUT/AMA+600+res+cover+71.jpg Archive Gallery 1-100 - Issue 71 July 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996489543-PS1QBNJEBYF28YHMJDXG/AMA+600+res+cover+70.jpg Archive Gallery 1-100 - Issue 70 June 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996443743-AC64ER4ZA7A1IWK7G6QU/AMA+600+res+cover+69.jpg Archive Gallery 1-100 - Issue 69 May 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996401435-AD11DZY25GXOBTLDASUS/AMA+600+res+cover+68.jpg Archive Gallery 1-100 - Issue 68 April 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996356888-Z1GKS46BID2HQ0VLGSNT/AMA+600+res+cover+67.jpg Archive Gallery 1-100 - Issue 67 March 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996303749-A4BOWEW35M603Y6629W8/AMA+600+res+cover+66.jpg Archive Gallery 1-100 - Issue 66 Summer 1993/4 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996261911-FYL9ET89MDUN51BG1T9X/AMA+600+res+cover+65.jpg Archive Gallery 1-100 - Issue 65 November 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996225639-B2EVGXIKCILL5G0FJJTE/AMA+600+res+cover+64.jpg Archive Gallery 1-100 - Issue 64 October 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996188833-RK1HYUFLVGR76ACL3A85/AMA+600+res+cover+63.jpg Archive Gallery 1-100 - Issue 63 September 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996144165-58NNPP91CIWDU7W0MFIQ/AMA+600+res+cover+62.jpg Archive Gallery 1-100 - Issue 62 August 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996098563-9X8L6SFAXOA3KGKK3251/AMA+600+res+cover+61.jpg Archive Gallery 1-100 - Issue 61 July 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995735261-5M01YLHJ96VNJM2NREVO/AMA+600+res+cover+60.jpg Archive Gallery 1-100 - Issue 60 June 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494557183241-6C7KZFXAMX1UNXDQYH3Y/AMA+300+res+cover+59.jpg Archive Gallery 1-100 - Issue 59 May 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995688581-Z9UU3B3U664HF3UZ0KCH/AMA+600+res+cover+58.jpg Archive Gallery 1-100 - Issue 58 April 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995640155-IGYAQF8PA9U8LLFRE6KX/AMA+600+res+cover+57.jpg Archive Gallery 1-100 - Issue 57 March 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995537873-GSZHIJVMA5MOVM5QB0Q9/AMA+600+res+cover+56.jpg Archive Gallery 1-100 - Issue 56 Summer 1992/3 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995491764-LTXDPN92IGS0650B6418/AMA+600+res+cover+55.jpg Archive Gallery 1-100 - Issue 55 November 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995421201-4DVZC5JNBBBC0X1O2JB6/AMA+600+res+cover+54.jpg Archive Gallery 1-100 - Issue 54 October 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995331614-20YL9VDTFTXNFOHPYHKE/AMA+600+res+cover+53.jpg Archive Gallery 1-100 - Issue 53 September 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995279465-9EMFH7F98X3N4BOSZNBW/AMA+600+res+cover+52.jpg Archive Gallery 1-100 - Issue 52 August 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995225860-7EEFIJ49FI6VJ2D1OPQ7/AMA+600+res+cover+51.jpg Archive Gallery 1-100 - Issue 51 July 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751234209-XS4XQQ8M0XFLEV2XVI0I/300AMA+600+res+cover+50.jpg Archive Gallery 1-100 - Issue 50 June 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751542886-XO9NSUJZU0W38MW2VWZC/300AMA+600+res+cover+49.jpg Archive Gallery 1-100 - Issue 49 May 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751574213-NRMCW9V5XMB1FLV7XNQA/300AMA+600+res+cover+48.jpg Archive Gallery 1-100 - Issue 48 April 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751668382-WPJKT5TO0RAYIVD5FQOX/300AMA+600+res+cover+47.jpg Archive Gallery 1-100 - Issue 47 March 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751786349-HNSBJLZ5WOK4399BAFDN/300AMA+600+res+cover+46.jpg Archive Gallery 1-100 - Issue 46 December 1991 - January 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751847754-RN3KHVR07W0JC12WC33W/300AMA+600+res+cover+45.jpg Archive Gallery 1-100 - Issue 45 November 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751892376-PD7IC2D4YBVDS38IJV09/300AMA+600+res+cover+44.jpg Archive Gallery 1-100 - Issue 44 October 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751929355-RJ4G1UL3WZ86GLT5I302/300AMA+600+res+cover+43.jpg Archive Gallery 1-100 - Issue 43 August/September 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751981607-SDL2LMXBC57KFGVB84RR/300AMA+600+res+cover+42.jpg Archive Gallery 1-100 - Issue 42 July 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752027387-71S7X2P2QA751XTWCI6U/300AMA+600+res+cover+41.jpg Archive Gallery 1-100 - Issue 41 June 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752067412-EEFCD15SXCC3N4IL3D80/300AMA+600+res+cover+40.jpg Archive Gallery 1-100 - Issue 40 May 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752107111-AZS9BAYFPKDA204EXHMT/300AMA+600+res+cover+39.jpg Archive Gallery 1-100 - Issue 39 April 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752149943-0RFVVQRA0LKHT8568KUC/300AMA+600+res+cover+38.jpg Archive Gallery 1-100 - Issue 38 March 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752194905-GPSE99DRKTQ7UA1EYL0Q/AMA+600+res+cover+37.jpg Archive Gallery 1-100 - Issue 37 December 1990 - January 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752314187-N0I2VADFSHWW3FWXLX34/AMA+600+res+cover+36.jpg Archive Gallery 1-100 - Issue 36 November 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752352054-FH3VYEMZJ1NJK0MBB8I5/AMA+600+res+cover+35.jpg Archive Gallery 1-100 - Issue 35 October 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752390974-P2VAHY4N24ECBVUW410L/AMA+600+res+cover+34.jpg Archive Gallery 1-100 - Issue 34 September 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752453414-WIZXNHUD58Q1MYIVKQCG/AMA+600+res+cover+33.jpg Archive Gallery 1-100 - Issue 33 August 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752544590-RDGDIQJQNRKLXSKLR9CT/AMA+600+res+cover+32.jpg Archive Gallery 1-100 - Issue 32 July 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752604248-QWVJ9R27MQSQKOM8E0BU/AMA+600+res+cover+31.jpg Archive Gallery 1-100 - Issue 31 June 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494382412835-SKY5IDG3B2C8KHJJAJ6L/AMA+300+res+cover+30.jpg Archive Gallery 1-100 - Issue 30 May 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548166421-98VDGIIWEC3NOPDLR82P/AMA+300+res+cover+30+special+supplement.jpg Archive Gallery 1-100 - Issue 30 Special Supplement https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494382738603-TRGXF38EAC2A83PAQ5VC/AMA+300+res+cover+29.jpg Archive Gallery 1-100 - Issue 29 April 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547634928-VUXJKZHYRKIUVSAMR82Q/AMA+300+res+cover+28.jpg Archive Gallery 1-100 - Issue 28 March 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547681370-665M2IZTQTR35K1VU3SW/AMA+300+res+cover+27.jpg Archive Gallery 1-100 - Issue 27 Dec-Jan 1989-90 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547740723-M9A3M6D0J7OP7XODZRSJ/AMA+300+res+cover+26.jpg Archive Gallery 1-100 - Issue 26 November 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547775999-E7XA6TC5U1DM0KM5J8FA/AMA+300+res+cover+25.jpg Archive Gallery 1-100 - Issue 25 Oct 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547800067-NH9HFRABB6FRRSWOAQQA/AMA+300+res+cover+24.jpg Archive Gallery 1-100 - Issue 24 Sept 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547865881-QYK7IYLTNJ3YY1UTLKGD/AMA+300+res+cover+23.jpg Archive Gallery 1-100 - Issue 23 August 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547899345-FHMBMBS4SM2WZTTETMR5/AMA+300+res+cover+22.jpg Archive Gallery 1-100 - Issue 22 July 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547928323-H55NAZ1XR5YBGNEDEEJ1/AMA+300+res+cover+21.jpg Archive Gallery 1-100 - Issue 21 June 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550013996-QEHHQY69IBG2XJW3Z3Z3/AMA+300+res+cover+20.jpg Archive Gallery 1-100 - Issue 20 May 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550152972-B5HWGD9BW8CS43487T3B/AMA+300+res+cover+19.jpg Archive Gallery 1-100 - Issue 19 April 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548027874-NEA36XBWJK0XID93YLCS/AMA+300+res+cover+18.jpg Archive Gallery 1-100 - Issue 18 March 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550368229-4MZN46OJXTWH0W3V0RBC/AMA+300+res+cover+17.jpg Archive Gallery 1-100 - Issue 17 Dec 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548066418-11R3NY9XH5U3L9U7XTD1/AMA+300+res+cover+16.jpg Archive Gallery 1-100 - Issue 16 Nov 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548102603-VQ65DFONS7K0TRWF6G62/AMA+300+res+cover+15.jpg Archive Gallery 1-100 - Issue 15 Oct 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550486097-PBYJEJTA7S15KCPRB7WF/AMA+300+res+cover+14.jpg Archive Gallery 1-100 - Issue 14 Sept 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550649954-XK1EXA598ETJBXC1HZJH/AMA+300+res+cover+13.jpg Archive Gallery 1-100 - Issue 13 August 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550797787-4Q5DFVWVDJQUPWNMMNVZ/AMA+300+res+cover+12.jpg Archive Gallery 1-100 - Issue 12 July 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550900048-5EU921IENSQVJ00O3KKO/AMA+300+res+cover+11.jpg Archive Gallery 1-100 - Issue 11 June 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751083884-EYP17TTRV0IAHTZNTUEN/010.+1988.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 10 may 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751021129-P4KS0QJXH5NSLV4UQXRS/009.+1988.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 9 April 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750991925-67MIW11D5MM3GKCJGZF0/008.+1988.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 8 March 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750951248-7OSBZJK5O172FTGIHGJF/007.+1987.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 7 December 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750933754-0R9UPSC3ZK6TCEQ7IV6I/006.+1987.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 6 November 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750904721-FOPA9QC6Z980DW9YLRT4/005.+1987.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 5 October 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750885191-JJXX33WWFRDA0MRX68VE/004.+1987.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 4 September 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750807964-NJVVE4QBAWHNCL4BJ8AC/003.+1987.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 3 August 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750748882-SR09TZVO67O3EEJS9TDB/002.+1987.+Cover+%28300dpi%29.jpg Archive Gallery 1-100 - Issue 2 July 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750686195-MRCN7DWA37TQI53AG5WZ/001.+1987.+Cover%28300dpi%29.jpg Archive Gallery 1-100 - Issue 1 June 1987 https://www.artmonthly.org.au/about daily 0.75 2025-08-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a116480d-10e7-45ce-88a1-4a00155176a9/Art_Monthly_29_05_22010.jpg About © Aishah Kenton 2022 https://www.artmonthly.org.au/issue-290-june-july-2016 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464755988464-YB8GYTILDCWWDJ8L3VTT/1761_l_01+Roundtable_image1.jpg Issue 290 June July 2016 1 Return and revival in ‘He Nae kea: Bound Together’: Mārata Ketekiri Tamaira, Honolulu Ahu‘ula (feather cloak), late 18th century, plant fibre, feathers, 145cm length, 220cm width; gift of Lord St Oswald, 1912; image courtesy Museum of New Zealand Te Papa Tongarewa, Wellington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756041153-IQVUVOXP2QHF6GZF69M3/1762_l_02+Regional_image2.jpg Issue 290 June July 2016 2 Conundrums for curators: Pacific art at the APT: Susan Cochrane, Brisbane Angela Tiatia, Walking the wall, 2014, video still; from ‘An Inventory of Gestures’ series; single-channel HD video: 16:9, 13 mins duration (looped), colour, sound; edition 2/8, purchased through the Queensland Art Gallery / Gallery of Modern Art Foundation, Brisbane, 2015; image courtesy the artist and Alcaston Gallery, Melbourne; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756197323-JYWPBOMLLW6VEHW8E2M4/1778_l_03+Thompson_image2_1.jpg Issue 290 June July 2016 3 The concept of absence: Luke Willis Thompson’s Sucu Mate: Andrea Bell, Brisbane/Auckland Luke Willis Thompson, Sucu Mate / Born Dead, 2016, installation view, Hopkinson Mossman, Auckland, 2016; image courtesy the artist and Hopkinson Mossman, Auckland; photo: Alex North https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756264395-JZM1R6SMJLOI29B5VY4J/1779_l_04+Ngatu_image1_1.jpg Issue 290 June July 2016 4 Pieces of infinity: Ruha Fifita, Haveluloto Robin White and Ruha Fifita working on ngatu with a women’s group at Haveluloto village, Tongatapu, October 2011; photo: Bruce Foster https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756334177-OSBBD6CRBKUJXCIOMNHD/1780_l_05+Morrison_image1_1.jpg Issue 290 June July 2016 5 Re-imagining Papua New Guinea: James Morrison, Melbourne James Morrison, Building Goroka, 2016, oil on linen, 91 x 91cm; image courtesy the artist and Darren Knight Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756561872-D5FSSCQ8TM68A78GFSU2/1781_l_06+Mangan_image1_1.jpg Issue 290 June July 2016 6 Primitive accumulation: Nicholas Mangan’s Limits to Growth: Dylan Rainforth, Melbourne Nicholas Mangan, Limits to Growth, 2016, installation views (Bitcoin rig in the basement of Monash University Museum of Art), co-commissioned by Monash University Museum of Art, Melbourne, and the Institute of Modern Art, Brisbane, assisted by the Australian Government through the Australia Council, its arts funding and advisory body; images courtesy the artist; Sutton Gallery, Melbourne; Hopkinson Mossman, Auckland; and LABOR, Mexico City https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756675826-9KZFLGL7IKBVO9ECF1LR/1782_l_07+Biennale_image1_1.jpg Issue 290 June July 2016 7 Embassies of resistance: The 20th Biennale of Sydney: Chaitanya Sambrani, Sydney Taro Shinoda, Abstraction of Confusion, 2016, installation view, 20th Biennale of Sydney at the Art Gallery of New South Wales, 2016; clay, pigment, ochre, tatami mats, dimensions variable; created for the 20th Biennale of Sydney; image courtesy the artist; photo: Ben Symons https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756745464-K9S77FWTNS4MY4IZOTD0/1783_l_08+Winsome_image1_1.jpg Issue 290 June July 2016 8 ‘Winsome Jobling: the nature of paper’: Solo, survey or retrospective exhibition?: Anita Angel, Darwin Winsome Jobling, Playsuit, 1996, banana paper and zipper, 256.5 x 100 x 1cm; Plaid dress, 1996, watermarked banana paper, 248.5 x 113.5 x 15.5cm; Brocade gown, 1996, banana paper with pulp paper inclusions, 255 x 102 x 1cm; Museum and Art Gallery of the Northern Territory collection, Darwin; image courtesy MAGNT; photo: Fiona Morrison; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756811879-89W4BMGZS0XDJSWD4HRJ/1784_l_09+NGV_image2_1.jpg Issue 290 June July 2016 9 Material shift: ‘200 Years of Australian Fashion’ at the NGV: Sally Gray, Melbourne 200 Years of Australian Fashion, exhibition view of the Department Store room, NGV Australia, Melbourne, 2016; photo: Wayne Taylor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756853591-RE1GAEB8GD01723M0T20/1785_l_10+Ephemeral_image1_1.jpg Issue 290 June July 2016 10 Coming of age: ‘ephemeral traces’ at UQ Art Museum: Jane Somerville, Brisbane Barbara Campbell, … Cutting off your nose to spite your face, 1984, synthetic polymer paint and screenprint on aluminium plate, 76.1 x 56cm, University of Queensland collection, purchased 1999; image courtesy the artist; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464756902372-KDYRS7NSVQZ4R165HYH1/1786_l_11+Wanarn_highres1_1.jpg Issue 290 June July 2016 11 New interpretations: Wanarn Painters of Place and Time: Patrick Hutchings, Melbourne Neville Niypula McArthur, Lake Baker, 2012, acrylic on board, 38 x 30.5cm, private collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224978694-4JMWZB7SWJQU324MQZBG/1787_l_12+Bea_image_1.jpg Issue 290 June July 2016 12 Bea Maddock 1934 – 2016: Daniel Thomas, Tasmania Bea Maddock, Four finger exercise for two hands, 1982, photo-etched linocut, printed in process colour, from four blocks; 53.4 x 46.9cm (printed image), 76.6 x 58.4cm (sheet); National Gallery of Australia, Canberra; Gordon Darling Fund, 1984 https://www.artmonthly.org.au/advertise daily 0.75 2022-06-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/78b9d1e3-f9d1-4fc0-a3f6-770cc129100a/Art_Monthly_2022_043.jpg Advertise - Make it stand out © AISHAH KENTON 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1ce857d5-2b91-40c5-b34d-058deba5a1c4/Art_Monthly_29_05_22005.jpg Advertise - Make it stand out © AISHAH KENTON 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/b56b545f-d4bf-4400-9abf-a7eab6baa71f/Art_Monthly_2022_054.jpg Advertise - Make it stand out © AISHAH KENTON 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/2fb887db-53d3-45ca-b26f-82793e210b18/Art_Monthly_2022_049.jpg Advertise - Make it stand out © AISHAH KENTON 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/df69086d-7041-4c89-92d0-cf08c6ddf668/Art_Monthly_29_05_22007.jpg Advertise - Make it stand out © AISHAH KENTON 2022 https://www.artmonthly.org.au/stockists daily 0.75 2024-07-10 https://www.artmonthly.org.au/march-issue-287 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550250012-9OD6DKX3MBB8OIX0INC1/image-asset.jpeg Issue 287 March 2016 1 Asian Australian engagement: A digest: Jasmin Stephens, Sydney Tony Garifalakis and Richard Lewer, God loves us all, 2012, acrylic on found map, 90 x 110cm; exhibited in ‘Yonder’, curated by Jasmin Stephens, Perth Institute of Contemporary Arts, Perth, 2012; image courtesy the artists and Hugo Michell Gallery, Adelaide (Garifalakis and Lewer), Sullivan+Strumpf, Sydney (Lewer), Gow Langsford Gallery, Auckland (Lewer); photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1465707572755-ZM73Y5SE6Z8N6GWAEE4D/image-asset.png Issue 287 March 2016 2 Class act: Art schools and cultural exchange: Russell Storer, Singapore Suzann Victor, Skin to Skin, 2005, installation view, World Square, Sydney; stainless steel, antenna, LEDs, commissioned by Multiplex Constructions; image courtesy the artistmore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550389115-ZLRFE1WQGJAYI7BYAFH5/image-asset.jpeg Issue 287 March 2016 3 Present tense: The 2015 Jakarta Biennale: Vera Mey, Singapore Peter Robinson, Syntax System, 2015, installation view, Jakarta Biennale, 2015; die-cut felt, 1000 x 1000 x 30cm; documentation: Jakarta Biennale & 301 Studio https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550602059-WWVW4JVP63D1VUBWW9HV/image-asset.jpeg Issue 287 March 2016 4 Jumaadi: What comes naturally: Sonia Legge, Sydney Jumaadi, Connected, 2016, ink on page of found book, 22 x 30cm; image courtesy the artist and Watters Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550649668-KFMPV6YGOGL9TWIZPB81/image-asset.jpeg Issue 287 March 2016 5 Temporal translations: ‘Time of Others’ at SAM: Chloe Wolifson, Singapore On Kawara, APR. 8, 1981, 1981, and NOV. 21, 1985, 1985, from the Today series, installation view, Singapore Art Museum, 2015–16; both acrylic on canvas, newspaper and paper box, 25.7 x 33.4cm, Museum of Contemporary Art Tokyo collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550686464-TETRN8PUBIGKF8FULIWO/image-asset.jpeg Issue 287 March 2016 6 Art Stage Singapore 2016: A delicate balance: Chloe Wolifson, Singapore Sullivan+Strumpf booth, installation view, Art Stage Singapore, 2016, with work (from left) of Sydney Ball, Alex Seton and Sam Leach; image courtesy Sullivan+Strumpf, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550729096-V04XSY8QAVR3BAVSXK1D/image-asset.jpeg Issue 287 March 2016 7 Questioning the ink paradigm: Sophie McIntyre in conversation: Olivier Krischer, Canberra Peng Wei, Winter Mountain, 2011, Sergio Rossi boots and rice paper, 60 x 25 x 30cm; image courtesy the artist and Tina Keng Gallery, Taipei and Beijing https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550761013-N7K15DUO5ZYGFFAK2RUM/image-asset.jpeg Issue 287 March 2016 8 A constant negotiation towards equilibrium: Reconsidering non-material values: Mami Kataoka, Tokyo Mella Jaarsma, Until Time is Old, 2014, sea urchins, stainless steel, thread, clips, fabric, 80 x 280 x 150cm; image courtesy the artist; photo: Mie Cornoedus https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550828149-5Z0UUEI8KCEZ93SN7FC5/image-asset.jpeg Issue 287 March 2016 9 An encounter with time: Juliet Darling’s ‘WAIT’: David Malouf, Sydney Juliet Darling, Bondi, 2015, still from ‘WAIT’, 3-channel video loop; 5 mins 56 secs duration, edition of 8 + 2 APs; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550866920-QE58WBFPF9H9SI6S48ZM/image-asset.jpeg Issue 287 March 2016 10 Through a glass darkly: Dale Frank at Neon Parc: Amelia Winata, Melbourne Dale Frank, exhibition view, Neon Parc, Brunswick space, 2015; image courtesy Neon Parc, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550910767-S8HGRVWDYTUEUHHSKLLQ/image-asset.jpeg Issue 287 March 2016 11 In good company: Howard Arkley at TarraWarra: Ashley Crawford, Healesville Howard Arkley (and friends…), installation views, TarraWarra Museum of Art, Healesville, 2015; © The Estate of Howard Arkley, courtesy Kalli Rolfe Contemporary Art, Melbourne; photos: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463550975791-TBZ4SDWY2XU8LJL0VW9W/image-asset.jpeg Issue 287 March 2016 12 From ceremony to selfies: New developments in desert figuration: Kieran Finnane, Alice Springs Vincent Namatjira, James Cook – with the declaration, 2014, acrylic on canvas, 101 x 76cm, The British Museum, London; image courtesy the artist and Iwantja Arts, Indulkana https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463551034647-CY4OUELY5UBPL2H16NN3/image-asset.jpeg Issue 287 March 2016 13 Andrew Sayers 1957 – 2015: Melinda Hinkson and Tim Bonyhady Mark Mohell, Andrew Sayers, 2012, selenium-toned silver gelatin photograph; National Portrait Gallery, Canberra, purchased with funds provided by Marilyn Darling AC 2013 https://www.artmonthly.org.au/286 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1457301345694-LVQDVC3842D6QKELV5Z1/image-asset.jpeg Issue 286 Summer15/16 1 Notes on the formation of a feminist curatorial practice for today: Aileen Burns, Brisbane Andrea Francke, The Invisible Spaces of Parenthood, 2013–, installation views from the exhibition ‘The Grand Domestic Revolution GOES ON’, CCA Derry~Londonderry, 2013; photos: Andrea Francke https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1457301583081-8RNP1YJR7YJCNJWGWVPF/image-asset.jpeg Issue 286 Summer15/16 2 Ladies’ legacies: Women gifting art by women: Lisa Bryan-Brown, Brisbane etty Quelhurst, Self portrait, 1948, oil on composition board, QUT Art Collection, Brisbane; gift of the artist under the Cultural Gifts Program, 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1457301664850-4BL03NDOHTXA3WLTOJ33/image-asset.jpeg Issue 286 Summer15/16 3 Forty years and countinG: Louise R. Mayhew, Sydney Marie McMahon, Needlework demonstrations, 1976, screenprint, 57.8 x 45.3cm, University of Sydney Art Collection, transferred from the Tin Sheds Gallery and Art Workshop to the University of Sydney, 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1457301827755-9OKLCIBPMIBFX89O7DLK/image-asset.jpeg Issue 286 Summer15/16 4 A proliferous moment: Contemporary feminism and the formation of new women’s collectives: Louise R. Mayhew, Sydney Clark Beaumont, Camouflage, 2011, video still; image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1457301888183-WAGK9CV42KNS4FD9MA0B/image-asset.jpeg Issue 286 Summer15/16 5 Political feminism: Activist art in Australia in 2015: Courtney Coombs, Brisbane Mish Meijers and Tricky Walsh, Angry Ladies, 2015, video still, 2:03 mins duration; image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1457302022289-S2VHFFTEC1OBXN9ZYM32/image-asset.jpeg Issue 286 Summer15/16 6 Queer spritz: Kate Britton, Sydney Spence Messih, Physical bottom / mental top, 2014, installation view as part of ‘A matter of time’, Firstdraft, Sydney, 2014; steel, 81 x 58cm; image courtesy the artist; photo: Fiona Susanto https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1457302087947-BROA81HBTZ03HTY40RJM/image-asset.jpeg Issue 286 Summer15/16 7 Patriotism, patriarchy and politics: 2015 feminism in context: Chloé Wolifson, Sydney Brenda Samuels, Aesop hand wash, 2015, oil on canvas, 30 x 30cm, image courtesy the artist https://www.artmonthly.org.au/april-2016-issue-288 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463541860941-45PCKB4JS1E5BKIV8IIQ/image-asset.jpeg Issue 288 April 2016 1 Soft power: Dani Marti and Bharti Kher at the 2016 Perth International Arts Festival: Christopher Barrett-Lennard, Perth Dani Marti: Black Sun, exhibition view, Fremantle Arts Centre (FAC), 2016; image courtesy FAC; photo: Rhianna Nelson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463542076339-27T25C0EI0JY8PY5ZKCG/image-asset.jpeg Issue 288 April 2016 2 Elizabeth Durack’s Mid West landscapes: Ted Snell, Perth Elizabeth Durack, Greenough, 1960, pencil on paper, commissioned by the Municipality of Geraldton, 1960; © with kind permission of the trustees, the estate of Elizabeth Durack https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463542235780-LHWVRY4ZV96PI7YZ2NTV/1752_l_03+Ngarra_image1.jpg Issue 288 April 2016 3 Ngarra and the Ngarrangkarni: Darren Jorgensen, Perth Ngarra drawing the work From Barrgululu to Gularrt, c. 1997–98; photo: Kevin Shaw https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463542291617-Q6P6WFQQSZH2A5PE1QMT/image-asset.jpeg Issue 288 April 2016 4 Alistair Rowe: Holding things together: Robert Cook, Perth Alistair Rowe, Support Acts, 2015, installation view, Lawrence Wilson Art Gallery, Perth, 2015 (wall works by Shannon Lyons); image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463542350545-P8PF31TQRWNF1H2TFR6Q/image-asset.jpeg Issue 288 April 2016 5 Ruination: Geoffrey Batchen, Sydney Ben Cauchi, That which can be seen is not all there is, 2013, ambrotype, 36 x 28cm; image courtesy the artist and Darren Knight Gallery, Sydney; Brett McDowell Gallery, Dunedin; Peter McLeavey Gallery, Wellington; and McNamara Gallery, Wanganui https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225118114-MS4F6B396DKW1FYUFU2Z/image-asset.jpeg Issue 288 April 2016 6 Apperception: Justine Varga, Sydney Justine Varga, Edge, from the series ‘Accumulate’, 2014–15, type-C hand print, 123.5 x 98.5cm, edition of 5; image courtesy the artist, Hugo Michell Gallery, Adelaide, and Stills Gallery, Sydney; photo: Stephen Oxenbury https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463542440951-LXWYG0MQW7JWTKGN2W4D/image-asset.jpeg Issue 288 April 2016 7 Beautiful collision: ‘Borland + Borland’ at Canberra Glassworks: Anna Madeleine, Canberra Borland + Borland, exhibition view of Emma Borland’s glass panels, Canberra Glassworks, 2015–16; image courtesy Canberra Glassworks; photo: Adam McGrath https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463542490343-VJ5D5MGXJ7RIIRYLRRSY/image-asset.jpeg Issue 288 April 2016 8 Cultural currency: El Anatsui at Carriageworks: Pedro de Almeida, Sydney El Anatsui, Devotees, 1987, installation view, Carriageworks, Sydney, 2016, commissioned and presented as a Schwartz Carriageworks project in association with Sydney Festival; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463542695674-B83R5HU1QH6D2B1DPCMU/image-asset.jpeg Issue 288 April 2016 9 Resonant rooms: ‘When silence falls’ at the AGNSW: Margaret Farmer, Sydney Richard Bell and Emory Douglas, We Can Be Heroes, 2014, synthetic polymer paint on canvas, 180 x 240cm, Art Gallery of New South Wales, Sydney, purchased with funds from the Wendy Barron Bequest Fund, 2015; image courtesy Milani Gallery, Brisbane; © Richard Bell and Emory Douglas https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225136521-6AEJRJR5Y5NFPH2I39V4/image-asset.jpeg Issue 288 April 2016 10 Getting away with it: Gilbert & George at MONA: Rachel Kent, Hobart Gilbert & George, ALL MY LIFE I GIVE YOU NOTHING AND STILL YOU ASK FOR MORE, 1970, mixed media, 193 x 75cm (each), private collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463543257297-ZDN6670IWGSSSU9HOUSP/image-asset.jpeg Issue 288 April 2016 11 National art and the National Gallery: The new collection display and ‘Tom Roberts’: Daniel Thomas, Canberra Tom Roberts, exhibition view, National Gallery of Australia (NGA), Canberra, 2015–16, with (from left): Tom Roberts, Madame Hartl, 1909–10, oil on canvas, 114.5 x 76.6cm, NGA, Canberra, purchased 1969; Derwent Wood, Tom Roberts, 1910, patinated plaster, 55.9 x 34 x 26cm, Art Gallery of New South Wales, Sydney, gift of Tom Roberts, 1929; Tom Roberts, Mrs Tom Roberts, c. 1906, oil on canvas, 76.8 x 54cm, Art Gallery of Western Australia, Perth, purchased with funds from the Hackett Bequest Fund, 1949; image courtesy the NGA, Canberra https://www.artmonthly.org.au/issue-285-november-2015 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463545864481-V0YEVW0UZ3JRVF5EVANM/image-asset.jpeg Issue 285 November 2015 1 New Zealand at Venice: Simon Denny’s ‘Secret Power’ by Christina Barton, Venice Simon Denny, Plaque (Claudius Ptolemy, Geography), 2015, installation view, Marco Polo International Airport, Venice, 2015; photo: Paolo Monell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546327266-ASP04DJYBKF652926KE6/image-asset.jpeg Issue 285 November 2015 2 Re-animating encounter: Lisa Reihana’s in Pursuit of Venus [infected]: Vivienne Webb, Auckland Lisa Reihana, in Pursuit of Venus [infected], 2015, exhibition views, Auckland Art Gallery Toi o Tāmaki, 2015; gift of the Patrons of Auckland Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546414362-0XLBM5TIBJZ2WCPNLB8K/image-asset.jpeg Issue 285 November 2015 3 Reflecting a figure: The Govett-Brewster’s new Len Lye Centre: Wystan Curnow, New Plymouth Patterson Associates’ Len Lye Centre, New Plymouth, 2015; photo: Patrick Reynolds https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546465849-1YVKSYENFO91NM009R4H/image-asset.jpeg Issue 285 November 2015 4 The past is a foreign climate: Shigeyuki Kihara meets the Anthropocene: Nina Seja, Auckland Shigeyuki Kihara, German Monument, Mulinu’u, 2013, type-C photograph, edition 5/5 + 2 AP; Queensland Art Gallery / Gallery of Modern Art, Brisbane; image courtesy the artist and Milford Galleries, Dunedin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546573930-CB597SP23KJMA6DSM9MN/image-asset.jpeg Issue 285 November 2015 5 My big ugly art world: Grayson Perry on Aboriginal art and how to be undiplomatic in the history wars: Khadija von Zinnenburg Carroll, London Grayson Perry, My Pretty Little Art Career, 2003, glazed ceramic, Speyer Family Collection, New York; image courtesy the artist and Victoria Miro, London; © Grayson Perry https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546632818-43S2AAMUCD6SAKL94TSQ/image-asset.jpeg Issue 285 November 2015 6 Depicting durchblicke: The wall works of Klaus Moje: Nola Anderson, Canberra Klaus Moje, Floating Red, 2000, fused and cold worked glass, 152 x 152cm, Australian National University Collection, Canberra; image courtesy the artist; photo: Rob Little https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546714661-3XNXQGBTTXL72H0S1EXK/image-asset.jpeg Issue 285 November 2015 7 A desirous mind: Matthys Gerber at the MCA: Max Delany, Sydney Matthys Gerber, L’Origine du Monde #1, 1992, oil on canvas, Barber Cottier Collection, Sydney; image couresy and © the artist; photo: Ashley Barber https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546780180-MKNZSN2UD9FI706JJM3F/image-asset.jpeg Issue 285 November 2015 8 Multiple flows: ‘Saltwater: A Theory of Thought Forms’, the 14th Istanbul Biennial: Julie Ewington, Istanbul Adrián Villar Rojas, The Most Beautiful of All Mothers, 2015, site-specific installation, organic and inorganic materials; photo: Kubra Karacizmeli https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463546829680-5RP6TIFEGIPXFBUYJ3FI/image-asset.jpeg Issue 285 November 2015 9 Through a glass darkly: ‘Myth + Magic’ at the NGA: Diane Losche, Canberra Myth + Magic: Art of the Sepik River, Papua New Guinea, exhibition views, National Gallery of Australia (NGA), Canberra; images courtesy the NGA, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547006489-PCX0CBSB4132DM3J3DD9/image-asset.jpeg Issue 285 November 2015 10 Slow burn: Robyn Backen’s ‘If you do not speak, do I speak for you?’: John Murphy, Sydney Robyn Backen, If you do not speak, do I speak for you?, 2015, installation view, Incinerator Art Space, Sydney, 2015; photo: Ian Hobbs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547064001-8ZNJPP43PE6VYRS7N8O5/image-asset.jpeg Issue 285 November 2015 11 Continental drift: Derek Kreckler’s ‘Accident & Process’ at PICA: Marco Marcon, Perth Derek Kreckler, Holey #1, 2003, installation view, Perth Institute of Contemporary Arts (PICA), 2015; type-C digital prints, aluminium spheres, cast vinyl, wooden plinths; 120 x 250 x 5cm (wall); 8 x 250 x 100cm (floor); photo: Alessandro Bianchetti https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547129348-WH2MC73DL8TZD5TQYOKO/image-asset.jpeg Issue 285 November 2015 12 Robert MacPherson: Everyone, everything, everywhere: Daniel Thomas, Brisbane Robert MacPherson, 17 Frog Poems (for G.N. & A.W. (who by example) taught the kinder way), 1987–89, installation view, ‘Robert MacPherson: The Painter’s Reach’, Gallery of Modern Art, Brisbane, 2015; Metl-Stik on wood with wood and canvas stretcher beds; Queensland Art Gallery, Brisbane, purchased 1999, the Queensland Government’s special Centenary Fund; photo and image courtesy: QAGOMA, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547209794-UB953J2BCVFWAVCY2KQ1/image-asset.jpeg Issue 285 November 2015 13 Peter Rushforth OA 1920 – 2015: John Freeland Peter Rushforth at his Shipley studio in the Blue Mountains; image courtesy Rebecca Berrell https://www.artmonthly.org.au/new-page daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547415065-G4QP7UA08XT1ERRN5OLI/image-asset.jpeg Issue 284 October 2015 1 The Tasmanian effect: Fernando do Campo, Hobart Marina Abramović: Private Archaeology, exhibition entrance view, Museum of Old and New Art (MONA), Hobart; image courtesy MONA, Hobart; photo: MONA/Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547473153-LQB5936DV0B81DMKRI0F/image-asset.jpeg Issue 284 October 2015 2 World-in-a-world: ‘The Shadows Calling’ at Detached: Rachel Kent, Hobart Patricia Piccinini and Peter Hennessey, Kami, 2015, installation view, Detached Cultural Organisation, Old Mercury Building, Hobart, 2015; Formply, chairs, rope, ABS plastic; image courtesy the artists and Detached, Hobart; photo: MONA/Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547551101-UI86MBMDTLPQSP7712VR/image-asset.jpeg Issue 284 October 2015 3 Embodying culture: Lola Greeno and Marina Abramović: Gabriella Coslovich, Hobart Lola Greeno’S necklace of 143 Bungana (king) maireener shells threaded on stainless steel with human hair clasp, 25cm; commissioned by the Museum of Old and New Art (MONA), Hobart, in January 2015 and presented to Marina Abramović on 14 June 2015; photo © MONA: Rosie Hastie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547633215-L5Z24FZZA5R3BPKJDEQG/image-asset.jpeg Issue 284 October 2015 4 In the moment: Marina Abramović’s ‘Private Archaeology’ at MONA: Diane Soumilas, Hobart Marina Abramović and Ulay, AAA–AAA, 1978, performance for video, RTB Television Studio, Liège, 15 mins duration; black-and-white video, sound, 9:54 mins duration; Museum of Old and New Art (MONA), Hobart; image courtesy MONA, Hobart; photo: MONA/Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547706006-DLX9ZM7DP7U4FETU5RA3/image-asset.jpeg Issue 284 October 2015 5 A growing medium: The garden in art and design: Julia Jones, Sydney Janet Laurence, Treelines Track, Bundanon NSW, 2014–16, detail views; linear passage of trees forming a walking track; stones scripted with text; dimensions variable; images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547750544-QJNAXIUU1FW6ZLS14FV2/image-asset.jpeg Issue 284 October 2015 6 Suspending disbelief: ‘The photograph and Australia’: Claire Capel-Stanley, Sydney The photograph and Australia, exhibition view, Art Gallery of New South Wales (AGNSW), Sydney, 2015, with archival display and artworks by Tracey Moffatt; photo © AGNSW: Jenni Carter https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547810199-KK39OL7XVRP0RBXUX8PG/image-asset.jpeg Issue 284 October 2015 7 Against the grain: Melinda Harper’s ‘Colour Sensation’ at Heide: Carolyn Barnes, Melbourne Colour Sensation: The Works of Melinda Harper, exhibition view with 10 objects, each Untitled, 2006, private collection, Melbourne; Heide Museum of Modern Art, Melbourne, 2015; photo: Christian Capurro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547854293-ZL6MIKA9VF2EGJD5YYB9/image-asset.jpeg Issue 284 October 2015 8 Coincident lines: Ruark Lewis and Barayuwa Mununggurr at the Northern Centre for Contemporary Art: James Paull, Darwin Rambangi, Together as Equals, exhibition views, Northern Centre for Contemporary Art (NCCA), Darwin, 2015; images courtesy the NCCA; photos: Fiona Morrison https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547909550-DSIF8B4UUHFAV8AGOW7G/image-asset.jpeg Issue 284 October 2015 9 Closing the temporal distance: Khadija von Zinnenburg Carroll’s Art in the Time of Colony: Stephen Gilchrist, Sydney Image courtesy and © Bob Newman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463547976992-6AVL21GMR5052EYW48DR/image-asset.jpeg Issue 284 October 2015 10 Connecting threads: Go East, Chinese Bible and Jitish Kallat: Chloé Wolifson, Sydney Covers and pages from Go East, Chinese Bible and Jitish Kallat; photos: © and courtesy Bob Newman https://www.artmonthly.org.au/issue-283-september-2015 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548297501-DEGVXAELBELG6WXZ45YC/image-asset.jpeg Issue 283 September 2015 1 ‘Small enough to be agile’: A South Australian roundtable: WENDY WALKER Australian Experimental Art Foundation (AEAF), Lion Arts Centre, North Terrace, Adelaide; image courtesy AEAF, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548343305-1WYUE68T8PZ40RWHTJ0V/image-asset.jpeg Issue 283 September 2015 2 A coming forth on Kaurna land: NICI CUMPSTON Yhonnie Scarce on Tjarutja country at Taranaki bomb site Maralinga, South Australia; image courtesy the artist and the Art Gallery of South Australia, Adelaide; photo: Janelle Low, 2015 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548383514-3MSOWQ1EZJ6OGBN7J70Q/image-asset.jpeg Issue 283 September 2015 3 Lawrence Daws: Gondwana dreaming: JOHN NEYLON Lawrence Daws, Glasshouse Mountains with Poinciana, 2012, oil on canvas, 100 x 120cm; image courtesy the artist and Philip Bacon Galleries, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548431094-SAKX1MZZPV8SJQZSQS8J/image-asset.jpeg Issue 283 September 2015 4 Michelle Nikou: In the evening there is feeling: ELLE FREAK Michelle Nikou, Spoons, 2000, cast lead, 22 x 72 x 4cm (approx.); image courtesy the artist and Darren Knight Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548485220-RQJM37HYX8UW1IEY3V8M/image-asset.jpeg Issue 283 September 2015 5 On the edge of the unknown: ‘Believe not every spirit, but try the spirits’: JENNY MCFARLANE Believe not every spirit, but try the spirits, 2015, exhibition view with Georgiana Houghton watercolours, Monash University Museum of Art, Melbourne; image courtesy the Victorian Spiritualists’ Union; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548527576-JG0XKS98EJY83NFAEM5Q/image-asset.jpeg Issue 283 September 2015 6 Lee Ufan: Close encounters with nothingness: PATRICK HUTCHINGS Lee Ufan, Dialogue, 2009, oil and mineral pigment on canvas; image courtesy the Fukutake Foundation; photo: Tadasu Yamamoto https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548570507-TDTR28ZT2QMJOA95X2N4/image-asset.jpeg Issue 283 September 2015 7 Greg Semu: Bridging the gap: RACHAEL VANCE Greg Semu, Earning my Stripes #1, 2015, pigment print on Hahnemühle Photo Baryta, edition of 10, 100 x 133.4cm; © the artist and Alcaston Gallery, Melbourne, 2015 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463548607903-1JYBX1MGWCTNIKO7Y6ZY/image-asset.jpeg Issue 283 September 2015 8 Mirdidingkingathi Juwarnda (Mrs Gabori) c. 1924–2015: BRUCE MCLEAN Mirdidingkingathi Juwarnda (Mrs Gabori), Dibirdibi Country, 2012, synthetic polymer paint on linen, 121 x 484cm (four panels); Collection Queensland Art Gallery/Gallery of Modern Art, Brisbane; © estate of the artist, Mornington Island Art and Alcaston Gallery, Melbourne https://www.artmonthly.org.au/issue-282-august-2015 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225247726-AOIE6BHSU5LNSCYQBCMV/image-asset.jpeg Issue 282 August 2015 1 Pushing boundaries: 25 years of ‘Desert Mob’: Christopher Raja Irene Mpetyane Entata, Camel, 1995, hand-coiled and modelled terracotta with applied underglazes, 20 x 13cm, Araluen Art Collection, Alice Springs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225274411-9AC77EXDSHNYJ3VU33WY/image-asset.jpeg Issue 282 August 2015 2 Alice or Taos: Two sides of the same coin: Rex Butler and A. D. S. Donaldson Photo courtesy and © Bob Newman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225287421-S0T1Y4OONRW650GXWZCE/image-asset.jpeg Issue 282 August 2015 3 Beauty and the burial of difference: The Yirrkala drawings: Darren Jorgensen Gumuk Gumana, Dhalwangu freshwater at Gängan, 1947, crayon on brown paper, 155 x 74cm; Berndt Museum, The University of Western Australia, Perth; © the estate of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549141102-GF28FS3CJMH368SJQZS2/image-asset.jpeg Issue 282 August 2015 4 The Mulka Project: The whole picture: Wukun Wanambi with Henry Skerritt Images courtesy and © The Mulka Project, Yirrkala https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225301850-M3C3JOZRYCC4ZVVG5YG4/1694_l_05_Penang.jpg Issue 282 August 2015 5 A tale of two cities: Chayni Henry Chayni Henry, On Lebuh Pantai, 2015, watercolour on ivory board; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225315362-GOE0GVNYY7LAPFRKY1S4/image-asset.jpeg Issue 282 August 2015 6 John R. Walker: The catching point: John Zubrzycki John R. Walker; image courtesy the artist and Utopia Art Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225327142-BQ64ZBNPGE2ISRHO8YA9/image-asset.jpeg Issue 282 August 2015 7 ‘Things I Once Knew’: Revealing Patrick Hall at TMAG: Jonathan Holmes Patrick Hall, Tall stories from the art world, 1993, cabinet with doors and drawers; Tasmanian Museum and Art Gallery (TMAG), Hobart, presented by the Moët & Chandon Australian Art Foundation, through the Art Foundation of Tasmania, 1993; image courtesy the artist; photo: Simon Cuthbert https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549325120-ZI9UYAQA7DZGZFJSGE64/image-asset.jpeg Issue 282 August 2015 8 Jacobus Capone: Dark Learning: Jess Day Jacobus Capone, Dark Learning, 7-channel HD video installation, PS Art Space, Fremantle, 2015; images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549376223-79XY7O18FBE5VYMXZ9FE/image-asset.jpeg Issue 282 August 2015 9 Theatre of labour: The 56th Venice Biennale: Juliana Engberg Bruce Nauman, Human nature / Life death / Knows Doesn’t Know, 1983, neon (background), with Adel Abdessemed,Nympheas, 2015, set of knives, dimensions variable (foreground); installation view, 56th Venice Biennale, 2015; image courtesy the Venice Biennale; photo: Alessandra Chemollo https://www.artmonthly.org.au/issue-281-july-2015 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467265368260-DG2IAZJXV5AT4F2WLZBL/image-asset.png Issue 281 July 2015 1 Here today, tomorrow next week!: A ceramics roundtable: Glenn Barkley Vipoo Srivilasa, Happy Ride, 2014, detail; cobalt pigment on hand-built porcelain; image courtesy the artist and Edwina Corlette Gallery, Brisbane; photo: Andrew Barchammore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549693404-YGL6W48BP1PS579YOWCL/image-asset.jpeg Issue 281 July 2015 2 Aleks Danko: I had an idea: Megan Robson Aleks Danko, just a pile of tricks, 1972, stoneware; installation view, Watters Gallery, Sydney; image courtesy the artist, Watters Gallery, Sydney, and Sutton Gallery, Melbourne; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549734471-70L7VAZY0X166DKZLJ46/image-asset.jpeg Issue 281 July 2015 3 Breaking ground: A history of Indigenous ceramics: Kimberley Moulton Ricardo Idagi, False evidence appearing real, 2013, earthenware, wood, steel, plastic and glass, 60 x 37 x 27cm; National Gallery of Victoria, Melbourne, purchased through the Victorian Foundation for Living Australian Artists 2013; photo: Simon Anderson; © and courtesy the artist and Vivien Anderson Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549799485-GQW38NZOGFH38QJ0K0AW/image-asset.jpeg Issue 281 July 2015 4 Ramesh Mario Nithiyendran: Clay iconoclast: Tess Allas Ramesh Mario Nithiyendran, Idol, 2014, red terracotta, 89 x 60 x 46cm; image courtesy the artist and Gallery 9, Sydney; photo: Simon Hewson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549845845-DB2YDVQS2P4DIFWM2GTN/image-asset.jpeg Issue 281 July 2015 5 Janet DeBoos: Hybrid and borderless: Grace Cochrane Janet DeBoos, Qing shadows, 2014, from ‘Qing resonances’ series; porcellaneous stoneware, black underglaze, sgraffito decoration, clear glaze, overglaze stock decals; Chinese porcelain tile, black underglaze, overglaze stock decals; plaque 59.5 x 31 x 2cm; vase 36.5 x 12cm (diameter); photo: Art Atelier Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549909311-RH8QL00FRX1MF17GGHCQ/image-asset.jpeg Issue 281 July 2015 6 Ron Nagle’s small good things: Justin Paton Ron Nagle, Umoo Chu Moo, 2013, mixed media, 16.5 x 15.8 x 11.4cm, unique artwork; collection Art Gallery of New South Wales, Sydney, purchased 2014; image courtesy the artist and Pierre Marie Giraud, Brussels https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463549958991-VLGX7GWE5R7GAECXEAS4/image-asset.jpeg Issue 281 July 2015 7 Margaret Tuckson AM 1921 – 2014: Jennifer Isaacs Margaret Tuckson’s mantlepiece with Gwyn Hanssen Pigott bottles at left, Tony Tuckson’s framed drawing, and at right Yirrkala carved and painted figures from their trip in 1959; photo: Jennifer Isaacs https://www.artmonthly.org.au/issue-272 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150026395-EMJ4FDMKWZ6OLWHT02VW/image-asset.png Issue 272 August 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464148926886-NK2ST03I6O3HF9RI30Q4/image-asset.jpeg Issue 272 August 2014 1 State of independence: New South Wales’s new funding paradigm: JANE SOMERVILLE James Deutsher, menvra/CASA, installation view, Minerva, Sydney, 2014; image courtesy Minerva, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225852957-9LSITPAOXXK72X6SIRC3/image-asset.jpeg Issue 272 August 2014 2 Lismore Regional Gallery: Past, present, future: SHARNE WOLFF Emily Hunt, Quoits & Goat Skins (detail), 2013, watercolour and ink on paper, 110 x 75.5 x 5cm; image courtesy the artist and The Commercial Gallery, Sydney; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225865431-5IYNK5471UGRB3F1BBT1/image-asset.jpeg Issue 272 August 2014 3 Bearing witness: The Refugee Art Project: SAFDAR AHMED Saad Tlaa, Portrait of Josefa, pen and watercolour on paper, 29 x 41cm; image courtesy the artist and the Refugee Art Project https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464149084240-NWDS4259D6OWRDHEB01T/image-asset.jpeg Issue 272 August 2014 4 ‘I keep finding myself in Parramatta’: MICHAEL DAGOSTINO AND SOPHIA KOUYOUMDJIAN Artist Jodie Whalen in her studio at Parramatta Artists Studios, 2013; photo: Alex Wisser; image courtesy and © Parramatta Artists Studio https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464149122597-66JJX91GFQMLLPY5G4HQ/image-asset.jpeg Issue 272 August 2014 5 Drawing the mark: 50 years of Watters Gallery: GLENN BARKLEY Frank Watters and Tony Tuckson in the artist’s Wahroonga studio, choosing works for Tuckson’s first solo exhibition at Watters Gallery, Sydney, 1970; image and photo courtesy Margaret Tuckson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464149163820-K4CY47Y09YPWZLTQWYC9/image-asset.jpeg Issue 272 August 2014 6 Material elaborations – Sarah Cottier Gallery: 1994–2014: JAMES PAULL Pages from 20/200, 2014; image courtesy Sarah Cottier Gallery, Sydney; photo: Ashley Barber https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464149252929-6AK8DV80FCGWKOFA3H9C/image-asset.jpeg Issue 272 August 2014 7 Gail Hastings: Sculptuations: JUDITH BLACKALL Gail Hastings, Exhibition: To Do, 2014, installation view, showing (left wall) Corner caretakers and (centre floor) Exhibition: To Do, The Commercial, Sydney, 2014; image courtesy the artist and The Commercial, Sydney; photo: Sofia Freeman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225890307-AFJ9HO0LWEWTIZVEIQCB/image-asset.jpeg Issue 272 August 2014 8 Ken Unsworth: Conjuring art: TONY BOND Ken Unsworth, Five secular settings for sculpture as ritual and burial piece, from the series ‘Five secular settings for sculpture as ritual and burial piece’, 1975, silver gelatine photograph, 28.3 x 19.2cm, Art Gallery of New South Wales (AGNSW), Sydney, purchased 1976. photo: AGNSW © Ken Unsworth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464149741575-3183ODCHX5V8V5K7F5JO/image-asset.jpeg Issue 272 August 2014 9 Two soliloquies in a rhythm: A conversation about curatorial collaboration: NATALIE KING AND DJON MUNDINE boat-people, Muffled Protest, 2010, documentation, Federation Square, Melbourne, dimensions variable; image courtesy the artists. photo: Tanja Milbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464149779075-CWWRNAZHT3KL2DR7SMTU/image-asset.jpeg Issue 272 August 2014 10 Floating with form: Matisse’s cut-outs at the Tate: ANNE-MARIE JEAN Henri Matisse (1869 -1964); image courtesy Tate Modern, London; photo: Lydia Delectorskaya. © Succession Henri Matiss https://www.artmonthly.org.au/issue-271 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150149228-3WTT95SBTI3MNH3TMNGA/image-asset.jpeg Issue 271 July 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150204332-140DRKCGJWPECVUJM68J/image-asset.jpeg Issue 271 July 2014 1 Double take: The choreographic (re)turn in contemporary art: BREE RICHARDS Alexandra Pirici and Manuel Pelmuş, An Immaterial Retrospective of The Venice Biennale, 2013, performance view, 2013; enactment of drawing depicting two tigers exhibited in the Japanese room at the 14th International Art Exhibition of the City of Venice, 1924; image courtesy Venice Biennale; photo: Italo Rondinella https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225918639-W26YTDDTDWI3X06QAEM2/image-asset.jpeg Issue 271 July 2014 2 Tehching Hsieh: An ‘untimely’ contemporary: KON GOURIOTIS Tehching Hsieh, One Year Performance 1980–1981, installation view at Carriageworks, Sydney, 2014; image courtesy Carriageworks. photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150276451-JYCOJIRZI12604JXEM3E/1571_l_03.Fiona+Connor.jpg Issue 271 July 2014 3 Fiona Connor: In and out of the museum: PATRICE SHARKEY Fiona Connor, box of wall labels found in collection storage, Monash University Museum of Art, Melbourne; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150310351-DKH378H3DNDV6Z8WJSMN/image-asset.jpeg Issue 271 July 2014 4 Translating emotion: Annette Messager in Australia: CAROLINE HANCOCK Annette Messager in front ofChimères/Chimaeras, 1982–84; image courtesy the artist and Marian Goodman Gallery, Paris and New York; © Annette Messager https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225932035-G5VP9LILOQARB6F64H0T/image-asset.jpeg Issue 271 July 2014 5 Guy Grey-Smith: Modern visions of the West: SALLY QUIN Guy Grey-Smith, Little black bowl, 1962, oil and beeswax emulsion on gauze over hardboard, 89 x 65cm; private collection; © Susanna Grey-Smith and Mark Grey-Smith; photo: Robert Frith, Acorn https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225949286-CRBHZQQP1ZX3KRALSIRL/image-asset.jpeg Issue 271 July 2014 6 Feast or famine? Art in Queensland: ALISON KUBLER John Gollings, Not titled, 1982–83, pigment dye, inkjet print on Hahnemuhle photo rag paper; proposed gift of the artist under the Australian Government’s Cultural Gifts Program, 2013; image courtesy the artist and Rockhampton Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225969279-NSJV9PBSYJTKGWUGD51I/image-asset.jpeg Issue 271 July 2014 7 Celebrating art and commerce: LOUISE MARTIN-CHEW, Brisbane Rupert Bunny, Madame Sadayakko as Kesa, c. 1907, oil on canvas, 175 x 95cm; Philip Bacon Collection, Brisbane; image courtesy Philip Bacon Galleries, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150559828-Y8V7GP1DAJ9I9OXHVEVI/image-asset.jpeg Issue 271 July 2014 8 The Johnstones: A local history of art: ZOË DE LUCA Installation view of Guy Boyd exhibition at The Johstone Gallery, Brisbane, 23 November – 20 December 1969; The Johnstone Gallery Archive, Australian Library of Art, State Library of Queensland; scrapbook, p.6. RBHARC. 7/1/12. ALA/SLQ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150590571-GHI78P5DMHYPH56CJWBJ/image-asset.jpeg Issue 271 July 2014 9 Tribute: Alan Sisley: CHARLES COOPER Alan Sisley 1952-2014, Image courtesy Orange Regional Gallery https://www.artmonthly.org.au/issue-270-june-2014 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467272242326-SUP7OMVFNMM669MZYTDW/image-asset.jpeg Issue 270 June 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150953877-6F1YKP0VRQHY8AB3SK8Y/image-asset.jpeg Issue 270 June 2014 1 Closing the gap: Notes on the 2014 Adelaide Biennial of Australian Art: BEN SANDO 2014 Adelaide Biennial of Australian Art: Dark Heart,installation view featuring Ian Strange; Art Gallery of South Australia (AGSA), Adelaide, 2014; image courtesy the artist and AGSA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464150991786-AG5C41O78YBGFZL577AI/image-asset.jpeg Issue 270 June 2014 2 Punch drunk: TV Moore’s ‘Rum Jungle’: CHLOÉ WOLIFSON TV Moore, Rum Jungle, 2014, installation view, Campbelltown Arts Centre, Sydney; series of 9 Cibachrome paintings in unique frames; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464151026367-U0DVM64I2HH1TFBDJEAO/image-asset.jpeg Issue 270 June 2014 3 DOUGLAS GORDON: HOPE, WITHOUT FAITH: TALIA LINZ Douglas Gordon, Phantom, 2011, installation view of the 19th Biennale of Sydney at the Museum of Contemporary Art Australia, Sydney; stage, screen, a black Steinway piano, a burned Steinway piano and monitor dimensions variable; courtesy lost but found; Galerie Yvon Lambert, Paris; and Rufus Wainwright; ‘All Days Are Nights: Songs For Lulu’ used courtesy Decca Label Group; the presentation of this project was made possible through the generous support of Penelope Seidler AM; photo: Ben Symons https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226027390-WLG9OJSJ8K29EZOL108Y/image-asset.jpeg Issue 270 June 2014 4 Desiring freedom: The 19th Biennale of Sydney: EMILY CORMACK Ulla von Brandenburg, Street, Play, Way, 2014, installation view of the 19th Biennale of Sydney at Cockatoo Island; mixed-media installation with HD video, 11min:20sec, black-and-white, sound; created for the 19th Biennale of Sydney through the generous support of The Keir Foundation; image courtesy the artist; Art:Concept, Paris; Pilar Corrias, London; and Produzentengalerie, Hamburg; photo: Ben Symons https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226038015-OOL7EGDO2P0FS0TZWHXD/image-asset.jpeg Issue 270 June 2014 5 Impotence of action and the search for poetic act FULYA ERDEMCI WITH MARK FEARY Gonzalo Lebrija, Lamento, 2007; installation view at the Istanbul Biennial, 2013; fibreglass; image courtesy the artist and Galerie Laurent Godin, Paris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464151123155-0Z3HJQW879NIETFQQHPR/image-asset.jpeg Issue 270 June 2014 6 Franco Belgiorno-Nettis and the summer of 1985: A memoir: ROSS WOLFE Franco Belgiorno-Nettis and friends, Porto Venere, Italy, July 1985; photo courtesy Ross Wolfe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226053399-1TIV6UEZZ1WH7K07UAEB/image-asset.jpeg Issue 270 June 2014 7 Canberra: Expansion and contraction: RAQUEL ORMELLA Wendy Teakel, Grove, 2014, installation view at ANU School of Art Gallery, 2014; wood, steel, cable ties, 343 x 350 x 280cm; courtesy the artist and Beaver Galleries, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464151265656-I3E22QKC4XBO202C4LEY/image-asset.jpeg Issue 270 June 2014 8 Elioth Gruner: After the spring: LAURA MURRAY CREE Elioth Gruner, Murrumbidgee Ranges, Canberra, 1934, oil on canvas, 51.6 x 89cm; National Gallery of Australia, Canberra, bequest of Stuart A. Johnston, 1964 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464151304948-3QG9M9LR8JL66BQUOF8Z/image-asset.jpeg Issue 270 June 2014 9 Tribute: Brian McKay: MARGARET MOORE Brian McKay; image courtesy Galerie Düsseldorf, Perth https://www.artmonthly.org.au/issue-269 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226091044-EP4HC3XPQRYD2TM7IMR6/image-asset.jpeg Issue 269 May 2014 1 Olleywood: CHRISTINE FRANCE View of the ‘yellow room’ at the Margaret Olley Art Centre; image courtesy Tweed Regional Gallery, Murwillumbah https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226104520-OMS87GA84MRRQZRAJORF/image-asset.jpeg Issue 269 May 2014 2 Connecting the threads of string theory: SARAH PIRRIE Dale Harding, bright eyed little dormitory girls (detail), 2013, hessian sacks, mohair wool; image courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226122006-EAGVSQZPZCUV0568IHSO/image-asset.jpeg Issue 269 May 2014 3 An ongoing state of conflict: Richard Mosse’s The Enclave: SUSAN GIBB Richard Mosse, Higher Ground, 2012, still from The Enclave, 2012–13; 16mm infra-red film transferred to HD video, 39min:25sec; produced in eastern Democratic Republic of Congo; director/producer Richard Mosse; image courtesy and © Richard Mosse, and Jack Shainman Gallery, New York https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226133257-WU55JN9KQYHEL62ARAVD/image-asset.jpeg Issue 269 May 2014 4 Animating Atua: In the presence of Polynesian gods: MARGARET JOLLY Ancestor figure, part of a pou-tokomanawa, mid- to late 19th century; Māori, Aotearoa/New Zealand, southern Polynesia; attributed to Raharuhi Rukupo; wood, 80 x 26.5 x 20cm; NGA, Canberra; © NGA; all rights reserved https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464152123581-K3K7IJIWIZ065O8F583W/image-asset.jpeg Issue 269 May 2014 5 Then and now: The Stanley Gordon Moriarty Collection of Papua New Guinea Highlands art: Susan Cochrane Dancers wearing contemporary gaheisi (ceremonial dance banners), Goroka Show, 2011; photo: Natalie Wilso https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464152173081-GQ4UUDBYZJWRDJIR1ZV2/image-asset.jpeg Issue 269 May 2014 6 ‘Navigation Pacifica 2013’: Community as subject: KON GOURIOTIS Israel Tangaroa Birch, Ara-i-te-uru, 2011, lacquer on stainless steel, 150 x 150 x 900cm; image courtesy of City Gallery Wellington; photo: Andrew Beck https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226151563-XO4P6T8B1WMM2XLWIBTE/image-asset.jpeg Issue 269 May 2014 7 Future primitive and fugitive: ELIZABETH GERTSAKIS Rohan Wealleans, Keepers of the Crystal gaze, 2013, colour photograph, edition of 3, 1 AP, 60 x 48.6cm; courtesy the artist and Ivan Anthony Gallery, Auckland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226164677-HU7T9PW0A8KGML7M4AFS/image-asset.jpeg Issue 269 May 2014 8 Silver convention: MAURICE O'RIORDAN Michael Cook and Ari Athans, Past, Present, Future (detail), 2013; courtesy Museum of Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464152329916-HNNPYNG8BT5QYDMH3JBW/image-asset.jpeg Issue 269 May 2014 9 Foreshadowing things to come: Western Australia’s state of art: ANDREW PURVIS Mounir Fatmi, Save Manhattan 01, 2003–04, books, strings, spotlight and table, 68.5 x 150 x 90cm; State Art Collection, Art Gallery of Western Australia, Perth, purchased 2013; © Mounir Fatmi, 2003-04 https://www.artmonthly.org.au/issue-268 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226225368-4SXVZZVDSF5P9RF8STAY/image-asset.jpeg Issue 268 April 2014 1 Eating pulau with ghee: Dhaka Art Summit 2014: MAURICE O'RIORDAN Dhaka Art Summit 2014; image courtesy of Maurice O'Riordan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471416649218-R7PUF5GV7R6Z0UD02IYU/image-asset.jpeg Issue 268 April 2014 2 Rogerworld: CRAIG JUDD Roger Ballen, Asylum, 2013, installation views, Museum of Old and New Art (MONA), Hobart; mixed-media and found objects; images courtesy MONA; photos: MONA/Rémi Chauvinmore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464152713950-6B86CHVRYRCMJ6K472NV/image-asset.jpeg Issue 268 April 2014 3 In veneration of lost souls: Christian Boltanski’s Chance: PEDRO DE ALMEIDA Christian Boltanski, Last News From Humans(details), 2014, installation views, Carriageworks, Sydney; images courtesy Carriageworks; photos: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226241476-M9ULJP5X313JEO9CNQ19/image-asset.jpeg Issue 268 April 2014 4 An absent presence: Anne Ferran’s ‘Shadow Land’: LEIGH ROBB Anne Ferran, Untitled [christening gown 1978/3043/2], 2001, silver gelatin photogram, 125 x 89.5cm; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226256201-V717VJ42ENX9J646I1PP/image-asset.jpeg Issue 268 April 2014 5 Emily Floyd: In the knowledge garden: GLENN BARKLEY Emily Floyd, Organic Practice, 2009, wooden sculptures (kota wood, huon pine, beechwood, ancient New Zealand kauri), cardboard presentation box, 60 x 61 x 40cm; image courtesy the artist and Anna Schwartz Gallery, Melbourne and Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464152849511-01ABQ24OFNMGJMAEM03M/image-asset.jpeg Issue 268 April 2014 6 Alms to stray dogs and other stories Araya Rasdjarmrearnsook in conversation with JOHN CLARK Araya Rasdjarmrearnsook, Treachery of the Moon (still), 2012, single-channel video installation; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226269844-GL2RIOWT5HUQHKM8LX4F/image-asset.jpeg Issue 268 April 2014 7 From ‘Australia’ to ‘America’: Painting a nation: ADAM GECZY John Singleton Copley, Portrait of a lady, 1771, oil on canvas, 126.9 x 100.3cm, Los Angeles County Museum of Art; purchased with funds provided by the American Art Council; image courtesy and © Museum Associates/ LACMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464152919977-A30JGD9U7RPBP1S0V7AF/image-asset.jpeg Issue 268 April 2014 8 Melbourne HOW?: HANNAH MATHEWS Ash Keating, NGV International North Wall Billboard Intervention, 2013, Weathershield Low Sheen on vinyl billboard; image courtesy the artist and the National Gallery of Victoria, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464152994993-ZWWPWOEP4KFQY1RSDUJL/image-asset.jpeg Issue 268 April 2014 9 TRIBUTE: Marea Gazzard AO, CBE: MERRAN ESSAN Marea Gazzard and V.I.P, 2006, bronze; image courtesy of Utopia Art Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226286895-UCI5NC2IIMSSYDWPQO1M/image-asset.jpeg Issue 268 April 2014 10 TRIBUTE: Ningura Napurrula: SARITA QUINLIVAN Ningura Napurrula, Untitled, 2007, synthetic polymer on Belgian linen, 183 x 122cm; courtesy Papunya Tula Artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226307696-TI7DVZOALH3WEBI9H6I2/image-asset.jpeg Issue 268 April 2014 11 TRIBUTE: Sam Ure-Smith: JOANNA MENDELSSOHN Sam Ure-Smith, 1961; image courtesy National Archives of Australia (A1200, L39472); photo: W. Brindle https://www.artmonthly.org.au/issue-267-march-2014 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226338653-OV77JHHWCZ7YDVHLH7YL/image-asset.jpeg Issue 267 March 2014 1 Australia Platform: Art Stage Singapore 2014: ANNE-MARIE JEAN Juz Kitson, Changing Skin (detail), 2013, installation view; porcelain and mixed media, 580 x 500 x 140cm; presented by GAGPROJECTS, Adelaide; image courtesy Art Stage Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464153897556-N9W59GA3RDQHWXLU8Y0C/image-asset.jpeg Issue 267 March 2014 2 Critical mass: Contemplating 'Melbourne Now': ALEXIE GLASS-KANTOR Darren Sylvester, For you, 2013, installation view; based on Yves Saint Laurent Les Essentials rouge pur couture, La laque couture and Rouge pur couture range revolution lipsticks, Marrakesh sunset palette, Palette city drive,Ombres 5 lumiéres, Pure chromatic eyeshadows and Blush radiance; illuminated dance floor, sound system, 605 x 1500 x 1980 cm; supported by VicHealth; assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464153974070-5JJFSLZOLMJZICU73UBV/image-asset.jpeg Issue 267 March 2014 3 Environmentalist drift: Cai Guo-Qiang’s ‘Falling Back to Earth’: SOUCHOU YAO Cai Guo-Qiang, Eucalyptus, 2013, installation view; spotted gum (Corymbia maculata), wooden stools, paper and pencils; length: 3150cm (approximate); commissioned for ‘Falling Back to Earth’; image courtesy Queensland Art Gallery/Gallery of Modern Art, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226359250-VWYCQ9US1Q2KTHF3VP4N/image-asset.jpeg Issue 267 March 2014 4 An evocation of desire: Juliana Engberg and the 19th Biennale of Sydney: CHLOE WOLIFSON Jim Lambie, Zobop (Fluorescent), 2006, vinyl tape, dimensions variable; installation view, La Colección Jumex, México, Museo Nacional de Arte, 2008; La Colección Jumex; image courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow; photo: Francisco Kochen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154102502-TZBKVE485723OUKOP1UZ/image-asset.jpeg Issue 267 March 2014 5 Into the light: Nick Mitzevich and the 13th Adelaide Biennial of Australian Art: WENDY WALKER Shoufay Derz, I am death destroyer of words(detail), 2011, pigment print on cotton paper, custom-made cedar wood frame, stained indigo, 104 x 111cm; image courtesy the artist; ©Shoufay Derz https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226373222-01JSIQROOOPFL4U82PRE/image-asset.jpeg Issue 267 March 2014 6 Celestial bodies: The Kate Challis RAKA Award 2013: JANE RAFFAN Garawan Wanambi, Marrangu (detail), natural pigments and synthetic binder on bark; installation view, Ian Potter Museum of Art, Melbourne, 2013; courtesy the artist, Buku-Larrnggay Mulka Centre, Yirrkala, and Niagara Galleries, Melbourne; photo: Vicki Petherbridge https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154188991-A30DCJ53K1KZ66DVI5T1/image-asset.jpeg Issue 267 March 2014 7 Tribute: John Peart 1945-2013: JOE FROST John Peart at Wedderburn; photo: Stephen Oxenbury https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226386543-60K0J39EUQ2DKOHBNH62/image-asset.jpeg Issue 267 March 2014 8 Tribute: Gunter Christmann1936-2013: SIMON BARNEY Gunter Christmann and Jenny Christmann, 1975; image courtesy The Commercial, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226400336-MNKF3I8VRO4XZQZWB7LT/image-asset.jpeg Issue 267 March 2014 9 Tribute: Martin Ritchie Sharp 1942-2013: CHRISTINE FRANCE Martin Sharp at Wirian, 2012; image courtesy Josef Lebovic Gallery, Sydney; photo: Robert McFarlane https://www.artmonthly.org.au/issue-266 daily 0.75 2022-08-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154353941-0TGSCWPG6SWAU3TWP0LO/image-asset.jpeg Issue 266 Summer 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154417219-NMWIN0PEUGFX79KVKQVL/image-asset.jpeg Issue 266 Summer 2013 1 Suspended Histories, Museum Van Loon: SIOBHAN CAMPBELL Newell Harry, The Natives Are Restless, 2006/2013, neon sculpture; image courtesy the artist, photo: Thijs Wolzak https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154467819-SWDAKB10M1ODZNXSQQKV/image-asset.jpeg Issue 266 Summer 2013 2 Insurgence at the Museum of Democracy: An Interview ADAM GECZY, MEGAN COPE, RICHARD BELL: JENNY MCFARLANE & TONY ALBERT Vernon Ah Kee, austracism, 2013, and thisfouldeed, 2013, vinyl text installation on the windows of Old Parliament House, image courtesy the artist and Milani Gallery, Brisbane. photo: Rob Little https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226452747-KDQCGSYEVL60KEY5TVQ1/image-asset.jpeg Issue 266 Summer 2013 3 Visual Literacy in Bark Paintings: Narrative, Figurative and Stylistic Vocabularies: GRETCHEN STOLTE Yuwunyuwun Marruwarr, Ngalyod the Rainbow Serpent, 1974, natural ochres on bark, 73 x 48cm. Collection: National Museum of Australia, Canberra; image courtesy and © the artist or the artist’s estate. licensed by Aboriginal Artists Agency 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226468865-9OIMWLNVBHS3IGJAYPG9/image-asset.jpeg Issue 266 Summer 2013 4 Love City Jalalabad: George Gittoes in Afghanistan: ROD PATTENDEN Movie Poster, Love City Jalalabad, 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154638871-VEP95E2UME5EKFXITS72/image-asset.jpeg Issue 266 Summer 2013 5 IT'S COMPLICATED ... WHEN AD DESIGNS TURN ART? HIRAM TO Empire Theatre, North Point, Hong Kong, c.1953, photographer unknown https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154676736-2GP19C3IV4WR6GQZJU70/image-asset.jpeg Issue 266 Summer 2013 6 Frank’s View: Photography from the (Mildura) studio of Frank ‘Francesco’ Zaetta (1908-1993): ELIZABETH GERTSAKIS Frank’s View, installation view (detail), Stefano’s Gallery 25, Mildura, 2012-13; photo courtesy Stefano’s Gallery 25; photo: Krystal Seigerman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154711558-IKYFRJ306FITPROQZDXH/image-asset.jpeg Issue 266 Summer 2013 7 Australia, Royal Academy of Arts: SASHA GRISHIN John Olsen, Sydney Sun, 1965, oil on three plywood panels, overall: 307 x 412.5 x 40cm. Collection: National Gallery of Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154740970-59B734AYH3NNNGOS0MMA/image-asset.jpeg Issue 266 Summer 2013 8 Pukumani: CHRIS RAJA Pukumani poles at Pirlangimpi Front Beach: photo: Sabrina Talarico, Munupi Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154779627-YVQIYA3RPWKGLNGV6C8T/image-asset.jpeg Issue 266 Summer 2013 9 Tracks, play it again: MAURICE O’RIORDAN Annette Simpson and Jack Randell, Collar, 2012, collage, ink on board, 60 x 60cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154830884-4PYI81F6QUGKDUVVXSEH/image-asset.jpeg Issue 266 Summer 2013 10 Challenging Conspiracies of Silence with Art: Waralungku Arts, Borroloola, Northern Territory: SEÁN KERINS Stewart Hoosan, Mayawagu —Freedom Fighter, 2013, acrylic on linen, 88 x 120cm; image courtesy the artist and Art Centre, Borroloola, NT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226487995-DKR2SPDVGKNTJWMOEQWG/image-asset.jpeg Issue 266 Summer 2013 11 Muslim women artists to the fore: JAN JONES Shirin Aliabadi, Hybrid Girl 4, 2008; Lambda print mounted on aluminium, 100 x 78cm; image courtesy the artist and New Albion Gallery; shown in Contemporary Iranian Art, New Albion Gallery, Sydney, 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154948336-108QFBDG81IA5MMLCT8F/image-asset.jpeg Issue 266 Summer 2013 12 Mollie in Negativeland: Two Installations About Photography: ANN FINEGAN John Conomos, ‘Jon Conomos interrogating an elephant’; photograph as part of his The Spiral of Time installation, Australian Centre for Photography, Sydney, 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464154984741-WEPRV08WR79I1UDBLRDY/image-asset.jpeg Issue 266 Summer 2013 13 Down the Rabbit Hole: reorienting contemporary art practice: BETH JACKSON Addis (Adis) Fejzić, Bosnian Triumphal Gate, 2013, polystyrene, adhesives, sand, plaster, 25 x 24 x 60cm; installation view, Down the Rabbit Hole, 2013; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226503231-16CP83DSJAGRTUCJC60H/image-asset.jpeg Issue 266 Summer 2013 14 Art witnessing & making: Riel Hilario in interview Riel Hilario, Cut Me Down I Will Still Bloom, 2013, re-carved-faux-antique; from his solo exhibition Possible Full Body Apparitions, The Drawing Room, Singapore, 2013; image courtesy the artist and The Drawing Room, Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155156303-3ZFMLUVBU1WBXNB9FRK5/image-asset.jpeg Issue 266 Summer 2013 15 Biennale & beyond: Kochi-Muziris, South India: ROMAIN MAITRA Robert Montgomery, LED-lit text-based work on the wall of Aspinwall House, Fort Kochi, as part of Kochi-Muziris Biennale, 2012/13; image courtesy the artist; photo by Romain Maitra https://www.artmonthly.org.au/issue-265-november-2013 daily 0.75 2022-08-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155332591-AI2RHFOBEZ0B7P8ZF4GO/image-asset.jpeg Issue 265 November 2013 1 Biennale fever in Indonesia: temporary sites for contemporary, art: ROY VORAGEN Agus Suwage, Social Mirror #3, 2013, trumpet, copper, wood and car audio systems, 118 x 24 x 70cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155361314-7YIZ4TBWG67J6RCLULO3/image-asset.jpeg Issue 265 November 2013 2 Penang Diary, notes from a residency in Georgetown: JUMAADI Chulia Street, Georgetown, Penang; photo: Jumaadi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155392154-OC97DZZ51VFTL2Q1HY7S/image-asset.jpeg Issue 265 November 2013 3 A portrait of the nation by the artist: Browsing the 55th Venice Biennale: STEPHENIE CAHALAN Iraq Pavilion, ‘Welcome to Iraq’ (detail), Venice Biennale; image courtesy Venice Biennale; photo: Italo Rondinella https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155457066-RNOYK85TPKDW0NSBG4FX/image-asset.jpeg Issue 265 November 2013 4 Robin Wallace-Crabbe: Word Score: MILLAN PINTOS-LOPEZ Robin Wallace-Crabbe, Love and affection, (undated), digital print and charcoal on paper; installation view, Left Hand gallery, Braidwood, 2013; photo: Kelly Sturgis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155494248-EMH6VGGEJ77J1IDB14RA/image-asset.jpeg Issue 265 November 2013 5 Drawn to Dust: Hill End reflections 2013: PAMELA FRENCH Pamela French, Husband and wife, 2013, monotype, 10 x 12cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226626399-U7GT6MRD4YC3ZJF5CFOV/image-asset.jpeg Issue 265 November 2013 6 Out of Hill End: LENI SHILTON The singing frogs, 2013, ink on paper, 22 x 32cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155575702-XF11D1OMCE747TR6OHJO/image-asset.jpeg Issue 265 November 2013 7 Fragmented Productivity: Here & Now 13: AMANDA CACHIA Lisa Uhl, Turtujarti (walnut trees), 2013, acrylic on canvas, 120 x 120cm, image courtesy the artist © the artist; photo: Mangkaja Arts Resource Agency https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155600042-PFULSBXJ1W8R2S7D5FRP/image-asset.jpeg Issue 265 November 2013 8 Playing the Fontanelle, Bowden, Adelaide: WENDY WALKER Fontanelle Gallery exterior, Bowen, Adelaide, building façade painting by Sam Songailo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155631142-7TM8DGNTF60XA202WDBX/image-asset.jpeg Issue 265 November 2013 9 An artist in a waitress's body: Australian twenty-somethings pursuing an artistic career: NAIMA MORELLI Jacqui Shelton, Framing everyday negotiations: never confuse movement with action, 2013, single channel video installation, 31:38 min https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155662231-Q1E9WMLM0ZT2T4MJE7IQ/image-asset.jpeg Issue 265 November 2013 10 Frontman, Treaty, yeah?: MAURICE O'RIORDAN CD cover image, Treaty – Filthy Lucre Remix, 1991, Mushroom Records, Australia; produced and mixed by Ga/ vin Campbell, Robert Goodge and Paul Main https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155690183-L2TH3FULW213L1PGKA3E/image-asset.jpeg Issue 265 November 2013 11 Conversing, re(in)verting …: DAVID HANSEN & ARTHUR WICKS Arthur Wicks, Germinating Landscape, 1967, silkscreen print on MG Litho paper, 45 x 62cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226554326-NS6I4D4NLYOP25B2ZLJF/image-asset.jpeg Issue 265 November 2013 12 A Century of Readymades: MARK HOLSWORTH Marcel Duchamp, Bicycle wheel, 1913, reconstructed 1964, painted wooden stool and bicycle wheel; stool: 50.4 cm (h); wheel: 64.8cm (diam.); 126.5 cm (h) (overall); Collection: National Gallery of Australia, Canberra; © Succession Marcel Duchamp/ADAGP/Paris; licensed by Viscopy 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464155834976-XW4XCOJJ0MJE53X7TXF4/image-asset.jpeg Issue 265 November 2013 13 artbooks: Caterpillars and Computers: Keith Haring in Australia: ANDREW ATCHISON Hannah Mathews (ed.), Australian Centre for Contemporary Art Publications, Melbourne, commissioned by the City of Yarra's Arts & Culture Department, 2012; design: Matthew Hinkley, 55pp; rrp$13 https://www.artmonthly.org.au/issue289-may2016-1 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463533839999-ON9UXBBSRFU73DFLPZR1/1761_l_01+Roundtable_image1.jpg Issue 289 May 2016 1 Connective threads: Angela Goddard, Brisbane Image: Exterior view of The Walls, Miami, Gold Coast, 2015; image courtesy The Walls; photo: Alan Warren https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534024560-ULXZSZ73HY6S1TX8PVC1/1762_l_02+Regional_image2.jpg Issue 289 May 2016 2 From ‘Cream’ to ‘Coconut Water’: Feeding Queensland regional audiences: Hamish Sawyer, Caloundra Vai Niu Wai Niu Coconut Water, exhibition view with installation detail by Eric Bridgeman, Caboolture Regional Art Gallery, 2015; image courtesy Caboolture Regional Art Gallery; photo: Al Sim https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225030781-BSJ9DWCKTMUX31507J7V/image-asset.jpeg Issue 289 May 2016 3 Reflections in a muddy puddle: Jenny Watson in conversation: Wes Hill, Brisbane Jenny Watson, Reflection in a muddy puddle, 2013, oil on linen and mixed media, 250 x 141cm, image courtesy the artist and Roslyn Oxley Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534218573-EMUBQCQKTB6FBI0518YN/image-asset.jpeg Issue 289 May 2016 4 The past comes close: New works: Bruce Reynolds by Virginia Rigney, Brisbane Bruce Reynolds, Vase with Cypress, 2016, lino on board, 168 x 103cm; image courtesy the artist and Jan Manton Art, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534366093-0TS1BJDFL4OTJFH8NPSU/image-asset.jpeg Issue 289 May 2016 5 DIY, ARI: Brisbane’s artist-run spaces now: Lisa Bryan-Brown, Brisbane Weeping Woman performance, That Space, Brisbane, August 1986; image courtesy the University of Queensland Art Museum, Brisbane; photo: The Shared Camera https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534421189-5ZENX3GW4IYPZKA25R4I/image-asset.jpeg Issue 289 May 2016 6 andu: A son’s story: Michael Cook, Sunshine Coast Michael Cook, Mother (Bicycle), 2016, inkjet print on paper, 80 x 120cm, edition of 8; image courtesy the artist and Andrew Baker Art Dealer, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225049043-PVR7T7CGJCIZ73Q2B6AB/image-asset.jpeg Issue 289 May 2016 7 Sageraw Thonar: Stories from the southeasterly season: Miriam Carter, Cairns Laurie Nona, Malngu Sagrr Gimeiya, 2016, linocut print on paper, 154.3 x 110.5cm (image size); image courtesy the artist and Badu Art Centre; photo: Jon Linkins https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534721182-Y34HO60BVG3NQLY34YVT/1768_l_08+Gabori_image1.jpg Issue 289 May 2016 8 Mirdidingkingathi Juwarnda Sally Gabori: The splendour of colour: Louise Martin-Chew, Brisbane Mirdidingkingathi Juwarnda Sally Gabori, Thundi, 2013, synthetic polymer paint on linen; collection: The Estate of Mirdidingkingathi Juwarnda Sally Gabori; © Mirdidingkingathi Juwarnda Sally Gabori, licensed by Viscopy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534766784-F8E8A6N06SCP1VNI11SK/image-asset.jpeg Issue 289 May 2016 9 Whorled worlds and echoes from history: Jitish Kallat in conversation: Gene Sherman, Sydney jitish Kallat, Public Notice, 2003, installation view, 5th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery/Gallery of Modern Art, Brisbane, 2006–07; burnt adhesive on acrylic mirror, wood, stainless steel, 5 part series, 198.1 x 137.2 x 15.2cm each; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534832146-RL0KH18XXN85D3EXLOSY/image-asset.jpeg Issue 289 May 2016 10 Confronting the nature of representation: ‘Afterwork’ at Para Site: Chloé Wolifson, Hong Kong Santiago Sierra, La trampa (The Trap), Matucana 100, Santiago de Chile, 2007, photograph; image courtesy the artist and Para Site, Hong Kong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534916183-1SWI60V88ATPGR9PAZAT/image-asset.jpeg Issue 289 May 2016 11 Deep hanging out: Francis Upritchard at MUMA: Amita Kirpalani, Melbourne Francis Upritchard: Jealous Saboteurs, exhibition view, Monash University Museum of Art (MUMA), Melbourne, 2016; image courtesy the artist and MUMA, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463534985814-1Q4I3XF58HAB2CJRF9ZM/image-asset.jpeg Issue 289 May 2016 12 Curiouser and curiouser: The 2016 Adelaide Biennial of Australian Art: Stephanie Radok, Adelaide Tarryn Gill, Guardian Figure, 2015, installation view, Samstag Museum of Art, Adelaide, 2016; mixed media including foam, faux fur, LED lights, 46 x 40 x 30cm; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463535041270-A7PG74D322JQFCJ7T1HW/image-asset.jpeg Issue 289 May 2016 13 Illuminating tradition: ‘Shimmer’ at Wollongong: Miranda Samuels, Wollongong Lola Greeno, warrener, 2015, warrener shells, stainless-steel wire, commissioned for ‘Shimmer’; photo: Bernie Fischer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463535107639-B5XENZMG2XF8DQTB2ZIZ/image-asset.jpeg Issue 289 May 2016 14 Conflicted emotion: Elizabeth Gower’s ‘he loves me, he loves me not’; Amelia Winata, Melbourne Elizabeth Gower, he loves me, he loves me not, 2016, installation images, RMIT Gallery, Melbourne, 2016; photos: Tobias Titz https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1463535165592-BGFH2HEPYFSHJH15G3JP/image-asset.jpeg Issue 289 May 2016 15 Gordon Darling 1921 – 2015: Angus Trumble, Canberra Jiawei Shen, L. Gordon Darling AC CMG, 2006, oil on canvas, 168.8 x 153cm; National Portrait Gallery, Canberra, purchased with the assistance of the Mundango Charitable Trust and Claudia Hyles 2006 https://www.artmonthly.org.au/shop daily 0.75 2020-10-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1534896683289-QLP9PVK13XMWENQA8JAF/1496972883776.png Shop https://www.artmonthly.org.au/issue280june2015 daily 0.75 2020-05-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467272562641-L9CVZS0KVR0BYAZ3TORN/image-asset.jpeg Issue 280 June 2015 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589933663536-VOBXAT428D7WP4NLJQ65/Dispatches.JPG Issue 280 June 2015 1 Dispatches: gabriella coslovich Artspace, sydney; image courtesy artspace and dunn & hillam architects; photo: brett boardman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589935523517-Y8DAOB4BXU84Y04QHUOC/Audiences.JPG Issue 280 June 2015 2 On audiences, artists and connectivity: A NSW roundtable: Michael Fitzgerald From left: Michael Dagostino, Brett Adlington, Elizabeth Ann Macgregor, Lisa Havilah, Suhanya Raffel and Talia Linz at Carriageworks, Sydney, 22 April 2015; image courtesy and © Bob Newman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589933835546-07MK23V8SGOILYJMRDMH/Reflections.JPG Issue 280 June 2015 3 reflections on the ‘regional’: joe eisenberg in conversation: anna waldmann joe eisenberg at his ‘director’s choice’ exhibition, maitland regional art gallery (mrag), 2014; image courtesy the maitland mercury; photo: stuart scott https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589933966859-O43H07R18OAJB45BY0WT/Bungaree.JPG Issue 280 June 2015 4 channelling a chameleon: ‘bungaree: the first australian’: larissa behrendt karla dickens, life like liquid, 2015, video still; image courtesy the artist and mosman art gallery, sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589934092561-8DX5ZDA5AKSX2YQPIP1U/Sydney+6.JPG Issue 280 June 2015 5 a total creative force: the ‘sydney 6’: christine france margo lewers, orange with white, 1971, plexiglass construction, 31 x 51.5 x 12.3cm; collection penrith regional gallery & the lewers bequest collection, gift of tanya crothers and darani lewers 1979 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589934245507-10SU3L8SYHTGHQT2WK3H/Couples.JPG Issue 280 June 2015 6 an untold story: how three artistic couples became the ‘sydney 6’: cassi plate carl and jocelyn plate, 1946; image courtesy cassi plate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589934570023-1RMBLI0OABZ14EED5X5X/Big+Picture.JPG Issue 280 June 2015 7 the big picture: locust jones locust jones, several months in the life of the world, 2015, detail; ink, pencil, oil and pigment on paper (saunders waterford 300gsm), 150 x 1000cm; image courtesy the artist and dominik mersch gallery, sydney, and karen woodbury gallery, melbourne; photo: silversalt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589934720973-J7SXVQA7Y0N3235IMXF1/Milsom.JPG Issue 280 June 2015 8 nigel milsom: surface tension: rachel kent nigel milsom, judo house part 6 (the white bird), 2014-15, oil on linen, 230 x 195cm, yuill/crowley, sydney; image courtesy the artist and yuill/crowley, sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589934883605-4QRSMXB553F4FPO5Z0LK/Elephant.JPG Issue 280 June 2015 9 the elephant in the room: uses and misuses of animals in curatorial practice: janine burke anastasia klose, the farnsworth series, 2014, detail; mixed-media, dimensions variable; image courtesy the artist and tolarno galleries, melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589935033610-YUK22VHXQJ4DC1I2NXKO/Parke.JPG Issue 280 June 2015 10 dark poet: trent parke’s ‘the black rose’: pedro de almeida trent parke, cemetery, adelaide, 2007; © trent parke/magnum photos https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589935134619-5GGPEH6JRNY77N388TKE/Margaret.JPG Issue 280 June 2015 11 Margaret west 1936-2014: eva czernis-ryl margaret west, august 2011; image courtesy vincent west https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589935211398-FW19SPZKEKB2FY0WUB2Y/Vernon.JPG Issue 280 June 2015 12 vernon treweeke 1939-2015: rhonda davis Effy Alexakis, vernon treweeke, 2014, digital photograph; image courtesy the artist and the estate of vernon treweeke https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589935308151-AGN5Q7VFF8P6093SUTA7/Churcher.JPG Issue 280 June 2015 13 Betty Churcher 1931-2015: alan dodge betty churcher, 2008; photo: adam knott https://www.artmonthly.org.au/issue-279-may-2015 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467283085527-GE392OOZAQ2LP45TLC3U/image-asset.jpeg Issue 279 May 2015 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467341935186-OUUERC86KWG430CZ5X49/image-asset.jpeg Issue 279 May 2015 1 ‘#madeforinstagram’: Art Basel Hong Kong 2015: Alison Kubler MyeongBeom Kim’s untitled deer taxidermy at Gallery IHN, Art Basel Hong Kong 2015 © Art Basel https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225388497-BBSO1LYFHP4ZUD84AHLT/image-asset.jpeg Issue 279 May 2015 2 Robert Gober’s ‘The Heart Is Not a Metaphor’: Julie Ewington Robert Gober, The Heart Is Not a Metaphor, installation view, the Museum of Modern Art (MoMA), New York; image courtesy and © MoMA; photo: Jonathan Muzikar © 2014 Robert Gobermore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342075521-8A8IGJBA3VXVBD3HMXVF/image-asset.jpeg Issue 279 May 2015 3 A room of one’s own: Australia’s new pavilion in Venice: Michael Fitzgerald Australian Pavilion entry, southern elevation; image courtesy the Australia Council for the Arts. photo: John Gollings https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342126088-VIS1WUD42MHH3DEBGN9B/image-asset.jpeg Issue 279 May 2015 4 Expanding the horizon: Future Perfect and the Singapore scene: Lucy Rees image: Future Perfect Directors David Teh, Nina Miall and Jasper Knight. image courtesy Future Perfect, Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342269359-RTXOAOWD42L6ZZDVP349/image-asset.jpeg Issue 279 May 2015 5 Anecdote and theme: Reflections on curating contemporary art from Southeast AsiA: Lee Weng Choy Simryn Gill, Hugging the Shore, exhibition view, NTU Centre for Contemporary Art Singapore (NTU CCA Singapore), 2015, with Dalam, 2001. photo: NTU CCA Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342311988-SGBM4A95ARIAB9C9VB7O/image-asset.jpeg Issue 279 May 2015 6 What can institutions do? The IMA’s Aileen Burns and Johan Lundh in conversation: Tim Walsh Aileen Burns and Johan Lundh; image courtesy the Institute of Modern Art, Brisbane. photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342366225-EQ4KGEGB3FFUKZOT69GR/image-asset.jpeg Issue 279 May 2015 7 To the fore: The growing legacy of QCA’s Bachelor of Contemporary Australian Indigenous Art: Ellie Buttrose Dale Harding, his legacy to the Colony; their ongoing privilege, 2015, mixed-media installation, 100 x 140 x 40cm. image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342404138-J2AKX4X9GNQI3S9WS9DP/image-asset.jpeg Issue 279 May 2015 8 Michael Zavros: Beyond beauty?: Peter McKay Michael Zavros, Medusa Discus, 2015, archival ink on hahnemuhle photo rag, 60 x 60cm. image courtesy the artist, Starkwhite, Auckland, and Philip Bacon Galleries, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342441663-5WS8VBS1N7G1KOJ3270U/image-asset.jpeg Issue 279 May 2015 9 Colin Lanceley 1938 – 2015: Barry Pearce Colin Lanceley; image courtesy Australian Galleries, Melbourne and Sydney. photo: Paul Green https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342489859-D77ZG3EBQ6TKDYZ4IHDR/image-asset.jpeg Issue 279 May 2015 10 Robert Jacks 1943 – 2014: Kirsty Grant Robert Jacks, Bendigo Art Gallery, November 2009; image courtesy Ian H. Hill. photo: Ian H. Hill https://www.artmonthly.org.au/issue-278-april-2015 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467284275865-M1VE3UR0E0EO1CHFFMIV/image-asset.jpeg Issue 278 April 2015 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225548004-5R8BM6M9UQP308OCWCW9/image-asset.jpeg Issue 278 April 2015 1 Straddling the spectrum: Rebecca Baumann and Brendan van Hek’s ‘colour restraint’: Andrew Purvis Rebecca Baumann, Once More With Feeling, 2014, installation view, Trivision billboard, plexiglas, ETC Source Four, 330 x 430cm. image courtesy the artist; photo: Sam Harnettmore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342873216-WW4MD1ZJSSSMZXBK2VGM/image-asset.jpeg Issue 278 April 2015 2 Speculations on site: ‘spaced 2: future recall’: Laetitia Wilson Archana Hande, The Golden Feral Trail, 2014, digital print on archival paper; commissioned for ‘spaced 2: future recall’. image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342902587-M952H70NKNO1QL14CSPE/image-asset.jpeg Issue 278 April 2015 3 Uprooted: Fred Williams’s Stump I at the Art Gallery of Western Australia: Justin Paton Archana Hande, The Golden Feral Trail, 2014, digital print on archival paper; commissioned for ‘spaced 2: future recall’. image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225508452-W6HXGH9G91IDK4BW1HC3/image-asset.jpeg Issue 278 April 2015 4 Lover, fighter: Robert Cook Abdul-Rahman Abdullah, Al Falaq, 2013, tinted resin, 75 x 45 x 42cm. image courtesy the artist and Dianne Tanzer Gallery + Projects, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342963841-G22F0TA9S12D5R0MRATO/image-asset.jpeg Issue 278 April 2015 5 Constituting community: ‘do it (adelaide)’: Jenna McKenzie Yoko Ono, Wish Piece, 1996, enacted by Jessie Lumb, 2015, for ‘do it (Adelaide)’; image courtesy Samstag Museum of Art, Adelaide. photo: Lara Merrington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467342987961-U1IZGX7IUKIPGHINBCP4/image-asset.jpeg Issue 278 April 2015 6 Art is not a verb: Donald Brook Minoru Hirata, Hi Red Center’s Street Cleaning Event (Be Clean! And Campaign to Promote Cleanliness and Order in the Metropolitan Area), 1964. image courtesy Taka Ishii Gallery, Tokyo; © Minoru Hirata https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467343012923-UW9CATN6TBPQAW4MAUP2/image-asset.jpeg Issue 278 April 2015 7 Hovering on the edge of catastrophe: Rosemary Laing’s ‘weathering’: Gretchen Shirm Rosemary Laing, weather #3, 2006, type-C photograph, 110 x 166cm (image size), edition 6/8, private collection, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225525889-HXHUAZYAPD5GPFCBQZLZ/image-asset.jpeg Issue 278 April 2015 8 The butterfly effect: Ken + Julia Yonetani’s ‘Another dream (Un autre rêve)’: Gabriella Coslovich ken + Julia Yonetani, Grape Chandelier, 2011, installation detail, Abbaye de Maubuisson, Saint-Ouen-l’Aumône; Murray River salt, metal, 200 x 150cm (diameter). photo: Catherine Brossais; © Conseil général du Val d’Oise https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467343078469-5WYL6D3X76QZS9PFZP1L/image-asset.jpeg Issue 278 April 2015 9 Shifting meaning and memory: Tony Albert in conversation: Ivan Muñiz Reed tony Albert, Thou didst let fall, 2014, detail view, assemblage made of reworked objects, fabric and twine, 161 x 550 x 11cm (dimensions variable). image courtesy the artist and Sullivan+Strumpf, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467343137143-3W72IJZUAMP4568HCZGZ/image-asset.jpeg Issue 278 April 2015 10 Honouring service and sacrifice: Yininmadyemi – Thou didst let fall: Gary Oakley Eddie Albert. image courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467343164044-D4VQ0ZS4P6A7AFPBY0UR/image-asset.jpeg Issue 278 April 2015 11 Jennifer Phipps: 1944–2014: Paul Fox robert Rooney, Jennifer Phipps, July 1978. image courtesy the artist, Darren Knight Gallery, Sydney, and Tolarno Galleries, Melbourne https://www.artmonthly.org.au/issue-277-march-2015 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467284517927-W71O1BUN9VXZHB5RNQN7/image-asset.jpeg Issue 277 March 2015 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397148496-K2K8DTU8W2KSY4T84CA3/image-asset.jpeg Issue 277 March 2015 1 A broadened perspective: The NGV’s Tony Ellwood in conversation: Michael Fitzgerald Tony Ellwood with works by Brent Harris; from left: No. 21, No. 9 and No. 26 (The reassembled self), 2011, charcoal and gouache on plywood, 42 x 31cm; National Gallery of Victoria, Melbourne, purchased, Victoria Foundation for Living Australian Artists, 2011; © Brent Harris. photo: Selina Ou, NGV Photographic Services https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397390340-J9SYH1Z2HIS4YP35L5ZB/1631_l_02Horsham.jpg Issue 277 March 2015 2 Capitalising culture: Horsham Regional Art Gallery’s rural renaissance: Jarrod Rawlins Horsham Regional Art Gallery (HRAG), Wilson Street elevation, artist’s impression. image courtesy HRAG https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397490056-SN37ERRF618WIC3W81CV/image-asset.jpeg Issue 277 March 2015 3 Echoing across the pond: Gallery Gabrielle Pizzi, 1987–2014: Jane Raffan Christian Thompson, We Bury Our Own, exhibition view, Gallery Gabrielle Pizzi, Melbourne, 2012. image courtesy Gallery Gabrielle Pizzi, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397543787-HLFVBTBE8C4YY5NCUK7G/image-asset.jpeg Issue 277 March 2015 4 In your own time: Alicia Frankovich’s Defending Plural Experiences: Ash Kilmartin Alicia Frankovich, Defending Plural Experiences, 2014, performance views, Australian Centre for Contemporary Art, Melbourne, 2014; live performance, 4 hour duration; images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397594033-67KFKVEFOUNYBCUJSWKY/image-asset.jpeg Issue 277 March 2015 The unfinished archive (or the pleasure of looking through other people’s things): Julia Powles Bianca Hester, Please leave these windows open overnight to enable the fans to draw in cool air during the early hours of the morning, exhibition view, ACCA, Melbourne, 2010. image courtesy the artist and ACCA Archive https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397638256-5SZV29WB5S60NJISA2X9/image-asset.jpeg Issue 277 March 2015 6 Inside the circle: A life among artists: Sheridan Palmer Jean Langley 1958, Heide Museum of Modern Art Archive, Melbourne; photo: John Yule © Estate of John Yule https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397701755-8UZHDI8DLKZU5FFQF43Y/1636_l_07SingaporeArt.jpg Issue 277 March 2015 7 Platforms, prizes and PYTHAGORAS: ‘Singapore Art Week 2015’: Chloé Wolifson Ho Tzu Nyen, PYTHAGORAS, 2013, video still from installation with 4-channel HD video, 8-channel sound, automated curtain track, fans, lights and show control mechanism, dimensions variable; Singapore Art Museum (SAM) collection. image courtesy the artist and SAM, Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397754406-HFXUYFLBLVIIK6QWQX28/image-asset.jpeg Issue 277 March 2015 8 Sculpture in the bush: Surveying ‘The McClelland’: Sasha Grishin Sonia Payes, Re:Generation, 2014, fibreglass, UV stable gelcoat; 3 elements: 500 x 230 x 230cm; 250 x 230 x 230cm; 125 x 230 x 23cm; image courtesy the artist and McClelland Sculpture Park & Gallery, Langwarrin. photo: Mark Ashkanasy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397790143-BAPXSYJBDRA7CY51WI9F/image-asset.jpeg Issue 277 March 2015 9 Cultural freight: ‘Fashion Icons’ in Adelaide: Sally Gray Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris, from left: Comme des Garçons, dress, ready-to-wear, Autumn–Winter 2012–13, Les Arts Décoratifs, Mode et Textile collection, Paris, purchased with the support of Louis Vuitton, 2012; Valentino, evening suit, haute couture, Autumn–Winter 2007–08, Les Arts Décoratifs, Mode et Textile collection, Paris, in association with Valentino, 2008. photo: Thierry Dreyfus for Eyesight Group https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397839991-S129BVBYO6P0B8SY1A2E/1639_l_10HitoSteyerl.jpg Issue 277 March 2015 10 Seeking resolution: ‘Hito Steyerl: Too Much World’: Ellie Buttrose Hito Steyerl, Strike, 2010, installation with 46-inch flat screen mounted on two freestanding poles, HD video file, 28sec; image courtesy Wilfried Lentz Rotterdam © Hito Steyerl https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471397893791-O6ACC2X3CUKMX47FV9GI/image-asset.jpeg Issue 277 March 2015 11 New beginnings: ‘Pop to popism’: Juliana Engberg Martha Rosler, Cleaning the Drapes, from the series ‘House Beautiful: Bringing the War Home’, 1967–72, photomontage; courtesy the artist and Mitchell-Innes & Nash, New York https://www.artmonthly.org.au/issue-276-summer-201415 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467284639432-ECAM3Z2L1N7VVJCQMRUM/image-asset.jpeg Issue 276 Summer 2014/15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398032595-3RTR0RFTVDVRE86U53YW/1617_l_01Groys.jpg Issue 276 Summer 2014/15 1 What’s new?: Tom Melick Boris Groys, On the New, trans G. M. Goshgarian, Verso Books, London and New York, 2014, 208 pages https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398085710-86MA364ZH1CAQC0EF8XK/image-asset.jpeg Issue 276 Summer 2014/15 2 A collaborative approach: Sasha Grishin’s Australian Art: A History: Louise Mayhew Sasha Grishin, Australian Art: A History, The Miegunyah Press, Melbourne, 2014, 570 pages, AU$175 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398118770-E7GGOKKRTWT1VG4H2O95/image-asset.jpeg Issue 276 Summer 2014/15 3 Akio Makigawa’s forms of persuasion: Patrick Hutchings Jackie Cooper (ed.), Akio Makigawa, Macmillan Art, Melbourne, 2014, 565 pages, AU$175 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398154481-UNZZHWFWYIOWU2JWN9CT/image-asset.jpeg Issue 276 Summer 2014/15 4 A meme on the Murray: Clive Murray-White Kevin Mortensen, Delicatessen, 1975, installation view, 6th Mildura Sculpture Triennial, 1975; (the work comprised a shop, several objects constructed by the artist hanging by hooks on railing, and an actor); photo: Ken Scarlett https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398199019-F40LNEGHPQJK5FVR6997/image-asset.jpeg Issue 276 Summer 2014/15 5 Paused for contemplation: ‘Episodes: Australian Photography Now’: En Young Ahn Dong Gang Museum of Photography with 13th Dong Gang International Photo Festival posters featuring work by Koo Bohnchang and Christian Thompson, 2014; photo: En Young Ahn https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398237559-S3AIPQNS9T54P3LQQ6IX/image-asset.jpeg Issue 276 Summer 2014/15 6 How to (read) things that don’t exist: Charles Esche in conversation with Zara Stanhope Clara Ianni and Deborah Maria da Silva, Apelo (Plea), 2014, video, installation view, 31st Bienal de São Paulo, 2014; photo courtesy and © Pedro Ivo Trasferetti/Fundação Bienal de São Paulo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398270158-3YGCPYDULJS8TRJKEW9X/image-asset.jpeg Issue 276 Summer 2014/15 7 Notes from the north: Julie Ewington Niki de Saint Phalle, en train de viser, 1972, coloured black-and-white photograph from the film Daddy © Peter Whitehead https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398311065-6FZ3IWL1I1OP1CD6TMZ9/image-asset.jpeg Issue 276 Summer 2014/15 8 In the ‘second degree’: Revisiting Paul Taylor’s ‘POPISM’ at the NGV: Anneke Jaspers Robert Rooney, Portrait of Paul Taylor, 1984, cibachrome photograph, 20.1 x 30.4cm, Art Gallery of New South Wales, Sydney, purchased 1996; image courtesy Tolarno Galleries, Melbourne, and Darren Knight Gallery, Sydney © Robert Rooney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398345676-KBYZM9KC8QMJFQL01943/image-asset.jpeg Issue 276 Summer 2014/15 9 Close encounters with hyperreality: Michael Desmond Chuck Close, Emma, 2000, oil on canvas; image courtesy Pace Gallery, New York; photo: Ellen Page Wilson, Pace Gallery, New York © Chuck Close https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398383863-9F5GFB7BS1MV87M1176Y/image-asset.jpeg Issue 276 Summer 2014/15 10 Calculating the corporeal: ‘PULSE: Reflections on the Body’: Claire Capel-Stanley Jude Rae, Interior # 178, Meg, 2004, oil on linen, 40.5 x 38 cm; Canberra Museum and Gallery Collection; image courtesy the artist. photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398427278-NL3D4VVIWF7LFASKBN3K/image-asset.jpeg Issue 276 Summer 2014/15 11 Continuums: William Wright in conversation with Kon Gouriotis William Wright, Earth, 1996, acrylic on canvas, 196 x 196cm; image courtesy the estate of William Wright. photo: Geoff Kleem https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398465182-HOJ5LKGT3QWMN6T9AG1G/image-asset.jpeg Issue 276 Summer 2014/15 12 The undead exhibition: Ann Stephen Nouvelles histoires de fantômes [New Ghost Stories], installation view, Palais de Tokyo, Paris, 2014. photo: André Morin https://www.artmonthly.org.au/issue-275-november-2014 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467284919539-MJLGJXO7NHS3X50HNQYP/image-asset.jpeg Issue 275 November 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398528545-CXMUKC7KQB0WV06DC61D/image-asset.jpeg Issue 275 November 2014 1 Still standing: ‘Burning Down the House’, the 10th Gwangju Biennale: EN YOUNG AHN Jane Alexander, Symposium, 2014, installation view, the 10th Gwangju Biennale, 2014; 28 figures of infantry and beast, mixed media, dimensions variable; photo: En Young Ahn https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398573585-PJQAUGJNIR2KF7CJBD1X/image-asset.jpeg Issue 275 November 2014 2 Intersections: The 8th Berlin Biennale for Contemporary Art: JANE DEVERY Agatha Gothe-Snape, IMMACULATE IMMATERIAL AFFLUENCE BLOSSOMING from Untitled, 2014, 8th Berlin Biennale for Contemporary Art (reception desk); image courtesy and © Zak Group, 2014. photo: Brotherton-Lock https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398610579-PWG6Y1EK0JNZVSLN2YUX/image-asset.jpeg Issue 275 November 2014 3 An alternative perspective: Adrian Newstead’s The Dealer is the Devil: KATRINA CHAPMAN Adrian Newstead, The Dealer is the Devil: An Insider’s History of the Aboriginal Art Trade, Brandl & Schlesinger, Blackheath, 2014, 520 pages, AU$49.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398652096-RICGPO9GKR13S5GN4M55/image-asset.jpeg Issue 275 November 2014 4 Transcending fashion: Japanese design and ‘Future Beauty’: ALISON KUBLER Comme des Garçons (Rei Kawakubo), Autumn/Winter 2012–13; collection: Kyoto Costume Institute. photo: Masayuki Hayashi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398697250-GVXDDGAL2APKUQET8E70/image-asset.jpeg Issue 275 November 2014 5 The fashion phenomenon: Fashion in the gallery and museum: PETER MCNEIL Christian Dior, Bar Suit, haute couture, Spring–Summer 1947, Les Arts Décoratifs, Ufac collection, Mode et Textile, in association with Christian Dior, 1958. photo: Thierry Dreyfus for Eyesight Group https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471398729088-MXBJ2QUXIAWMSPDL9FYX/1613_l_06.jpg Issue 275 November 2014 6 Futurist remembrance: An Acconci footbridge for Hobart?: DANIEL THOMAS Aerial view looking northwest along the spine of the Queens Domain. The proposed Acconci bridge seeks to connect the Cenotaph (centre foreground) with the Avenue of Honour (cleared yellow-tinged native grassland in the middle ground); image courtesy Inspiring Place, Hobart. photo: Adam Muyt, Hobart City Council https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471411276826-7YX189JOM3QSFC0DQ0OQ/image-asset.jpeg Issue 275 November 2014 7 ‘The Land of David’: Christoph Büchel’s Tasmanian odyssey: MICHAEL FITZGERALD Christoph Büchel, Land of David (Poynduk), installation view, Port Davey, Tasmania, 2014; image courtesy the Museum of Old and New Art (MONA), Hobart. photo: MONA/Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471411418672-L6OLBBMTUNQMCLTKQE1O/image-asset.jpeg Issue 275 November 2014 8 From Gould to the GEOcritical: Circumnavigating an island of art: GILLIAN MARSDEN Thomas James Lempriere (1796–1852), The Settlement, Macquarie Harbour, Van Diemen’s Land, c. 1827–29, watercolour, pencil and ink, 31.6 x 43.5cm (sheet and image); collection of Tasmanian Museum and Art Gallery (TMAG), Hobart, purchased 1996. image courtesy TMAG, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471411848488-NFW6J5OV8XJ41U8AMRYS/image-asset.jpeg Issue 275 November 2014 9 Pain is near: River of Fundament, a symphonic film by Matthew Barney and Jonathan Bepler: LISA HAVILAH Matthew Barney and Jonathan Bepler, River of Fundament, 2014, production still; produced by Matthew Barney and Laurenz Foundation; written and directed by Matthew Barney; music composed by Jonathan Bepler; cinematography by David Regen. image courtesy Matthew Barney https://www.artmonthly.org.au/issue-274-october-2014 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467285054990-ORJ4G18Q1KX4QJNUSP0H/image-asset.jpeg Issue 274 October 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471412032829-3X24MJFJ2UWPDOUPLHMJ/image-asset.jpeg Issue 274 October 2014 1 Making Opportunities: Art in South Australia: KELLI ROWE Henry Jock Walker (assisted by Ben Leslie), Tarp Surfing Drawing at the Art Gallery of South Australia, ‘The Artists’ Voice’ forum, SALA Festival, Adelaide, August 2014; image courtesy the artist. photo: Che Chorley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225617847-GFXNXCYUDVUHRC8OW1ET/image-asset.jpeg Issue 274 October 2014 2 Processing the past: Contemporary photomedia in South Australia: MARK KIMBER Will Nolan, Pretend I Exist, 2014, archival inkjet print, Gatorboard, glass, black wood frame, 89 x 112cm. image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225632429-HP7VNRJB80JFJSRIWH7K/image-asset.jpeg Issue 274 October 2014 3 Beyond borders and boundaries: Aboriginal art from the centre and south: NICI CUMPSTON CJ Taylor, Still life with possum, mussels and New Holland Honeyeater, 2011,acrylic glass, fused pigment print, 57 x 75cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225661091-N7KY5W76FV5ZZR3EFAE2/image-asset.jpeg Issue 274 October 2014 4 On artists, art fairs and ... Adelaide PAUL GREENAWAY IN CONVERSATION WITH EVE SULLIVAN Thomas Rentmeister, nearly 100 fridges in a corner, 2008, refrigerators, Penaten cream, styrofoam, 750 x 536 x 370cm;image courtesy Greenaway Art Gallery, Adelaide. photo: Grant Hancock https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471412299959-9IKFCQC9AWBTZZK4M1A5/image-asset.jpeg Issue 274 October 2014 5 Changing states: ‘The extreme climate of Nicholas Folland’: JENNA MCKENZIE Nicholas Folland, Rose, 2012, crystal perfume bottle, polyester resin, timber, aluminium, lightbox, 16 x 7 x 7cm; image courtesy the artist and Art Gallery of South Australia (AGSA), Adelaide. photo: Ryan Renshaw https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471412344100-GK0Z71G3U04YMA6W03JP/image-asset.jpeg Issue 274 October 2014 6 Without words: ‘Binns + Valamanesh’ at Casula Powerhouse: CLAIRE CAPEL-STANLEy Binns + Valamanesh installation view, Casula Powerhouse Arts Centre, Sydney, 2014, featuring from left: Hossein Valamanesh, Lotus Vault, 2011, lotus leaves on paper on plywood, collection of National Gallery of Australia, Canberra, purchased with the assistance of Susan Armitage 2012; Vivienne Binns, Nylon over the Lachlan, 2005, acrylic on canvas, collection of National Gallery of Australia, Canberra, purchased 2008; Vivienne Binns, Wire weave plastic mesh: a paradox of irritations, 2007–08, synthetic polymer paint on canvas, The James C. Sourris AM Collection, gift of James C. Sourris AM, through the Queensland Art Gallery Foundation 2012, donated through the Australian Government’s Cultural Gifts Program; Hossein Valamanesh, Fallen Branch, 2005, bronze. photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225678993-HR6A6VO5EA0Q3LF1864Y/image-asset.jpeg Issue 274 October 2014 7 Eric Thake: A surrealist at war: PETER PINSON Eric Thake, Japanese wreckage, Penfoei airstrip, Timor, 1945, gouache, pencil on paper, 51 x 39.6cm. image courtesy the Australian War Memorial, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471412472685-DCW03U59SE8CZZOG97F7/image-asset.jpeg Issue 274 October 2014 8 Shifting the registers: ‘What I see When I Look at Sound’: JOHN MATEER Matthew Gingold, Filament Orkestra, 2014, detail; 64 light bulbs, 64 light-dependent resistors (LDRs), 8 Ardunio Fio, 8 FM radios, 8 Lepai 2020 amplifiers, 16 Tang Band W5-1611SAF 5-in. full-range speakers, 4km AC/DC wiring. image courtesy the artist and Perth Institute of Contemporary Arts (PICA) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471412746331-52KZYY927E1AWXPP1CFO/image-asset.jpeg Issue 274 October 2014 9 Pierre Huyghe and Parallel Presents: JULIE EWINGTON Pierre Huyghe, exhibition view, Centre Pompidou, Paris, September 2013 – January 2014. image courtesy the artist; photo: Ola Rindal https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471412871218-IWA0W7DQD857YSP6X7YX/image-asset.jpeg Issue 274 October 2014 10 Richard Larter (1929 – 2014): DEBORAH CLARK https://www.artmonthly.org.au/issue-273-september-2014 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467285178338-5QCKHL29FFZHNDSAK3US/image-asset.jpeg Issue 273 September 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225728296-I63GUF68XSM04CBST0AP/image-asset.jpeg Issue 273 September 2014 1 IN QUEST OF THE GOOD LIFE: SUSAN BEST ALAIN DE BOTTON AND JOHN ARMSTRONG'S ART AS THERAPY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225740201-U5JNW6J9B6TZRFXSG1JL/image-asset.jpeg Issue 273 September 2014 2 ‘When This You See Remember Me’: David McDiarmid at the NGV: DANIEL MUDIE CUNNINGHAM David McDiarmid, Strangers in the night, 1978, collage of cut coloured paper and photocopy on mulberry paper, 62.6 x 50.7cm, National Gallery of Victoria, Melbourne, proposed acquisition; © reproduced with the permission of the David McDiarmid estate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225754333-JCAB3ZFT6RPBBJHTJWNN/image-asset.jpeg Issue 273 September 2014 3 Pat Brassington: Under our skin: HEATHER ROSE Pat Brassington, Bloom, 2003, pigment print; image courtesy the artist, Arc One Gallery, Melbourne and Stills Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471413356139-OF09VMM5VW34XZ74253S/image-asset.jpeg Issue 273 September 2014 4 Dorrit Black: Reassessment rising high: DANIEL THOMAS Dorrit Black, The Bridge, 1930, Sydney, oil on canvas laid on board, 60 x 81cm, bequest of the artist 1951, Art Gallery of South Australia, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471413394931-WO81BVGGPV6DNYIV01NF/image-asset.jpeg Issue 273 September 2014 5 Sound spheres: John Aslanidis: MARGUERITE BROWN John Aslanidis, Sonic Network no. 13, 2013, oil and acrylic on canvas, 244 x 304cm; collection: Chris Austin; image courtesy the artist and Gallery 9, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225787525-D66CSVHLN77LQ4CLECY4/image-asset.jpeg Issue 273 September 2014 6 Art’s ebb and flow across the Top End: AMY JACKETT Merrepen Arts Festival in Nauiyu Community, Daly River, 2014. image courtesy Merrepen Arts. photo: John Tsialos https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473225801434-JHLQICJ7YIBOHY1NF358/image-asset.jpeg Issue 273 September 2014 7 Desert winter: HANNAH KOTHE The Beanie Tree, Uluru; image courtesy the Alice Springs Beanie Festival https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471413599049-R8RJ0Z9PGYODZ23YOODC/image-asset.jpeg Issue 273 September 2014 8 When the wind changed: ‘Albert Namatjira’ at the Araluen Arts Centre, Alice Springs, 1984: JOANNA MENDELSSOHN Albert Namatjira, Mt Hermannsburg, Finke River, c. 1948, watercolour, over pencil; 36.7 x 53.8cm (image), 37.2 x 54cm (sheet); National Gallery of Australia, Canberra, purchased 1977 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471413637832-HJACOONU5IARRQ51XBFB/image-asset.jpeg Issue 273 September 2014 9 Gordon Bennett (1955-2014): KELLY GELLATLY Gordon Bennett https://www.artmonthly.org.au/issue-264-october-2013-1 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828552007-43UM2KQ0D0IGINN8HCEL/image-asset.jpeg Issue 264 October 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828620158-Z9QKYZE96Q5RHJQSCOJR/image-asset.jpeg Issue 264 October 2013 1 Bodies in the Water: DESMOND MANDERSON J. M. W. Turner, The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840; Collection: Museum of Fine Arts, Boston https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828655419-7IRQ252L7VRYZRCS3HUZ/image-asset.jpeg Issue 264 October 2013 2 Crash: the Art of Therese Ritchie: JOANNA BARRKMAN Therese Ritchie, Mural Skid Row, 2008, 40 x 70cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828695392-YHG5HV5KI01T6XCWYPSL/image-asset.jpeg Issue 264 October 2013 3 Convivial futures: The relational art of Ruark Lewis: IAN McLEAN Ruark Lewis: Survey Part ll - Collaborations (1987 -2013) (with Barayuwa Mununggurr and Jonathan Jones), Macquarie Art Gallery, Sydney, installation detail; photo: Teri Hoskin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828727926-TH3FGJ8RPHQN4TK5OZTW/image-asset.jpeg Issue 264 October 2013 4 Rod Moss, Anatomy Lesson – You. Me. Us.: KIERAN FINNANE Rod Moss, Anatomy Lesson, 2012, graphite and synthetic polymers on archival paper, 70 x 117cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828765449-HOCCZQ60PG1ORVOVFFDK/1493_l_5.+Portrait+of+Emmanuel_Kerobokan+Gaol+Bali_2008.jpg Issue 264 October 2013 5 War Paint: Protest & Social Activism in the works of Geoff Todd: INGA WALTON Geoff Todd, Portrait of Emmanuel: Kerobokan Gaol, Bali, 2008, acrylic on canvas, 91 x 122cm. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828827502-0U25OFAXY0CN7QW07KZD/image-asset.jpeg Issue 264 October 2013 6 Critical Mass: My Country, I Still Call Australia Home, GoMA: RUBEN ALLAS Megan Cope, Fluid Terrain, 2012, vinyl on glass (art work produced from watercolour and synthetic polymer paint on military maps with digital text), site-specific commission for My Country, I Still Call Australia Home: Contemporary Art from Black Australia; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828858363-H9SUN66ZZWPB3S3UHPHK/image-asset.jpeg Issue 264 October 2013 7 Against the grain: the 30th NATSIAAs & Salon des Refusés: MAURICE O’RIORDAN John Murray, Flight, 2013, acrylic on canvas, 82.5 x 60.5cm, 2013; shown in Salon des Refusés; image courtesy the artist and Girringun Aboriginal Art Centre, Cardwell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226701456-70AIWEP5HFZTQDDDXCI7/image-asset.jpeg Issue 264 October 2013 8 Dark Portals: Sera Waters: SHERIDAN COLEMAN Sera Waters, A Crooked Lineage (Again), 2008, felt, sequins and cotton on linen, variable dimensions (set of 6). Image courtesy the artist and CCWA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828916511-3L47S5OD9ZM1KOKV4G5D/image-asset.jpeg Issue 264 October 2013 9 Collective action: environmentalism in contemporary art: JADE WILLIAMSON The Riparian Project, Stitching the Landscape, 2013, concept sketch, permanent public artwork for the Yea Wetlands, Victoria; ©Jen Rae https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828956241-6X9DL66FWRPH6IKY8ZQY/image-asset.jpeg Issue 264 October 2013 10 Through a landscape Fleurieu Art Prize 2013 MICHAEL ZAVROS: KAREN PARIS & MAURICE O'RIORDAN Robin Eley, Immersion, finalist in The Fleurieu Water & Environment Prize 2013; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471828985011-EU3K9J3072F3GMUCOM0V/image-asset.jpeg Issue 264 October 2013 11 Some notes on abstraction, and landscape: ERICA GREEN Richard Dunlop, Path of the Eel, oil on canvas https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829015659-TCMFI8BV9ZHG0J6PQCV8/image-asset.jpeg Issue 264 October 2013 12 En plein air: artistic exchange at Ikuntji/Haasts Bluff: CHRISCHONA SCHMIDT Peter Hudson, Haasts Bluff Landscape, 2013, oil on board, 45.7 x 53.2cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829110176-PE85PIGBFURRXC9JCZ7M/image-asset.jpeg Issue 264 October 2013 13 Sally Simpson – Precipice: KIM MAHOOD Sally Simpson, Precipice, 2013, 9 objects: baling plastic, string, bones, human hair on steel and timber bench, 159 x 240 x 40cm; photo: David Paterson, DORIAN Photographics https://www.artmonthly.org.au/issue-263-september-2013 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829319356-EDZMSHWZHEBT1DPR1WZE/image-asset.jpeg Issue 263 September 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226742199-D4GN26QTVGUPNTMG1NN4/image-asset.jpeg Issue 263 September 2013 1 Inside Running: The Sport of Art Fremantle Art Centre, Perth: KYLA McFARLANE Nick Selenitsch, Untitled, 2013, mixed-media installation, installation view Inside Running, 2013; image courtesy the artist; photo: Bo Wong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829404401-5BDLSKR42MWWSJALKQWU/image-asset.jpeg Issue 263 September 2013 2 Todd McMillan: Ten Years of Tears: CARRIE MILLER Todd McMillan, By the Sea, 2004, cinematographer: Andrew Liversidge; 16mm film, 1min:12sec, looped, installation viewTen Years of Tears, MONA, 2013; image courtesy the artist and MONA Museum of Old and New Art, Hobart; photo: MONA/Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829431604-RZOTZLJ4Q1I7LMK982B1/image-asset.jpeg Issue 263 September 2013 3 Alex Seton: Roughing Out: KATE BRITTON Alex Seton, The Recursive Time Machine (detail), 2013, performance with the artist reproducing his right hand with pantograph machine, digital resin prints, marble, inside a plexiglass box, 200 x 200 x 200cm; image courtesy the artist, Sullivan & Strumpf, Sydney, and Hazelhurst Regional Gallery & Arts Centre https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829459132-DBL0Z70FD4T2W56K420J/image-asset.jpeg Issue 263 September 2013 4 Australia: The Exhibition: JEREMY ECCLES Rover Thomas, Cyclone Tracy, 1991, natural earth pigments on canvas; Collection: National Gallery of Australia, Canberra; purchased 1991; © the artist's estate, courtesy Warmun Art Centre https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829496661-JEEC2J2AGKE1G2576MQM/image-asset.jpeg Issue 263 September 2013 5 ‘We Are Asia’: the global artworld seen from Singapore: JOHN MATEER Indonesian Pavilion, Art Stage 2013; all images this article courtesy Art Stage Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829567859-YHOFHD2PPSTXOCFT7VV9/image-asset.jpeg Issue 263 September 2013 6 Punk, Pop & Pluralism: Mix Tape 1980s, NGV: ASHLEY CRAWFORD Juan Davila, Rat man, 1980, oil on canvas, 197.6 x 274cm; Collection: National Gallery of Victoria, Melbourne; Purchased, 1984; © Juan Davila, courtesy Kalli Rolfe Contemporary Art https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829602601-3A8Y285U42P22SRC8CRI/image-asset.jpeg Issue 263 September 2013 7 Vocal Folds, Gertrude Contemporary: JARED DAVIS Valie Export, I turn over the pictures of my voice in my head, 2009, video still and performance documentation https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829628353-68X14INHS3HXKQ5A0KJZ/image-asset.jpeg Issue 263 September 2013 8 Yonder Perth Institute of Contemporary Arts: NIEN SCHWARZ Andy Best, Butterfly: We See Further, 2010-12. Image courtesy the artist; photo: Bewely Shaylor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226763155-YOOM1ZS2U9ICJHCWXVAP/1483_l_9.+AMA+01.jpg Issue 263 September 2013 9 Notes on the commodification of street art: CDH Work by Kaffeine in Melbourne Central shopping centre, 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829719625-CLUG68Y16IEGC2R9XJGX/image-asset.jpeg Issue 263 September 2013 10 G3 Artspace, Parkdale - Melbourne: KIRSTEN RANN Vicki Couzens, Tooram Marree Tooram Stones, print, shown as part of G3’s 2013 NAIDOC program; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226774891-44KOQOL06742BOZDEMLX/image-asset.jpeg Issue 263 September 2013 11 Daniel Taylor, Art of conservation: MAURICE O'RIORDAN Daniel Taylor, Mountain Gorilla; acrylic on board; image courtesy the African Conservation Foundation https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226787095-Z53JCZC0F2L9TLWNS228/image-asset.jpeg Issue 263 September 2013 12 All you wanted to know about Maus (but were afraid to ask): CEFN RIDOUT Art Spiegelman, MetaMaus, Viking Press, New York, 2011; 300pp; rrp$45; ISBN: 9780670916832 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829823611-MP9MYGI0OJK2DOBDNBC6/image-asset.jpeg Issue 263 September 2013 13 Van Gogh Sketchbooks: MAURICE O'RIORDAN Van Gogh Sketchbooks, four sketchbooks, booklet, folio of loose sketchbook leaves, cloth-bound box, The Folio Society, London, in association with the Van Gogh Museum, Amsterdam, May 2013, rrp$845, limited edition https://www.artmonthly.org.au/issue-262-august-2013 daily 0.75 2022-08-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830111260-CB5U6MHOOZ12DVY5M13Q/image-asset.jpeg Issue 262 August 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226821866-ZAXZDDVG2G0BFF4UZOPJ/image-asset.jpeg Issue 262 August 2013 1 Bungaree, the First Australian interrupted: VIRGINIA FRASER Peter McKenzie, After Rodius, 2011, graphite on paper, 30 x 24cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830176994-OCZOYZG1PWHY9GIE1KC9/image-asset.jpeg Issue 262 August 2013 2 Afterword: Looking back to Sakahan: GREG HILL Kent Monkman, Boudoir de Berdashe, 2007, mixed media installation, dimensions variable; installation view, National Gallery of Canada, Ottawa; photo © NGC https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830211936-RM76ZVGDG6FWIWYXMYL9/image-asset.jpeg Issue 262 August 2013 3 Heartland: Contemporary Art from South Australia: MARGOT OSBORNE Installation view HEARTLAND: Contemporary Art from South Australia featuring the work of artists from Tjala Arts, Amata, APY Lands, Art Gallery of South Australia, 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830236599-47V61G7V6HJ0ZMJAN3OF/image-asset.jpeg Issue 262 August 2013 4 Relaxed and comfortable: Cold Blooded, eX de Medici: JENNY MCFARLANE eX de Medici, Real Estate, 2012-13, watercolour on paper, 113.5 x 512.5cm; image courtesy the artist and Sullivan + Strumpf, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830280890-LWOUE483G9NLKHNHAE58/image-asset.jpeg Issue 262 August 2013 5 Fons et Origo, or, Trompe l'Oreille Fountain, Hany Armanious: DAVID HANSEN Hany Armanious, Fountain, 2012, marble, polyurethane resin, bronze, 213 x 183 x 271cm (irregular); installation view, Loti Smorgon Sculpture Terrace, Museum of Contemporary Art, Sydney; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830308204-KFD481ZHR3JP9ZH6705V/image-asset.jpeg Issue 262 August 2013 6 City of Trees: Jyll Bradley: SARA-JAYNE PARSONS Jyll Bradley, Printer proof [detail], City of Trees publication, part of a display of ‘scatter-proof’ prints in the exhibition; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830332260-QOQMUCG9NUNYCPR1XSI3/image-asset.jpeg Issue 262 August 2013 7 Build me a city I Cry me a river: LISA HARMS Kirsten Coehlo, foreground: oil can, cup, funnel, bottle, bowl, 2012, porcelain objects, dimensions variable (tallest 28cm); background: Dreams of Leaving, 2012; four photographs on photographic paper of ceramic shards from new Royal Adelaide Hospital site, North Terrace; SA Museum collection; 80 x 60cm each; image courtesy the artist, Helen Gory Gallery, Melbourne, and BMGArt, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830354280-OWN9HT6OEHC2MR49POYX/1468_l_8.+Eric+Rossi+-+View+from+Window+-+IMAGE+1.jpg Issue 262 August 2013 8 Titanium White Knights: Helsinki ERIC ROSSI Eric Rossi, View from studio on Suomenlinna, 2012, digital snapshot; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830381609-U85R9P6BB11MY6MS1LD0/1469_l_9.+Cattapan_2012+3.jpg Issue 262 August 2013 9 Jon Cattapan: Staying Afloat: RHONDA DREDGE Imagine a Raft: Hard Rubbish No. 12, 2012, oil on linen, 180 x 180cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830409639-DIOCMUNWGSHDN9K11DHO/image-asset.jpeg Issue 262 August 2013 10 In the background a crow squawks: Henri van Noordenburg & Eryn Begley: GORDON CRAIG Henri van Noordenburg, Composition IX, 2011, hand-carved archival matt print, 106 x 106cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830435122-Q6WJ0I6W4VSIL7K6G2MD/image-asset.jpeg Issue 262 August 2013 11 Eutick Memorial Still Life Award: a case study in competitions: LEIGH SUMMERS John R Walker, Brush fetish, 2009, archival oil on canvas, 91.9 x 192cm, EMSLA Winner 2009; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471830517686-DP99KO4DBJVSPSXSJEFZ/1472_l_12.Eubena+Nampitjin_Kinyu+2007.jpg Issue 262 August 2013 12 tribute: Eubena Nampitjin, c. 1923-2013: ERICA IZETT Kinyu, 2007, synthetic polymer paint on linen, 180 x 150cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831076544-NK0F9I7EDG7RO3Y6SK4B/image-asset.jpeg Issue 262 August 2013 13 ARTBOOKS: POWER + COLOUR: NEW PAINTING FROM THE CORRIGAN COLLECTION OF 21ST CENTURY ABORIGINAL ART: MAURICE O'RIORDAN JANE RAFFAN POWER AND COLOUR: NEW PAINTING FROM THE CORRIGAN COLLECTION OF 21ST CENTURY ABORIGINAL ART, MACMILLAN ART PUBLISHING, VICTORIA, 2012, 368PP, RRP$125: ISBN: 9781921394744 POWER + COLOUR COULD WELL BE DESCRIBED A 'COFFEE-TABLE' PUBLICATION; THIS IS NOT A PUT-DOWN BUT RECOGNITION OF THE BOOK'S SUMPTUOUS PRODUCTION VALUES. IT IS ABOVE ALL A BOOK FILLED WITH HIGH-QUALITY REPRODUCTION IMAGES OF LARGELY HIGH-KEY CHROMATIC PAINTINGS; A BOOK TO LOOK AT, AND VISUALLY SAVOUR. THE BOOK'S COLOUR-CHARGED MANDATE IS CONVEYED NOT ONLY THROUGH THE PAINTINGS DEPICTED BUT ALSO THROUGH NUANCES OF DESIGN: THE CHANGING KALEIDOSCOPE OF BACKGROUND COLOURS FOR THE TITLE-PAGES ADJOINING EACH FULL OR DOUBLE-PAGE IMAGE, OR THE MULTICOLOURED HEADINGS SUCH AS 'THE PAINTINGS / THE PAINTINGS / THE PAINTINGS' WHICH ANNOUNCES THIS SECTION AND, YES, THE WORDS ARE IN TRIPLICATE, CONJURING A SENSE OF BARELY CONTAINED EXCITEMENT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831283567-VVVNU1DLRSIUM4NER37Y/1474_l_14.+Affairs+of+the+Art.jpg Issue 262 August 2013 14 Affairs of the art: love, loss and power in the art world: KATRINA CHAPMAN The decade preceding the global financial crisis saw one of the most exciting eras in the Australian art market. Australian contemporary art prices rose exponentially with commercial dealers, auction houses and public cultural institutions all playing an important role. Pivotal too were the custodians of many artist's estates. The potential for them to influence a late artist's reputation and how this manifested during this remarkable time in Australian art history is the subject of Katrina Strickland's book Affairs of the art Katrina Strickland, Melbourne University Press, 2013; rrp$34.99; 242pp; ISBN: 9780522858624 (pbk); 9780522864083 (ebook) https://www.artmonthly.org.au/issue-261-july-2013 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831439515-GLMOVSG2HF8IUDVG8PVQ/261.cover.LG.jpg Issue 261 July 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226863076-BV74LAGPSGAGE0XQQY85/image-asset.jpeg Issue 261 July 2013 1 Being There: Simryn Gill @ the Venice Biennale: JOHN KELLY Catherine de Zegher and Simryn Gill, Here art grows on trees, Australian Pavilion, Venice Biennale 2013; image courtesy the artist; photo: Jenni Carter https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226883537-GREOTJSR2PVS4K52MIXP/image-asset.jpeg Issue 261 July 2013 2 Frank Nowlan: Man of the Series, Inside the 'Outsider' Artist: JOSEPH DAVIS Frank Nowlan, Thirroul seaside Arts Festival, 2004, oil on canvas; images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226909407-CXHBXXNY4QFJUH6Q4FTB/1450_l_3.+M_Dredge_Nuns+at+dawn_915X1220_70.jpg Issue 261 July 2013 3 Not the usual Book Club Story: the Margaret Dredge retrospective & the workings of Australia art historiography: JULIETTE PEERS Margaret Dredge, Nuns at Dawn, 1970, oil on board, 91.5 x 122cm; commended, Inez Hutchison Award https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831562212-VJGQAGZJWFSX9OC5TTAZ/image-asset.jpeg Issue 261 July 2013 4 The Legacy of Chandler Coventry & the 30th anniversary of the New England Regional Art Museum: SASHA GRISHIN Judy Cassab, Portrait of Chandler Coventry, oil on canvas, 1987; gift of Judy Cassab through the Australian Government's Cultural Gifts Program 2011; all images this article courtesy New England Regional Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831595787-M0HKIZ2G20DFELP1V2AN/1452_l_5.+National+Tantrum_still.jpg Issue 261 July 2013 5 Force of clarity: detonating the BOMB: MAURICE O'RIORDAN National Tantrum, 2013, video still https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831621028-YXJFR1G974ST13EF5CD0/1453_l_6.+Baymarrwangga_highres.jpg Issue 261 July 2013 6 Painting Virtue: a portrait of Laurie Baymarrwangga: BENTLEY JAMES Gillian Warden, Virtue (portrait of Laurie Baymarrwangga, 2013, 120 x 120cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831653263-OGAMK20TL4JMPQZPJZ0J/image-asset.jpeg Issue 261 July 2013 7 Obituary: A life handmade: Kathreen Ricketson (1971-2013): TANIA EVANS Kathreen Ricketson in her studio, Canberra, 2012. Photo: Courtesy and copyright: Lee Grant https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473226963127-37L7DS7QTXM3WY4DLWQJ/1455_l_8.+Plain+Pink+Purlers+2009.jpg Issue 261 July 2013 8 A tree cosy Warwick winter Plain Pink Purlers Group (Supporters of those with breast cancer), Plain 1, Purl 1, Pink 1, 2009, wool and acrylic Yarn, Ribbon https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831727612-3OECCWGNYZNMGJD01IML/image-asset.jpeg Issue 261 July 2013 9 Renegades: the dissident and the free-spirited: CAMILLE MASSON-TALANSIER Bernard Vartuli, Left and right freedoms (plan), 2011, graphite, gouache on paper, 44 x 55cm; image courtesy the artist; Collection: Courtesy Masson-Talansier Collection. Photo: Michael Marzik https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831791922-V4VZU1BUIGGMRCIDV486/1457_l_10.+bianca+hester+image.jpg Issue 261 July 2013 10 Walk the Talk: the politics of artists who write: MARK TITMARSH Bianca Hester, a world, fully accessible by no human being, 2011; developed for the 2011 Melbourne Prize for Urban Sculpture at Federation Square; the project comprised three components: a series of propositions, an architectural intervention; and a 32-page broadsheet (available for free onsite/with the installation), as well as a blog documenting the project’s related performances and acted-on proposals; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831885534-119I1F8THUP09B6YCNTG/image-asset.jpeg Issue 261 July 2013 11 Stiev Selapak: a Cambodian artists' collective: ROGER NELSON Vandy Rattana, Takeo, 2009, from Bomb Ponds series; image courtesy the artist; all images this article courtesy SA SA BASSAC, Phnom Penh, Cambodia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831912898-SWHRSW92C7EPG5IVO5EH/image-asset.jpeg Issue 261 July 2013 12 Notes from India Art Fair 2013: REG NEWITT Tayeba Begum Lipi, My Daughter's Cot, 2012, stainless steel, 122 x 71 x 101.6cm; image courtesy the artist and Samdani Art Foundation, Dhaka, Bangladesh https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471831950816-TUOY7OIELEE0WMHY0LRN/image-asset.jpeg Issue 261 July 2013 13 PREVIEW: string theory Lizzie Riley, Moira, 2004, recycled clothing, knitting, cotton, 27 x 11cm; University of Wollongong Art Collection; image courtesy the artist, University of Wollongong Art Collection and CAN WA; © the artist https://www.artmonthly.org.au/issue-260-june-2013 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832166983-DFECV577HUHJ69NN38PI/image-asset.jpeg Issue 260 June 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832197345-U8A5J91MMAXIP94T43A5/image-asset.jpeg Issue 260 June 2013 1 Louise Bourgeois in Australia: EVE SULLIVAN Louise Bourgeois with a work in progress, 2010; photo: Alex Van Gelder https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832233470-NCCTBPJEDXPAFCHT2RJ5/image-asset.jpeg Issue 260 June 2013 2 The Language of the Future: Laurie Anderson @ Samstag: LEANNE AMODEO Duets on Ice, 1974-75/2013, performance with violin, ice skates, block ice; photo: Tony Kearney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832259165-VXG6DCSDKJ7O1BXE3PNR/image-asset.jpeg Issue 260 June 2013 3 Elizabeth Gertsakis: Monet, Man of Flowers: JULIETTE PEERS Elizabeth Gertsakis’s Monet, Man of Flowers, installation view Fitzroy Gardens Conservatory, Melbourne, 2009; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473227002771-G2PUZ6OWSXNVC22TGFBU/image-asset.jpeg Issue 260 June 2013 4 'Their share of the struggle': innovation & experimentation in desert arts: KIERAN FINNANE Curtis Taylor and Lily Hibberd, The Phonebooth project, installation view, Fremantle Arts Centre, Perth, 2012 /13, as part of the exhibition We Don’t Need a Map; image courtesy the artists and FAC https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473227037292-RRHX2XICM5MTY09CN6NV/1439_l_5.+Outsider%2C+1988.jpg Issue 260 June 2013 5 Outsider/Insider: The Art of Gordon Bennett: ADAM GECZY Outsider, 1988, oil and synthetic polymer paint on canvas, 290.5 x 179. 5cm; Collection: The University of Queensland, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832385750-HPJUWLUN2F6Q9AKZVC9O/image-asset.jpeg Issue 260 June 2013 6 Jeff Wall: Looking at the unseen: JOHN BARRETT-LENNARD Jeff Wall, The Destroyed Room, 1978, transparency in light box, 159 x 234cm; image courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832479214-GH3MLMTVKH4ZZJZ1I3IR/image-asset.jpeg Issue 260 June 2013 7 Walk the Talk: the politics of artists who write: MARK TITMARSH Mark Titmarsh, ‘art landscape’ diagram, undated; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832523617-H01Z34MMYKV5ZVM34EPL/image-asset.jpeg Issue 260 June 2013 8 Art you can Believe in: Mindworms of political art: ALAN GILMOUR Still from the film La Haine [Hatred], 1995, directed by Mathieu Kassovitz https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832555790-JH26D3FQG1V1CV9VEFYF/1443_l_9.+P31+Zhu+Yu+at+Ningaloo+Sation+WA.jpg Issue 260 June 2013 9 Two Generations: viewing Oz Zhu Yu at Ningaloo Station, WA; image courtesy Catherine Croll https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832583852-Q81SZDOWWAS760EGP2BS/image-asset.jpeg Issue 260 June 2013 10 Through the door: a dark and dense terrain: Falling, Yarra Sculpture Gallery: MICHELLE CULPITT Images of Falling (exhibition) and Myoclonic (related performance), collaborative performance/installation by Annee Miron, Anna Brownfield, Favela Vera Ortiz and Sanna From; Yarra Sculpture Gallery, Abbotsford, 2013; image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832613379-OYRT2RM8M69UPT0BD1AB/image-asset.jpeg Issue 260 June 2013 11 Through the Kunai Grass, Portraits of New Guinea Highlands 1951-53, Berndt Museum: EMILIA GALATIS Portrait of a young man holding bow and arrows, near Kainantu, Eastern Central Highlands PNG, 1951 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473227054892-4O3ANR9Y3D72DS8NHVRG/image-asset.jpeg Issue 260 June 2013 12 Out of the (wonder) box: Chris Ware's Building Stories: CEFN RIDOUT Chris Ware, Building Stories, Pantheon Books, New York, 2012, 260pp, rrp$55; ISBN: 9780375424335 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832699239-4YKZZRFANM25HNHZNERM/image-asset.jpeg Issue 260 June 2013 13 Renata Buziak: Afterimage: ANNE KIRKER Victoria Garnons-Williams and various authors, Queensland Centre for Photography, Brisbane, Australia, 2010, hardback, dual language: English and Polish; 48pp; rrp$35; ISBN: 9780975772065 https://www.artmonthly.org.au/issue-259-may-2013 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472428756130-NECE9EMTSPEZK0FUZKLL/image-asset.jpeg Issue 259 May 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472428817002-JNR2JOPRH1GXRUQ89K87/image-asset.jpeg Issue 259 May 2013 1 Drawn to a Flame: Rekindling Local Treasures at AIATSIS: RITA METZENRATH Jim Williams and Matthew Harding, Bogong moths, 2001, cast metal; an ArtsACT commissioned public art work, located between the National Museum of Australia and AIATSIS; image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224741991-AKQD8LB5RT8IF01UUS1J/image-asset.jpeg Issue 259 May 2013 2 Kungkarangkalpa: the Seven Sisters Songline under a Canberra Sky: TONY COLLINS Kungkarangkalpa ceremony, 2012, Anangu dancers at Cave Hill, west of Ernabella; photo: Tessa Keenan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429028998-0IJE4V75XWDRRXH4XBUB/image-asset.jpeg Issue 259 May 2013 3 2113: A Canberra Odyssey A new model for the Griffins' city of the future: DALE MIDDLEBy Competition box for the ‘Design of the Federal Capital of Australia’, 1911; Collection: Canberra Museum and Gallery; photo: Rob Little Digital Images, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429083277-IHW836E5Z6I6YS9ZEC52/image-asset.jpeg Issue 259 May 2013 4 Capithetical Brit Andresen & Mara Francis, Architecture + Urban Innovations Collaborative (A+UIC), Sedimentary City; winner 2nd prize, Capithetical, 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224759014-2CPS0EOKI84IUA8LJ3AI/image-asset.jpeg Issue 259 May 2013 5 FLIPSIDE: Canberra's underbelly: MERRYN GATES Elizabeth Kelly, The Posting, 2013, recycled steel, recycled timber, silicone and 3M mask; 250 x 70 x 70cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224772663-RXA0R9CIN40GNTK2OZI6/image-asset.jpeg Issue 259 May 2013 6 More than a Captain Cookaburra Show: highlights from The Australiana Fund's collection of decorative arts: ANDREW MONTANA Sir Bertram Mackennal’s Truth, 1894. Image courtesy Canberra Museum and Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224787519-L4EJ9U0LAQFJBDBT9I74/image-asset.jpeg Issue 259 May 2013 7 Canberra's visual arts landscape: an art critic's view: SASHA GRISHIN Rosalie Gascoigne, Step through,1980, linoleum and wood, overall 28 x 93 x 370cm; Collection: National Gallery of Australia, Canberra; image courtesy and © Rosalie Gascoigne estate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224806876-A93GUTQTNP62DF2IIVWV/image-asset.jpeg Issue 259 May 2013 8 Public art @ the ANU, 1953–2013: DAVID WILLIAMS Norma Redpath, Extended Column, 1972-76, bronze and column of spun cement, ANU School of Music; image courtesy the artist’s estate and Charles Nodrum Gallery, Richmond https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224844695-QWTMV8AJXPXELUCTFHPA/image-asset.jpeg Issue 259 May 2013 9 'the age of individual alienation is withering...' Canberra's Bitumen River Gallery: ANNI DOYLE WAWRZYNCZAK David Morrow (designer/printer), ‘Well I've never heard of you either’; invitation image for Bill Posters Appreciated, inaugural exhibition, Bitumen River Gallery, 4 April 1981; printed at Megalo Print Studio Canberra; photo: Dean Butters; image courtesy Megalo Print Studio https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429351391-X4TC2P6N3GJ7OVR1PANK/image-asset.jpeg Issue 259 May 2013 10 Look Again: the work of Janet Dawson in the collection of the National Gallery of Australia: JENNY BELL Janet Dawson, Oval rough drawing [1], 1972, conté crayon, part 1 of 7-part series; image size: 14.2 x 20.4cm; paper size: 21 x 30cm; Bell writes: ‘We see close-up, just a jumble of craggy, seemingly non-committal lines. The drawing has the shape of an ellipse, the title suggests a sporting arena but it could be an egg. This does not matter. Give the work some distance, just a few paces, and watch those lines take hold of space and, with precision, twitch.’ From the collection of the National Gallery of Australia, Canberra; images courtesy the artist and the NGA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429447147-487ZIZ0D4CFGE705P7G5/image-asset.jpeg Issue 259 May 2013 11 The elusive art of citizen Kenne: GABRIELLA COSLOVICH Ingvar Kenne, # 39, Lee Lin Chin, 2003; TV presenter. C-type prints, 100 x 100cm,or (in Citizen publication) 20.5 x 20.5cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429507685-J6D52B1EXEKVR37SX09T/image-asset.jpeg Issue 259 May 2013 12 Lost Art: JULIAN DAVIES Loo Benham, scene on the shore at Aberystwyth, Wales, date unknown, watercolour on paper, 37 x 27cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429548105-3KDS5XXEJ4CC6IFSTCSM/image-asset.jpeg Issue 259 May 2013 13 ACT 1,2 & 3 Canberra's national performance art festivals: ANNE SANDERS Stelarc, Prepared Tree Suspension: Event for Obsolete Body No. 6 , ACT 3 – Black Mountain, Canberra, 10 October 1982; photo: Hanh Tran; image courtesy the artist and Scott Livesey Galleries, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429655509-J9LD9SOTYS4NSFWYC31M/1423_l_14.+ANCA+CMAG+Vivienne+Binns+String+lines.jpg Issue 259 May 2013 14 Intensity of purpose: 21 years of ANCA: ALLISON BELL Vivienne Binns, String lines, 2012, synthetic polymer paint on canvas, 72 x 100cm; photo: Rob Little Digital Images, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429698301-AFFD1XKN9II07L0PMJDO/image-asset.jpeg Issue 259 May 2013 15 Art School Anecdote: MARTYN JOLLY Tableau vivant of ‘Liberty Leading the People’, from Art School Anecdote, 2013, ANU School of Art; photo: Sarah Nathan-Truesdale https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429730167-S2TT1UPU8RYN6UDUZ38K/image-asset.jpeg Issue 259 May 2013 16 Man sights an object in space: Norma Redpath's approach to public art: JANE ECKETT Norma Redpath, Treasury Fountain, Canberra, 1965-69; bronze, 3.7 x 2.6 x 4.0m; photo: David Wilson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429770689-TF6KXREPWB2Q8XD52X2O/image-asset.jpeg Issue 259 May 2013 17 I Do Have a Belief: Kevin Gilbert (1933–1993) Art Retrospective: SAMANTHA FAULKNER Kevin Gilbert, Colonising species, 1989, print; image courtesy the artist’s estate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429798355-OY0ING95P5O5YNUDKXGP/image-asset.jpeg Issue 259 May 2013 18 Canberra Suite: IAN NORTH/SARAH RICE from Ian North’s Canberra Suite, 1980-1981, 24 type-C prints, printed by the artist from 6 x 7cm negatives in 1986; average dimension c. 37 x 45.7cm; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224866814-CN6O0XONAFQHSZD1A13C/image-asset.jpeg Issue 259 May 2013 19 Tony Ameneiro: head to head: JAN JONES Tony Ameneiro, Pentimenti Series – Flowering Heads, 2012, single-plate and multi-plate colour monotypes; 57 x 38cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224891103-K7XI7HNQQFW73VMDRO25/image-asset.jpeg Issue 259 May 2013 20 Embodied visions: invisible force in the works of Bernard Hardy: ZSUZSI SOBOSLAY Bernard Hardy, untitled/undated, mixed media; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472429904028-WH4JF2YFXA5LLMD7CFYG/image-asset.jpeg Issue 259 May 2013 21 Dan Maginnity: byrd's eye-view: HANNA HOYNE byrd’s graffiti alley-wall at the Front Cafe, Lyneham; image courtesy the artist and the Front Cafe, Lyneham https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430020841-GH4PL7DNYSS2N67CNCNK/image-asset.jpeg Issue 259 May 2013 22 Hong Kong, a tale of Art and Money: EN YOUNG AHN Artist impression, bird’s eye-view of future West Kowloon Cultural District; image courtesy the West Kowloon Cultural District Authority https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430084081-EJN0IT3F4I4GAGE90SV1/image-asset.jpeg Issue 259 May 2013 23 A Ballarat summer fling: MILLAN PINTOS-LOPEZ Entrance and interior of boutique fashion outlet Miss Behavin, Ballarat, run by Carrie Mufatti; photo: Janet Ranken https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224908508-AP0ZHGMO47OKTGZ7F3K0/image-asset.jpeg Issue 259 May 2013 24 em file: Vanessa Barbay: Painting our animal selves: MELINDA HINKSON Vanessa Barbay, Crucified (Winter Chough and Starling), 2011-12, chough, starling, oil, delek and rabbit skin glue on canvas, 73 x 84.5cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224922817-3WTD6Z6GJOCIDJUDQGQ6/image-asset.jpeg Issue 259 May 2013 25 em file: The Photography Room: MAURICE O'RIORDAN/SEAN DAVEY Vasili Vasileiadis, Service #17, from the series Service, 1997, pigment print, 40 x 60cm, showing at Kaori Gallery, Canberra, 24 May to 9 June 2013 https://www.artmonthly.org.au/issue-258-april-2013 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430232718-4HQTCKYPYRNRVVWK53RL/image-asset.jpeg Issue 258 April 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224578933-MTV9WEOMU5FSJILUW4ED/image-asset.jpeg Issue 258 April 2013 1 Transcending Histories & Disrupting the Present at APT7: JI-SHEN LOONG Heman Chong, Asia / Pacific / Triennial, 2012, 20-channel sound installation; commissioned for APT7; installation views, APT7; image courtesy the artist and Queensland Art Gallery, Brisban https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224595271-2QH6SZHEEXJAG61P49HQ/image-asset.jpeg Issue 258 April 2013 1a APT adulthood: SASHA GRISHIN Uji Handoko Eko Saputro (aka Hahan), The New Prophet(from Trinity series), 2011, polyester resin and air brush, 100 x 75 x 100cm; Collection: Queensland Art Gallery; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430359387-47XNH2NOHETYCPYK1U3A/image-asset.jpeg Issue 258 April 2013 2 New works at Home AKL: BILLIE LYTHBERG Leilani Kake, stills from Ariki, 2011, digital video; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430388181-PMVO94BYH7EYD4QWLQLH/image-asset.jpeg Issue 258 April 2013 3 Machines of knowledge & experimentation: NATALIE KING & HOU HANRU Do-Ho Suh, still from A Perfect Home: The Bridge Project 2010, synchronised four monitor animated digital slide presentation; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430447393-0TWV678UKFGRVTJVJPYU/image-asset.jpeg Issue 258 April 2013 4 Mirror to tomb: Bacon & Kapoor in Sydney: DAVID HANSEN Entrance to Francis Bacon: five decades at the Art Gallery of NSW, 2012-13 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430521057-0J3U33XU1AI84V8H1FA6/image-asset.jpeg Issue 258 April 2013 5 Such is Life: JOHN KELLY Sidney Nolan, Constable Fitzpatrick and Kate Kelly, 1946, enamel on composition board, 90.7cm x 121.2cm; Collection: National Gallery of Australia, Canberra; Gift of Sunday Reed 1977; image courtesy National Gallery of Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224622673-Q4PVRN3GAGS7GURF3Z9W/image-asset.jpeg Issue 258 April 2013 6 Seeing the natural world: Art & Reconciliation: DONNA LESLIE Peter Nangwurrama Wurrawilya, Yaraja [Goanna], c. 1945-49, ochres and orchid extract on eucalyptus bark; The Leonhard Adam Collection of International Indigenous Culture, the University of Melbourne Art Collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224663602-X9YZN0OUUPLIGQAP72UY/image-asset.jpeg Issue 258 April 2013 7 Are we there yet?: MAURICE O'RIORDAN Sera Waters, Self in Stitches, 2012, handmade clay beads, lace, string, hand-dyed linen, cotton, beads, sequins, approx 70 x 55cm; Cruthers Collection of Women’s Art; showing in the CCWA solo exhibition Dark Portrals: Sera Waters, Lawrence Wilson Art Gallery, Perth, 8 February to 20 April 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430605218-4UQ4RXN1V0M69VMMNB57/image-asset.jpeg Issue 258 April 2013 8 A Crowd of Eyes: the collector, the artist & the Balinese Gods: JOHN MATEER Dewa Putu Mokoh, Bom Bali [Bali Bomb], 2006, ink and acrylic on canvas, 60 x 80cm, Collection: Chris and Mary Hill; photo: Bo Wong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430632767-95T2UMY03LIJMZAH7BP5/image-asset.jpeg Issue 258 April 2013 9 Ben Quilty: After Afghanistan: LAURA WEBSTER Ben Quilty, Kandahar, 2011, oil on linen, 140 x 190cm; collection of the Australian War Memorial, Canberra, acquired under the official art scheme in 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430663118-MJUK4BJOJJM1BGQM8P43/image-asset.jpeg Issue 258 April 2013 10 Ghost bones: Taboo, MCA, Sydney Image from Framing The Native series, selection of 30 historical images, projected; Anthony d’Offay Collection, London; image courtesy Michael Graham-Stewart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430691168-3U3I0KH0GFFRQJZOCQET/image-asset.jpeg Issue 258 April 2013 11 Ian Fairweather: Late Works 1953-1974: ANNE SANDERS Bus stop, 1965, gouache on cardboard on board, 72.5 x 97.5cm. All images this article of work by Ian Fairweather, from Collection: Queensland Art Gallery, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541069041282-L0UUM8LGN3XB61GMI5RG/image-asset.jpeg Issue 258 April 2013 12 artbooks: An opening: twelve love stories about art, REVIEW: JENNY MCFARLANE Stephanie Radok, An opening: twelve love stories about art, Wakefield Press 2012; 184pp; rrp$24.95; ISBN: 9781743050415 https://www.artmonthly.org.au/issue-257-march-2013 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430801362-59HJNMXVW24WIW24J3Y2/image-asset.jpeg Issue 257 March 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430859103-CBO07V9UVD4BMCKXT0IJ/image-asset.jpeg Issue 257 March 2013 1 Emerging Artists at the End of Their Era: ALEXIE GLASS-KANTOR & EMILY CORMACK Bridie Lunney and Torie Nimmervoll, performance documentation from Propositions, installation view, Gertrude Contemporary, Melbourne, 2013; photo: Jake Walker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472430883589-7QJL7WQRAIAC3H79CT9I/image-asset.jpeg Issue 257 March 2013 2 The Bar Has Been Raised: BRIANNA MUNTING Claudine Marzik and Tijn Mellendijk, Seed to Seed, 2012, installation view, KickArts Contemporary Arts, Cairns; image courtesy the artists and KickArts; photo: Michael Marzik; a recent example of a government-funded contemporary space allowing artists the opportunity to collaborate towards experimental and ephemeral rather than solely commercial aims https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223891915-X4TVSVDMCNY9FHNVZQ3G/image-asset.jpeg Issue 257 March 2013 3 Emergency Ward: EDWARD COLLESS Jonathan Crowther, A Silent Revelation, oil on canvas, 122 x 84cm; From Pages of History, Lethbridge Gallery, Brisbane, 22 February to 7 March 2013; image courtesy the artist and Lethbridge Gallery, Brisbane. Crowther is the 2009 winner of the Churchie National Emerging Art Award, and about to embark on a Masters in Contemporary Art at the Victorian College of Art, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223905004-S1V6IO2PQL2EP37T9C0Y/image-asset.jpeg Issue 257 March 2013 4 Emerging Artists & the New Collectivisation: OLIVER WATTS Gregory and Watts, Cocktail Hour, 2012, Chalk Horse, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223916744-HUFY8V3OWLJIT4QV9CJ7/image-asset.jpeg Issue 257 March 2013 5 Artist-Run = Emerging/A Bad Equation: ALEX GAWRONSKI Adam Norton, The Martian Chronicles, 2012, acrylic on canvas, 192 x 126cm, courtesy the artist and Gallery 9, Sydney; showing in MOP’s 10th Anniversary show, Ten out of 10, 7 to 24 March 2013, also including the work of Newell Harry, Mitch Cairns, Christopher Hanrahan, Ms & Mr, Emma White, Gemma Smith, Rob McHaffie, Justin Trendall and Daniel Mudie Cunningham https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431033344-5YNNX8SPNEKD95W82J16/image-asset.jpeg Issue 257 March 2013 6 Through the cracks: the emergence of Kittey Malarvie: MAURICE O'RIORDAN Kitty Malarvie, Luga (Cracked Mud), 2011-12, natural ochre and pigment on canvas, 76 x 76cm. Image courtesy the artist and Waringarri Arts, Kununurra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431062834-YR66B6P4M0P8BNQHNBIJ/image-asset.jpeg Issue 257 March 2013 7 Micro-niche: JANE O'NEILL Claire Anna Watson, Sortie, 2009, still from video work; HD 1920 x 1080, 4.42min; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223931224-3N9SRAQ8VYHWXUE1A5P1/image-asset.jpeg Issue 257 March 2013 8 There is a light that never goes out: MIMI KELLY Claire Anna Watson, Sortie, 2009, still from video work; HD 1920 x 1080, 4.42min; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223943940-6KCETRWD695PJT3XDKN8/image-asset.jpeg Issue 257 March 2013 9 The QCA School: REX BUTLER Eileen Abood, Leo King performance, 2012-ongoing; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431194603-GGVTAPLFITEF5SITAALC/image-asset.jpeg Issue 257 March 2013 10 The ARI Experiment 15 articles include: Firstdraft AMELIA WALLIN; Boomalli Aboriginal Artists Co-operative AMY GRIFFITHS; Gaffa KELLY ROBSON; FELTspace LOGAN MCDONALD; Seedling Art Space ZOE MARR; West Space KELLY FLIEDNER; Blindside SHAE NAGORKA; Paper Mountain ANNA DUNNILL; ANCA JANICE FALSONE; Constance ARI LAURA HINDMARSH; Sawtooth FERNANDO DO CAMPO; Accidentally Annie Street Space LOUISE BENNETT; Artspaced Inc. LEANNE HUTCHINSON; Watch This SPACE ALICE BUSCOMBE; Darwin Visual Arts Association LEANNE WATERHOUSE Jordan Grant, Discomfort in your own damn skin, 2010, acrylic on canvas, 80 x 120cm; private collection; from Undergrind exhibition, Artspaced Inc, 2010; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431242225-5MAXUDLHEF3DKRE9JTYO/image-asset.jpeg Issue 257 March 2013 11 From Albany to Kalumburu: Revealed 2013: MAURICE O'RIORDAN Helen Dale Samson, Untitled painting; image courtesy the artist and Martumili Artists; Samson will show in her secondRevealed exhibition https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223960301-B0OJUUF4WYAGZY6U9U8R/image-asset.jpeg Issue 257 March 2013 12 em files: Simmer Raewyn Briggs, Broken Line, 2010, kitchen, chair, yarn, dimensions variable; image courtesy the artist; photo: Michael Marzik https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431311508-U40COU73M96G1D0CXKHG/image-asset.jpeg Issue 257 March 2013 13 em files: Theatricity Sara Sweet, images from the photographic series The Rose Garden which is influenced by Sweet’s interest in the Baroque and 18th century Western notions of ‘the sublime’ https://www.artmonthly.org.au/issue-255-november-2012 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431758482-DIQEB2PK3L5XFPFBMO13/image-asset.jpeg Issue 255 November 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431828136-1F9M7TSEYDK6K03OK0H7/image-asset.jpeg Issue 255 November 2012 1 Crafting pathos with Dani Marti: UNA REY & FAYE NEILSON Dani Marti, and that’s it, 2011, video still, 31min:34sec; image courtesy the artist and Greenaway Art Gallery, Adelaide. Image courtesy the artist and Breenspace, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431853837-42CBNX8H77G9IYV1RP0H/image-asset.jpeg Issue 255 November 2012 2 Dani Marti: Mariposa: carrie miller Butterfly Man, 2012, video still, 4K UHDV, 19min. Image courtesy the artist and Breenspace, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431879240-CTH8GG3P4QCHURFIVBJJ/image-asset.jpeg Issue 255 November 2012 3 Super 8 Deluxe: ANDREW FROST Poster for the Sydney Super 8 Film Group’s 4th Super 8 Film Festival https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224017493-2RTHROBA6D61YBBN51WL/image-asset.jpeg Issue 255 November 2012 4 Lying Figure: Francis Bacon & the female nude: MACUSHLA ROBINSON Francis Bacon, Lying figure, 1969, oil on canvas, 198 x 147.5cm; Foundation Beyeler, Riehen/Basel; ©The Estate of Francis Bacon; DACS/Licensed by Viscopy; showing in Francis Bacon: five decades, Art Gallery of NSW, Sydney, 17 November 2012 to 24 February 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431936769-DFPIU8YMN0U0J8DRRW3U/image-asset.jpeg Issue 255 November 2012 5 Ken Whisson: As if: JEREMY ECCLES Ken Whisson, From the Newspapers No. 6, 22/6/2003 to 10/8/2003, oil on linen, 110.5 x 120.5cm; private collection, Sydney. Image courtesy and © the artisT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431970018-R0O9X06495US93H1PRQX/image-asset.jpeg Issue 255 November 2012 6 Anna Platten: a conundrum wrapped in an enigma: MARGOT OSBORNE Anna Platten, Ourselves as Zoe. A dream, a web, a puzzle, 2011, oil on linen, 186.0 x 166.7cm; Collection: Art Gallery of South Australia, Adelaide; Gift of Art Gallery of South Australia Foundation Collectors Club, 2011. Image courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432003789-QGOAG7BN88A31ZN0VJGZ/image-asset.jpeg Issue 255 November 2012 7 Locality & Mobility: Australia & South Korea tandem-style Natalie KING & ALEXI GLASS-KANTOR WITH EMILY CORMACK Yeondoo Jung, Evergreen Tower, 2001, C-type print, 30 x 45cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432042684-6684S7CL2CCAOKTXV9J3/image-asset.jpeg Issue 255 November 2012 8 'Incheon, more than just an international airport': EN YOUNG AHN Incheon Art Platform Director, Seungmi Lee (centre) with En Young Ahn (left) and the chief curator, Korean National Museum of Contemporary Art https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432076665-0GHZKV4EFZH1YB28AUDN/image-asset.jpeg Issue 255 November 2012 9 The Artist is Absent: Reactivation: The 9th Shanghai Biennale: DAVID CORBET Ryan Gander, Arrows, 2012, (detail) mixed media installation https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224034106-BGR4D7MJ0PDT3B58A46U/image-asset.jpeg Issue 255 November 2012 10 Mini Graff: Macro moves MILLAN: PINTOS-LOPEZ Mini Graff, Big Con, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224048445-NJ6YCMQ5DOE1LEPL772Y/image-asset.jpeg Issue 255 November 2012 11 Some words on Word of Mouth: SARAH RICE Richard Whiteley, Illuminate, 2010, cast glass and metal, 57.5 diameter x 17cm; image courtesy the artist; photo: Greg Piper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224060130-QHNCGUXLL0KZMG77AFUJ/image-asset.jpeg Issue 255 November 2012 12 Strange Encounters at Substation, Newport: STELLA GRAY Heather B Swann, Night’s Tongue, 2010, metal, plaster, resin, ink, boot polish; installation view, Substation, Newport, 2012; image courtesy the artist and Karen Woodbury Gallery, Melbourne. Photo: Lucy Aulich https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432224146-GRIJA70GU54GGPTXM9J8/image-asset.jpeg Issue 255 November 2012 13 Good shot! Shane Cotton's Smoking Gun: PATRICK HUTCHINGS Shane Cotton, Smoking Gun, 2012, acrylic on canvas, 35.5 x 35.5cm. Image courtesy the artist and Anna Schwartz Gallery, Melbourne/Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224072988-AIAQ5H8NO514EIRBGOEN/image-asset.jpeg Issue 255 November 2012 14 Artforce: NATSIAAs, ANKAAA & CIAF: MAURICE O'RIORDAN Teho Ropeyarn, Mandang ikamba, vinyl-cut print on paper; image courtesy the artist and MAGNT, Darwin. photo: Regis Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432296106-26CBSAFBMG0V7D86TBEH/image-asset.jpeg Issue 255 November 2012 15 obituaries: Adam Cullen 1965-2012: ASHLEY CRAWFORD Adam Knott, Adam Cullen, 2011, digital photograph, 40.64 x 50.8cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432328998-G8IMBI2X3JX50Z0YAY0L/image-asset.jpeg Issue 255 November 2012 16 Virginia Kaise 1945-2012: ANTHONY CAMM Virginia Kaiser, Shapes in the Landscape, 2010, bulrushes and rattan; Muehlerbeckia and rattan; photo: Boris Hlavica https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432383454-NH7X8ZC6OR8LRP39905A/image-asset.jpeg Issue 255 November 2012 17 Flora Captured: Reproduction - Eucalyptus pyriformis: MELISSA WATTS riformis, 1888, Plate 36 from The Forest Flora of South Australia, Part 8, chromolithograph, 55 x 42.6 cm: Collection: Art Gallery of Ballarat; purchased with funds from the Hilton White Bequest, 2011 18 books: Marita Bullock, Memory of Fragments: Visualising Difference in Australian History: LOUISE MARTIN-CHEW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224087895-UMV3Z8G29FF3Z8KTUFO4/1382_l_17.Lorrimer_8748cm3+2.jpg Issue 255 November 2012 19 emfiles: Dan Lorrimer: VANESSA WRIGHT Dan Lorrimer, 8748cm3, 2009, steel, thermoformed plastic, 60 x 20 x 25cm; photo: Mitchell Brooks https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224109808-Q0BEYZIJ3P9ZDZA0VGC8/image-asset.jpeg Issue 255 November 2012 20 Zie Gong: MAURICE O'RIORDAN Zie Gong, Stairway to the Heart, 2012, digital print on archival paper; composite and detail images; image courtesy the artist https://www.artmonthly.org.au/issue-254-october-2012 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432602540-0QML3LCYDNR1QYX0O1LN/image-asset.jpeg Issue 254 October 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432650033-GW4Z2FZ34P7XD92UXDRG/image-asset.jpeg Issue 254 October 2012 1 Things made and not made Documenta 13: DAVID CORBET Attia Kader, The Repair from Occident to Extra-Occidental Cultures, 2012, ‘The Repair’: slide show projection and genuine artifac ts from Africa; ‘Repair as cultural anthropophagy and resistance’: video films, vitrines, artifacts from Africa and Europe, medical and military eleme nts from World War I; ‘Relecture’: life-size sculptures in wood and marble, plinths, dimensions variable; commissioned and produced by Documenta 13 with the support and courtesy of Galleria Continua, San Gimignano/Beijing/Le Moulin; Galerie Christian Nagel Berlin/Cologne/Antwerp; Galerie Krinzinger, Vienna; further support by Fondation nationale des arts graphiques et plastique s, France; Aarc – Algerian Ministry of Culture; photo: Roman MКrz https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432691426-K6DOVBDP3FX1TUHGVBHA/image-asset.jpeg Issue 254 October 2012 2 Jenny Watson: Here, there and everywhere Jenny Watson, Australian artist in a bar in New York in the year 2016 ,1986, synthetic polymer paint, colour pigments, gouache and c ollage on cotton, 161.6 x 256.4cm; Collection: The University of Melbourne Art Collection; purchased with funds from the Visual Arts Board, Australia Council, 1987. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432714484-SYA7WWHV3B1041RUZSKJ/image-asset.jpeg Issue 254 October 2012 3 Spinifex People, Spinifex Art: ALAN R. DODGE Kathleen Donegan, Unbun, 2010, acrylic on canvas, 118 x 138 cm. Image courtesy the artists and Spinifex Arts Project https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432742513-CHE6XFB9LVO6CPDNS0JG/image-asset.jpeg Issue 254 October 2012 4 Peter Tilley and the Garden of Death: HELEN HOPCROFT Peter Tilley, Only the Dream is Real, 2011, reclaimed timber, cast iron, 42 x 73 x 17cm. Image courtesy the artist and BRENDA MAY GALLERY, SYDNEY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432794250-CJXNJCVYDKNYAAOG734W/image-asset.jpeg Issue 254 October 2012 5 Thinking big The 2012 Woollahra Small Sculpture Prize Naomi Ullman, Dreams are Made Of This, snow dome with recycled credit cards, distilled water, glitter, enamel paint, plastic, 9 x 7cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540897519468-KJUCJHPCU18D6EJ3SBH4/image-asset.jpeg Issue 254 October 2012 6 Controversy @ Mornington Peninsula Regional Gallery: EUGENE BARILO von REISBERG Lisa Roet, Mother and Child, 2004, limestone, stained glass and bronze; Collection: Maitland Regional Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432864747-NEPCVSQEBWHPHY2OOMWW/image-asset.jpeg Issue 254 October 2012 7 Ella Dreyfus: ‘Aesthetics of Intimacy’: MAURICE O’RIORDAN Ella Dreyfus, No. 1, 2012, from the series Under Twelve Under Twenty, 2012, pigment prints, 46 x 96.5cm; image courtesy the artist and Stills Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432889013-NUDW1M7RWJAIAFDA790Y/image-asset.jpeg Issue 254 October 2012 8 Digging Deep Excavation, The Armory Exhibition 2012: ADAM GECZY Gary Deirmendjian, strata – newington armory, 2012, sitespecific installation; discarded household items and rubbish (including whitegoods, toys, electrical equipment and consumables), earth, turf and other dimensions variable; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432923135-KK5H7J4YH0A8L7YQCJ8S/image-asset.jpeg Issue 254 October 2012 9 Burning Issues: Value and Contemporary Australian Aboriginal Art: JANE RAFFAN Sydney-based performer Bjorn Stewart plays Bungaree at the open ing of the exhibition Bungaree, The First Australian, curated by Djon Mundine for Mosman Art Gallery, and showing there from 1 September to 25 November 2012, before setting of on a two-year national tour. Image courtesy Mosman Art Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432949315-5D8PY1M2FOLV943PQVGF/image-asset.jpeg Issue 254 October 2012 10 Yvonne East: Stratum: JANE HYLTON Yvonne East, Stratum Figure (1 - 8), 2012, charcoal on Paper, 400 x 150cm; photo: Richard Hodges, IMAGE COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472432987082-0RSGSUJNHZJJ6PWIO0ME/image-asset.jpeg Issue 254 October 2012 11 Perilous paths Life in Your Hands: Art from Solastalgia & Janet Laurence: After: Eden ANNE KIRKER Janet Laurence, After Eden (detail), 2012, multimedia installation; commissioned by Sherm an Contemporary Art Foundation; photo: Bonnie Elliott https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433026663-M2RL8BE1C0PJOILYBO5C/image-asset.jpeg Issue 254 October 2012 12 Oz East Ender: ERICA SECCOMBE Revelers at the Queen’s Diamond Jubilee, Thames side, Lo ndon, 3 June 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540897555284-URMKC2X915Q8TFXJHT4B/image-asset.jpeg Issue 254 October 2012 13 Love letter to a critic, from an artist: KIM ANDERSON Kim Anderson, Me, 2012, Copic liner on Japanese washi, 186 x 92cm; image courtesy the artist https://www.artmonthly.org.au/issue-253-september-2012 daily 0.75 2018-11-28 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433627955-JST8D1QA3IOKADQRAOUG/image-asset.jpeg Issue 253 September 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433726146-PZE6N2KXNXNVOQCO3BHT/image-asset.jpeg Issue 253 September 2012 1 Spirit of the Solomons: 11th Festival of Pacific Arts: SUSAN COCHRANE The fleet of vaka moana and tomoko arriving at dawn ceremony, Ramanda Beach, Honiara, for the opening of the 11th Festival of Pacific Arts, Solomon Islands; photo: Jenny Fraser https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433775416-WO91SOFBH4TI1G06D1HJ/image-asset.jpeg Issue 253 September 2012 2 Wunderkammering Down Under: LISA SLADE Installation views Theatre of the World, 2012, Museum of Old and New Art, Hobart; Image courtesy MONA; photos: MONA/Remi Chauvin Theatre of Memory referencing Italian philosopher, Giulio Camil lo (1480-1544). During the 1530s, Camillo began to construct fo r the French King François I (1494 – 1547) a memory theatre now known to us only through a text he is said to have dictated towards t he end of his life. It took the form of a small wooden amphitheatre and contained a galaxy of texts and objects representing the history of knowledge at that time; juxtaposed to trigger, systematically, if the viewer had enough knowledge and understanding, the wonders of god and man https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433823108-TMFMR5VPERMMUEXZFGJH/image-asset.jpeg Issue 253 September 2012 3 In Memory of a Name: an opportunity for professional development: HELEN FONG F.X. Harsono, Writing In The Rain, 2011, video still; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224207858-VSYB7CZGWHRDS0LOK91X/image-asset.jpeg Issue 253 September 2012 4 Apocryphal, Now: Recent work by Laith McGregor & Alexander McKenzie: ANDREW FROST Laith McGregor, Pong Ping Paradise, 2012, mixed media on paper with table tennis table, glass and net, 274 x 153cm; image courtesy the artist and Sullivan & Strumpf Fine Art, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433881914-PORMM734RZON33QX4QV0/image-asset.jpeg Issue 253 September 2012 5 Non-profit art spaces in Cambodia: strength in diversity: ROGER NELSON Installation view of The White Night, 2012, Sa Sa Art Projects, Phnom Penh; photo: Khvay Samnang https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224224139-1391UMD2VQ07ASVOET6X/image-asset.jpeg Issue 253 September 2012 6 Robert Baines, A Visible Likeness: DIANNE BEEVERS Robert Baines, Bracelet ‘Java-la-Grande’ India, Goa (Indo-Portuguese) (?) (c. second quarter of the 16th century), 2004-2005, silver-gilt, iron, plastic, wood, 99 x 74 x 89cm; Collection: Powerhouse Museum, Sydney. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224239396-VKFGXO9VI70DXJGHMBU7/image-asset.jpeg Issue 253 September 2012 7 Centenary of Canberra – a legacy of good design: GLEN MARTIN Fiona Hooten, Shape of a Nation, 2012, pop out construction, die-cut card, 21.5 x 31.5cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433968872-RQ8SBA81SGTKDLJS8EKN/image-asset.jpeg Issue 253 September 2012 8 NEW12: Australian Centre for Contemporary ArT: AMITA KIRPALANI Installation view NEW12; (background): Bennett Miller,Behavioural Ecology, 2012, installation; (foreground): Ross Manning, Spectra and Spectra II, suspended fluro-light and desk-top fan mobiles 9 Australia's story – in zeroes and ones: DENNIS GODFREY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224257930-OWRN6VYP4SSIJQ32RWHT/1357_l_10.+Polychrome_no.5.jpg Issue 253 September 2012 10 Abstracts Talk: Peter Adsett, Selected Paintings from 1996-2003: PATRICK HUTCHINGS Peter Adsett, Painting No.5, Polychrome Poison series, 2003, acrylic on linen, 165 x 105cm. Image courtesy the artist and Raft Artspace, Alice Springs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434043479-N4WRQIT95KWWJ7T6JSJ7/image-asset.jpeg Issue 253 September 2012 11 S. by S.E: DAVID HANSEN Stephen Eastaugh, Blizz Line (winter), 2009, acrylic, wool, cotton and plastic thread on linen, 210 x 425cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224271362-GQND98KFZM14TLYABPZ4/image-asset.jpeg Issue 253 September 2012 12 'The shock of such irreverence' 2nd Biennale of Sydney 1976: Recent International Forms in Art: ANN SANDERS Cover of catalogue for 1976 Biennale of Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434103952-NPAJ8NK5J5SINBYHDC1A/image-asset.jpeg Issue 253 September 2012 13 obituary: Gulumbu Yunupingu 1944-2012: JEREMY ECCLES Gulumbu Yunupingu, Untitled screenprint, 2012. This was Gulumbu’s last artwork, made when she was extremely frail, and about which she said: ‘When a person is sick, or maybe dying, people gather around to sing and dance, laugh and cry to make that person happy. It is what we Yolngu do. Here are all the people trying to make that person feel better and these are all the tears they are crying’ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434128965-AWX79KW3FCPQ27OOCV9T/image-asset.jpeg Issue 253 September 2012 14 books: ROAR – 30 years on: SASHA GRISHIN Cover for Denise Morgan’s ROAR Re-viewed, 30 years on, Palgrave Macmillan Australia, 2012, 360pp, rrp$150; ISBN13: 9781921394690 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224287989-YQVCEZ2WIQKQZID5KGWM/image-asset.jpeg Issue 253 September 2012 15 books: Melbourne's comic: cascade CEFN RIDOUT Keith McDougall, The many faces of George Grosz, 2012, Vol. 1 of 12, 32pp, rrp$15; ISBN: 9780987259509 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434207416-URK76F600BVB7SNJARH1/1363_l_16.+ART+HK+12.+ART+HK+Projects.+Osage+Gallery%2C+Shen+Shaomin%2C+I+sleep+on+top+of+myself%2C+2011-2012.jpg Issue 253 September 2012 16 Letter from ArtHK: DAVID CORBET Shen Shaomin, I sleep on top of myself, 2011-12, showing as part of ART HK Projects. Image courtesy the artist and Osage Gallery, Hong Kong https://www.artmonthly.org.au/issue-250-june-2012 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472436026283-9A9ZMD149CDDA6D5YQDB/image-asset.jpeg Issue 250 June 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224329955-3S1D7EJN9ZD6XSQU7NDS/1310_l_01.+LAndersonGBAW_%284%29.jpg Issue 250 June 2012 1 Shoot for the head: IAN MILLISS The Green Ban Art Walks, 2011, sponsored by Performance Space and organised by The Cross Art Projects and BigFag Press, Sydney, celebrated the cultural activism of the Green Ban movement while being cultural activism in their own right. www.greenbans.net.au/index.php shows Jim Donovan, former Secretary of the Woolloomooloo Residents Action Group, and also former secretary of the Waterside Workers Federation (Sydney Branch). Donovan (like Milliss) was one of the speakers on the walks. There was a long term history of working class and union activism in Woolloomooloo; Jim was born and lived there most of his life until finally forced out in the late 70s. Photos by Louise Anderson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434638899-2YM1CA1AF75JH90558EZ/image-asset.jpeg Issue 250 June 2012 2 The Language of Beauty: a position for art criticism: JACQUELINE MILLNER Collection: Tasmanian Museum a nd Art Gallery, Hobart; purchased with funds from the Ruth Komo n Bequest works in this image are from the exhibition Theatre of the World, curated by Jean-Hubert Martin from the collections of the Museum of Old and New Art and the Tasmanian Museum and Art Gallery, Hobart, and showing at MONA 23 June to 8 April 2013. The exhibition comprises around 500 works from these two key collections, along with works on loan from other Australian and international collections, and specially commissioned works including a 21st century recreation of Italian philosopher Giulio Camillo’s 16th century ‘ Memory Theatre’, constructed for King Francois I (1497-1547). www.mona.net.au (left) Brent Harris, Borrowed Plumage #2 (Stranger), 2007, oil on linen, 89 x 66cm. (right) Julie Rrap, Horse's Tale, 1999, C-type photograph, 160 x 130cm. Image courtesy Detached Cultural Organisation and MONA Museum of Old and New Art, HobarT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224344529-G5ZII2MGUL6Z4WY07PJ6/image-asset.jpeg Issue 250 June 2012 3 Articulating care: writing, curating and the forces of art: ZSUZSI SOBOSLAY Kachina Koyemshi Mask, 1900-1950, Hopi or Navaho, cotton, earth, feathers, 47 x 33 x 33cm. Image courtesy Musee du quai Branly, ©National Museum of Ethnology Leiden https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434701085-220IWKIEZCDJ26KJT49H/image-asset.jpeg Issue 250 June 2012 4 The art of art criticism: ALEXANDER McPHEE-BROWNE DANIE MELLOR, AN ELYSIAN CITY (OF PICTURESQUE LANDSCAPES AND MEMORY) , 2010, PASTEL, PENCIL AND WASH WITH GLITTER AND Swarovski crystal on Saunders Waterford paper. Collection: National Gallery of Australia, Canberra; currently showing in unDisclosed, the National Indigenous Art Triennial, National Gallery of Australia, Canberra, 11 May to 22 July 20 12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224364791-N55KITYZL8NUBVMC9HD4/image-asset.jpeg Issue 250 June 2012 5 Zombie Thoughts from the Past: Writing & the Public Sphere: ANDREW FROST Laith McGregor, Tete (Grey), 2011, oil paint, glass, modelling clay, 33 x 18 x 18cm. Image courtesy the artist and Sullivan+Strumpf Fine Art, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434810849-2GPE5UQ0VGBQY684ITYP/image-asset.jpeg Issue 250 June 2012 6 Absinthe Makes the Heart Grow Fonder: ERNESTO MALLEY PETER HILL, MADE IN PALESTINE/MADE IN ISRAEL, ‘ARTWORLD FAN CLUB’ POSTCARDS. A throw of the dice decides nationality: 2,4 and 6 = Palestinian; 1, 3 and 5 = Israeli.. All images this article courtesy Peter Hill https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224378899-A04IHYUY7WRBLOZ44L2N/image-asset.jpeg Issue 250 June 2012 7 Montalto: OMAR MUSA Christabel Wigley, Fingers Crossed, 2012, cypress, gel medium, pigment, MSA varnish, 7700 x 100 x 100cm. All images this article courtesy the artists; photos by Will Salter https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434909826-5B4APRAVXC4YRUCDF57J/image-asset.jpeg Issue 250 June 2012 8 To the person who said feminism is over as though she was right: VIRGINIA FRASER Linsey Gosper, Furie, 2011, c-type print, 90 x 107cm; from the solo exhibition Object Love, Stills Gallery, Sydney 1 to 25 February 2012. Image courtesy the artist and Stills Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224394553-ISMTFJZKTFJJ7WLNUTUP/image-asset.jpeg Issue 250 June 2012 9 Travelling from Utopia: DJON MUNDINE Cirque Robinson, poster, undated. Image courtesy MusОe du quai Branly, Paris, © Groupe de recherche Achac, Paris/coll. part / DR https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472434972750-4P8OR5EH463QHU8965UW/image-asset.jpeg Issue 250 June 2012 10 The Air-Conditioned Desert: curating Aboriginal art: ADAM GECZY Adam Hill, Unwelcome Mat (Flinders), 2009, computer graphic for printing onto ‘welcome’ mats and installed as a set of three; Unwelcome Mat (Straitened) not pictured (in the colours of the Torres Strait Islander flag) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435005502-20O0DIIQA38B906LU5JK/image-asset.jpeg Issue 250 June 2012 11 Bodyscape: Renegotiating feminist ideals in Indonesian visual arts: WULAN DIRGANTORO Lelyana Kurniawati, Bout her fly (story), 2009, acrylic on canvas, 180 x 120cm, (tryptich). Image courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224408074-JPJIMXK403OBM27X38ZF/image-asset.jpeg Issue 250 June 2012 12 Modern Women: Daughters and lovers 1850-1918, drawings from the Musée d’Orsay: SASHA GRISHIN Marie Bashkirtseff, Portrait of Mme X, c.1894, pastel and charcoal drawing, 56 x 46.5cm. PURCHASED 1885; COLLECTION: MUSEE D’ORSAY, PARIS; PHOTOGRAPH: © RMN (MUSEE D’ORSAY) / HERVE LEWANDOWSKI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435156480-IRPUR7SSN93H3PXFZEWD/1322_l_13.Fiona+Foley_207203.jpg Issue 250 June 2012 13 I Speak To Cover The Mouth of Silence: FIONA FOLEY Fiona Foley, Let a hundred flowers bloom, 2010, detail; 3 opium pipes, stool, packing case, sketchbook, 36 brass opium poppy sculptures, and 34 photographs on inkjet print; all images this article of work by Fiona Foley; image courtesy and © the artist, Andrew Baker Art Dealer, Brisbane, and Niagara Galleries, Melbourne. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435196278-VUXU2EVNUO9QI5IQZ7AU/image-asset.jpeg Issue 250 June 2012 14 Contemporary Aboriginal art in America: CAROL SCHWARZMAN Richard Bell, Blackfella’s Guide to New York, 2011, video still. Image courtesy the artist and Milani Gallery, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435240101-SJ3RF7B64H8YR5YINF7F/image-asset.jpeg Issue 250 June 2012 15 ‘In my new robe, this morning – someone else’ Some thoughts on the cultural underpinnings of critical discourse in Asia: ALISON CARROLL Simryn Gill, Untitled (Drawing C), 2011, collage and graphite on paper, 195 x 109cm. Image courtesy the artist and Breenspace, Sydney; from the gro up show The Drawing Room, 20 January to 18 February 2012. Sydney-based Gill will represent Australia at the 55th International Art Exhibition, Venice Biennale 2013, with an exhibition curated by Catherine de Zegher https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435273085-WY6SC2C94LZV1HNKNJ4Q/image-asset.jpeg Issue 250 June 2012 16 Bernard Smith 1916–2011 Marxism and Politics: PETER BEILHARZ Albert Tucker, Bernard Smith, 1985, oil on board, 60 x 75cm. Collection: National Portrait Gallery, Canberra. Photo by David Reid. An image of this portrait graces the cover of the John Spencer and Peter Wright edited publication, The Writings of Bernard Smith, Bibliography 1938 - 1998, Power Publications, Sydney, 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435330820-X6H8G1M0MTKAOUTP8MPZ/image-asset.jpeg Issue 250 June 2012 17 January: the dignity of objects: STEPHANIE RADOK Henri Fantin-Latour, Still Life, 1866, oil on canvas, 62 x 74.8cm. Chester Dale Collection; National Gallery of Art, Washington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435370993-H9HDAEX98LTVF1B5YJ9Z/image-asset.jpeg Issue 250 June 2012 18 Critical lens: Reflecting, and looking forward: BOB BROWN Spring at Liffey, 1981. ‘The track up Taytitikitheeker (Drys Bluff, 1340m) goes past my house – so I have a sign on the gate: ‘Trespassers Welcome.’ This photo is the only one taken from a tripod. All images of work by Bob Brown; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224426656-XWIXO4XI95HOAHDOUIIL/image-asset.jpeg Issue 250 June 2012 19 Who would be an art critic?: MARGOT OSBORNE Amy Joy Watson, Pair, 2011, balsa wood, watercolour, polyester thread, 80 x 65 x 35cm; showing in No Place, Adelaide Central School of Art Gallery, 8 June to 21 July; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224441584-PHT7JRCU7BBS8WJM09VO/image-asset.jpeg Issue 250 June 2012 20 Artists blogging: ROB McKENZIE Taslima Ahmed, Echo Bodies, 2011, plastic, blades, silicon, nail jewels, plaster, 180 x 90 x 10 cm each; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435484205-TCO9FRKSS4EWF1MTJXDL/image-asset.jpeg Issue 250 June 2012 21 Parallel Collisions: 2012 Adelaide Biennial of Australian Art: SARA WHITE Installation views 12th Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide: works by Rosemary Laing, Jonathan Jones and Nicholas Folland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224462803-F4PYOABOZ4QI4AMBJY0Q/image-asset.jpeg Issue 250 June 2012 22 Art Monthly Australia: in-between the covers First issue: Londoner Peter Townsend, editor of Art Monthly UK, launches Art Monthly Australia in June 1987; the publisher is Sam Ure Smith of Fine Arts Press Ltd, Sydney, (also publisher of Art & Australia). For the time being, Townsend uses the UK Art Monthly logo with the text ‘Australian and International’ above. Issue 2 acknowledges Australia Council for the Arts funding. COVER IMAGE: PADDY JUMBAJI, UNTITLED, NATURAL EARTH PIGMENTS ON HARDBOARD, 82 X 102CM https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473224487449-AFOJUGXHSLARYYIN05XY/image-asset.jpeg Issue 250 June 2012 23 Landscapist for Mu Xin: JOHN MATEER Image of Mu Xin work from Luke Fidler’s ‘Powerslice’ blog; powerslice.blogspot.com.au https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472435656298-1X9NNR0GWWQGYMT04HNJ/image-asset.jpeg Issue 250 June 2012 24 The Tate Gallery at South Reen, Ireland: JOHN KELLY South Reen, County Cork, Ireland. All images this article court esy John Kelly and The Tate Modern, South Reen https://www.artmonthly.org.au/issue-291-august-2016 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472611464739-2V6ZLXMDI8WM2CN4KZ5X/image-asset.jpeg Issue 291 August 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021335233-MDONRSWUBP3ZWQN0Z4C2/1North.jpg Issue 291 August 2016 1 Playful allegories and powerful gestalts: A conversation with Ian North: Christine Nicholls, Adelaide Ian North, Harbinger, 2015, digital type-C print, 72 x 180cm; image courtesy the artist and GAGPROJECTS / Greenaway Art Gallery, Adelaid https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021464165-TDBCMN67WRKW9H2P2GK0/image-asset.jpeg Issue 291 August 2016 2 Territorial encounters by James Tylor, Adelaide James Tylor, 1836 Adelaide#1 Kaurna Nation, 2016, from ‘Territorial Encounters’, daguerreotype with scratches, 10.16 x 12.7cm; image courtesy the artist, GAGPROJECTS / Greenaway Art Gallery, Adelaide; Vivien Anderson Gallery, Melbourne; and Stills Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021496966-LOLFFIS4145KFJFMMHYN/image-asset.jpeg Issue 291 August 2016 3 His mortal eye: Stanley Spencer at Carrick Hill: Geoff Gibbons, Adelaide Stanley Spencer, Zermatt, 1934, oil on canvas, 51.2 x 61.5cm; Carrick Hill Trust, Adelaide, Hayward Bequest https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021515393-63H0ZZ6LEOXW1Z5TPB7D/image-asset.jpeg Issue 291 August 2016 4 Dark lament: Fiona Hall’s All the King’s Men : Jenna McKenzie, Adelaide Fiona Hall, All the King’s Men, 2014–15, installation view; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney; photo: Clayton Glen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021533741-12F8LVQZ521B4FEZMM65/image-asset.jpeg Issue 291 August 2016 5 ‘Anangu culture is family culture’: Collaborative painting in the APY Lands: Nyurpaya Kaika-Burton and Hannah Kothe, Kaltjiti Production view of Kungkarangkalpa – Seven Sisters, 2016, Kaltjiti Arts, Fregon community, 23 May 2016; image courtesy Ernabella Arts, Pukatja communitY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021553533-552W4N2R0TQNU9XSY4FB/image-asset.jpeg Issue 291 August 2016 6 Open space: National Gallery Singapore: Julie Ewington, Singapore National Gallery Singapore redevelopment by Studio Milou Singapore and CPG Consultants Pte Ltd; image courtesy the National Gallery Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021574697-QQLWB9LGKXLS5RCR4N58/image-asset.jpeg Issue 291 August 2016 7 A vast universe within: Nasreen Mohamedi at The Met: Ellie Buttrose, New York Nasreen Mohamedi, exhibition view, The Met Breuer, New York, 2016; image courtesy and © The Metropolitan Museum of Art, 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021588665-JWNL41BYIJG0XGHUO82H/image-asset.jpeg Issue 291 August 2016 8 Signifiers of lost times: Chen Qiulin at SAM: Jacqui Durrant, Shepparton Chen Qiulin, One Hundred Names for Kwong Wah Chong, 2015, installation detail, Shepparton Art Museum, 2016; 25-channel video installation, mural, dimensions variable, commissioned by 4A Centre for Contemporary Asian Art, Sydney; © the artist; photo: Diana Spriggs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021672112-4X9FSF1OD33FDKYUJ8RZ/image-asset.jpeg Issue 291 August 2016 9 In every direction: ‘OVERUNDERSIDEWAYSDOWN’ at Manly: Toni Warburton, Sydney OVERUNDERSIDEWAYSDOWN, exhibition view, Manly Art Gallery and Museum, Sydney, 2016, with the work of (from left) Jenny Orchard, Angela Brennan and Lynda Draper; photo: Greg Piper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021710184-N05YEDFHBIZ8DU43ZD93/image-asset.jpeg Issue 291 August 2016 10 William Yaxley: An authentic innocence: Mark Svendsen, Rockhampton William Yaxley, The mangrove monster no. 2, 1986, wood, mandarin skins, shell and resin, 90 x 87 x 146cm; Queensland Art Gallery / Gallery of Modern Art, Brisbane, purchased through the Queensland Art Gallery Foundation, 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021723814-M9KSV42Q9KONK8OJ43AK/image-asset.jpeg Issue 291 August 2016 11 Awesome: Cameron Robbins at MONA: Peter Hill, Hobart Cameron Robbins, Solar Loggerheads, 2016, installation view, ‘Field Lines’, MONA, Hobart, 2016; drawing and erasing instrument – solar and mains power; steel, timber, electric motors, solar panel, stainless steel, brass, aluminium, eraser, marker pen, stone, bearings, glass; image courtesy the artist and MONA, Hobart; photo: MONA/Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021752151-LPS278QT9W1EHMVQUYOH/image-asset.jpeg Issue 291 August 2016 12 Jan Senbergs: Melbourne brutal: Rex Butler, Melbourne Jan Senbergs, Melbourne, 1998–99, synthetic polymer paint on canvas, 183 x 274cm; State Library of Victoria, Melbourne, gift of the Gualtiero Vaccari Foundation in recognition of services provided by the State Library to the Italian community; © Jan Senbergs, administered by Viscopy, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1470021767975-BAALTWVVZ69J39J8INRQ/image-asset.jpeg Issue 291 August 2016 13 Inge King 1915 – 2016: Jane Eckett, Melbourne Inge King in her studio at Warrandyte, 2013, working on a balsa-wood maquette for the ‘Celestial Rings’ series; photo: Jacqui Henshaw https://www.artmonthly.org.au/issue-248-may-2012 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473220286179-7GX5AE3WUK3AU2L8T9GJ/1280_l_01.Ringmaster_charcoal_on_paper_59in_x_70in_2010_%28detail%29_copy.jpg Issue 248 April 2012 1 Magicians of the Artworld: DONALD BROOK Lorene Taurerewa, Ringmaster (detail), charcoal on paper, 150cm x 177.8cm; image courtesy the artist; see p. 32 for full image and related article on Taurerewa’s drawings https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473636909654-M9E68HQPSO9RBZQLWUUW/image-asset.jpeg Issue 248 April 2012 2 U-Ram Choe at John Curtin University Gallery, Perth: JOHN MATEER U-Ram Choe, Una Lumino Ortus (scientific name: Anmopispl avearium cirripedia URAM, 2009, metallic material, motor, LED, custom CPU board, Polycarbonate , 143 x 130 x 47cm. Image courtesy the artist and John Curtin Gallery, Perth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637259644-VHXJFFYPUD2D6DM9H8NA/image-asset.jpeg Issue 248 April 2012 3 Stelarc: ASHLEY CRAWFORD Stelarc, Ear on Arm, 2011, installation view Lorne Sculpture 2011. Image courtesy the artist and Scott Livesey Galleries, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637292461-D0NIXACXFPU9HNZZDAQ7/image-asset.jpeg Issue 248 April 2012 4 Room to breathe: A Way of Calling, Linden Centre for Contemporary Arts, Melbourne: JAN BRYANT Sheila and Nicholas Pye, A Life of Errors, 2006, video still, courtesy the artist and the Curator’s Office, Washington DC https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637324244-NFYFPTR36FGAB0G549DM/image-asset.jpeg Issue 248 April 2012 5 Lady Sheila Cruthers (1925–2011): JOHN CRUTHERS Lady Cruthers giving a talk on women's art in New York in about 1987, reading from Janine Burke's book Australian women artists 1840-1940 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637353544-8YIJ801XX70T0GLFAIJA/image-asset.jpeg Issue 248 April 2012 6 Syntax of fetish & fashion: Love Lace, Powerhouse Museum, Sydney: ADAM GECZY Richard Nylon, String Pictures with Lenses, 2010, aluminium, rubber, white elastic, steel spring and plastic magnifier lenses, 90 x 106cm. Image courtesy the artists; photo by Powerhouse Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637380074-LBBW2JNA5RK041HRA7T4/image-asset.jpeg Issue 248 April 2012 7 Fred Williams – The Poetry of Paint: ALAN R. DODGE Weipa III, 1977, gouache on paper. Collection: National Gallery of Austra lia, Canberra. All works this article of work by Fred Williams; all images © e state of Fred Williams https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637409031-CPS9N01TZRC5E3Y35SV0/image-asset.jpeg Issue 248 April 2012 8 Spaced: out West: REBECCA COATES Sohan Ariel Hayes & Michael Woodley, Birndi Wirndi – Worlds Apart, 2010, dual channel HD video, PAL. with 2-channel audio, stereo, 14 mins duration archival vi deo, images, text, architectural model (foamcore and inkjet print), 8 x 3.5m; installation view, Spaced: art out of place, Fremantle Arts Centre, Perth, 2012; image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637442698-L7JY8H6LY6M0QG7NPMZU/image-asset.jpeg Issue 248 April 2012 9 The Dealer's Hand: Traditions of Representation in Drawings by Lorene Taurerewa 2008 – 2010: WARWICK McLEOD Lorene Taurerewa, Master of Ceremonies (detail), 2010, charcoal on paper, 149.86 x 203.3cm. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637490157-L0W4PWG7ZBBL4XNX4RF5/image-asset.jpeg Issue 248 April 2012 10 Negotiating Home, History and Nation, Singapore Art Museum: MICHELLE ANTOINETTE Yee I-Lann, Sulu Stories, 2005, digital print, 13 pieces, variable dimensions. Collection: Singapore Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637527257-ADNM1PI2083C0KE2UYCQ/image-asset.jpeg Issue 248 April 2012 11 Mildura Palimpsest #8: Collaborators and Saboteurs: MERRYN GATES Ken + Julia Yonetani, Still Life: The Food Bowl, Murray River salt, Rio Vista House; image courtesy the artists, photo: Shayne Hill https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540878496027-EKIQ0UKPPV1H5F0S88TK/image-asset.jpeg Issue 248 April 2012 12 Remembering Tomorrow, As Modern as Tomorrow: Photographers in Postwar Melbourne: CHRISTOPHER HEATHCOTE Helmut Newton, Workmen putting the finishing touches to rear of amenities block, c. 1951–54, gelatin silver photograph, gift of the Shell Company of Australia, 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637604038-QLJ4Z6X4BBEC87OGHF7Y/image-asset.jpeg Issue 248 April 2012 13 Elan at Benalla Art Gallery: JAN JONES View of Benalla Art Gallery, on the banks of the Broken River, Benalla; gallery designed by Melbourne architects Philip Sargent and Colin Munro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637653029-ZZFZAII8EUE6G330TF3G/image-asset.jpeg Issue 248 April 2012 14 Surface tension: Brendan Van Hek's light travels: JOHN BARRETT-LENNARD Brendan Van Hek, Maze 4, 2011. Image courtesy the artist and Galerie Düsseldorf, Perth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637686285-RKCTBJRVEZ6VKL7IY7DK/image-asset.jpeg Issue 248 April 2012 15 Clifton Dolliver: Eye Box 2, Sirius Arts Centre, Cork: JONELLE MANION Clifton Dolliver, 'Linkeage', Eye Box 2, 2011, diorama installation; installation view, Sirius Arts Centre, Cork. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637757988-BSP3A2PNI8AH7AGES28K/image-asset.jpeg Issue 248 April 2012 16 Close to Zero: ADRIAN CLEMENT Carl André, The way north, south and west, (uncarved blocks), 1975, Western red cedar, 4 units: 30.5 x 30.5 x 91.5cm each, 91.5 x 1 22 x 152.5cm overall; copyright Carl Andrew, John Kaldor Family Gallery, Art Gallery of NSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473637796449-NL6QR0I9DAY2NPNHPDAB/image-asset.jpeg Issue 248 April 2012 17 The Spectacle of Deconstruction: Christian Capurro, Agatha Gothe-Snape, Debra Phillips: ALTAIR ROELANTS Christian Capurro, Agatha Gothe-Snape, Debra Phillips, installation view, BREENSPACE, Sydney, 2011. Image courtesy the artists and BREENSPACE, Sydney https://www.artmonthly.org.au/issue-249-may-2012 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473220740828-8EICHE6SKSW34LMMVNH5/image-asset.jpeg Issue 249 May 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473221303212-F56R5PUSZSBMBVQQTQ3E/image-asset.jpeg Issue 249 May 2012 1 Sally Gabori: feeling the landscape: JOHN McPHEE Mirdidingkingathi Juwarnda Sally Gabori, Nyinyilki, 2009, synthetic polymer on canvas, 198 x 610cm. Collection: National Gallery of Australia, Canberra; showing inunDisclosed, the NGA’s 2nd National Indigenous Art Triennial, 11 May to 22 July 2012. © the artist and Alcaston Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473221815278-4KRT77EZERTBD44JBLQO/image-asset.jpeg Issue 249 May 2012 2 Afterglow: Jayne Dyer's City of Dreams: MAURICE O'RIORDAN Jayne Dyer, City of Dreams (detail), 2012, card, plaster, thread, plastic, dimensions image courtesy the artist and China Art Projects, Beijing/Hong Kong; photo by Jayne Dyer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473222216726-T6RQLP5J0N5WVIUWA01K/image-asset.jpeg Issue 249 May 2012 3 What you own... Three Realms: Gonkar Gyatso, LOUISE MARTIN-CHEW, Brisbane Gonkar Gyatso, Yo you! Protect your airway, 2008, stickers and pencil on treated paper with toy cars, 154 x 124 cm. Collection: Fabio Rossi and Elaine W Ng, Hong Kong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473222748596-22N38XQS97GD9HFZUECL/image-asset.jpeg Issue 249 May 2012 4 Deadly: In-Between Heaven and Hell: CHRISTINE JUDITH NICHOLLS Tjanpi Desert Weavers(l-r: Yaritji Young, Ilawanti Ungkutjuru Ken, Nyurpaya Kaika, Paniny Mick, Tjungkaya Tapaya, Naomi Kantjuriny), Paarpakani (Take flight), 2011, installation detail, raffia, minnarri grass, buffel grass, yarn , string, poly-raffia, polyester fibre, second-hand fabric, bus h turkey and emu feathers, twigs and branches, sheep/camel wool, leather, wire, fake flowers, plastic rake; largest 125 x 40 x 220cm. Image courtesy the artists, Tjanpi Desert Weavers, NPY Women’s Council; photo by Mick Bradley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473222879119-3DCHWKGDAGYGXBLNNX0R/image-asset.jpeg Issue 249 May 2012 5 FotoFreo 2012: DAVID CORBET Eric Bridgeman, I want to break free, 2011. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223039569-BO1BGEOZZOGY1PSFIRK4/image-asset.jpeg Issue 249 May 2012 6 Aboriginality, Masculinity & Vanity: EVE SULLIVAN Christian Thompson, In Search of the International Look, 2006, C-type print, 190 x 127cm. Image courtesy the artist and Gallery Gabrielle Pizzi, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223121842-GY3I8UDSSHZVM9MFPA1N/image-asset.jpeg Issue 249 May 2012 7 Flowers around alters: Frank's Flat, Maitland Regional Art Gallery: UNA REY Richard Larter, Frank Watters, 2002, acrylic on canvas, 51 x 41cm.Image courtesy the artist and Frank Watters https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223179105-XF5M9OTEQDJTISNHH10J/image-asset.jpeg Issue 249 May 2012 8 Displacement/Replacement: Indigenous women's art from desert to city: ANGELA PHILP Tjampawa Katie Kawiny, Kapi Tjukula, 2010, acrylic on linen, 101.5 x 101.5 cm. Collection: Sims-Dickson Collection. Image courtesy the artist and Tjala Arts, Amata, SA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223469899-OIP4671N9OV8PKVZHONP/image-asset.jpeg Issue 249 May 2012 9 Floating Land/Water Culture: DANNI ZUVELA Hidden Land performance, dir. Jeremy Neideck; image courtesy the artist; photo by Deb Halls https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223537726-QNV0YDVJGAV0536KG0NJ/image-asset.jpeg Issue 249 May 2012 10 Obituary: Dick Bett 1947 – 2011: Seán Kelly 11 Wander in wonderment: Walter Benjamin Archives, JOHN CONOMOS, Paris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223703031-N386TL3PG9M3FO0Z9KTQ/image-asset.jpeg Issue 249 May 2012 12 New Frontier 2012: Future Normal: CHRISTINE WESTWOOD Ho Tzu Nyen (director), still image, from The Cloud of Unknowing, 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473223752046-LQ3LQGSOKK4L7PBAUQVE/image-asset.jpeg Issue 249 May 2012 13 Clothing, space, art: the 2012 L’Oréal Melbourne Fashion Festival: PAOLA DI TROCCHIO Alpha60s’ runway parade, staged in St Paul’s cathedral lanew ay, Melbourne, as part of the 2012 LMFF; image courtesy Alpha60, Melbourne https://www.artmonthly.org.au/issue-246-summer-2011 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639151337-LQG4LXG6XEUZ13307XKW/petrina.cover.LG.jpg Issue 246 Summer 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639311840-S7WOA97J7J7IGP4VQGBM/image-asset.jpeg Issue 246 Summer 2011 1 Home is where the art is: the rise of home-based galleries: JOHN CRUTHERS Sarah Goffman, Plastic Arts, 2008–2010, all works recycled plastic containers with paint and blue pen; shown at artroom5, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639362731-QW7M9RN3SSY7HB2AR5IF/image-asset.jpeg Issue 246 Summer 2011 2 Redressing the imbalance: Yulyurlu, Lorna Fencer Napurrurla: CATH BOWDLER Spring Water at Yumurrpa, 2002, synthetic polymer paint on canvas, 303 x 138cm. Courtesy the Laverty Collection, Sydney. Unless otherwise indicated, all images this article are of works by Lorna Fencer Napurrurla; images courtesy the estate of Lorna Fencer, Mimi Art and Craft, Katherine https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639399068-ZWZTDY2XD69ORNCSJK6W/image-asset.jpeg Issue 246 Summer 2011 3 Trent Parke: A Decade in Photography: ALEX WISSER Television on, 2007, from The Christmas Tree Bucket series, pigment print, 2 editions: 32 x 40; 72 x 90cm. All images this article of work by Trent Parke; image courtesy the artist and Stills Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639436234-CE6D537FB4D5O6B19GDS/image-asset.jpeg Issue 246 Summer 2011 4 networking phantasma: a dialogue on self & art: SCOTT REDFORD & ROB McKENZIE Destiny Deacon, Virginia Fraser, Michael Riley, installation view, The Phantasm, Foxy Production, New York, 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639466476-LS051BQNMIAGKKIY2F8H/image-asset.jpeg Issue 246 Summer 2011 5 Biennale Jogja XI: a new style of Internationalism: ALIA SWASTIKA Arahmaiani, Stitching the Wound, 2006, thread, variable dimensions https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639508692-BD4CJPOEU59IR3Y8Z2G8/image-asset.jpeg Issue 246 Summer 2011 6 People we know – Places we’ve been: Goulburn Art Class 2-0-1-1: AROHA GROVES Aroha Groves, Avatar Sistagrlro Wei in a scene fromMeandering, 2011, from her Second Life Project. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639541498-8592RJ7TAARBPRQ07PZZ/image-asset.jpeg Issue 246 Summer 2011 7 Countermemory, Analogies and Mythologies: Dinh Q. Lê’s Erasure: VERONICA TELLO Dinh Q. LР, Erasure, 2011, found black-and-white photographs. Commissioned by Sher man Contemporary Art Foundation. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639572542-F30X8Q8ZNIB74KERBB20/image-asset.jpeg Issue 246 Summer 2011 8 speaking through the museum: Stephanie Radok at FUAM: LISA SLADE Stephanie Radok, Weeds of the City, ongoing project, painted beer coasters. Image courtesy the artist and Flinders University Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540877982740-RC7M481ZJ2N6V3EM92IF/image-asset.jpeg Issue 246 Summer 2011 9 The Dyeing Dress: STELLA GRAY Martha McDonald, The Weeping Dress (detail), 2011. Image courtesy the artist. Photograph by Christian Capurro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639625884-UDHSZ4PFKDD7RL7YCQCO/image-asset.jpeg Issue 246 Summer 2011 10 the ghost of Gascoigne, & other apparitions: ANNI DOYLE WAWRZYNCZAK Mariana del Castillo, Mother’s dialogue, 2010, 4 parts: Part 1: blanket, nails, funnel, cutting disc, latex, glass, printed image of an eye, on particle board, 72.6 x 46.3cm; Part 2: vinyl, thread, blue cut tacks, rubber suction cup, plastic beads, rubber tube, fabric, on particle board, 67.2 x 46.8 x 6.5cm; Part 3: fire hose, religious medallions, AFL ball, toy plane, blue cut tacks, rubber on particle board, 69.7 x 44 x 3.3cm; Part 4: brocade fabric, pasty slicer, paint on particle board, 67.2 x 59 x 4.2cm. Collection of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639653462-FOY4Y5OR1PZR2JS1H4YQ/image-asset.jpeg Issue 246 Summer 2011 11 made in Mildura: ANNE SANDERS Bert Flugelman, Untitled 1975, six polished aluminium tetrahedrons buried in a 450cm-deep trench, Commonwealth Park, Canberra. Photographs of the process of exca vation and burial were exhibited at the 1975 Mildura Sculpture Triennial along with the other sculptures exhibited in Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639683177-B83HZDH3NH00EEXTA9DI/image-asset.jpeg Issue 246 Summer 2011 12 seeing the spiritual in Australian Art: The Blake Prize: ROD PATTENDEN David Tucker, A Local Girl Comes Home, 2008, (winner), ceramic, wood, linen, ink, 52 x 95 x 60cm. Private collection; courtesy the artist and the Blake Society https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540877860996-S88LKLEKBKO8M76VZJW5/image-asset.jpeg Issue 246 Summer 2011 13 Leonard Brown & the gentle sound of angels’ wings: CHRISTINE DAUBER If an expression can be detected it is most surely a quizzical and ironic one, 2006, oil on linen. Collection: Andrew Baker. Photograph by Mick Richards https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540877833289-C2I8U8DOCLA51X58T0Y1/image-asset.jpeg Issue 246 Summer 2011 14 altered states: Doble & Strong’s Milk of the Poppy: ASHLEY CRAWFORD Chromophore, 2011, gloss enamel and Iriodin on chromogenic print, mounted on aluminium composite board, 178 x 125cm. Images this article of work by Doble & Strong; images courtesy the artists and Block Projects, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639864560-YH0HZOCYQKQHNS3FUTM3/image-asset.jpeg Issue 246 Summer 2011 15 On Immersion, a note on process and place: ZSUZSI SOBOSLAY Gudgenbi Vallery, Namadji National Park, NSW. Photograph by Kirstie Rea, 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639906830-0D6XTWTL5AM5SLC6JN91/image-asset.jpeg Issue 246 Summer 2011 16 M12: Ornitarium BARBIE: GREENSHIELDS Front view of M12’s Ornitarium, 2011, local timbers, Wetlands Education Centre, Denmark, Western Australia. Image courtesy the artists. Photograph by M12 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639951114-UTHNPKC5VJHZR59DO9SM/image-asset.jpeg Issue 246 Summer 2011 17 NEW AGE: NEW MEDIA: SARAH JONES Miao Xiaochun, Restart, 2010, 3D computer animation, 15min:56sec. Images this article courtesy the artists and China Art Projects , Beijing https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473640041731-QVNSSALEJJVS19LQPE6N/image-asset.jpeg Issue 246 Summer 2011 18 Niu Warrior , Casula: BILLIE LYTHBERG E. S. Andrews, Mau members in the grounds of the United Nations Mission’s Head quarters, Apia, 1947. Courtesy Communicate New Zealand, Series 6401: Archives New Zea land/ Te Rua Mahara o te Kāwanatanga, Wellington Office, NZ. Collection Penrith Regional Gallery and The Lewers Bequest https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473640097192-R8GQ5SBRBZ3M0FDOYMDQ/image-asset.jpeg Issue 246 Summer 2011 19 Play it again, SAM The Art Of Chess & Your Move: MEGAN SPENCER Jake and Dinos Chapman, commissioned work for The Art of Chess https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473640148928-6E7PPM7DBNHBNR0M817T/image-asset.jpeg Issue 246 Summer 2011 20 Head and Shoulders: The 2011 Olive Cotton Award: DOUGLAS SPOWART Tamara Dean, Damien Skipper, 2011, pure pigment print on archival cotton rag. Image courtesy the artist, James Makin Gallery, Melbourne, and Charles Hewitt Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473640175792-HVH8R6OQKB6OXVF0D6ND/image-asset.jpeg Issue 246 Summer 2011 21 PhotoEspaña 2011 – interfaces: Portrait and Communication: JUSTINE BAYOD ESPOZ Shilpa Gupta, Untitled, 2006. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473640202258-KT8JUZ4YA0TJWKX8A31D/image-asset.jpeg Issue 246 Summer 2011 22 Eugene von Guérard: Nature Revealed: PATRICK HUTCHINGS North-east view from the northern top of Mount Kosciusko, 1863. Collection: National Gallery of Australia, Canberra https://www.artmonthly.org.au/issue-247-march-2012 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638338806-OYVOZC5EPSK8UADCDW0G/image-asset.jpeg Issue 247 March 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540877371804-GWVJJ88PA2ZOGWV20ALW/image-asset.jpeg Issue 247 March 2012 1 Peter Daverington: Shapeshifter: KIRSTEN RANN Peter Daverington, Self-portrait with Rembrandt's Tutu, oil, marker and enamel on canvas, 2011, 33 x 43cm. courtesy the artist and Arc One Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638520709-AOIN5CF8W54BHCD4IUE8/1267_l_2.GRACE_Xmas+Dinner+Series.jpg Issue 247 March 2012 2 Time out – A Different Temporality, Monash University Museum of Art: VIRGINIA FRASER Helen Grace, Xmas Dinner Series (detail), 1979; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638568052-5QALSDH72K92U3BD5N8T/image-asset.jpeg Issue 247 March 2012 3 Girringun Aboriginal Art Centre: reinvigorating rainforest traditions: KATRI,NA CHAPMAN Daniel Beeron, State of Origin Bagu, 2011, ceramic and mixed media; currently showing in the 2011 Indigenous Ceramic Award, Shepparton Art Museum, 8 Feb to 22 April 2012; image courtesy the artist; and Girringun Aboriginal Art Centre, Cardwell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543294919587-29BHIX8BVS2HARFSBV5I/1269_l_4.+Scanned_Image_120160011.jpg Issue 247 March 2012 4 The new National Cultural Policy – will the artist be the focal point?: RUPERT MYER Mitch Cairns, ZZZZZ, 2011, letraset, riso print, pastel on paper, 12 works,15 x 10 cm each; recently shown in The Drawing Room, BREENSPACE, Sydney, image © the artist, courtesy BREENSPACE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543294959031-FC4AGHNUOHXVFBYC9ZCV/image-asset.jpeg Issue 247 March 2012 5 Double Dutch: Fluiten in het Donker (Whistling in the Dark), Amsterdam: RACHAEL WATTS Sara ven de Heide, Hollands Kabinet (detail), 2010-ongoing; 220 watercolours on paper (as of May 2011), each 18 x 26cm; courtesy the artist and Galerie Diana Stigter, Amsterdam https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543295007248-TSL7PDU1RYJH9K8HSRPY/image-asset.jpeg Issue 247 March 2012 6 Gao Brothers: The Utopia of Hugging for 20 Minutes: NAIMA MORELLI 'Utopian' hugging, Piazza del Popolo, Rome; photo: Luigi Ielluzzo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638892811-F47Z6FAI7N680ITMRJ3O/image-asset.jpeg Issue 247 March 2012 7 Time and Space, Space and Time: ANDREW FROST Del Kathryn Barton, for the feeling, 2011, acrylic, gouache, watercolour and ink on polyester canvas, 240 x 360cm; image courtesy the artist and Roslyn Oxley 9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638921991-9AVUVGVVG1RN2MPC3FQJ/1273_l_8.The+Dragon+Flying+Over+the+North+Zhang+Jianfeng+3500cm.jpg Issue 247 March 2012 8 Changchun: the Sculpture Capital of China: KEN SCARLETT Zhang Jianfeng, computer-generated image of The Dragon Flying Over the North, painted steel, 35m-high; located at the entrance to the High-Tech area, Changchun; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638947064-C2J214BLG5D4WAEXNX18/image-asset.jpeg Issue 247 March 2012 9 Equator’s Heat: Biennale Jogja XI 2011: RIFKY EFFENDY Albert Yonathan's performance with his work Cosmic Labyrinth, The Bells at the opening ceremony of Jogja Biennale XI; photo: Herkristi Kusumaningtyas https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638986109-N0EFU4H7G92609B3Y1G9/image-asset.jpeg Issue 247 March 2012 10 Chance and Design: the 4th India Art Fair: MAURICE O'RIORDAN Sam Jinks, Small things, 2012, silicone, human hair and resin,10 x 36 x 36cm; image courtesy the artist and Karen Woodbury Gallery, Melbourne ; shown at the 4th India Art Fair, New Delhi, as part of the Galleries: Solo Projects section. Jinks’s hyper-realist sculptures were a popular attraction at the Fair, and received extensive press coverage, including in The Hindu, The Guardian and the New York Times https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473639017725-NK5AULYD7ISBJVLGXJDT/image-asset.jpeg Issue 247 March 2012 11 Fieldnotes: Mumbai: GENEVIEVE O’CALLAGHAN Kamalakant Save, Untitled, gouache on card, 25.4 x 35,56; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543295114843-XLOIJRWEGOAXNYEMGTHS/image-asset.jpeg Issue 247 March 2012 12 A trompe-l’espirit – Picasso: Masterpieces from the Musée National Picasso: Paris PATRICK HUTCHINGS Pablo Picasso, The acrobat, 1930, oil on canvas, 162 x 130cm; © Succession Picasso, 2011/Licensed by Viscopy, 2011 © Paris, Réunion des Musées Nationaux/René-Gabriel Ojeda; © Musée National Picasso, Paris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543295201002-PQZ2BCI75X4F5L3PJSUE/image-asset.jpeg Issue 247 March 2012 13 Adam Knott: the artist a.k.a ...: CHRISTINE WESTWOOD Adam Knott, Self-portrait, 2011, acrylic on found timber, 102.68 x 116.84cm; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543295160309-9BCQ17U4WWIEXZUX8KV4/image-asset.jpeg Issue 247 March 2012 14 books: Synthetics: Aspects of Art and Technology in Australia, 1956-1975: ERICA SECCOMBE Stephen Jones, Leonardo Books series, MIT Press, 2011. rrp$40, 395pp; ISBN: 978-0-262-01496-0 https://www.artmonthly.org.au/issue-245-november-2011 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473641810409-9TIOXH8YITJG6E0EIDZJ/rsz_ssue_245_november_2011.jpg Issue 245 November 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543294080202-P00A4NSZCCHP5TFZO3ZL/image-asset.jpeg Issue 245 November 2011 1 When The Circus Came To Town: FIONA FOLEY Archival image of ‘Boni’. Collection: Musee des Confluences, Lyon https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642100266-AYWGDGM1GD7WG0DCS3O3/image-asset.jpeg Issue 245 November 2011 2 Hidden Heritage: Ronald Bull’s 1962 Pentridge mural: SYLVIA KLEINERT RONALD BULL, MURAL, 1962, 2.080 X 3.500CM, ALKYD (OIL BASED SYNTHETIC) ON BLUESTONE, MELBOURNE METROPOLITAN RECEPTION PRISON (PENTRIDGE). PHOTOGRAPH BY ANDREW THORN, ARTCARE, 2002. REPRODUCED WITH PERMISSION OF THE ARTIST’S FAMILY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543294242991-J6F281LPTM8P4TLFDZPP/image-asset.jpeg Issue 245 November 2011 3 The Mad Square: Modernity in German Art, 1910-1937: ROGER BENJAMIN Hannah Hoch, Made for a party, 1936, collage, 36 x 19.8cm. INSTITUTE FOR FOREIGN CULTURAL RELATIONS, STUTTGART. © HANNAH HOCH/VG BILD-KUNST, BONN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642242709-9TSPTJN0FOUCC8IEAGOK/image-asset.jpeg Issue 245 November 2011 4 2011 Telstra National Aboriginal and Torres Strait Islander Art Awards: GENEVIEVE O’CALLAGHAN David Lans, The Lennard identity, film IMAGE COURTESY THE ARTIST AND WARLYARITI ARTISTS, BALGO https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642294528-QWKBQZ8ABOHJK72XBU1X/image-asset.jpeg Issue 245 November 2011 5 Too many cooks? The 2011 Western Australian Indigenous Art Awards: MAURICE O’RIORDAN Installation view, 2011 Western Australian Indigenous Art Awards, Art Gallery of WA, showing Gunybi Ganambarr’s awarding-winning work comprising (l to r): Dhangultji, 2010, hollow log coffin; Burrut’tji, 2010, ochres on bark; Lorr, 2010, ochres on insulation material; Buyku, 2010, ochres on bark; Milngurr, 2010, ochres on rubber; Gunyuru, 2010, hollow log coffin. Image courtesy the artist, Buku-Larrngay Mulka Art Centre, Yirrkala, and Art Gallery of WA. Photograph by Bo Wong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543294289606-6JR7U5O1QYBUOV3VKEB9/image-asset.jpeg Issue 245 November 2011 6 Michael Cook — Through My Eyes: A dream of things to come: CHRISTINE DAUBER MICHAEL COOK, THROUGH MY EYES, 2010, inkjet print on Hahnemuhle paper, suite of 27 works. Image courtesy the artist and Andrew Baker Art Dealer, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540876825571-ILJ59AYXKVRV2J8V4963/image-asset.jpeg Issue 245 November 2011 7 Togart Contemporary Art Award 2011: SASHA GRISHIN Image courtesy the artist and Harvison Gallery, Perth. Joshua Bonson, Skin, 2011, synthetic polymer paint on canvas, 130 x 100cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540876801231-NUS7SL8724MHSU65QD99/image-asset.jpeg Issue 245 November 2011 8 Remix – a potpourri of recent West Australian art: ALAN R. DODGE Installation views of Remix at the Art Gallery of Western Australia, 2011,featuring the work of Paul Caporn. Image courtesy the artist and the Art Gallery of Western Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642458320-C6FX1YFBW8EB22614INE/image-asset.jpeg Issue 245 November 2011 9 The End of Jirrawun: JEREMY ECCLES Freddie Timms, Gum Tree Creek, natural ochres on canvas, each canvas 120 x 90cm. Image courtesy the artist and Harvison Gallery, Perth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642514664-JTA2S6IR2FG0MCYFA2JI/image-asset.jpeg Issue 245 November 2011 10 Distance from the things that we (don’t) want to let go of: on Immemorial II: Reaching Back Beyond Memory, Philippines: DONNA MIRANDA Yason Banal and Enzo Camacho, As testimonial of high esteem and most cordial and pleasant association, 2010; installation view Immemorial II: Reaching back beyond memory, Jorge B. Vargas Museum, University of the Philippines, Quezon City, Manila https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642552698-D91IF581VG25T9MGSRL5/image-asset.jpeg Issue 245 November 2011 11 Eleanor Gates-Stuart: Cracking The Finger Codes: HELEN MUSA Eleanor Gates-Stuart, FCO3, inkjet on Hahnemuhle German etching paper 310 gms, each print 112 x 224cm. IMAGE COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642591716-R9WLYXMNNMVL4CR2RVRZ/image-asset.jpeg Issue 245 November 2011 12 Jennifer Bell: Taking a Stand: HELEN STEPHENS From the Shedding Light series, 2010/11, each painting oil on board, 60 x 60cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642618610-FD5B9MMH0BMVO803I2II/image-asset.jpeg Issue 245 November 2011 13 Andrzej Zielinski: pulp digital fictions: MARK PENNINGS Andrzej Zielinski, Green Shredded, 2011, acrylic on linen, 102 x 102cm. Image courtesy the artist and Gallery 9, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642913576-6BL60WO5OPIN4451EX92/image-asset.jpeg Issue 245 November 2011 14 Cultivating palates: 2011 Fleurieu Art Prize: MAURICE O’RIORDAN Loongkoonan, Nyikina Country, finalist, 2011 Fleurieu Prize https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473642946522-S2VDRJGZFHI9SH135KF7/image-asset.jpeg Issue 245 November 2011 15 Narrative Journeys: Michael Stevenson at the MCA: ALTAIR ROELANTS Michael Stevenson, The Gift (detail) 2004–06, aluminium, wood, rope, bamboo, tar, World War II parachute and National Geographic magazines. Installation view, Museum of Contemporary Art, Sydney, 2011. Purchased 2007 The Queensland Government’s Gallery of Modern Art Acquisitions Fund Collection: Queensland Art Gallery, Brisbane. © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543294590902-WN4AN6EHJVGBOCHCQ32W/image-asset.jpeg Issue 245 November 2011 16 books: Telstra National Aboriginal and Torres Strait Islander Art Award 1984-2008: Celebrating 25 Years: JANE RAFFAN Franchesca Cubillo (ed.), Telstra National Aboriginal and Torres Strait Islander Art Award 1984-2008: Celebrating 25 Years, CDU Press, Darwin, 2011, 250pp, rrp$55 https://www.artmonthly.org.au/issue-244-october-2011 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643261625-GIHHCGXBRLULLIP4JBFC/image-asset.jpeg Issue 244 October 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643318763-OX2PUWTE8E7MDOPXU06J/image-asset.jpeg Issue 244 October 2011 1 Indonesia – Australia: Bizarre Relations: YULIANA KUSUMASTUTI Restu Ratnaningtyas, Connection no.1, 2010, acrylic and watercolour on paper, ply wood, 180 x 200 x 40cm. From the residency project HotWave #1, 2010. Image courtesy the artist and Cemeti Art House, Yogyakarta https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643379150-EVXKPGJSA2MSB4I1D09K/image-asset.jpeg Issue 244 October 2011 2 People, action and working together: Asialink engaging with Indonesia: ALISON CARROLL Wanda Gillespie, Olah Rasa, 2007, performance based photographic series, taken during her 2007 Asialink residency in Bandung, Indonesia. Image courtesy the artist and Asialink. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643410576-2AS42KELTVSO3DV6SJMJ/image-asset.jpeg Issue 244 October 2011 3 After the house has gone: the future for Mes 56: NURAINI JULIASTUTI Jim Allen Abel, Rastra Sewakottama, 2011, digital C-print https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540875007770-014VOQX0CBO42SF5SFOU/image-asset.jpeg Issue 244 October 2011 4 Indonesian art today: Navigating between idealism and commodity: MELLA JAARSMA Arya Pandjalu, Jaga Tanah Ini (Take care for this Land) , 2008, resin, wood, shoes, and car paint, 120 x 53 x 93cm; shown in the exhibition Beastly at Cemeti Art House, 2011. Image courtesy the artist and Cemeti Art House https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643511323-ZEAFWS6UT54HNJKMDIS1/image-asset.jpeg Issue 244 October 2011 5 Driving (in) an Indonesian art jam: MALCOLM SMITH Tromorama, Borderless, 2010, still from 2 min-25 sec video animation with embroidery on canvas. Tromorama is artists Febie Babyrose (Baby), Herbert Hans (Ebet), and Ruddy Hatumena (Ruddy) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643537569-0LHUU3Q3OEQRJOJ2E23C/image-asset.jpeg Issue 244 October 2011 6 Dadang Christanto: Artist of Conscience for Humanity: CAROLINE TURNER Scent of a mountain, 2008, acrylic on linen, 137 x 167cm. Image courtesy the artist and Jan Manton Art, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643564881-4VQXOG4KR8UOWK321EY7/image-asset.jpeg Issue 244 October 2011 7 Terrain Vague: BO WONG Image from Bo Wong’s Terrain Vague series, 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643597533-MV4ZG7CKWVUBLCJTLJRT/image-asset.jpeg Issue 244 October 2011 8 PUNKASILA at MUMA: NICOLAS LOW Punkasila: La mision a Cuba del rock combativo , 10th Havana Biennial 2009, La Habana Viela (Old Havana). Photograph by Reynier Rodriguez Vazquez https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643624806-8JZ82VMX2IJPC1JAZ1KR/image-asset.jpeg Issue 244 October 2011 9 Recapturing Monas and Us: ARDI YUNANTO Photographic mirror; a photo of the photographers at Monas, with the ‘photographed’ behind. Photograph by Ardi Yunanto, 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643650511-8T8BBJ72MNUCBSIXXRPN/image-asset.jpeg Issue 244 October 2011 10 Beyond the Self: Contemporary portraiture from Indonesia & other near neighbours: CHRISTINE CLARK Herra Pahlasari, Potret diri di depan kelambu terbuka (Self-portrait before the open mosquito net), 2009, pigment print on Hahnemühle Leonardo canvas https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543293599350-OIFDOVS172BTBXSYO5JR/image-asset.jpeg Issue 244 October 2011 11 Out of Focus: Independent Photography in East Java: ZHUANG WUBIN SADEWA, UNTITLED IMAGE FROM ME AND MIRRORS PROJECT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643826774-JLY1F2Z5NB2QIQ6CC5GA/image-asset.jpeg Issue 244 October 2011 12 Fibre Face 3 JOANNA BARRKMAN Lampu Kuning Art Collective, Chaotical Bottom, woven rattan, hand-carved teak wood, coiled coconut fibre, burnt stencil, 256 x 158cm. Collection: Museum and Art Gallery of the Northern Territory, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643867198-2ZQ649HHNSHI7SHMVVDY/1215_l_13.+FIG_4.jpg Issue 244 October 2011 13 Kamasan Painting at the Australian Museum, and beyond: SIOBHAN CAMPBELL Artist unknown, Smaradahana, c. 1925, natural pigment on cotton cloth. 166 x 132cm. Collection: The Forge Collection, Australian Museum. Photograph by Emma Furno https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643972133-Y155AGN2ROCY8O5LQTKW/image-asset.jpeg Issue 244 October 2011 14 Whispered Landscapes of Jumaadi: GINA FAIRLEY Cakrawala, 2011, gouache on paper, 18 x 12.5cm each / installation 37.5 x 126cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473643999352-PE65Q4KMATKYA539MTOG/image-asset.jpeg Issue 244 October 2011 15 Bryan Bulley: the irreverent logic of untamed chaos: CAROLINE RANNERSBERGER Bali Flight over Darwin, 2010, acrylic on linen, 72 x 110cm. Collection: Museum and Art Gallery of the Northern Territory, Darwin. Photography by Regis Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543293783589-RJ2HOXZAHJ3APLKFPTJW/image-asset.jpeg Issue 244 October 2011 16 Creative archaeology over Arafura seas: STELLA GRAY Blue and white bottle vase with design from painting by John Bulunbulun, 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473644049642-LOCHEKJAV82WY8DWCU9W/image-asset.jpeg Issue 244 October 2011 17 Landfall: Ian Fairweather’s landing at Oesosole: Roti TONY TWIGG Ian Fairweather, Anak Bayan, 1957, gouache on cardboard on hardboard, 109 x 241.3 x 9cm (inc. frame). Collection: Art Gallery of NSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473644080597-EI0TKYRITBJMHUOFRT7T/image-asset.jpeg Issue 244 October 2011 18 Remembering 'Humanity Lost': Karla Dickens and Aris Prabawa Aris and Karla in front of their ‘Appin Massacre’ mural on the grounds of Casula Powerhouse Arts Centre, Sydney, 2010. Image courtesy Casula Powerhouse Arts Centre. The mural includes text from an account ofthe massacre: ‘The dogs sounded the alarm and the natives fell over cliff; it was moonlight’ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543293905527-NIGKDZP9CMSGWFVHWOYR/image-asset.jpeg Issue 244 October 2011 19 Reflections on an Art House: Two Decades of Rumah Seni Cemeti: MICHELLE ANTOINETTE Agung Kurniawan, The Shoes Diary, 2007-2011, a pair of adidas samba shoes, spray paint, silk screen, drawing and text on paper, vaiable dimensions; from the exhibition The mental Archive, at Cemeti Art House, 2010-2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473644138663-OB462Q1IBDWANW3C2RPY/image-asset.jpeg Issue 244 October 2011 20 Nasi Goblok & Raja Kentut: an arranged marriage: CASSANDRA SCHULTZ Lugas Syllabus, A Present or A Burden, 2011, acrylic on canvas, 60 x 40cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473644164464-YU4XKGAX3K67WXYP2ZNQ/image-asset.jpeg Issue 244 October 2011 21 The Library of Translation Exercises: dis/location and creative practice in West Timor: RUTH HADLOW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473644182091-GPY7EAR7F15KBBIWSNXW/image-asset.jpeg Issue 244 October 2011 22 Beyond Batavia: the photography of Walter Woodbury and James Page Dancer in traditional dress with musicians. Image of work by Walter Woodbury and James Page; courtesy Bonhams, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473644204119-XRSLZIN1ZISK0GK4P3AP/image-asset.jpeg Issue 244 October 2011 23 Outside history – Mick Jawalji and Ngarra: QUENTIN SPRAGUE Ngarra, Guglarrt (Mount Hamilton) Bangorri-Bat Dream. Ngamanray, 2008, synthetic polymer paint on paper, 35 x 50cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543294014932-C0OUQK265I76LAERUXFG/image-asset.jpeg Issue 244 October 2011 24 book review: CHRIS RAJA The Donald Friend Diaries:Chronicles and Confessions of an Australian artist Ian Britain (ed.), Text Publishing Company, Melbourne, 2010, rrp $39.95, 512 pp (paperback). ISBN: 9781921656705 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473644260852-TW7C9JCJJV6N5PKZ4BDC/image-asset.jpeg Issue 244 October 2011 26 Beyond the Self: Contemporary Portraiture from Asia: ANNE KIRKER Agus Suwage, Meleleh (melt), 2011, wax, resin, galvanized zinc. Image courtesy of the artist https://www.artmonthly.org.au/issue-243-september-11 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242057943-WIHVSTFMTMP0KN02493M/image-asset.jpeg Issue 243 September 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543226014816-H9R1UEA40ZD9SH533YHB/image-asset.jpeg Issue 243 September 2011 1 Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas: LAURA GASCOIGNE Peter S. Graham, Untitled (Jelly fish drawing III), 1999. Image courtesy the artist and the British Museum, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242132614-ZVCSZDAXKRLNUOHV37JC/image-asset.jpeg Issue 243 September 2011 2 ‘Materiality’ and the print iconography of Michael Schlitz: ANNE KIRKER Desert Girl, 2011, relief woodblock print on Japanese Kozo paper, 76 x 56cm. Winner of the Rick Amor Print Prize 2011. Image of work by Michael Schlitz; image courtesy the artist, graham galleries + editions, Brisbane, and Bett Gallery, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242236282-12A9IKQ7145LEF7P743U/image-asset.jpeg Issue 243 September 2011 3 Cultural Juxtaposition: Tell me, tell me: Australian and Korean Art 1976 – 2011: ADAM GECZY Yeesookyung, While Our Tryst Has Been Delayed, (still) 2010, video, sound, 16:25 minutes. Director: Yeesookyung; Film Producer: Kim Joonha; Performer: Jung Marie. © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543226059313-GMGYQ4RLOJJULAYH16TM/image-asset.jpeg Issue 243 September 2011 4 Nam June Paik, Tate Liverpool: GENEVIEVE O’CALLAGHAN Uncle, 1986. © Estate of Nam June Paik. Photograph by Cal Kowal https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543226089011-EJ2A75CIYIN7DK4N0Z4L/image-asset.jpeg Issue 243 September 2011 5 Land, sea and sky: contemporary art of the Torres Strait Islands: ALISA DUFF Installation view with Kevin O’Brien's Family Tree, 2011, marine polystyrene floats, stainless steel cable, timber, paint, polyethelene netting, 5.8 x 12.4 x 5.8m (installed, approx.); and (left) Alick Tipoti's mural Kaygasiw-Usul Trail of dust underwater created by the shovel nose shark)… Milky way, 2011, 7.5 x 53.48m. Both works commissioned for Land, Sea and Sky: Contemporary Art of the Torres Strait Islands https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242337887-CRZP45HLAR8RTF5FKTIV/image-asset.jpeg Issue 243 September 2011 6 Ken Thaiday Senior – Staying close to Erub: KATRINA CHAPMAN Sardine Scoop - Weres I, 2009, plywood, bamboo, plastic ties, paint, 11.6 x 11.6 x 19. 6cm. Image courtesy The Australian Art Print Network https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242372285-V27T5VX8JKMAVQXL0OIH/image-asset.jpeg Issue 243 September 2011 7 Portraying contemporary art: The Archibald Portrait Prize 2011: ARIELE HOFFMAN Amanda Marburg, DA (David Astle), oil on linen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242399131-S0M9JO0BSR30ZMAWLN7B/image-asset.jpeg Issue 243 September 2011 8 Geoffrey de Groen: ‘the speechless image’: ANDREW SAYERS April 25 2011, 2011, Synthetic pigment on canvas, 126 x 138cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543226168783-24PFY7QDMENYI7T4J670/image-asset.jpeg Issue 243 September 2011 9 Last migrations: Pamela Lofts’s Free fall: KIERAN FINNANE Landfall (wind-scoured), 2011, charcoal and gouache on Arches watercolour paper, 120 x 81cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543226191601-EN6A11ZMXKOS01IPEL86/image-asset.jpeg Issue 243 September 2011 10 Moral shock: audience, guilt and Santiago Sierra’s ‘abyss of meaningless ness’: JENNIFER KALIONIS Santiago Sierra, Constructed To Be Held Horizontal To A Wall, 2010, 7 Forms Measuring 600 x 60 x 60cm, installation views, Gallery of Modern Art, Brisbane. Images courtesy the artist and GoMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543293240612-MGTEYONUVVLS2G2FPG4H/image-asset.jpeg Issue 243 September 2011 11 Unleashed: the uncensored world of blogging with Tracey Clement: NAOMI GALL Tracey Clement, Gecko Girl, embroidery on Irish linen, framed 35 x 35cm, 2010, based on an original drawing from c. early-mid 1970s made by Clement and her father Rob. Photograph by Richard Glover https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242543401-N83JDOIN358MFWAMEVKE/image-asset.jpeg Issue 243 September 2011 12 review: Marley Dawson at Roslyn Oxley9 Gallery; Kenzee Patterson at Darren Knight Gallery: PEDRO DE ALMEIDA Marley Dawson, installation view of HEAVY INDUSTRY / LIGHT COMMERCIAL, 2011, with (top left) High Speed Counter-balanced Discs (detail) and four Endless Loop sculptures https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543293278813-7JAYO2VKP74ZCR4RPFXD/image-asset.jpeg Issue 243 September 2011 13 Tucker’s Images of Modern Evil: CLAIRE DALGLEISH Image of Modern Evil 2, previous state, Albert Tucker Archive, Heide Museum of Modern Art, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540724894327-TREZ236FC0SVMYC1T9UI/White-LARGE-background-300x150.jpg Issue 243 September 2011 14 THE MERCHANDISE OF VENICE: ALEX TAYLOR KARLA BLACK, AT FAULT (DETAIL), 2011, CELLOPHANE, PAINT, SELLOTAPE, PLASTER POWDER, POWDER PAINT, SUGAR PAPER, CHALK, BATH BOMBS, RIBBON, WOOD, DIMENSIONS VARIABLE. COURTESY THE ARTIST AND GALLERY GISELA CAPITAIN. PHOTOGRAPH BY GAUTIER DEBLONDE 15 obituaries: Judy Baypungala Boparry Nakarrana 1941 – 2011 by DJON MUNDINE David Larwill 1954 – 2011 by ASHLEY CRAWFORD https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242792135-ZBHDM1B2O5YL1JEUR2II/image-asset.jpeg Issue 243 September 2011 16 Letter from ART HK 11: DAVID WILLIAMS George Kuruvilla, The Dance of Life, 2011, fibreglass, 3 life-size figures, installation dimensions variable. Courtesy Apparao Galleries, Madras. Image courtesy the artist. Photograph by David Williams https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474242824124-J36G0EA3W4EGUIELFIK2/image-asset.jpeg Issue 243 September 2011 17 em file: Tarn McLean LOUISE: MARTIN-CHEW topopgraphy #5, 2011. Image of work by Tarn McLean, from her exhibitionInterscapes, 2011; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543293357637-H4P9WAP1VYQJSSFQ1KES/image-asset.jpeg Issue 243 September 2011 18 3 decades of ARCOmadrid JUSTINE: BAYOD ESPOZ Xooang Choi, untitled (The Girl). Images courtesy the artist. Photograph by Justine Bayod Espoz https://www.artmonthly.org.au/issue-242-august-2011 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474243029618-ADNVPMIDYBH2MPEXWDRS/image-asset.jpeg Issue 242 August 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225115981-SVUUKT0F8FYS8AAGL8O0/image-asset.jpeg Issue 242 August 2011 1 Fashion and Art: Critical Crossovers: ADAM GECZY & VICKI KARAMINAS YVES SAINT LAURENT, ‘MONDRIAN’ DAY DRESS, AUTUMN 1965, wool jersey in color blocks of white, red, blue, black, and yellow. Gift of Mrs. William Rand, 1969. Collection: Metropolitan Museum of Art, New York. Image courtesy Metropolitan Museum of Art https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474243154600-3QVIIQH9L8ADGZ19F6NA/image-asset.jpeg Issue 242 August 2011 2 Parallel lives: Art Meets Fashion again and again and everywhere: ELEANOR WEBER INSTALLATION VIEWS, FACE OF FASHION, 2007, 15 FEBRUARY TO 28 MAY 2007. © National Portrait Gallery, London. www.npg.org.uk/fashion https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225157534-ZIQWLYZVK69M2NQIRZIG/image-asset.jpeg Issue 242 August 2011 3 Up Close and Personal: Art and Fashion in the Museum: NADIA BUICK Cecil Beaton standing in front of an Ascot costume for My Fair Lady (1963) at his exhibition Fashion: An Anthology at the V&A, 1971 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225184625-RM7K1ERH5Z98SC44XQ5O/image-asset.jpeg Issue 242 August 2011 4 Natural Distinction Unnatural Selection: Alexander McQueen: Savage Beauty: DAVID HANSEN Ensemble, The Girl Who Lived in the Tree, Autumn/Winter 2008–9. images of work by Alexander McQueen, from the exhibition catalogue for Alexander McQueen: Savage Beauty, The Metropolitan Museum of Art, New York. Images courtesy The Metropolitan Museum of Art. Photographs © Sølve Sundsbø / Art + Commerce https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225231165-UE9ADI53EZ7GB5WRSGMA/image-asset.jpeg Issue 242 August 2011 5 How artists changed fashion: ‘back-story’: PETER McNEIL Joseph Willems, after François Boucher, The music lesson, c. 1765, porcelain (soft-paste), 39.5 x 30.3 x 21.3cm; manufacturer: Chelsea Porcelain Factory. Collection: National Gallery of Victoria, Melbourne; Felton Bequest, 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474243671797-FJIDS81ZZRF71F5WUFNI/image-asset.jpeg Issue 242 August 2011 6 Fash in the food aisles: HUNI MANCINI Image from Stolen Girlfriends Club show at New World Supermarket, Victoria Park, Auckland, as part of the 2011 NZ Fashion Festival. Photograph by Petrice Rhodes. Image courtesy Stolen Girlfriends Club. http://stolengirlfriendsclub.com https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474243718113-GPGZO9FZI2J17R2SJC65/image-asset.jpeg Issue 242 August 2011 7 From practicality to spirituality: WA Indigenous fashion design: CHRISTIANE KELLER Ron Gidgup, Gown, yellow satin, silk jacket with beaded pattern; worn by Roseanne Gillespie, Kwobinyan Bokka fashion parade, Wes tern Australian Museum, 1993. Image courtesy Western Australian Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225425296-KJCG3UT2TQUBEARXHM0O/image-asset.jpeg Issue 242 August 2011 8 Somewhere between meringue and ivory: the White Wedding Dress: SUZANNE SPUNNER Silk wedding dress, over-sleeves and pelerine, trimmed with blond silk lace (detail), British, 1828. Worn by Eliza Larken for her marriage to William (later 6th Bar on) Monson. ©Victoria & Albert Museum / V&A Images https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474243786669-L8LXDMV0DE3154LW8DY3/image-asset.jpeg Issue 242 August 2011 9 Nalda Searles: Drifting in My Own Land: NIEN SCHWARZ Grass Skull 2, 2008, common fodder (meadow hay), poly thread, rough stitching, 12 x 22 x 16cm. All images of work by Nalda Searles from the exhibition catalogue for NALDA SEARLES, drifting in my own land. Images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225487641-JK994KBXEJ6GRX1J39B3/1170_l_10.+300.jpg Issue 242 August 2011 10 The Black Wedding Dress: MICHELLE MURRAY Annabelle Collette, Abandoned Dress, 2011, cotton, bones, rusted metal, shell and buttons, installation view, South Coast Regional Arts Centre (the former Old Goolwa Police Station), Goolwa, SA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474243915399-7WU1T8M3TE0T8TYJ0921/image-asset.jpeg Issue 242 August 2011 11 Liz Ham: postwar to punk: MITCHELL OAKLEY SMITH Liz Ham, Sandra hanging her washing, Newtown, 1996. Images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225536209-XSWQTFU4B6VZ4PPDVUCP/image-asset.jpeg Issue 242 August 2011 12 Making it up as we went: MERRYN GATES (l-r) Paul Schutze, Jane Joyce, Dean Richards, Robert Pearce, Merryn Gates, Ian Russell, Timothy Newsome; centre: Jillian Burt, 1981. Photograph by Julie Purvis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474243972065-MF8DM65ZJ8OZJGTXQHNU/image-asset.jpeg Issue 242 August 2011 13 Queering Sydney - The ‘art and fashion queens’: SALLY GRAY Clarence Chai, photograph of Peter Tully (right) as Minnie Mouse dressed for the annual Arts Ball, Melbourne, 1966 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225576700-0OIGV91N8B39MR15YLZ8/image-asset.jpeg Issue 242 August 2011 14 Lost in the Masquerade: ManStyle / Men + Fashion: ANDREW MONTANA Jean Paul Gaultier, Shirt, 1996, Spring/Summer 1996, silk, shell buttons, 79cm (centre back), 64cm (sleeve length). National Gallery of Victoria, Melbourne. Gift of Ron Ramsey, 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225624403-O82AETXL84L1GPOVOCAA/image-asset.jpeg Issue 242 August 2011 15 Dress Code: Greg Leong’s ‘Makeover extravaganza’: COURTENAY SMITH & SEAN TOPHAM Flannelette Carmen, 2003, flannelette, lace, brocade, Australian badges, Australian buttons and Chinese frogs, 143 x 60 x 30cm. IMAGES OF WORK BY GREG LEONG; COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225699175-RNOUHHLBTX1RIBXZ9DFH/image-asset.jpeg Issue 242 August 2011 16 Suzanne Tamaki’s Treaty of Why Tangi MEGAN: TAMATI-QUENNELL Aotearoa. Land of the wrong white crowd, 2005, Lambda photographic print. Photographer Greg Semu. Work by Suzanne Tamaki; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225758559-46PFXFWJBZ7EESQZ1OGR/image-asset.jpeg Issue 242 August 2011 17 Martyn Thompson’s interior cinema: JAN JONES Curtain, Anna Sui, New York. All images of work by Martyn Thompson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244170549-5EP0HW5JIVB51V09V36X/image-asset.jpeg Issue 242 August 2011 18 ‘Zones-in-Between’: the creation of new fashion: praxis MARCO PECORARI Dysfashional exhibition, Luxembourg, 2007; 3/a Raf Simons, Repeat, 1995-2005 © Courtesy Fondazione Pitti Immagine, Firenze; 3/b Maison Martin Margiela, Création Luxembourg, 2007 © A. Morin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543225830478-V4J5GNBLNRLE6N8TH5TZ/image-asset.jpeg Issue 242 August 2011 19 Dr Lakra’s art of the flesh: MANAMI OKAZAKI Untitled (retrato de mujer con calaca), 2007, ink on vintage magazine page, 28.4 x 22cm. IMAGE OF WORK BY DR LAKRA; IMAGE COURTESY THE ARTIST AND KURIMANZUTTO GALLERY, MEXICO https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244246330-EK6RNWG4DTUR02IBU7SI/image-asset.jpeg Issue 242 August 2011 20 BioElectric Beauty: MELINDA RACKHAM Emily Crane, Micro-Nutrient Couture, 2010, made through a process involving gelatines, kappa –carrageenan (gel), water, natural flavour extracts, glyc erine, food colouring, lustres https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244291704-P34HN7O08XF7TJWROWCI/image-asset.jpeg Issue 242 August 2011 21 Paper Crane over Sydney: Bowie at RAFW: MAURICE O'RIORDAN Bowie Wong in his atelier/studio in Chippendale, Sydney, holding a skirt which incorporates a fabric he sourced through a lamp designer. A copy of this skirt was gifted to Lady Gaga when he met her by chance in a Tokyo hotel. PHOTOGRAPH BY GARY LEE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244370924-7YHMAR9S6E6VD755BMF9/image-asset.jpeg Issue 242 August 2011 22 Art, love and life: Ethel Carrick and E. Phillips Fox: SASHA GRISHIN Ethel Carrick Fox, Market, under trees, 1919, oil on canvas, 73 x 98.5cm. PRIVATE COLLECTION. COURTESY: SOTHEBY’S AUSTRALIA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244414286-E7J988DVQ26HFMSFLS1G/image-asset.jpeg Issue 242 August 2011 23 Kim Thomson: MAURICE O'RIORDAN Dada deco, 2011, recycled anodized aluminium. All images of work by Kim Thomson; images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244454206-AUKYQNYKDQCTXLV65VEH/1184_l_24.+Madrid_Pride_2011_-_Justine_Bayod_Espoz_-_134.jpg Issue 242 August 2011 24 Fashionable Pride in Madrid: JUSTINE BAYOD ESPOZ Scene from the Madrid Pride Parade, 2011. Photographs by Justi ne Bayod Espoz. https://www.artmonthly.org.au/issue-241-july-2011 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244634371-0E5RVQAY4FZ2483WSQYU/image-asset.jpeg Issue 241 July 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244689946-EDWAG272NYE1CAMJ9ELS/image-asset.jpeg Issue 241 July 2011 1 Imagining the Future: Awfully Wonderful at Performance Space, Sydney: ANDREW FROST Hayden Fowler, Anthropocene, 2011, mixed media installation and performance. Image courtesy the artist. Photograph by Lucy Parahkina https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244723018-UBLWFQOYFOXK4CKAYC4B/image-asset.jpeg Issue 241 July 2011 2 Adam Norton’s Mars Gravity Simulator: ALTAIR ROELANTS Andrew Norton, Mars Gravity Simulator, 2001, installation views, Performance Space, Sydney. Images courtesy the artist and Performance Space, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244756793-SUFZ3EAUSH3P9U7BSZF7/image-asset.jpeg Issue 241 July 2011 3 The Golden Thread: Hany Armanious at the Venice Biennale: JOHN KELLY Hany Armanious, The Golden Thread, 2011, installation views, the Australian Pavilion, 54th Venice Biennale, 2011. Images courtesy the artist, Roslyn Oxley9 Gallery, Sydney, and Australia Council for the Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224671490-G6WG247OC2ERMV8QIV22/image-asset.jpeg Issue 241 July 2011 4 Trailing the Summit: An Australian-Indian conversation: DEEKSHA NATH, VIKKI McINNES, NATALIE KING & BALA STARR Praneet Soi, Piggyback, 2008, acrylic on canvas, 164 x 122cm. Image courtesy the artist and Vadehra Art Gallery, New Delhi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474244838572-W795P0TDG9KQBLKZ7T16/image-asset.jpeg Issue 241 July 2011 5 Towards a Singaporean Arte Povera: JOHN MATEER Stuart Ringholt, Untitled (Low Sculpture) #1, 2008,43 objects, mixed media, dimensions variable. Courtesy Anna Schwartz Gallery, Melbourne and Sydney. Photograph by Singapore Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224778192-E9HE3AV6IUDSCMX49WJK/image-asset.jpeg Issue 241 July 2011 6 Chilling Talismans: a First Life brotherhood: ASHLEY CRAWFORD A First Life Residency Project in Landscape, installation views at Xin Dong Cheng Space for Contemporary Art Beijing, 2011, with ( left, foreground) Wu Daxin’s Ashley’s heart, 2011, bronze tube and refrigeration compressor; and (right, foreground) Shi Jinsong’s The Opposite Bank, 2011, carbon wood 7 Is The Contemporary Era Behind Us?: VAUGHN PINXIT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245163718-2NTI2RYM96OJXOA8YXEP/image-asset.jpeg Issue 241 July 2011 8 Dear Jennifer: JENNIFER MILLS ‘Group 5’, from the exhibition/series What’s in a name?, 2011, watercolour on paper, dimensions variable. images courtesy the artist and Darren Knight Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245229536-SHGTO9ZGDFPF9L55DAST/image-asset.jpeg Issue 241 July 2011 9 Malu Minar: Art of the Torres Strait – The Cairns Regional Gallery takes Torres Strait culture to the world: KATRINA CHAPMAN Brian Robinson, Tagai, guardian of the heavens, 2007, linocut printed in black ink from one block, 60.5 x 200cm. Cairns Regional Gallery Collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224881209-8O5L8G0SM3QCXXA5A6A1/image-asset.jpeg Issue 241 July 2011 10 This Way Up: romancing the paint: YOLANDE NORRIS Dan Zhu, Figure 2, 2010, acrylic on board, 122 x 91cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245319789-GH6E7IV9UZ3A745XRCAZ/image-asset.jpeg Issue 241 July 2011 11 Micky Allan at CCAS: MELINDA HINKSON Nada and the whale (detail), 2010-11,watercolour, mixed media, each work 20 x 20cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245349542-E00DCM8J7F1AMED7QFTY/image-asset.jpeg Issue 241 July 2011 12 Justin Paton at the AGNSW: Digressing, Wandering, Wondering …: PRUE GIBSON & JUSTIN PATON Justin Paton photographed in the studio of painter Judy Millar https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224941736-D5ZEN3YX59QFILPAE087/image-asset.jpeg Issue 241 July 2011 13 American Dreams: a terrible beauty: MEGAN SPENCER Walker Evans, Torn Poster, Truro, Massachusetts,1930, gelatin silver contact print. Purchased with funds from National Endowment for the Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245417371-32YT8YC8N10WDZXGJ4YC/image-asset.jpeg Issue 241 July 2011 14 The Lady Vanishes (or, An Adventure in conoisseurship): DAVID HANSEN Edward Close (attrib.) Sydney in all its Glory, folio from late 1810s sketchbook. Image courtesy Sotheby’s Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224996747-GG0L0UYTR71FXXXZR6N9/image-asset.jpeg Issue 241 July 2011 15 BOOKS: Irresponsible pictures: CEFN RIDOUT Manga Kamishibai: The Art of Japanese Paper Theater Eric P. Nash, Abrams ComicArts, 2009 304pp, rrp$US35.00, ISBN: 9780810953031 The Art of Osamu Tezuka: God of Manga Helen McCarthy, Abrams ComicArts, 2009 272pp, rrp$US40.00, ISBN: 9780810982499 https://www.artmonthly.org.au/issue-240-june-2011 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245669085-D5NRIDRZ1M4P5QAWEU8P/image-asset.jpeg Issue 240 June 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245686230-LBDSYD55VN7SXDWO1QQW/image-asset.jpeg Issue 240 June 2011 1 The Lingering Effects of Vietnam: Veterans’ art from Dog Tags to Nam Bang! (1992 – 2009): KATHLEEN JAMES Terry Eichler, Meditation on 2,063,500 Deaths, 2009, inkjet print, collage, pencil on Vietnamese note paper, 86 x 96 cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245711863-UNMM2GLZBGXAKNE3F9B6/image-asset.jpeg Issue 240 June 2011 2 Nudity, obscenity, pornography and bloodletting*: the impact of Mildura Sculpture Triennials on Australian contemporary art: TOM McCULLOUGH 043- 1962 David Morrissey (pictured), Domestic Habitation, installation at the 5th Mildura Triennial ‘Sculpturescape’ in 1973 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245745016-K1YJTZC26UNHPX38THIL/image-asset.jpeg Issue 240 June 2011 3 (Re)fresh: AGSA under Nick MitzevicH: MARGOT OSBORNE Patricia Piccinini, Once upon a time … , installation view (detail), Art Gallery of SA, 2011. Photograph by Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245773338-30ZOKDLU669M109FYPU6/image-asset.jpeg Issue 240 June 2011 4 Photography and Place Australian landscape photography: 1970s until now: ADAM GECZY Rosemary Laing, After Heysen, 2004, C-type photograph, 110 x 252cm. Collection: The Australian Club, Melbourne. Image courtesy the artist and Tolarno Galleries, Melbourne. © Rosemary Laing https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245797893-H0MSMA153X7PCAJIWDWE/image-asset.jpeg Issue 240 June 2011 5 Yangtze Tears from Beiirrinba Blood: TESS ALLAS Mapping Beiirrinba, acrylic on canvas, 2004, 120 x 160cm. All images are of work by Frances Belle Parker; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245822030-35WNTO4479PYQKNO46QL/image-asset.jpeg Issue 240 June 2011 6 Passionately Independent: Alison Anderson Nampitjinpa in Sydney: JEREMY ECCLES Untitled, 2011, acrylic on linen, 152 x 183cm. Image courtesy the artist and Trevor Victory Harvey Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474245850013-KU0IL2G0NPP9A63ZGDE5/image-asset.jpeg Issue 240 June 2011 7 Nolan’s Existentialist Camera: CHRISTOPHER HEATHCOTE Untitled (Cow and calf carcass covered in dirt 1) All images from 1952, archival inkjet prints, 23 x 23cm; all of work by Sidney Nolan. Image courtesy The Sidney Nolan Trust https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224113337-C2O0UZR3MDTOSB2NLJIE/image-asset.jpeg Issue 240 June 2011 8 Now becoming then: Re-photography and John Elliott’s The Last Show and Re-shoot: DOUG SPOWART Laughing clowns, 1985 / 2010, pigment ink printed on PVC based material, 164.5 x 125cm. All images of work by John Elliott; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224141689-A76I9T5OG04FNBOWLPXE/image-asset.jpeg Issue 240 June 2011 9 Calvin Klein: art and global branding: MITCHELL OAKLEY SMITH Calvin Klein Collection launch, Cockatoo Island, Sydney, featuring light installations by Sydney artist Jonathan Jones. Image courtesy Calvin Klein Inc https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224215874-THQ8XG0P159V7TYZ317D/image-asset.jpeg Issue 240 June 2011 10 obituary: Sandy Kirby: TRAUDI ALLEN 1948 – 2011 Sandy Kirby directed her efforts less towards aggressive condemnation of prejudice, the intricacies of a jargonised theoretical debate, or her own status in the art system than with securing equal opportunity for women and others denied a voice. She was ever vigilant and serious about matters of inequality, but just as committed to achieving change with a light-hearted good humour. Over the last five years she dealt with the trials of failing health in a style reminiscent of Australia’s original pioneer women. Where there might have been self-pity there was stoicism; where there might have been surrender there was the adoption of new activities such as the acceptance of a role on a publication grants committee for the City of Melbourne, and in her personal life taking up the new challenges and joys of drawing and piano classes. She engaged herself fully regardless of infirmity, still extending the sightlines in her last difficult days as a cancer patient in a hospice when she cooperated with filmmakers as their subject promoting palliative care to the Third World. She extended a gentle, unselfish geniality to those she cared for to the last. She is survived by her husband, David, and son, Alexander Turnbull. (Extract) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246015853-1FHMTYJHKCTIV10FJO7V/image-asset.jpeg Issue 240 June 2011 11 obituary: Aadje Bruce: VIVONNE THWAITES 1934 – 2011 Aadje was a delight to work with, kind and considerate. Her works were never reduced back, she held to her convictions. For the exhibition Littoral in Hobart in 2010 we showed her sea of collected plastics. This work jolted audiences with its uncompromising stance regarding rubbish, plastics in our oceans that will not be absorbed into our environment. She gave us stark reminders of the reality of the effects of pollution in our oceans. She produced a truly abstract work,knitted with random colours and materials, for the Textile Biennial. This work was acquired by the gallery at Tamworth for their collection Aadje was a great artist. Using humble materials she spoke to vast audiences, challenging them again and again to rethink the way they viewed the world. (Extract) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224391067-L7KYQ0RS0FY69O3KHWEJ/image-asset.jpeg Issue 240 June 2011 12 obituary: John Barbour: DOMENICO de CLARIO 1954 – 2011 Through his long and highly productive residence in Adelaide John Barbour was both a great supporter of the AEAF and a significant contributor to the Foundation’s clarity of purpose and its leadership in Australian curatorial practice. John was an AEAF Council member from 1996 until 1998 and was AEAF Council Chair from 1997 until 1998. He was for a number of years an AEAF studio artist and he first exhibited at the Foundation in 1995 (Stills from a Liquid Plain). He subsequently exhibited in 2002 (Joy); in 2003 (Human Need); and in November last year he installed what was to be his last exhibition, Work For Now. (Extract) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246079090-RZKUSRVV0PV5ZCOKBTVQ/image-asset.jpeg Issue 240 June 2011 13 Into the deep end: Jasper Knight at the Victorian Opera: MAURICE O’RIORDAN & JASPER KNIGHT Jasper Knight, Richard Gill, 2005, enamel paint and mixed media on board https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246121293-3DXBFJ6V4CIK0H2Z8ULL/1141_l_14.Simone_Kennedy_IMG_5.jpg Issue 240 June 2011 14 Probing art’s furry edges: Simone Kennedy’s We are all Children of the Stars: SERA WATERS Elements of Simone Kennedy’s We are all Children of the Starsinstallation in the foyer of Artlab, Adelaide, 2010-11, including an example from her series of ink drawings and part of her spider-filled Perspex corner/screen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246160374-ACPZTX28QL5MKN9XGWYU/image-asset.jpeg Issue 240 June 2011 15 4000-year-old bubbles popping: Postcards from The Arctic Circle artist residency: URSZULA DAWKINS The Arctic Circle 2010, participants at work, Erikbreen glacier, Liefdefjorden, Svalbard. Image courtesy Laurie Palmer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246195763-UIX9SANUKD3PWRPRIBXY/image-asset.jpeg Issue 240 June 2011 16 em file: Kirsty Hulm: BEAU McCAFFERTY Mark Hearts Keran, 2010, sculpture, documentation of action (performance), self-portrait, drawing and auction, as facilitated by eBay.com.au, tattoo, skin, interaction. Images of work by Kirsty Hulm; images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543224473775-1CCJ2WSC6MMM2RTAYUJO/image-asset.jpeg Issue 240 June 2011 17 books: LOOK: contemporary Australian Photography since 1980 Anne Marsh: ASHLEY CRAWFORD MaCmillan Art Publishing, South Yarra, Melbourne, 2010, 400p, rrp$130, ISBN 9781921394102 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246265671-B6N3O2V2FJVSJJBYU2OB/image-asset.jpeg Issue 240 June 2011 18 books: Good Living Street: The Fortunes of My Viennese Family BY Tim Bonyhady: JON ALTMAN Allen and Unwin, Sydney, 456p, rrp$35, ISBN: 9781742371467 https://www.artmonthly.org.au/issue-239-may-2011 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246547561-5L0WULEDWUGAB3O4L3Y8/image-asset.jpeg Issue 239 May 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246797578-BTBQEL1G93NZ8HIFKBAN/image-asset.jpeg Issue 239 May 2011 1 tall man by Vernon Ah Kee: ALISA DUFF TALL MAN, 2010, CHARCOAL, CRAYON AND ACRYLIC ON LINEN, 180 X 240CM. Image copyright and courtesy the artist and Milani Gallery, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543223152191-5QIRQ5LAUMKY0OFVLWLO/image-asset.jpeg Issue 239 May 2011 2 Symmetry, Substance & Style: Stop(the)Gap at Samstag Museum: MAURICE O'RIORDAN Warwick Thornton, still image from Stranded, 2011, 3D digital video, sound, 11:06min. Producer: Fiona Parkes; editor; Liam Egan; digital colourist: Trish Cahill; compositor: Ben Blick-Hodge; still compositing and grade: Jeremy Saunders. Image courtesy the artist, produced by Scarlett Pictures with the kind support of AFTRS, Panavision Australia and Definition Films. Commissioned by Adelaide Film Festival Investment Fund 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246889342-F3DQZX6TGWZ22RNIF1QE/image-asset.jpeg Issue 239 May 2011 3 Singapore Biennale 2011 - Open House SHIVANGI: AMBANI-GHANDHI Mike Nelson, Le Cannibale (Parody, Consumption and Institutional Critique), 2008, 41 wood and MDF plinths, mixed media, installation dimens ions variable. Collection: Rennie Collection, Vancouver. Image courtesy the ar tist. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246913911-STY3AJ5BDE2OFJGYZ3JD/image-asset.jpeg Issue 239 May 2011 4 New Malaysian Documentary Photography: ZHUANG WUBIN Abdul Rahman Roslan, image from the PATI Project, 2007 - ongoing: Muhamad, an illegal immigrant from Bangladesh, suffers mental disorder after being cheated by an agent who promised him a job in Malaysia. After spending all his savings and sacrificing his family land for his trip to Malaysia, he found out that it is a scam. He’s now stranded in KL without his passport and a job https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543223198775-ZM9QOOR46FM8PC8UP64P/image-asset.jpeg Issue 239 May 2011 5 Marshall Bell: Looking for history: TIMOTHY MORRELL Animal Skin Moiety, 2010, 121.5 x 91.5cm. Based on animal skin designs as recorded in A. W. Howitt’s Native Tribes of South Eastern Australia, Macmillan, London, 1904 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474246986170-158B8T42FRA9Y80CPI34/image-asset.jpeg Issue 239 May 2011 6 Adam Hill - Not a proppa Aborigine: DJON MUNDINE Adam Hill, Despite her race she was a winner, 2004, acrylic on canvas, 150 x 150cm. Collection: Parliament of NSW (finalist, Parliament of NSW Indigenous Art Prize) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474247021078-MCHHVE3KMJXYDSEE8D8S/image-asset.jpeg Issue 239 May 2011 7 Desert Country: GENEVIEVE O'CALLAGHAN Tjumpo Tjapanangka, Wilkinkarra (Lake Mackay), 2001, synthetic polymer paint on canvas, 120 x 180cm. Gift of Harold and Neriba Gallasch 2002. ©Tjumpo Tjapanangka, courtesy Warlayirti Artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474247050251-2G6O08ETPF0YUL6VOLXA/image-asset.jpeg Issue 239 May 2011 8 Obituary: Ian W. Abdulla (1947-2011): JOHN KEAN Ian Abdulla in his installation Picking tomatoes in the hot sun, 2001, Melbourne Museum. Image courtesy Museum Victoria. Photograph by Jon Augier https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474247141635-NGG2EFGG1OI5H1ZR393T/image-asset.jpeg Issue 239 May 2011 9 Father Figure: Reconsidering Henry Moore and his Australian influence: ALEX J. TAYLOR Henry Moore, Reclining Figure, 1951. Tate © Reproduced by permission of The Henry Moore Foundation https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543223804933-UL5NA9T1THGMKILQZ8MS/image-asset.jpeg Issue 239 May 2011 10 Suspensions of Belief, or Wrestling with the Angel: Two Performance Installations by Ken Unsworth 2009-2010: JEFF DOYLE Ken Unsworth photographed with angel wings. Installation view from Ken Unsworth’s A Ringing Glass, 2009, at the former Turbine Hall, Cockatoo Island, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474247199615-1NQ0IN5HCVZYGXHCPKS1/image-asset.jpeg Issue 239 May 2011 11 Seeing Di Mauro: JOSEPH EISENBERG Self portrait, 2007, woven digital prints on rag paper, 97cm x 131cm; shown in footnotes of a verdurous tale https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543223874532-QPV2O5F95YTMR7MTN1HX/image-asset.jpeg Issue 239 May 2011 12 Seductive fictions: Enrique Martinez Celaya: PRUE GIBSON Enrique Martinez Celaya, Shine, from The Shine and The Storm Suite, 2009, colour woodcut on archival Thai mulberry paper, 99.1 x 86.4cm. image courtesy the artist and Liverpool Street Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543223901178-NBB9JVP2SNXXXSNYIFZ8/image-asset.jpeg Issue 239 May 2011 13 Green at Darwin's Outstation: SKYE RAABE Lydia Balba, Winpa, acrylic on linen, 120 x 90cm, 2011. Image courtesy the artist at Short St Gallery, Broome https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543223930154-6ZX66T6OEQ73K609JT1R/image-asset.jpeg Issue 239 May 2011 14 Let the Healing Begin: ANNE KIRKER Polly Borland, Untitled VII from Smudge, 2010, chromogenic print, 76 x 65cm. Image courtesy and © Polly Borland, and Murray White Art Rooms, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474247558429-UK3LQU5V7YWXK9BVMTOO/1125_l_15.jesperjust_nmiai2_3.jpg Issue 239 May 2011 15 Songs without words: Jesper Just in conversation: CHRIS MALCOLM & JESPER JUST Still image from No Man is an Island II, 2004, DVCAM, 4:39 min https://www.artmonthly.org.au/issue-238-april-2011 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474248049355-RTV8DWB5GAEI8KRA04NS/image-asset.jpeg Issue 238 April 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474248251971-GX2CQV91L4TYXQJYIME3/1093_l_01.fairley.jpg Issue 238 April 2011 1 Globility: the new Globilsation, 21st Century: Art in the First Decade, GoMA: GINA FAIRLEY Candice Breitz, King (a portrait of Michael Jackson), 2005, 16-channel video installation: 42:20 minutes, colour, sound, 500 x 1200cm (installed, variable) Purchased 2008 with funds from Tim Fairfax, AM, through the Queensland Art Gallery Foundation. Collection: Queensland Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474248427302-A4GAHG036E8ZBMZTF096/image-asset.jpeg Issue 238 April 2011 2 ‘There is also the West Heavens’: a Chinese-Indian conversation: CAROLINE TURNER RAQS MEDIA COLLECTIVE, REVOLUTIONARY FORCES, 2010. Installation view from the exhibition Place.Time.Play: Contemporary Art from India and China, Shanghai, 2010. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474248461979-TLDE12WFHXDCAIW9AJDH/image-asset.jpeg Issue 238 April 2011 3 Memory Palaces: JOHN KELLY Stephen J Shanabrook, On the Road to Heaven The Highway to Hell (detail), 2008, ‘remnants’ of the suicide bomber cast in dark chocolate, 74 x 30.5 x 89cm. Image courtesy the artist and the Museum of Old and New Art; photograph by Leigh Carmichael https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474248486978-1NM1Y3BM9495QFNAU8YA/image-asset.jpeg Issue 238 April 2011 4 The MONA Manifesto: SARAH SCOTT MuseUm of Old and New Art from Little Frying Pan Island, Derwent River, Hobart, Tasmania. Image courtesy the Museum of Old and New Art; all photographs by Leigh Carmichael. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543222409909-GP4OPMQE6AU22UP9HK6N/image-asset.jpeg Issue 238 April 2011 5 Danger and Beauty in the Art of Billy Atkins: JOHN CARTY Kumpupirntily (Lake Disappointment), 2007, acrylic on canvas, 46 x 61cm. Collection: Kerry Stokes Collection, PerthImages courtesy the artist and Martumili Artists, Western Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474248759840-UZ705B37EYAXEZGKZAIN/image-asset.jpeg Issue 238 April 2011 6 So what else is new? The NEW NEW, Contemporary Art Centre of SA: STEPHANIE RADOK Roy Ananda, Untitled (detail), 2010, installation view, The Gallerie, Adelaide. Image courtesy Dianne Tanzer Gallery + Projects, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474248787809-SFEU9RH5Y0UCOESG077V/image-asset.jpeg Issue 238 April 2011 7 Anne Walmsley’s In Living Memory: BARBIE GREENSHIELDS Views of Anne Walmsley’s In Living Memory installation, 2010, the old Masonic Lodge, Albany, Western Australia. Photographs by John McKinnon 8 Twinned and Twined: Karen Mills and Robyn Djunginy: STELLA GRAY Twined: Weaving and Abstraction, installation views, The Cross Arts Projects, Sydney, with (left) work by Robyn Djunginy and (right, foreground) work by Karen Mills. Images courtesy the artists and Cross Art Projects https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249143225-ZVNDSYMBJCB55VZM8YO4/1101_l_Watkins_monthly+LG.jpg Issue 238 April 2011 9 OBITUARY: Philip Watkins (1959-2010): JONATHAN WATKINS Philip Watkins, 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543222505000-QGS8TDBD8FTDT060899R/image-asset.jpeg Issue 238 April 2011 10 William Kelly: Peace Dialogic: SHIREEN HUDA Dialogue with ‘Guernica’, 2007, two six-metre-high banners, installed on the façade of Guernica’s Cultural Centre https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249208644-UAO23372FQGAA7T30ZSA/image-asset.jpeg Issue 238 April 2011 11 Magic of the Dance – Ballets Russes: The Art of Costume: ALAN R. DODGE Ballets Russes: The Art of Costume installation view, National Gallery of Australia, with (left) costumes for The Sleeping Princess https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249233529-SKUNW3LHL31FUAPRYS5J/image-asset.jpeg Issue 238 April 2011 12 Viola: NICOLAS LOW, Melbourne Bill Viola, The Raft, 2004, still images from video/sound installation; colour high-definition video projection on wall (3.96 x 2.23m) in darkened space; surround sound system; room dimensions: 9 x 7 x 4m; performers: Sheryl Arenson, Robin Bonaccorsi, Rocky Capella, Cathy Chang, Liisa Cohen, Tad Coughenour, Tom Ficke, James Ford, Michael Irby, Simon Karimian, John Kim, Tanya Little, Mike Martinez, Petro Martirosian, Jeff Mosley, Gladys Peters, Maria Victoria, Kaye Wade, Kim Weild, Ellis Williams. PHOTOGRAPH BY KIRA PEROV https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249275507-MGV574YQ02X02Z0A08T2/image-asset.jpeg Issue 238 April 2011 13 New Frontiers in Transmedia Art: CHRISTINE WESTWOOD Lynn Hershman Leeson, !WAR (Woman Art Revolution), ongoing project https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543222997876-6BYH4WZOKIV5KS2SGKJF/image-asset.jpeg Issue 238 April 2011 14 Gustav Moreau & The Eternal Feminine: MAURICE O’RIORDAN The apparition, oil on canvas, 142 x images of work by Gustav Moreau. Image courtesy the Musée Gustav Moreau, Paris. © Photo RMN – René-Gabriel Ojéda https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249363868-J887P680GTVRD9ZHRJ4R/image-asset.jpeg Issue 238 April 2011 15 Daniel Mafe: Approaching the silence: WES HILL Untitled VII, 2008, acrylic on paper, 122 x 86cm. iMAGE COURTESY THE ARTIST AND JAN MANTON ART, BRISBANE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543223029259-UD3IS1DOCV6AFZJ4QRBV/image-asset.jpeg Issue 238 April 2011 16 BOOKS: Wang Lan: NICHOLAS JOSE Book cover with image of Lucky When Dropped (detail), 2006, acrylic on canvas, 121 x 106.5cm https://www.artmonthly.org.au/issue-237-march-2011 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249661461-9N4W0WZ7DG8OHMP6P9BO/image-asset.jpeg Issue 237 March 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423708221-W6ZC1Q4616YXB3VMHGD5/White-LARGE-background-300x150.jpg Issue 237 March 2011 1 EDITORIAL https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658222099-FT0TAMUJFMPTFJT03MV1/image-asset.jpeg Issue 237 March 2011 2 Slow, wide and dangerous – The River Project, Campbelltown Arts Centre: FIONA DAVIES Ringo Bunoan, Bridge, 2008, installation view, The River Project, Campbelltown Arts Centre, Sydney 3 Art: the academic misfit: GEORGIANA ARCHER Joe Frost’s article, ‘Joe Frost: Five Observations’, summarising his experience of teaching art in the university sector struck a chord with me. His points regarding the role of the teacher, the relationship between teacher and student, the difficulties faced as artists in a university environment, and the lack of philosophy in art schools have fuelled my following response Art schools are losing, or have lost, their individuality. The homogenisation process is largely imposed by the structures of the universities that they are housed in. VCAM (formerly VCA, Victorian College of the Arts) has only just managed to escape having the Melbourne Model (Melbourne University’s 2008 curricula changes) imposed on their programs. However, they are now in a position where they are offering one degree with eight disciplines falling within its scope. As of 2009 they also lost their independent identity; they are now a school within The University of Melbourne. The RMIT School of Art is about to face what seems to be radical changes to their curriculum which will likely reduce the close mentoring of students by staff members which has been a vital ingredient in art education to date. See full article in print edition https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658370415-3IZH0PP2MUIHHB0LNOXY/image-asset.jpeg Issue 237 March 2011 4 Resistance to change, DONALD BROOK McLean Edwards, Art Student # 1, 2010, oil on canvas, 122 x 122cm. From the exhibition McLean Edwards: Bad Habits. Image courtesy the artist and Martin Browne Fine Art, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658413988-4X34MZUPYUN339V8ZNWM/image-asset.jpeg Issue 237 March 2011 5 Natural Digression: to see what we don’t yet know we’re seeing: KIRSTEN RANN Rose Montebello, Night watch, 2010, paper, mountboard,, 41cm diameter. From the UTS Gallery exhibition Natural Digression. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658442499-73HHCGY59II5CLMEVINH/1079_l_5.conomos.jpg Issue 237 March 2011 6 Susan Sontag’s Legacy to the Visual Arts: JOHN CONOMOS Peter Hujar, Susan Sontag, 1975, vintage gelatin silver print, 10 x 8 inches. Collection: The National Portrait Gallery, Washington© 1987 The Peter Hujar Archive LLC https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658487965-3JMC0D8Y8AC0SXUPTRNJ/image-asset.jpeg Issue 237 March 2011 7 Annie Leibovitz: A Photographer’s Life 1990 – 2005: ANDREW QUILTY Patti Smith with her Children, Jackson and Jesse, St. Clair Sho res, Michigan, 1996. All photographs © Annie Leibovitz; from Annie Leibovitz: A Photographer’s Life, 1990 – 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658538003-N3GLW1DAM5JDXRQJ3DBR/1081_l_7.frost.jpg Issue 237 March 2011 8 Head – Into the Black: McLean Edwards: ANDREW FROST Disco Boat, 2010, oil on canvas, 153 x 153cm. All images of work by McLean Edwards, courtesy the artist and Martin Brown Fine Art, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658587312-OEH8QL6DTCJED5QKQJWV/image-asset.jpeg Issue 237 March 2011 9 Bardayal ‘Lofty’ Nadjamerrek AO: JEREMY ECCLES Ngalyod The Rainbow Serpent, 1980, natural pigments on bark. Collection: Museum and Art Gallery Northern Territory. Image courtesy the Museum and Art Gallery of the Northern Territory, Darwin. IMAGES OF WORK BY BARDAYAL LOFTY NADJAMERREK AO, © THE NADJAMERREK ESTATE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658655622-8SHX12NODIBOVJUUWC8P/image-asset.jpeg Issue 237 March 2011 10 Telling Secret Tales: The World of Linocut Artist Angela Cavalieri: SALLIE MUIRDEN Tell tales, 2010, hand-printed linocut and oil paint on canvas, 121 x 372 cm. Photograph by Tim Gresham https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658683390-63S7EA1HX58P11WG0TUZ/image-asset.jpeg Issue 237 March 2011 11 roundabout° at the City Gallery Wellington: BILLIE LYTHBERG Lonnie Hutchinson, Monumental Black Comb Form, 2009, stainless steel and two-pot paint, 98 x 134cm. Images courtesy the artists and roundabout˚ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658725332-696B6P8OFLIZYD4REYW4/image-asset.jpeg Issue 237 March 2011 12 John Kelly – Probe: LAURA GASCOIGNE Halo, 2007, mixed media, installation view, Agnew’s Gallery, London. Photographs by Todd White & Associates https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658758250-5TWLSRXNB50CTPTMGB15/image-asset.jpeg Issue 237 March 2011 13 Sam Leach’s Platonia: PAVEL S. PYS Walrus Configuration 1, 2010, oil and resin on linen on wood, 26 x 36cm. Images courtesy the artist Sam Leach, Sullivan + Strumpf Fine Art, Sydney, and COMODAA, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658788360-ORGZLERM2ADV9KAZP8H1/image-asset.jpeg Issue 237 March 2011 14 Tom Moore’s glass-roots vision: DENNIS COLEMAN Shelf, 2008, blown glass, wooden shelves, steel fittings, below right glass object 50 x 35 x 25cm; installation view, Moore is More, 2009, Jam Factory Contemporary Craft & Design, Adelaide, and Ray Hughes Gallery, Sydney. Images courtesy the artist, Tom Moore, Ray Hughes Gallery, Sydney, and Helen Gory Galerie, Melbourne. Photographs by Grant Hancock https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658831551-HX7BMN5NT8BS5H8W3395/image-asset.jpeg Issue 237 March 2011 15 In search of the Gellibrands: DANIELLE WOOD Artist unknown (possibly Augustus Earle), Four Children of Joseph Tice Gellibrand, c.1828, oil on canvas, 63.5 x 75.3cm. Collection: Tasmanian Museum and Art Gallery, Hobart. Presented by John Gellibrand under the Cultural Gifts Program, 2004 16 Letters to the editor 1. Accessible Dobell FROM Elizabeth Donaldson 2. Impressions of ‘Impressions of Japan’ from Dr Anne Kirker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476658899892-XP4MDZRXWLDRAPZUNSOW/image-asset.jpeg Issue 237 March 2011 17 A Tale of Two Biennales: Gwangju and Busan: EN YOUNG AHN An unidentified Prisoner, S-21 Prison, Phnom Penh, Cambodia, from Tuol Sleng Prison Photographs, 1975-1979. © Doug Niven and Tuol Sleng Museum of Genocide, Cambodia. Image courtesy Doug Niven https://www.artmonthly.org.au/issue-292-september-2016 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478729322020-RGGSFSXCF6PELHWRNZR4/image-asset.jpeg Issue 292 September 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478476449015-2OBCVV9AEKVR8MN6NT8R/image-asset.jpeg Issue 292 September 2016 1 Connection and belonging: The 33rd NATSIAAs at MAGNT: Luke Scholes, Darwin Harold Joseph Thomas (Bundoo), Tribal abduction, 2016, synthetic polymer paint on canvas, 134 x 214cm; image courtesy the artist and the Museum and Art Gallery of the Northern Territory (MAGNT), Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472616665188-TR86BK0DOW5S3LXJHZSP/image-asset.jpeg Issue 292 September 2016 2 Quick, raw and physical: Franck Gohier’s monoprints: Joanna Barrkman, Darwin Franck Gohier, Self portrait 1, 1991, monoprint, 50 x 34cm (print), 58.3 x 45.5cm (paper); Charles Darwin University (CDU) Art Collection, Darwin, acquired 1991; image courtesy the artist and CDU Art Collection and Art Gallery, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478476726941-M2IWP34LPN92G6VH4AL7/3+Cavalieri_image1.jpg Issue 292 September 2016 3 Angela Cavalieri: Narrative tones: Wendy Garden, Darwin Angela Cavalieri, Il Ritorno, 2015, hand-printed linocut, acrylic and oil paint on canvas, 180 x 415cm; image courtesy the artist; photo: Greg Wallis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472616983866-B7VA4LTPW2KHY3I7FRXH/image-asset.jpeg Issue 292 September 2016 4 Angelina Pwerle: An artist from Utopia: Chrischona Schmidt, Utopia Angelina Pwerle, Bush plum, 2007, acrylic on linen, 117 x 61cm; © the artist, licensed by Aboriginal Artists Agency Ltd https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478476782836-X1WEGUJRQIEYFK8FLLEI/image-asset.jpeg Issue 292 September 2016 5 ‘Everywhen there is time for Aboriginal art in America: An interview with Stephen Gilchrist: Khadija von Zinnenburg Carroll, Harvard Stephen Gilchrist, the Australian Studies Visiting Curator at the Harvard Art Museums, in front of Vernon Ah Kee’s many lies (2004), during preparation for ‘Everywhen: The Eternal Present in Indigenous Art from Australia’, Harvard Art Museums, 2016; image courtesy and © President and Fellows of Harvard College, Cambridge, Massachusetts; photo: Kris Snibbe/Harvard University https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478476799884-IHNE7FU7V29BZKZD0RLM/image-asset.jpeg Issue 292 September 2016 6 All our relations: Art from Moananui a Kiwa at the NGV: Léuli Eshraghi, Narrm Melbourne Ruha Fifita performing traditional Tongan dance in the exhibition ‘Siu i Moana: Reaching Across the Ocean’, NGV International, Narrm Melbourne, June 2016; photo: Wayne Taylor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478476898296-8S0D22O5XCYRB0Y2VIGR/image-asset.jpeg Issue 292 September 2016 7 Tautai Matagofie, The Wonderful Navigator: 30 years of Tautai Contemporary Pacific Arts Trust: Nina Tonga, Auckland Siliga David Setoga leading the ‘ava ceremony to mark Tautai’s 30-year celebrations at Studio One Toi Tū, Auckland, March 2016; photo: Robert George https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478476918319-WZTLAIY5H92PN3V60WEG/image-asset.jpeg Issue 292 September 2016 8 Material presence: ‘Emanations’ at Govett-Brewster: Daniel Palmer, New Plymouth Walead Beshty, Two Sided Picture (RY), January 11, 2007, Valencia, California, Fujicolor Crystal Archive, 2007, installation view, Govett-Brewster Art Gallery, New Plymouth, 2016; chromogenic photograph; image courtesy Govett-Brewster Art Gallery, New Plymouth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478477023577-BT8QQOYJT5CTGW5T3NR1/image-asset.jpeg Issue 292 September 2016 9 Spaces for reflection: Natasha Johns-Messenger at Heide: Sophie Knezic, Melbourne Natasha Johns-Messenger, Enfolder, 2016, installation view, Heide Museum of Modern Art, Melbourne, 2016; image courtesy the artist and Heide Museum of Modern Art, Melbourne; photo: Christian Capurro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478477100930-X3D0SK9PLNP6DA6G1KX6/image-asset.jpeg Issue 292 September 2016 10 Fragile environments: The ‘Sea Pearl White Cloud’ project: Minerva Inwald, Guangzhou Trevor Yeung, Ten Suns and The Saddest Sunrise (Byron Bay), 2016, installation view, Observation Society, Guangzhou, 2016; image courtesy the artist; photo: Trevor Yeung https://www.artmonthly.org.au/issue297april2017 daily 0.75 2018-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491020957715-06QCM2NEE3GJ4E89JO70/image-asset.jpeg Issue 297 April 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491353762766-19A3VQDVFRJ91IA234ZW/1.jpg Issue 297 April 2017 1 Dispatches: Glass act: Andrew Stephens Lisa Cahill, Road trip series #2, Rain on the Hume, 2016, kiln-formed glass with ceramic decals, nine parts, 65 x 88 x 2cm overall; collection the artist; © the artist; photo: Greg Piper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491353722635-LWRNCNEIXTNWQZNBZ7JP/2.jpg Issue 297 April 2017 2 Subcontinental shifts: The 9th India Art Fair: Sebastian Goldspink, New Delhi Reena Saini Kallat, Woven Chronicle, 2011–16, installation view, 9th Art Fair India, New Delhi, 2017; photo: © Andy Barnham https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491353805402-3IN900WVCS9A4KRY6M42/3.jpg Issue 297 April 2017 3 Carpark chic: Art Fair Philippines 2017: Chloé Wolifson, Manila Maria Jeona Zoleta, Forced Farts, Cartoon Pain and Daddy Issues Or Accident By Voodoo while I Masturbate Underwater with My Adult Diaper Rash until Hell Freezes Over is a Freak Show, 2017, installation view, 5th Art Fair Philippines, Manila, February 2017; image courtesy Art Fair Philippines https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491353847294-4D65KOYT5S98C2RYXPJ7/4.jpg Issue 297 April 2017 4 Chang sae Tang: The material conditions of the archive: Clare Veal, Singapore Works by Tang Chang displayed outside the Tang Chang Private Museum, Nakhon Pathom, during the collection survey, 2015; left to right: Untitled (10), n.d., oil on canvas, 207 x 245cm; Untitled (2), 1969, oil on canvas with impasto medium, 246 x 208cm; Untitled (1), 1969, oil on canvas with impasto medium, 208 x 244cm; and Untitled (11), n.d., oil on canvas, with impasto medium, 245 x 108.5cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354586015-CMTXG8KNYPMHPBWC13GB/image-asset.jpeg Issue 297 April 2017 5 Alex Martinis Roe: Recovering feminism’s past: Macushla Robinson, New York Alex Martinis Roe, It was about opening the very notion that there was a particular perspective, 2015–17, source image; 3-channel video installation: 2 channels digital video, high definition, colour, sound; 1 channel digital video transferred from 16mm film, standard definition, colour, sound; powder-coated aluminium, wood panels, projection foils, books and archival materials, framed A1 offset printed poster; image courtesy and © Margot Nash https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354661649-W0NUE1ETJ393GQ86SIKM/6.jpg Issue 297 April 2017 6 On the crest: 40 years of the ANU School of Art: Yolande Norris, Canberra The ANU School of Art illuminated in rainbow colours in solidarity for the victims of the Orlando nightclub shooting, June 2016; photo: Denise Ferris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354688939-5AHHWJCB3OTPH1AF9DI4/image-asset.jpeg Issue 297 April 2017 7 Teaching tomorrow’s artists in a changing world: A roundtable Students working in the studios of the National Art School (NAS), Sydney, 2016; images courtesy NAS and Zan Wimberley; photos: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354737602-QFELF4FWRDNRWEHCM9M0/image-asset.jpeg Issue 297 April 2017 8 Kirstie Rea: Glass alchemies: Zsuzsi Soboslay, Canberra Kirstie Rea, Balancing the blades, 2004, kiln-formed, wheel-cut glass, 110 x 120 x 37cm; National Gallery of Australia, Canberra, purchased 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354785950-LJFY0LJ4IEMUHL61EVD5/image-asset.jpeg Issue 297 April 2017 9 Toba Khedoori: Tracing time Gary Dufour, Los Angeles Toba Khedoori, exhibition installation view, Los Angeles County Museum of Art, 2016–17, with (from left): Untitled (white fireplace), 2005, and Untitled (black fireplace), 2006; © Toba Khedoori: photo: © Fredrik Nilsen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354827263-5WJ9PDU7C1PBMPXWLB34/image-asset.jpeg Issue 297 April 2017 10 The Museum of Modern Love: Heather Rose Excerpt from The Museum of Modern Love by Heather Rose; Allen & Unwin, Sydney, Melbourne, Auckland and London, 2016, 284 pages, AU$27.99 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354867465-2Z1OSHRLMQD5AZGWQ9ON/11.jpg Issue 297 April 2017 11 Running to-and-fro: Terry Smith’s Talking Contemporary Curating: Sophie Knezic Terry Smith, Talking Contemporary Curating, from the ‘Perspectives in Curating’ series; Independent Curators International, New York, 2015, 344 pages, US$19.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491354926461-WHQWLPK699U276CHQYNU/12.jpg Issue 297 April 2017 12 Modernism in motion: Peter Pinson’s Gerald Lewers Sculptor: Ken Scarlett Peter Pinson, Gerald Lewers Sculptor, Phillip Mathews Book Publishers, Sydney, 2016, 83 pages, AU$40 https://www.artmonthly.org.au/issue-236-summer-2010 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659179286-9ZO97HK73NE12XYXJDOL/image-asset.jpeg Issue 236 Summer 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221301128-3WVYLGKB6N749EPNZD91/image-asset.jpeg Issue 236 Summer 2010 1 Not Dead Yet, CDU Art Gallery, Darwin: RUSSELL GOLDFLAM Chips Mackinolty, 2nd May Day palace revolution ball, 1977, screenprint, 75.5 x 49.5cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221335839-0W3QTGHT32W78ANYNCBW/image-asset.jpeg Issue 236 Summer 2010 2 The Art of Resistance: Burmese Contemporary Art, RUSSELL KELTY Nyein Chan Su, Untitled, 2008, performance. Image courtesy the artist and Thavibu Gallery, Bangkok, Thailand https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221364822-C6D50ON73YWQGK61Q4QQ/image-asset.jpeg Issue 236 Summer 2010 3 Trevor Nickolls: an urban gift: SUZANNE SPUNNER Tightrope walking, 1980, synthetic polymer paint on canvas, 191.8 x 91.7cm. VCA Art Collection, the University of Melbourne; gift of the artist 1980. Photograph: VCA Margaret Lawrence Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659407122-4IND8WZKB2WDHDT7VELA/image-asset.jpeg Issue 236 Summer 2010 4 Basquiat Notes: WES HILL Zydeco, 1984, acrylic and oilstick on canvas, 218.5 x 518cm. Bischofberger Collection, Switzerland; © 2010, ProLitteris, Zurich https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221421556-NRBARDSD6F17I50ZKG4I/image-asset.jpeg Issue 236 Summer 2010 5 Impressions of Japan: GARY HICKEY Pip & Pop, Three minutes happiness (detail), 2009, mixed media. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659512928-QJ9BAWVJP1JO3FCIIA68/image-asset.jpeg Issue 236 Summer 2010 6 Art, Fashion and Performance: The Ballets Russes: ADAM GECZY Léon Baskt, Tunic from costume for the Blue God, c. 1912, from Le Dieu Bleu, Collection: National Gallery of Australia, Canberra, purchased 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659541416-7O5HL10OREK0N4JQ4CPX/image-asset.jpeg Issue 236 Summer 2010 7 Notes from the Humble Administrator’s Garden: The Draguerrotypes of Gary Carsley: PETER HILL D.95 Composite Panorama 1. New York/Shanghai/Hong Kong/Suzhou/Berlin/Singapore/Sydney (detail), 2010, Lambda mono print on Kodak Professional Paper, 238 x 1989cm; 17 panels each 238 x 117cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659614012-RDVHY04LDRCF9EDMZ88V/image-asset.jpeg Issue 236 Summer 2010 8 Kaleidoscope culture: the Glitter-amas of Reuben Paterson: BEN BERGMAN When the Sun Rises and the Shadows Flee, 2005, shimmer disks and synthetic polymer paint on board, tinsel and 9 electroplated stilettos, 730 x 350cm; tinsel and stilettos variable. Collection Dunedin Public Gallery. Photograph by Clive Copeman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659643526-OQ1KUO3W7XAUFGOOPAC1/image-asset.jpeg Issue 236 Summer 2010 9 Around the world in 80 shades: Raafat Ishak’s pilgrimage in paint: BREE RICHARDS Responses to an immigration request from one hundred and ninety four governments (detail), 2006-2009, oil and gesso on MDF, 194 panels: 30 x 21cm (each). Courtesy the artist and Sutton Gallery, Melbourne. Photograph by Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659674936-59IY63FYRG1GAPN4H83B/image-asset.jpeg Issue 236 Summer 2010 10 When worldviews meet: Puturru Palyalpayi / Stringmakers: IAN McLEAN Bronwyn Goss, Dancing Pleiades Visiting Kungkarangkalpa Country (detail), 2010, old bed springs, red dirt, flowers, 18 x 90cm. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659698517-6UB00FVQXB765SYV92RM/image-asset.jpeg Issue 236 Summer 2010 11 Decoding dataspheres: Abstract Nature at Samstag: MELINDA RACKHAM Regina Wilson, Sun mat, 2008, acrylic on linen, 200 x 200cm. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659741204-N7XK5YZJWHG8U6IFUOEA/image-asset.jpeg Issue 236 Summer 2010 12 An Ecoregional Story: Ross Annels’s regional crafting of landscape memoir: TAMSIN KERR Sprung Series, 2008-10, laminated, steam-bent, and solid silky oak, rose alder, and stainless steel with macro-suede and kangaroo leather, dimensions variable https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659765110-PF08HVN27FQ6IAGCTD71/image-asset.jpeg Issue 236 Summer 2010 13 Behind the gavel: Australian auction houses: ANITA ARCHER Brett Whiteley, The Olgas for Ernest Giles, 1985, oil and mixed media on board, Lot 35, 13 June, 2007, Deutscher-Menzies, D&D Studio 101. Image courtesy the artist and Menzies Art Brands Pty Ltd, Melbourne and Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659798015-OZPFL6F6W0ZU6AW2WZUN/image-asset.jpeg Issue 236 Summer 2010 14 Subterranean wonderland: David Walsh’s Museum of Old and New Art: JOYBELLE Groupe F (France) who will perform at the MONA opening weekend, 21 to 23 January, 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659827203-OVWBD12658OV80UUMBZ5/image-asset.jpeg Issue 236 Summer 2010 15 A silver lining: Framed – The Darwin Gallery: MARTINA COPLEY Interior panorama view of Framed – the Darwin Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476659852219-9QU0XU86WGS94OHMECIB/image-asset.jpeg Issue 236 Summer 2010 16 The Albury Art Prize: JACQUI DURRANT Catherine O’Donnell, Park Only in Marked Bays, 2008, charcoal on paper, 150 x 250cm. Image courtesy the artist and Artbank Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221710180-N96QFFQLHZL6HFPP68WV/image-asset.jpeg Issue 236 Summer 2010 17 Centre-stage: the 3rd Indian Art Summit: MAURICE O’RIORDAN Ariel Hassan, Mathématiques modernes, digital print on vinyl, dimensions variable. Hassan is Greenaway Art Gallery’s representative at Art Stage Singapore, 12 to 16 January, Singapore: www.artstagesingapore. All images this article courtesy the artists and, unless otherwise indicated, Greenaway Art Gallery, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221774751-I4A33HRWBA33FXHSGIOA/image-asset.jpeg Issue 236 Summer 2010 18 The revolutionary century: art in Asia, 1900-2000: CAROLINE TURNER Alison Carroll, The revolutionary century: art in Asia, 1900-2000Macmillan Publishers Australia, South Yarra, 2010, rrp$99 207p; ISBN: 9781921394171 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660080335-RX5LTYDG81HWKIEMJD1Q/image-asset.jpeg Issue 236 Summer 2010 19 Jason Benjamin and the importance of being earnest: MAURICE O’RIORDAN WE BUILT CITIES, 2010, OIL ON LINEN, 120 X 120CM. All images this article courtesy the artist, Jason Benjamin; Michael Reid Gallery, Sydney; and Jan Murphy Gallery, Brisbane. Photographs by Ian Barry https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660143655-27ASI3MZCJBPG4N7RA2A/1069_l_21.obit.jpg Issue 236 Summer 2010 20 OBITUARY June Walkutukurr Richards, 1951 – 2010: TJAWINA LAWSON, JAN TURNER, ALBIE VIEGAS & JANET VOST June Richards, Carpet Bagger, Gimme, Mirrka price, New idea; all 2008, all acrylic on canvas paintings. Image courtesy Warburton Collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660189371-OZ26H6NVJDJZ5HNTZ6IF/1070_l_19.mutton.jpg Issue 236 Summer 2010 21 Letter from Mildura – an indefinable line: KATY MUTTON Jonathan Kimberley, Ngipi Ward, Nancy Carnegie, Pulpurru Davies, Manupa Butler and Norma Giles, Kuluntjarra: World Map, 2008, Synthetic polymer on linen, 210 x 210cm. Image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660263648-9XD4XISTUR7RLO28MVC7/image-asset.jpeg Issue 236 Summer 2010 22 Letter from London: Frieze Art Fair 2010: PAVEL S. PYŚ Damian Ortega, Alma Mater, 2008, 235 x 230 x 230cm, mixed media. Image courtesy the artist and Kurimanzutto Gallery, Mexico City, Mexico https://www.artmonthly.org.au/issue-235-november-2010 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660606777-8EFQ0SLWVKR0JE8EJBVW/image-asset.jpeg Issue 235 November 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660684150-7AZE3XSMRHMWCSL0SACT/1030_l_1.carroll.jpg Issue 235 November 2010 1 Air to life: 20 years in the Australian-Asian arts atmosphere: ALISON CARROLL Sichuan Province, in a tent at Garthar Chode Monastery, established by the seventh Dalai Lama. (l to r) Sam Leach, Tony Lloyd, unknown (monk), Shi Jinsong, Cang Xin, unknown (monk). Photograph by Tony Lloyd. Under the Australia Culture in China 2010 project and facilitated by Darwin’s 24HR Art, artists from Australia and China travelled together throughout Australia’s Top End, China and Tibet, with a culminating exhibition in Beijing in November 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660742980-4O7W69QXKZXIK0AW31EJ/image-asset.jpeg Issue 235 November 2010 2 Living Deadly: haunted surfaces in contemporary art: JOHN CARTY Anne Ferran, Untitled from the series Lost to worlds 2, 2008, inkjet print on aluminium, 120 x 120cm. Monash Gallery of Art, City of Monash Collection,acquired with assistance from the Robert Salzer Foundation 2009. Image courtesy the artist and Sutton Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660767533-2I6PDKCW5YGFKW6EVPYI/image-asset.jpeg Issue 235 November 2010 3 Still Unnerved: The New Zealand Project, Redux: JACQUI DURRANT Unnerved: The New Zealand Project installation view, Gallery of Modern Art, Brisbane, with Michael Parekowhai’s Jim McMurtry, 2004. Image courtesy the artist and Michael Lett Auckland. Photograph by Natasha Harth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660794381-PKMB0YQ5YUM3ZZFSTVEA/image-asset.jpeg Issue 235 November 2010 4 Photography as a Crime: Mapping Anxiety in the Public Sphere: ANNE MARSH & JESSICA WHYTE Polixeni Papapetrou, Gatsby Gal, 2003, selenium toned silver gelatin print 100 x 100cm. Courtesy the artist and Stills Gallery. The publication of this image complies with the Australia Council’s Working with Children in the Arts Protocols; parental consent was obtained and the artist adhered to relevant laws https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660852486-USPHPAV2KR0H7QFB7ZMW/image-asset.jpeg Issue 235 November 2010 5 Benesse: silences in Japan: PATRICK HUTCHINGS Walter De Maria, Time/Timeless/No Time, 2004, installation view. Photograph by Michael Kellough https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543218578841-XM6H85AVAUBRCCUWKFPK/1035_l_6.En+Young.jpg Issue 235 November 2010 6 An island of art, optimism and hope: Setouchi International Arts Festival: EN YOUNG AHN Yukinori Yanagi, Hero Dry Cell, part of Inujima Art Project, Seirensho on Inujima. Photograph by Daici Ano https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660965629-CCY8QU8Q3G8RMKH9MZNM/1036_l_7.lehman-schultz.jpg Issue 235 November 2010 7 Facing the House: commissioning a portrait of Ipswich, CASSANDRA LEHMAN-SCHULTZ Congregational Church Manse, Ipswich. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660988046-IUZKYMMAYBZCWXHD9ZHA/image-asset.jpeg Issue 235 November 2010 8 The Togart test: SASHA GRISHIN Chips Mackinolty, Neta, Darwin 1950, Giclee print, 90 x 68cm. Image courtesy the artist and Karen Brown Gallery, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661014212-AM0W5FAGM2WFVQQO5LXT/1038_l_9.early.jpg Issue 235 November 2010 9 Risks worth taking: Primavera 2010: JAYE EARLY Jackson Slattery, Small Ambitions, 2010, watercolour on paper, 60 x 40cm. Image courtesy the artist and Sutton Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543218900220-RSYMYCDM7PJAYSKPL1QH/image-asset.jpeg Issue 235 November 2010 10 Germinating, Growing, Wilting: a new paradigm for the Art of the North: STEPHEN NAYLOR Claudine Marzik, Work no. 25, acrylic on canvas. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661059027-AOWWX2X449UUG2RD88Q8/1040_l_11.zika.jpg Issue 235 November 2010 11 Paul Zika: Home and Away - Reconstructing Artifice: SEAN KELLY Jalq'a 1, 2008, 77 x 108 x 5.5cm. All works by Paul Zika; all acrylic on wood. Images courtesy the artist and Stephen McLaughlan Gallery, Melbourne. Photographs by John Farrow https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543218943098-8ZWZCZUUEEPPNAPSIY75/image-asset.jpeg Issue 235 November 2010 12 BOOKS art + soul: JEREMY ECCLES art + soul, Hetti Perkins, Miegunyah Press, Melbourne, 2010, 296p, rrp $79.99; ISBN: 9780522857634 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661133411-K0FFDNBZZBOOKP7CQK6Y/image-asset.jpeg Issue 235 November 2010 13 EM FILE Adam Veikannen: no ordinary mind: DAVID BROKER Time-function, 2010, sellotape, 460cm diameter. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661190820-QZ338V4EN2L0B280DOVF/1048_l_18.musa.jpg Issue 235 November 2010 14 Kai-eye for CIAF: OMAR MUSA 2010 Cairns Indigenous Art Fair. Installation view of Aurukun stall, CIAF, featuring the camp dogs (various artists), acquired by Queensland Art Gallery. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221095187-1BN6YCCQGB5FKGNF2C0Y/image-asset.jpeg Issue 235 November 2010 15 Letter from Madrid: Martín Ramírez, Works of Reclusion: JUSTINE BAYOD ESPOZ Untitled (Deer), c. 1953, crayon and pencil on paper, 119 x 91cm, Collection ABCD, Paris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543221122275-WOYCTHQLEHZTKFDPZU7K/1046_l_16.shanghai.jpg Issue 235 November 2010 16 Letter from Shanghai: ShContemporary Art Fair 2010: DAVID WILLIAMS Ravinder Reddy, Gilded Head https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661283066-PCKJ6LI1SAWVLJ0G7FR2/image-asset.jpeg Issue 235 November 2010 17 Letter from South Korea: EN YOUNG AHN View of the Gyeonggi Museum of Modern Art in Ansan city https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540421555309-XHJ8ABS4W68Y95HNQ3AH/image-asset.jpeg Issue 235 November 2010 18 more BOOKS: William Dobell, An Artist's Life: JOHN KELLY Elizabeth Donaldson, William Dobell, An Artist's Life, Exisle, Publishing, Wollombi, NSW, 208p, rrp$49.99; ISBN: 9781921497810 https://www.artmonthly.org.au/issue-234-october-2010 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661483278-15OPQZL0T0DJSBB236ZM/image-asset.jpeg Issue 234 October 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661563795-37LDSAVJ9T8CFGKJJ5IR/1015_l_1.low.jpg Issue 234 October 2010 1 Electrofringe: NICOLAS LOW S.W.A.M.P. (Studies of Work Atmosphere and Mass Production), Consumer Index, ongoing site-specific performance showing Matthew Kenyon (one of the S.W.A.M.P. duo) ‘mouth-scanning’ in a supermarket. Image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543146140093-7B1LX88OPOUHW4Z8D4SH/1016_l_2.+grishin.jpg Issue 234 October 2010 2 The subversive zines: SASHA GRISHIN Butch, a zine about budgies which is created by Jo Daniell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661622177-1GO6B0G2EO3N5WKOS11C/1017_l_3.+raffan.jpg Issue 234 October 2010 3 Connection, Dislocation, Reclamation and Innovation: The 2010 National Aboriginal and Torres Strait Islander Art Award: JANE RAFFAN Girringun Artists, Bagu with Jiman, ceramics, overall 165 x 410 x 90cm. Image courtesy the artists. All photographs this article by Regis Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543217904445-Z2LDM90IM31407WTNYRO/image-asset.jpeg Issue 234 October 2010 4 Contemporary photography in Yogyakarta: the Case of Mes 56: ZHUANG WUBIN Angki Purbandono, Untitled found photograph from theAnonymous series (2006 - ) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661684771-WS441MEPNPJB1584GR1N/image-asset.jpeg Issue 234 October 2010 5 art in the age of nanotechnolog: URSZULA DAWKINS Victoria Vesna and James Gimzewski, Nanomandala, 2010, video projection in collaboration with monks of the Gaden Lhopa Khangsten Monastery, India; sound by Anne Niemetz. Image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543217952748-J4X6LCRR2UYBRIVAZF9L/1020_l_6.schwenk.jpg Issue 234 October 2010 6 Performosis and participatory performance art: SYLVIA SCHWENK Francis Alys, When faith moves mountains, 2002, documentation of performance in collaboration with Cuauhtémoc Medina and Rafael Oretega, Lima, Peru https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661776008-RJQKYO3BT4WCEQYYY05W/1021_l_7.parramatariki.jpg Issue 234 October 2010 7 Postcards from ParraMATaraki ParraMATariki - Stories from Across the Sea explores the traditions of weaving and storytelling in a contemporary, local context of Parramatta and Western Sydney, while incorporating traditions from overseas and their adaptation in Australian society. Curated by Kiri Morcombe, this exhibition coincided with the beginning of June when the rising of the Pleiades cluster of stars (Matariki) marks the beginning of the new year in the southern hemisphere https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661797609-6PPLBYJ1CR94LFY6ZZK1/image-asset.jpeg Issue 234 October 2010 8 Tim Burton: ERIN CONNAL Director Tim Burton on the set of Sweeney Todd: The Demon Barber of Fleet Street, with actor Johnny Depp (as Sweeney Todd). © 2007 by DreamWorks LLC and Warner Bros. Entertainment Inc. All Rights Reserved. Photograph by Leah Gallo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661819366-VO910GQP9KA0TBGR0TH9/image-asset.jpeg Issue 234 October 2010 9 David Serisier: BILL WRIGHT Installation view, David Serisier exhibition, Liverpool Street Gallery, Sydney, 2010. image courtesy David Serisier and Liverpool Street Gallery, Sydney. Photographs by Jenni Carter https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661843616-QOFB20UAQSWR2J8EOIRZ/1024_l_10.jones.jpg Issue 234 October 2010 10 Artist , printmaker, sculptor: GW Bot: JAN JONES Crucifixion, five-piece bronze relief sculpture, 135 x 185 x 8cm.Images courtesy GW Bot and Beaver Galleries, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661868492-P4O4RJ83O0KRHZF6NNNA/1025_l_11.fisher.jpg Issue 234 October 2010 11 Bill Brown: a prisoner of the passage?, LAURA FISHER Ship of Fools I, 2007, acrylic and gouache on canvas, 153 x 215cm.Images courtesy Bill Brown and Wilson Street Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476661891721-JMKQE9N7R16BHK8MY3DL/image-asset.jpeg Issue 234 October 2010 12 Lace-wearer to water-bearer: recent work BY John McLean, PENNY JACKSON Detail of The Burn, from The Settler Trilogy, 2008, oil on canvas. Collection: Puke Ariki, New Plymouth. Image courtesy Puke Ariki, New Plymouth. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543218364400-MB5KFZZQ83QA5XP0QO7N/1027_l_13.geczy2.jpg Issue 234 October 2010 13 Books: Mike Parr: Performances 1971–2008: ADAM GECZY The Infinity Machine: Mike Parr’s Performance Art 1971–2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543218400073-AYFWMLIO3TFUD84GNEA9/image-asset.jpeg Issue 234 October 2010 14 More books: CEFN RIDOUT David Berona, Wordless Books, The original graphic novelS, Abrams, New York, 2008, rrp$62, 255p: ISBN 0810994690 George A. Walker, Graphic Witness: Four wordless graphic novels, Firefly Books, 2007, Ontario, rrp$52, 424p: ISBN 1554072700 https://www.artmonthly.org.au/issue-233-september-2010 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476662124155-X7780ATUUEGR79ZT2D9V/image-asset.jpeg Issue 233 September 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539842568321-6C6UIGWWJ4J16CJKZLCN/image-asset.jpeg Issue 233 September 2010 1 Curious Colony: a twenty first century Wunderkammer: DAVID HANSEN 2 Littoral: MARY EAGLE 3 Art for History’s Sake: PATTI MILLER 4 The Art of the Possible: Negotiating Paths to Abstraction: DIANA KOSTYRKO 5 Brian Blanchflower: Space-Matter-Colour: JOHN MATEER 6 COLOUR COUNTRY: art from Roper River: UNA REY 7 Slow Art: Recent fictions by Michael Zavros LOUISE: MARTIN-CHEW 8 ‘Motika’ Dreaming: JACQUELINE HEALY 9 Art, Labour, Love*: PAT HOFFIE 10 NEW10: People with Pacemakers are Advised Not To Enter Gallery 4: Peter Hill 11 Book: From The Hands of Our Ancestors: JAMES BENNETT 12 Book: Tony Twigg: Encountering the object: PRUE GIBSON 13 Em Files: James Lieutenant's total football: CHRISTOPHER CHAPMAN 14 Letter from Madrid: Love - Picture un-perfect: PhotoEspana 2010: MATTHIAS KRUG https://www.artmonthly.org.au/issue-232-august-2010 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476662766141-JJ3M8GJ4EM9HDKNK8040/image-asset.jpeg Issue 232 August 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539842245570-R292WZ8BQT5VW1K4B0PQ/image-asset.jpeg Issue 232 August 2010 1 Artful Dodger: The ‘Big Island’ in the Pacific: PAMELA ZEPLIN 2 Asia-Pacific or Asia-Specific?: TIMOTHY MORRELL 3 The Curator in a Sea of Islands: Giles Peterson’s Niu Pasifik: BILLIE LYTHBERG 4 Making Waves in the Torres Strait: SIMON WRIGHT 5 ‘Living Art’ – a work in progress: SUSAN COCHRANE 6 Cook Islands Art NOW: JACQUI DURRANT 7 Wherever it is that we want to go: John Pule’s painting, 1990–2010: NICHOLAS THOMAS 8 Navigating ‘Austronesia’: Contemporary indigenous art from Taiwan and the Pacific: SOPHIE McINTYRE 9 Arts Dock 4th Melanesian Arts Festival, Nouméa: HENRI GAMA (translation by Regis Martin) 10 The Crux of the Matter: Manipulating Cultural Property in Aboriginal Rights Debates: JANE RAFFAN 11 Pacific Storms: beyond sunsets and leis: PRISCA CHANT 12 Just Like Home: Suburban Realities and the Art of Lisa Hilli: TORIKA BOLATAGICI 13 The Culture of Adornment: Materiality in the work of Chantal Fraser and Maryann Talia: Pau KELLEE UHR 14 Eric Bridgeman: BALA STARR 15 Sam Tupou: the tapa treatment: DAVID BROKER 16 Torika Bolatagici and the Big Picture: MAURICE O’RIORDAN 17 Krishna Nahow-Ryall: Blakbird: IMELDA MILLER 18 Putting the pieces together: Pacific Arts at the National Gallery of Australia: Maurice O'Riordan with Crispin Howarth 19 Pallingjang Saltwater: Genevieve O'Callaghan 20 Just an Ordinary Boy: Gary Lee’s On the Verge: JACQUI DURRANT 21 Mari Funaki 1950–2010: MARIAN HOSKING 22 Artnotes 23 Letter from Art Basel: GENEVIEVE O'CALLAGHAN 22 Opportunity Knocks + Stop Press https://www.artmonthly.org.au/issue-231-july-2010 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663309419-88CN1WQM9B7JU6Q2A825/image-asset.jpeg Issue 231 July 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539842020369-SHDVR9FR3Q7176G2DUQ8/image-asset.jpeg Issue 231 July 2010 1 Beauty, distance, songs: Surviving the end of Enlightenment: IAN McLEAN 2 Apart, we are together: Adelaide International 2010: JEMIMA KEMP 3 Before and After Science: 2010 Adelaide Biennial of Australian Art: LESLEY HARDING 4 Deficit thinking in regional arts culture: KIERAN FINNANE 5 Art, Labour, Love: PAT HOFFIE 6 Remember to Forget the Congo: ADAM GECZY 7 Lost Voices: the artwork of Joy Gregory and Susan Hiller: ALTAIR ROELANTS 8 The Smart Touch: CHRISTOPHER HEATHCOTE 9 Power of Two: Ruth Waller & Jude Rae: DAVID BROKER 10 Shadow play: Neil Emmerson’s recent installations: ANNE KIRKER 11 Malthoid assemblages: material as landscape: JENNIFER KALIONIS 12 Fair Go – Flagging the Melbourne Art Fair: MAURICE O’RIORDAN 13 Em Files: The deathly blooms of Andre Piguet: ASHLEY CRAWFORD 14 Letter to the editor: The politics of hanging a picture BOITRAN: HUYNH-BEATTIE https://www.artmonthly.org.au/issue-230-june-2010 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663505545-R8SOA915QCW4G49M0JYM/image-asset.jpeg Issue 230 June 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539841746092-7RAUXZ5PWZBA9B1ASA6G/image-asset.jpeg Issue 230 June 2010 1 Editorial and Chair's Report 2 The Lives of Others: PEDRO DE ALMEIDA 3 News from Elsewhere: Campbelltown Arts Centre: JOANNA MENDELSSOHN 4 Show me: DAVID HANSEN 5 the trace left behind by the disappearance of everything else: HELEN VIVIAN 6 Bushfire Australia TarraWarra Museum of Art: TRENT WALTER 7 Metaphysical Territory: CAROLINE RANNERSBERGER 8 Paul Uhlmann: becoming imperceptible (thinking the world anew)!: ZSUZSANNA SOBOSLAY 9 Engaging Visions: artists and communities: JAN JONES 10 The Artist is present: A conversation with Marina Abramović KARLYN DE JONGH, SARAH GOLD: PETER LODERMEYER & RENE REITMEYER 11 Staged Community Building through Performance art: FLOSSIE PEITSCH 12 What If I Want To Water Ski? And Other Questions: BENJAMIN McKAY 13 A promiscuous, fleeting moment: Simon Terrill’s Crowd Theory: URSZULA DAWKINS 14 Derek Hart Time Tides: SEÁN KELLY 15 Namatjira: CHRIS RAJA 16 Urban Art Projects take on the world: JEREMY ECCLES 17 The subversive side: OMAR MUSA 18 Room with a human view: MAURICE O'RIORDAN 19 Letter from Mexico: DAVID CORBET https://www.artmonthly.org.au/issue-229-may-2010 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664033217-NFEWJH57V0YN1Z5NP0KU/image-asset.jpeg Issue 229 May 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543145125965-GRVOUF7O1MWGXNF19U4K/image-asset.jpeg Issue 229 May 2010 1 Keeping It Visual: The Studio-based PhD: PETER HILL Yvette Watt, Second Sight series, 2008/8, gicleé print on Hahnemuehle photo rag paper, 65 x 58cm; clockwise from top left: sheep, cow, chicken, pig https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664160231-WSIDXKYFJILXGF9ZIL7J/928_l_3.+set+2+yhonnie+scarce+photo+by+nick+selenitsch.jpg Issue 229 May 2010 2 gone in no time: KEN BOLTON Nick Selenitsch in limbo. Photograph by Nick Selenitsch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543145152181-EAKJCALXHY68QC25MFEX/image-asset.jpeg Issue 229 May 2010 3 9 shots 5 stories: IAN McLEAN Imants Tillers, The nine shots, 1985, acrylic and oilstick on 91 canvasboards; overall 330 x 266cm. National Gallery of Australia, Canberra. Gift of the artist, 2008 This is the second part of an essay which began life in a conference paper at the 2nd Imagined Australia conference, Bari, Italy, in June 2009, and the Daphne Mayo lecture, University of Queensland, September 2009. The first part (including the first two stories, ‘From beginning to end’ and ‘The story’) is published in AMA #228, April 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664319830-BWWOMDBTG8MOT2UGMOUK/image-asset.jpeg Issue 229 May 2010 4 The Quick and the Dead: AMBER NAISMITH Araya Rasdjarmrearnsook, Conversation I, 2005, video installation, 5 videos, duration 12 minutes. Dimensions variable. Photograph by Eeakarach Prangchaikul. Courtesy the artist by arrangement with 100 Tonson Gallery, Bangkok https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543145234950-AELK3ME7T9FD4RCRPQNW/image-asset.jpeg Issue 229 May 2010 5 Beauty: nature and art: MARK DOBER Julia Morison, Myriorama #6 Wayzgoose, Configuration #4, 2010, laser jet print, Indian ink wash, gesso, aluminium/polyurethane laminate: 6 panels, 60 x 80cm each. Image courtesy of the artist and Two Rooms Auckland, New Zealand. Julia Morison is one of several New Zealand artists who will be showing in the 17th Biennale of Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543145267976-8T9EWZ2UWST16Q4Z87FV/932_l_5.CRAWFORD.punk.jpg Issue 229 May 2010 6 Melbourne John Nixon, Portrait of Jenny Watson, c. 1980, Polaroid photograph. © Courtesy John Nixon https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664476164-EBDRT3GVFFVWMGKLXXHM/933_l_7.AMORE.hopper.jpg Issue 229 May 2010 7 Hopper’s Imaginary Line: MELISSA AMORE Dennis Hopper, Self-portrait (Within a Man of Light, there is only Light; Within a Man of Darkness, there is only Darkness), 1997, digital inkjet printing, transparency and lightbox. Image courtesy Linda and Jerry Janger. © Dennis Hopper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664533925-W6AL5MV851S85UCI0JM9/image-asset.jpeg Issue 229 May 2010 8 Albert Tucker: The Intruder – The Perfect Allegory: IVAN DURRANT Albert Tucker, Cannibal Pearce, 1968 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664562205-SC5A82YWHX288LAL19UD/935_l_9.KERR.catchment.jpg Issue 229 May 2010 9 Weaving of country lost in translation: the problem of exhibiting environmental art: TAMSIN KERR Jan Dunlop, wardrobe for and of the rainforest https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664583484-IM7DK1T0QXQVWP5E9960/image-asset.jpeg Issue 229 May 2010 10 Cecile Williams: Contained: NALDA SEARLES Cecile Williams, Greta’s Garden (detail), 2010, found and recycled plastics https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664610387-CR0UKRZIV6GCO2D6VQNW/image-asset.jpeg Issue 229 May 2010 11 Controversy & acclaim: 60 years of the Mosman Art Prize: JEREMY ECCLES Lucy Culliton, Still Life / White Ground, 2000, oil on board, 120 x 120cm, From the Collection of Mosman Art Gallery Mosman Council. Images courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664637143-ULQIJ2U53C381J82FFRK/image-asset.jpeg Issue 229 May 2010 12 Quixotic Pursuit: Tim Miller’s Sundown: PATTI MILLER Tim Miller, 19.2.09, pastel on paper, 12 x 17cm. Courtesy the artist and Charles Hewitt Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664666294-4FX3DVN7M1BL0IFA719S/939_l_14.KLABBERS.jpg Issue 229 May 2010 13 Not the void exactly: Species of Spaces: JOHANNES KLABBERS Melissa Laing, borderline, 2008, video loop on DVD https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664706683-O4KTW1AO0XC6MTCRRBIC/image-asset.jpeg Issue 229 May 2010 14 Madrid and the essential youthfulness of art: MATTHIAS KRUG Crowds gather in front of the Picasso’s Guernica at the Reina Sofia museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543145420030-5KEZ9O79N65KPPUPEDWW/941_l_Letter+from+London.Hamilton.jpg Issue 229 May 2010 15 Letter from London: JOHN CONOMOS Richard Hamilton, Shock and Awe, 2007-08. Inkjet print on Hewlett-Packard Premium canvas 200 x 100cm. © 2010 Richard Hamilton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664770349-9UAJ3MS8APX544V173GC/image-asset.jpeg Issue 229 May 2010 16 Letter from Auckland Triennial: GENEVIEVE O’CALLAGHAN Michael Stevenson, On How Things Behave (video still), 2010, HD and 16mm transferred to DVD, 16:9 ratio, colour, sound, 15:43min, commissioned by Objectif exhibitions, Antwerp and the 4th Auckland Triennial. Image courtesy the artist and Hamish McKay Gallery, Wellington 17 Letters to the Editor Re-thinking Literacy If there is something distinctly Aboriginal in NOT learning to write, in NOT working, in NOT attending school and in refusing to become ‘like whitefellas’ as Jennifer Biddle writes (‘Art under Intervention: the radical ordinary of June Walkutjukurr Richards’, AMA #227, March 2010, pp. 35-37), then these Australian Aboriginals are truly destined for ‘wretched extinction’ as Captain James Cook originally predicted Ian Bernadt. March 2010 Read more: pp. 62-63 AMA #129 https://www.artmonthly.org.au/issue-228-april-2010 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664926225-YHTAU4G5307EYPB2HV5W/228coverLG.jpg Issue 228 April 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664957977-NZB6RVJI34PU35MQNHRW/image-asset.jpeg Issue 228 April 2010 1 Mueck Memory Lane: CHRISTOPHER HEATHCOTE Ron Mueck, Mask II, 2002, polyester resin, fibreglass, steel, plywood, synthetic hair: second edition, artist’s proof, 77 x 118 x 85cm. Private Collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476664985424-R5CC8VVN1PPOENF9RAGG/914_l_2.Stanton.RealityCheck.jpg Issue 228 April 2010 2 Back to Reality: ELIZABETH STANTON David Lawrey & Jaki Middleton, The world’s more interesting with you in it, 2009, installation, dimensions variable. Image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144522293-YHPOTRLTOA41KEJ7HNP1/915_l_3.McLean.jpg Issue 228 April 2010 3 9 shots 5 stories: Imants Tillers and Indigenous difference: IAN MCLEAN Imants Tillers,The nine shots, 1985, acrylic and oilstick on 91 canvas boards; overall 330 x 266cm. National Gallery of Australia, Canberra. Gift of the artist, 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144592035-HYQAX6Z9F032PD7ZJJW5/image-asset.jpeg Issue 228 April 2010 4 The Impossible Unities of Tim Johnson: EMILY ROBERTSON Tim Johnson; Collaborating artists Karma Phuntsok and Brendan Smith. Lotus Born (detail), 2006, acrylic on linen, 9 panels: 198 x 91.5cm (each); 198 x 823.5cm (overall). Contemporary Collection Benefactors 2006. Collection: Art Gallery of New South Wales https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665126584-7OLNQFEZ8DRJDMAJT7BN/917_l_5.McDonald.jpg Issue 228 April 2010 5 Tommy Watson & the politics of the Indigenous Art Market: JOHN MCDONALD Tommy Watson, Wati Kutjara, 2009, acrylic on Belgian linen, 110 x 160cm. Unless otherwise indicated, all images in this article of work by Tommy Watson are courtesy the artist and Agathon Galleries, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144653531-8CAEJ3KJX6Z9NBR2A1JO/image-asset.jpeg Issue 228 April 2010 6 Janice (Jan McCulloch), 1938-2009: BARBARA CAMPBELL Naomi Matthews, pencil sketch of Janice McCulloch, 2007, 35 x 27cm. Photograph by Paul Saint. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144672167-CXIYKJ5ID2QJUARLTDAW/919_l_6.obit.IanGentle.jpg Issue 228 April 2010 7 Ian Gentle, 1945-2009: GINA FAIRLEY Ian Gentle in front of his work Salivating Croc at Wollongong University Library. Photograph by Gina Fairley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665203699-GDHJ5OZGAWQ1MCTF9551/image-asset.jpeg Issue 228 April 2010 8 Battle of the Batiks: HELEN MUSA Enteng Jodo Studio, Yogyakarta, Indonesia, sarong withparang rusak motif, batik cap on cotton, 109 x 230cm. Photograph by Helen Musa https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665230437-L9DYOEJLG1XIMA0OUAJF/921_l_8.Gray.Baker.jpg Issue 228 April 2010 9 Exquisite Labours: the life’s work of Nyukana (Daisy) Baker: STELLA GRAY Nyukana (Daisy) Baker Ernabella walka, c. 1964, water based paint on card, 5cm x 5cm. Ara Irititja Archival Project; Ernabella Arts Collection. Photograph courtesy the artist and Ara Irititja Archival Project. All images this article of work by and courtesy Nyukana Baker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144725162-QJUS39XPGX0WPFN84V3Y/image-asset.jpeg Issue 228 April 2010 10 Figures, fugitives, and feasts: George Baldessi: PATRICK MCCAUGHEY George Baldessin, MM of Rue St Denis, 1976, charcoal and conté on paper, 120 x 80.7cm. Collection of the Estate of George Baldessin. Image courtesy Australian Galleries https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665278864-H0GCC5GVV95ORJ7NEL1S/image-asset.jpeg Issue 228 April 2010 11 Russia: A Diaghilev Festival & The Moscow Biennale: ALAN DODGE Red Square, Moscow, October 2009. Photograph by Alan R. Dodge https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543217989419-DN8CZJU2Z648BGZHSOH3/image-asset.jpeg Issue 228 April 2010 12 The other Starry Night: Post-impressionists from the Orsay, DIANA KOSTYRKO Georges Seurat, The circus (sketch), 1891, Musée d’Orsay, Paris. © RMN (Musée d’Orsay) / Hervé Lewandowski. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543218014503-73K70PKBOU9QO03VN2N3/image-asset.jpeg Issue 228 April 2010 13. Book: Painting the Song: Kaltjiti artists of The Sand Dune Country BY Diana James: CHRIS RAJA Diana James, Painting the Song: Kaltjiti artists of the Sand Dune Country, McCulloch & McCulloch Australian Art Books, 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543218029738-HTTE6MWV5DWQ03E5NFMT/image-asset.jpeg Issue 228 April 2010 14 Letter from Paris: JOHN CONOMOS Erro, Rock and Role, 1996, mixed media collage on paper, 39.2 x 32.7cm. Collection Pompidou Centre, National Museum of Modern Art, Paris. © Erro https://www.artmonthly.org.au/issue-227-march-2010 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665697905-YZSC2GC5AAXAQNZUFXUG/image-asset.jpeg Issue 227 March 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665724150-329GMPUN4FHKW1ZEQXOC/image-asset.jpeg Issue 227 March 2010 1 Has the APT lost its way?: SASHA GRISHIN Kibong Rhee, There is no place –Shallow cuts, 2008, glass, fog machine, artificial leaves, wood, steel, sand, motor, timer. Image courtesy the artist and Kukje Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143997559-MS6GLYH1GM1K36SQ92KC/897_l_2.Jorgenson.Mask.jpg Issue 227 March 2010 2 The Masks of Merlam & the Shining Swords of Australian Art Awards: DARREN JORGENSON Ricardo Idagi, Malo Mask, 2008, turtle shell, cowrie shells, mussel shells, feathers, raffia grass, wicker cane, saimi saimi seeds, natural earth pigment, 157 x 120 x 70cm. Image courtesy the artist and Vivien Anderson Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144025368-9X7GSQWVDTBKD8C52I1G/image-asset.jpeg Issue 227 March 2010 3 Making it New: ADAM GECZY Bob Jenyns, Suit… dedicated to my dad who waited for forty years for me to buy a suit and then he died so that I might have somewhere to wear it, 1995, polychromed wood, 60 x 240 x 23cm. Installation view, Museum of Contemporary Art, Sydney. Collection the artist. Image courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476922207560-MXT4OY6O37QLHMJ8XLIT/image-asset.jpeg Issue 227 March 2010 4 Dark Days – closure, not completion: STEPHENIE CAHALAN John Cale, Dyddiau Du (Dark Days), 2009, still images from 5-channel video installation. Image courtesy the artist and MONA FOMA 2010, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144067102-O31FUBB6L7RZ2E8IOZAJ/image-asset.jpeg Issue 227 March 2010 5 Bravura: 21st Century Australian Craft: MARGOT OSBORNE Stephen Benwell, Large flared vase, 2008, earthenware, 40 x 48 x 48.5cm. Maude Vizard-Wholohan Art Purchase Award 2009, Art Gallery of South Australia, Adelaide. Image courtesy and © the artist, and Niagara Galleries, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144098687-PH3GDYIF7JCK9DMT6Q6T/image-asset.jpeg Issue 227 March 2010 6 Educating for Art & Society: Rupert Myer Eleanor Orchard, Jackson, 2009, pencil, 29.7 x 21cm (image and sheet). School: Warrnambool College, Warrnambool. Image courtesy the artist and Top Arts, Victoria https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144132737-PM1CKDOUUK8UN66DZQ0O/image-asset.jpeg Issue 227 March 2010 7 Nicholas (Nick) Waterlow 1941-2009: MARGARET FARMEr Nick Waterlow, 2008. Photograph by Olivia Martin-McGuire https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476922642016-GB2W3U75I3CC4PPLTGFK/image-asset.jpeg Issue 227 March 2010 8 Sue Ford 1943–2009: HELEN ENNIS 1/ Self-Portrait, 1961. 2/ Self Portrait with camera, 2004, 120 x 190cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476922738154-UPGD6LTL2OY4BO98IRG4/image-asset.jpeg Issue 227 March 2010 9 Shane Pickett 1957–2010: HENRY SKERRITT Shane Pickett at the opening of his exhibition Shane Pickett: Art and Healing, Mossenson Galleries, Collingwood, October 2008. Image courtesy Mossenson Galleries https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144247241-53HWFHRHKB4VZ8QCSA1A/image-asset.jpeg Issue 227 March 2010 10 Re-Thinking John Brack: CHRISTOPHER HEATHCOTE Still-life with self-portrait, 1963, oil on canvas, 149.2 x 78.6cm. James & Diana Ramsay Fund 1999, Art Gallery of South Australia, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476922822297-NTE6BHLTLEUAXFIK62F6/image-asset.jpeg Issue 227 March 2010 11 Art under Intervention: the radical ordinary of June Walkutjukurr Richards: JENNIFER BIDDLE June Walkutjukurr Richards, New Idea, 2006, acrylic on canvas, 45.9 x 61cm. Courtesy and © June Richards, and Warburton Collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476922869190-DDGB4LCASOUT82XYA5TS/image-asset.jpeg Issue 227 March 2010 12 TS2: art intercepting waste: ADAM BROINOWSKI Slow Art Collective, Transfer Station 2, 2009, installation view, Incinerator Arts Complex, Melbourne. Image courtesy Slow Art Collective https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476922910164-JZAR7UTL8W8USJHP0OYK/image-asset.jpeg Issue 227 March 2010 13 Braille, littorally: ANNE WALTON Anne Walton, Braille on Manly Beach, 2009, installation views, Manly Cove. Images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476922952319-3BYU92WXFNHPFVONOHJX/image-asset.jpeg Issue 227 March 2010 14 Bacon ‘n’ Eggs: JOHN KELLY Photograph of Francis Bacon by John Deakin. Collection of Dublin City Gallery The Hugh Lane. © The Estate of Francis Bacon. All rights reserved/ DACS, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476923214891-FHJROSFIKV1SAR9IJ6L0/image-asset.jpeg Issue 227 March 2010 15 A History: Joachim Froese: GORDON CRAIG Archive #7, 2008, 4 archival pigment inkjet prints, 144 x 66.5cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543144331220-HA75PP73ZUC7ISQ7NCZP/911_l_LetterFromBerlin.jpg Issue 227 March 2010 16 Letter from Art Forum Berlin: WES HILL Michael Sailstorfer, 1:43 - 48, 2009, iron, aluminum, electronic units, popcorn. Courtesy the artist and Galerie Johann König, Berlin https://www.artmonthly.org.au/issue-226-summer-2009 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477262626283-5RLPYI9RSX1GABY4I1JK/issue+226+december+2009.jpg Issue 226 Summer 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143372256-5MOJQVVD9296OA79ASCP/878_l_1.+cambodianPhotography.jpg Issue 226 Summer 2009 1 Out of Nowhere: Contemporary Cambodian Photography: ZHUANG WUBIN Chan Moniroth Chiart, Untitled, from Simple Fashion series, 2007. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476923688410-EAJGURY1K24B90FDVUDU/image-asset.jpeg Issue 226 Summer 2009 2 String bags and starry skies: Aboriginal fibre art at QAG: DANIEL THOMAS Banumbirr (Morning Star poles) installed in Floating Life, GOMA, Brisbane, 2009, bark fibre string, cotton, feathers, native beeswax, synthetic polymer paint, natural pigments on wood. From the Bandigan Morning Star and Queensland Art Gallery Collections https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476923723663-Y4UXSF3GYJP6SDDRBNGZ/880_l_3.tello.jpg Issue 226 Summer 2009 3 Ricky Swallow’s Memory-Sculptures: VERONICA TELLO Flying on the ground is wrong, 2006, bronze, 4 x 14.5 x 5cm. Collection of J. G. Miles QC, Auckland. © Ricky Swallow. Photograph courtesy Stuart Shave/Modern Art, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143436963-Q2AJZ692VUPKW5LNAAN6/image-asset.jpeg Issue 226 Summer 2009 4 Remembrance of things past and waists lost – from Paris to Melbourne: SUSANNE SPUNNER Christian Dior ‘Zemire’ evening dress modelled by Renee. Photograph by Regina Relang https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476923818867-2L5IV7DH1VDLWR76D62I/882_l_5.altman.marwundjul.jpg Issue 226 Summer 2009 5 John Mawurndjul: Art and Impact: JON ALTMAN John Mawurndjul at Kurorr, May 1980. Photograph by Jon Altman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143552521-1MERM0632ZBDMJW9521T/image-asset.jpeg Issue 226 Summer 2009 6 Apropos Appropriate Appropriations: After the Apologies: DAVID GARNEAU Kent Monkman, Old Bear with Tinselled Buck No. 10,601, 2008, acrylic on canvas, 76.2 x 61cm. Image courtesy the artist and Stephen Friedman Gallery, London, England https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143581308-DUIB8NYJWAKEUPKKA6OX/image-asset.jpeg Issue 226 Summer 2009 7 Mandy Martin: Eco-worrying: ZSUZSANNA SOBOSLAY Mandy Martin, Wanderers in the Desert of the Real: After Friedrich, 2009, ochre, pigment, oil/linen, 30 x 40cm. Courtesy Australian Galleries, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143643121-ZQ88WCY6PLXLIWRUQEZ3/image-asset.jpeg Issue 226 Summer 2009 8 Michelle Hiscock: Paintings: JAN JONES Michelle Hiscock, Taylors Point, 2007, oil on panel, 16 x 12cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476923994518-O3WFN9WPO993K9BIFSLD/886_l_9.grishin.walker.jpg Issue 226 Summer 2009 9 John R. Walker: painting from the landscape: SASHA GRISHIN Bedervale South Walking, 2005, gouache on paper, 5 panels, 75 x 275cm overall. Private collection, Perth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476924026779-XTELKLI0SZ3VLI4VDOMQ/image-asset.jpeg Issue 226 Summer 2009 10 Wamud Namok (L.B. Nadjamerrek AO) 1926–2009: PETER COOKE Wamud Namok Nadjamerrek, Ankung Djang and Ngalyod (Honey Dreaming and Rainbow Serpent), 1994, natural pigments on paper, 121 x 171cm. MAGNT Collection. Image courtesy the artist’s estate and the Museum and Art Gallery of the NT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143748895-OICXU4BXT7W9XZUQLH3E/image-asset.jpeg Issue 226 Summer 2009 11 Letter to editor Ron Hurley, Cricket gods 2 (Urban god in flight), 1999, graphite and oil on paper, 147.5 x 96.5cm. Hurley Family Collection, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476924092315-QMOOKO3WUQJT29O4RME7/image-asset.jpeg Issue 226 Summer 2009 12 Ouija in Yogya: ASHLEY CRAWFORD Installation view, iCAN, with (foreground) Sigit Bapak, Refuse fairy tales about a frog inside a coconut shell (detail), 2009; and (background) Catriona Stanton, Haberfield Story (detail), 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476924134358-7MVAIDD1IBO08M1374NU/image-asset.jpeg Issue 226 Summer 2009 13 Double take: Conny Dietzschold international: MAURICE O’RIORDAN Conny Dietzschold, 2009. Image courtesy Conny Dietzschold Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476924167947-QQJC8R61T24WMX6QC3TL/image-asset.jpeg Issue 226 Summer 2009 14 Ainslie Murray’s Architecture of Thread and Gesture at The Japan Foundation: AMELIA GROOM Installation view of Ainslie Murray’s An Architecture of Thread and Gesture, Japan Foundation Gallery, Sydney, 2008. Images courtesy the artist. Photographs by Ian Hobbs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143828495-VVEUP02Z1QT7857VN3TN/image-asset.jpeg Issue 226 Summer 2009 15 William McAloon (ed.) Art at Te Papa: JACQUI DURRANT William McAloon (ed.) Art at Te Papa Te Papa Press, Wellington, 2009, 432pp, rrp NZ$130 (standard edition) NZ$300 (deluxe edition) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143857562-0DL8SMGVO38GQD9W4WPG/image-asset.jpeg Issue 226 Summer 2009 16 John McDonald Art of Australia: Vol. 1, Exploration to Federation: PATRICK HUTCHINGS John McDonald Art of Australia: Vol. 1, Exploration to Federation Macmillan Australia, Melbourne, 2008, 656pp, rrp $125 (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143890934-H5U9R3W55FIRGROELICQ/image-asset.jpeg Issue 226 Summer 2009 17 BOOK REVIEW: Judy Watson: Blood language BY Judy Watson & Louise Martin-Chew: LAURA FISHER Judy Watson & Louise Martin-Chew Judy Watson: Blood language Miegunyah Press, 2009, 240pp, rrp $39.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543143927728-PFPHIFBDWV9HA4IME1YC/image-asset.jpeg Issue 226 Summer 2009 18 BOOK REVEIW: Crackle… Contemporary art from the middle of nowhere BY Stuart Koop: ANNE KIRKER Stuart Koop, Crackle… Contemporary art from the middle of nowhere Institute of Modern Art (IMA), Brisbane, 2008, 176pp, rrp $30 https://www.artmonthly.org.au/issue-225-november-2009 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263358904-QJ8VFBA65HA02B4KDJKJ/image-asset.jpeg Issue 225 November 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539805962504-Q73OK74MY7GEAJCDJ941/image-asset.jpeg Issue 225 November 2009 1 Introduction: DOUGLAS KAHN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263451271-X6XCFHVURIXOXSTIXYKI/image-asset.jpeg Issue 225 November 2009 2 Can someone please turn the work up? The Exhibition of Sound in Contemporary Australian Art: CALEB KELLY Mel O’Callaghan, The Fall, 2004, video still from DVD PAL, 4.15min duration. Image courtesy the artist and GRANTPIRRIE, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263524065-ZD5C2UEZMT5F83TZ0877/image-asset.jpeg Issue 225 November 2009 3 Potatoes, antennas & autofocus: three sound installations for Heidegger: ANN FINEGAN Mark Brown, part of the artistic team (with Vincent and Vaughan O’Connor) for Desertion, a sound installation held in a vacant shop in Parramatta’s Brand Smart building as part of Parramatta’s (biennial) Riverbeats festival, November 7 to 24, 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263546638-G242K1RBPP7E2QAK5Y1S/image-asset.jpeg Issue 225 November 2009 4 Super Tweeter: HOLLIS TAYLOR Pied butcherbird at Wogarno Station, WA. Photograph by Chris Tate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263655894-NTNL81RV8QBJRWRWBTX1/image-asset.jpeg Issue 225 November 2009 5 Sound Artists In Extremis, PHILLIP SAMARTZIS Douglas Quin at Swiss Camp on the Greenland ice sheet. Photograph by Ryan Vachon. Quin’s latest release (vinyl),Fathom (due out later this year on Taiga Records), features underwater soundscapes from Antarctica and Alaska. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263694154-PIKJNHSH21MJLQEOKJP5/image-asset.jpeg Issue 225 November 2009 6 Re-Wiring a Postcolonial Culture: CARLA TEIXEIRA Outback fences (‘salt fence’ and ‘classic corrugated’) in the course of Hollis Taylor and Jon Rose’s Great Fences of Australia Project https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263743564-M47KLNIKBAZ8LIR9R9VO/image-asset.jpeg Issue 225 November 2009 7 Can we post gig announcements here? Community connections in the Audio Foundation mailing list: ZITA JOYCE Lines of Flight Festival, Chick’s Hotel, Port Chalmers, Dunedin, March 28, 2009. Photograph by Tim Coster https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263794658-H8F65ZA2KWNEAWTPQM70/image-asset.jpeg Issue 225 November 2009 8 Sustainable Sonic Art in a 360° World: LEAH BARCLAY Leah Barclay recording at Lake Cootharaba, Noosa, Floating Land 2009. Photograph by Adam Sebastian West https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263828113-WR644VNWXS42LX6O9PYN/image-asset.jpeg Issue 225 November 2009 9 Artist-Run INITIATIVES & Sound Art in Australia: DANNI ZUVELA Experimental expanded projections at Audiopollen, West End, Brisbane, 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263878359-RDCXGSXRU2UXTJFKDI05/image-asset.jpeg Issue 225 November 2009 10 Sound Garden: addressing social & ecological sustainability: KUMI KATO Roma St Parkland Sound Garden, 2009. The Japanese water harp is encircled by a glass mosaic path of the Turrbul Dreaming Freshwater Eel. Photograph by Hideki Okubo. This image will be featured in a postage stamp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263920062-MKWE4Z6ECUFOZK38H4IJ/image-asset.jpeg Issue 225 November 2009 11 A ‘game of nomenclature’? Performance-based sonic practice in Australia: BEN ELTHAM Joel Stern, live performance at Liquid Architecture (with latex covered tube), 10, July 2009. Image courtesy the artist. Photograph by Bryan Spencer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477263954908-ORTN08GUF70WDLA3G7VJ/image-asset.jpeg Issue 225 November 2009 12 The Wonderment of the Bleak – Sculpting the Static: CAT HOPE Lisa MacKinney during the filming of Mystic Eyes. Photograph by Natasha Blankfield 13 Recent Sound Writing: JOHN POTTS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264020298-DW6JVM8J53XYFJ4ONGKO/image-asset.jpeg Issue 225 November 2009 14 Severed Heads, Adenoids 1977–1985: SHANNON O’NEILL Cover image for Severed Heads’ Blubberknife release (cassette), 1982. Collection of Tom Ellard 15 Don’t look back: an artist’s story: Ray Young, 1951-2009 16 Emil Goh, 1966-2009 https://www.artmonthly.org.au/issue-224-october-2009 daily 0.75 2018-10-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264382175-2MVH3CDZICA7TF334TTM/image-asset.jpeg Issue 224 October 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264434753-5GWFRW4ANYGRJF8E8BA3/image-asset.jpeg Issue 224 October 2009 1 Whose Art Counts?, MELISSA MILES In the act of installing Annette Bezor’s Blush, 2002, oil on linen, 270 x 480cm, at the Institute of Modern Art, Brisbane. Image courtesy the artist. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264472213-8YY2AFPGFPDHOCMFQRPI/image-asset.jpeg Issue 224 October 2009 2 Kathy Temin: Forest of memories, NATALIE KING My House, 2005, mixed media and DVD; 3 parts: 163 x 170 x 130cm; (house) 250 x 120 x 120cm; (trees) 210 x 120 x 120cm. Commissioned by the Australian Centre for Contemporary Art for New 05. Installation view, Heide Museum of Modern Art, Melbourne 2009. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264525405-VX06THUGU2QFBKXCLMFN/image-asset.jpeg Issue 224 October 2009 3 Joan Kerr: Stirring the possum in Australian art history, SUSAN STEGGALL Fiona MacDonald, Heritage No. 2, 2004, woven photographs, 60 x 40cm. © the artist and the Cruthers Collection of Women’s Art at the University of Western Australia. Photograph by Jenni Carter. Heritage No. 2 is woven from a press portrait of Joan by Sandy Edwards and a self-portrait by Mary Edwards (1897-1988), a mid-century Australian painter for whom Joan held a ‘curious fascination’ (MacDonald’s words). Mary Edwards was a key complainant in the famous trial against William Dobell’s 1943 Archibald Prize-winning portrait of Joshua Smith. This work appears on the cover of the forthcoming publication Joan Kerr: A Singular Voice, Essays on Art and Architecture, edited by Candice Bruce, Jo Holder and Dinah Dysart, Power Publications, The University of Sydney, October 2009. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264568125-YJGSHQ7D6R0OY46ISEW8/image-asset.jpeg Issue 224 October 2009 4 Wollongong Looks at Itself, JO HOLDER Installation view of Derek Kreckler’s Façade, 2009, digital proof 1 and 2 (14 images in total); installed at front of WCG. Photographs by Derek Kreckler. The frieze placement of the figures echoes the formation of Bert Flugleman’s Spiral and wave sculpture at the front of WCG. Proposals to show work in WCG’s 27 façade display panels are welcome via gallery@wollongong.nsw.gov.au https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264611472-T3P5X4NMXZI9LAAEK26G/image-asset.jpeg Issue 224 October 2009 5 West is When is West: A Trip Report, JOHN VON STURMER Tom Polo, cover image for exhibition catalogue, I’m Worse At What I do Best; also the image for the (scrunched-up) exhibition invitation. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264666710-O24ICOPEVMZD5JAY242X/image-asset.jpeg Issue 224 October 2009 6 Growing Pains – A journey through BEN QUILTY LIVE!, LAINI BURTON Torana no. 5, 2003, oil on canvas, 120 x 140cm. Private collection. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264692687-L6EUA7XY8L4S8VWNNPFW/image-asset.jpeg Issue 224 October 2009 7 Art in Country: Garma 2009, JANE HEALY Dancers from Galiwinku (Elcho Island) at Garma, with Daisy Burarrwanga in the front. Photograph by Francine Chinn. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264728711-U6LVN6M102U79BZCZ9XQ/image-asset.jpeg Issue 224 October 2009 8 Telstra Blues, MAURICE O’RIORDAN Danie Mellor, From Rite to Ritual, 2007, mixed media on paper, 207 x 154cm. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264757199-B5ZQDVC8ONWK3HV0LVGF/image-asset.jpeg Issue 224 October 2009 9 New York Yankees in Queensland’s Court, ALAN DODGE John Singer Sargent, Mr and Mrs I N Phelps Stokes, 1897, oil on canvas, 214 x 101cm. Bequest of Edith Minturn Phelps Stokes (Mrs IN) 1938 (38.104). Collection: The Metropolitan Museum of Art. Image © The Metropolitan Museum of Art, New York. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264815288-0YFYEL0UZSRTJLI6H9ZL/image-asset.jpeg Issue 224 October 2009 10 Dali in Melbourne, or, Pearls before Swine, JOHN CONOMOS Eric Schaal, Preparatory photograph for the collage What Dalí thinks about, created for Click magazine, 1941, gelatin silver photograph, 25.5 x 20.5cm. Fundació Gala-Salvador Dalí, Figueres. © Eric Schaal, Fundació Gala-Salvador Dalí, VISCOPY, 2009. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264846576-8ZVDZQHNN9V55DDKF7JT/image-asset.jpeg Issue 224 October 2009 11 Just Is: SALA festival 2009, NERINA DUNT Edward James, The Fuse #3, 2009, UltraChrome digital print, 50 x 40cm. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477264890744-6QJKTLREM888JXROPWPD/image-asset.jpeg Issue 224 October 2009 12 Fully Exploited Labour: Pat Hoffie, ANNI DOYLE Cover for publication Fully Exploited Labour: Pat Hoffie, edited by Sally Butler, University of Queensland Art Museum, Brisbane, 2008. ISBN 186499908X, 128 pages, full-colour, hardback. Cover features work from Hoffie’s Madame Illuminata Crack’s Pictorial Guide to the Universe series, 1999. https://www.artmonthly.org.au/issue-223-september-2009 daily 0.75 2018-11-25 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477265127612-469GTSVBJ33BBTW1TM6S/image-asset.jpeg Issue 223 September 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539716449319-PK7MTELIMPFFIWAIYF4W/image-asset.jpeg Issue 223 September 2009 1 The magician’s hat: Togart 2009: IAN McLEAN Adrienne Kneebone, Town and Kantri, fibre pandanus spiralus, 32 x 45 x 57cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919443903-9BOL59VZ70XA9MWDZ5K4/image-asset.jpeg Issue 223 September 2009 2 China Project: GOMA: SOPHIE McINTYRE Zhang Xiaogang, Father and Daughter, 1999, oil on canvas, 100 x 80cm. Collection: Zhang Xiaogang https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477265272183-ZCDLT43LXLYCEYU5MAQZ/image-asset.jpeg Issue 223 September 2009 3 Spirited moment endures: The White Rabbit Gallery, Sydney: MAURICE O'RIORDAN Bai Yiluo’s Recycling, 2008, and (right) Cang Xin’sShamanism Series – Variation, 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540422062769-CFZ7S78WAGJKY0R866MO/image-asset.jpeg Issue 223 September 2009 4 Convergence or Submergence?: PATRICK FILMER-SANKEY The old Southern Gallery in the Queen Victoria Museum and Art Gallery’s Royal Park venue showing the original roof beam and skylights which will be restored in the building’s art gallery redevelopment, as the related artist’s impression (shown here) shows https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539716544199-LPKB0UAFVYB91Q21GPY5/image-asset.jpeg Issue 223 September 2009 5 Letter to Editor: Honouring Nolan If I were Lady Mary Nolan, member of the distinguished Boyd family and widow of the famous Australian artist Sir Sidney Nolan who, in 1974, gifted twenty-four of his paintings to the Commonwealth Government to be hung in Lanyon Homestead in the ACT; and if, after his death, the ACT Government charged with the management of that gift removed the paintings and hung them in another place of its own choosing, then I would feel, as Lady Mary herself put it, ‘outraged’ (Megan Doherty, ‘The Battle for Nolan’s Legacy’, The Canberra Times, 26 April 2009) If I, like her, were eighty-two years old, in failing health and living away from Australia, I would in addition feel helpless, betrayed and abused. And yet, this is what has happened. The removal of Sidney Nolan’s paintings from the Nolan Gallery in the grounds of Lanyon, following damage to the building from a severe hailstorm in January 2006, the refusal of the ACT government to restore the building and reinstall the paintings, despite Lady Mary’s protests, and the ensuing argy-bargy between the Commonwealth and ACT authorities, are nothing short of a disgrace Is this the way to treat Lady Mary? Is this the way to handle a priceless gift to the nation from a great and generous Australian? Quite apart from the legal niceties, is this how the Commonwealth and the ACT wish to be seen to treat their cultural benefactors? What message does this give to other would-be benefactors? Wouldn’t it completely destroy their faith in the possibility of their wishes about the management of a gift being honoured? Wouldn’t it change their minds about the advisability of giving at all? Cultural and heritage luminaries like Betty Churcher and Eric Martin have urged the return of the paintings to a restored Nolan Gallery, to honour the wishes of Sir Sidney and his wife. If the ACT government, as current custodian of the works, is not willing to divert to the Nolan Gallery’s restoration some of the monies recently pledged to it by the Commonwealth, then the Commonwealth itself should reassert its ownership rights and return the twenty-four paintings to the nation by reuniting them with the rest of the Nolan collection in the National Gallery of Australia. Only then would the Commonwealth be honouring the spirit of its undertaking to the Nolans; only then could the nation and Lady Mary rest easy in the belief that justice had been done Ann Kent, July 2009 [Apart from the controversy surrounding this particular bequest, Nolan’s paintings continue to command attention in the nation’s capital through the Australian War Memorial’s current Sidney Nolan: the Gallipoli series exhibition, until 18 November (forthcoming review in AMA); and with work begun on a permanent, more prominent re-installation at the National Gallery of Australia of Nolan’s Ned Kelly series due to be unveiled in 2010. Ed] https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477265483928-EBNOHFVQ7CZ58RN2XSDZ/image-asset.jpeg Issue 223 September 2009 6 West Coast Rules: Perth out-exhibiting Melbourne: ASHLEY CRAWFORD Nick Cave's notebook known as Sacred and Profane, 1985. Gift of Nick Cave, 2006 the Arts Centre, Performing Arts Collection. Photograph courtesy Dan Magree © 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477265517440-LN7NRXJQ9FIGJQK68926/image-asset.jpeg Issue 223 September 2009 7 Gallery A Sydney 1964–1983: DAVID PESTORIUS Poster for the inauguration of Gallery A Sydney, 1964. Gallery A Sydney archive https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477265552081-500NVEQTZTVF0ABI9UQE/image-asset.jpeg Issue 223 September 2009 8 A Lake in process: Floating Land, 2009: Tamsin Kerr, Nick Tapper, Ilka Nelson & Maurice O’Riordan Image: Jocelyn Carlin, Untitled (detail), photograph from exhibition Legacy Tuvalu, The Footprint on Funafuti, 2006, digital print from colour negative, 60 x 75cm. Image caption: ‘For families living in the taisala or borrow pits, high tide makes an already severely compromised domestic situation even more challenging as the seawater seeps up through the ground.’ Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477265600108-EFGQWFI7CZB71JHTXIZ7/image-asset.jpeg Issue 223 September 2009 9 Talbet Fulthorpe and the Art of Preservation: YOLANDE NORRIS Still from Talbet Fulthorpe’s Jangil (Homesick), 2008, interactive software, dimensions and length variable https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477265640661-JJ9FUI8NCIANYG96VR1C/image-asset.jpeg Issue 223 September 2009 10 Yellow Vest Fever: digging and dealing: KATE VICKERS Tim Burns, Autogeddon Hood 6 and Autogeddon Hood 7,2009, steel and car wrap, dimensions variable. Photograph by Bewley Shaylor 11 The Numbers Game – On Counting the Arts: PETER ANDERSON https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919598245-G2ITV29ELZ46B2QTMQYZ/image-asset.jpeg Issue 223 September 2009 12 Allegory in smog: the art of Stormie Mills: URSZULA DAWKINS Stormie Mills, Untitled graffiti, 2007, Hosier Lane, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919631741-9CHYL63F8R47Q7FBTPN5/image-asset.jpeg Issue 223 September 2009 13 Sunlight under ice: Intensely Dutch, AGNSW: PRUE GIBSON Bram Bogart, Daybreak, 1997, pigment, oil, whiting on jute, 238 x 190cm. Collection of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919650042-V83W59MTODRQ2XAR0EH5/image-asset.jpeg Issue 223 September 2009 14 Book REVIEW: Fairweather BY Murray Bail: JEREMY ECCLES Book cover: Murray Bail, Fairweather ,Murdoch Books, 2009, 280pp, 203 colour plates, $125 rrp https://www.artmonthly.org.au/issue-222-august-2009 daily 0.75 2018-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266228093-J9SLR75DBLWTJA8LAIUX/image-asset.jpeg Issue 222 August 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266274894-0AY16HFQQNG2F072X7RJ/image-asset.jpeg Issue 222 August 2009 1 CIAF in focus: LOUISE MARTIN-CHEW & MICHAEL SNELLING Ron Yunkaporta, Thuuth Thaa’munth (Law Poles), 2006, ochres with acrylic binder on cottontree wood, bush string, ibis feathers, various dimensions. Image courtesy the artist and Wik and Kugu Art Centre, Aurukun, North Queensland; the Queensland Indigenous Arts Marketing and Export Agency (QIAMEA), Queensland, Australia. Collection: Aboriginal Art Museum Utrecht, The Netherlands https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266305296-03TIKF9C8Q3S3UWUZGTG/image-asset.jpeg Issue 222 August 2009 2 Histories repeating: recent work by r e a: CHRISTINE NICHOLLS r e a, Head On, 2009, male/female plaster head c. 1950s, language added by r e a, 15 x 12 x 2cm. Image courtesy the artist, BREENSPACE, Sydney, and Manly Art Gallery and Museum, Sydney. Photography by Jamie North. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919190836-J16NVMDIVU0PU0T7PNE8/image-asset.jpeg Issue 222 August 2009 3 Ricky Maynard: Portrait of a Distant Land: LARISSA BEHRENDT Walker Evans, Allie Mae Burroughs, Wife of a Cotton Sharecropper, 1936, gelatin silver photograph, 34.3 x 27cm. South Australian Government Grant 1979, Collection: Art Gallery of South Australia, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266368290-BW1D7W6C29L04L08GLMQ/image-asset.jpeg Issue 222 August 2009 4 Tunnel Vision: 42/45, Darwin: MAURICE O’RIORDAN East Point Number 2. An artillery observation point set into the cliffs at East Point at the mouth of Darwin Harbour https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266406172-9GJF3UQIZ7GTRM8R6WG7/image-asset.jpeg Issue 222 August 2009 5 From Bondi to Aarhus: Sculpture by the Sea: KEN SCARLETT Phil Price (New Zealand), Morpheus, steel, lead, aluminium, bearings, carbon fibre, epoxy urethane paint, height: 670cm, diameter of movement: 640cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919232213-817JNPSJQSYJYXQ52MD3/image-asset.jpeg Issue 222 August 2009 6 Jeff Koons in the Palace: WES HILL Jeff Koons, Rabbit, 1986, stainless steel, 104.1 x 48.3 x 305.cm. Installed in Le Salon de l’Abondance (in the King’s Grand Apartment) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266475197-8T78MOWDFTX1GJF231B8/image-asset.jpeg Issue 222 August 2009 7 When in Venice ...: MARTYN JOLLY Krzysztof Wodiczko, Visitors, 2008/2009, video projection. Image courtesy the artist and Profile Foundation https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266519238-YM9QJ2P5ZXLH82QY1LRC/image-asset.jpeg Issue 222 August 2009 8 From Hard to Soft: Soft Sculpture at the NGA: MATTHEW HOLT Knitta Please at the National Gallery, installation view, gallery exterior. To celebrate the final week of Soft Sculpture, the National Gallery of Australia held Knitta Please, a festival of events from 5 to 12 July, inspired by the Knitta Please group (founded in 2005), and resulting in a bright, warm and woolly gallery facelift https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266617247-DBDP23BBB09VDN6FHGDT/image-asset.jpeg Issue 222 August 2009 9 Goulburn aGOG: JAN JONES David Carta, Darren - TATTOO ART, from the exhibitions Tattoo Parlour/Body Art and Show us your Tatts by David Carta, part of GRAG’s biennial Easter 2009 Show which coincided with the Australian Street Nationals ‘hot rod’ event. Image courtesy Goulburn Regional Art Gallery and Wicked Ink Tattoo Studio https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919293000-D5TDQAH1K17ZV3LWR3OL/image-asset.jpeg Issue 222 August 2009 10 Korean Dreams: ADAM GECZY Character ideographs: Ui (Justice), 17-1800s, colour on paper, 49 x30cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477266675846-8MCFPCD153E80RVA3NY5/image-asset.jpeg Issue 222 August 2009 11 Sucker-punch and soul: Gerry Wedd ceramics: JULIA JONES Gerry Wedd, Thongs (detail), 2004, size 10, from Mementoes exhibition. Photography by Michal Kluvanek https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919335355-ZIKOG2EBH1AVQ6SPDCYW/image-asset.jpeg Issue 222 August 2009 12 The Shaping of a Sculptor: John Dowie (1915 – 2008): DENNIS COLEMAN Dowie at work (possibly overseas) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919364558-57ET9X541WW2ATFLA0MW/835_l_14.RidoutSuburbia.cover.jpg Issue 222 August 2009 13 book REVIEW: Tales from Outer Suburbia & The Sacrifice BY SHAUN TAN: CEFN RIDOUT Shaun Tan, Tales from Outer SuburbiaAllen & Unwin, 2008, 96pp, $35 rrp Bruce Mutard, The Sacrifice, Allen & Unwin, 2008, 252pp, $35 rrp IMAGE: Shaun Tan, cover image from Tales from Outer Suburbia https://www.artmonthly.org.au/issue-221-july-2009 daily 0.75 2018-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267159223-ESEYI7H06L29UJDRY6CC/image-asset.jpeg Issue 221 July 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267184545-CCS9XJZD0LNAHXE3LL7J/image-asset.jpeg Issue 221 July 2009 1 More than air: the 10th Havana Biennial: VIRGINIA FRASER carabello-forman, All that is Air, 2008, stills from video. Image courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267215154-53ZU8HXKVGMP1LYCX46R/image-asset.jpeg Issue 221 July 2009 2 The beauty of distance: JOHN KELLY Shaun Gladwell, Interceptor Surf Sequence, 2009, production stills. Cinematography: Gotaro Uematsu. Courtesy the artist and Anna Schwartz Gallery. Photograph by Josh Raymond https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918898748-Y38YIXH24ZRTSHZVH018/image-asset.jpeg Issue 221 July 2009 3 Last of the larrikins: Rob Brown & Adam Cullen: ASHLEY CRAWFORD Rob Brown, My Mum and Dad went to Katherine and..., 2009, acrylic on board, 120x90cm. Courtesy the artist and Cross Cultural Art Exchange Gallery, Darwin 4 Letter to the Editor Artful dodger I’m very glad that Anne Kirker found some rewarding insights in my little book (The awful truth about what art is, Artlink, Adelaide, 2008, reviewed in AMA June #220). May I offer one minor clarification? My target is not The Institutional Theory of Art, considered as a theory about works of art. ‘Works of art’ is the name of a class of which the members are those objects to which the art institution (or ‘artworld’) has from time to time attached the label ‘work of art’, for any reason or for no reason. The Institutional Theory is right about this The trouble is that, despite its name, The Institutional Theory of Art is not a theory about what art is. ‘Art’ is not the name of the class of objects to which the artworld has from time to time attached the label ’work of art’ The artworld speaks with no special authority about what art is. Showing that this is so calls for some careful argument in which the hectic thrill of the chase (as your reviewer astutely notices) can’t be maintained through every paragraph Donald Brook, 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918939290-681K48LUCB4KWQBTB0BX/image-asset.jpeg Issue 221 July 2009 5 Luminescent Journeys: Aboriginal Batik from Central Australia: ODETTE KELADA Ada Bird Petyarr, Arnkerrth (Mountain devil lizard) and Ngangkar (Traditional healer), 1991, batik on silk, 181 x 93cm. Presented through the NGV Foundation by John McPhee, Fellow, 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267367381-MBD7PZZTPS1T1CA15P58/image-asset.jpeg Issue 221 July 2009 6 Obituary: Bruce Nabegeyo c. 1949-2009 Bruce Nabegeyo, Yingana Rainbow Serpent at Nimbuwah, 2004, ochres on arches paper. Image courtesy of Injalak Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918979312-SDBYPI73THV17K7X06R4/image-asset.jpeg Issue 221 July 2009 7 The art of the art advisor: Rodney Gooch and the invention of Aboriginal art at Utopia: PHILIP BATTY Angelina Pwerle, Old Time Ancestor, 1990, screenprint, 51 x 42.cm. Gift of Rodney Gooch (The Rodney Gooch Personal Collection), Flinders University Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267439583-MAXZHQ9VT704FHSJ1GHQ/image-asset.jpeg Issue 221 July 2009 8 Theme Park: A Rollercoaster Ride: MARIANNE RIPHAGEN The Island V, 2008, from The Island series, mixed media on Belgian linen, 250 x 300 x 5cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267477211-HEH1TRND87L373J8ZFO7/image-asset.jpeg Issue 221 July 2009 9 Possibilities lost: Pamela Lofts, Requiem for Another: KIERAN FINNANE Mightbe somewhere, from the THRESHOLD series, 2007-09, C-type photograph on Ilfachrome paper mounted on aluminium, each diptych 80 x 240cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267514584-RZXUBM231UX4GQJOKQWV/image-asset.jpeg Issue 221 July 2009 10 Wrong Gear? The Basil Sellers Art Prize: CHRISTOPHER HEATHCOTE Selina Ou, Madeleine Hogan, field athlete, 2008, F46, type C print, 100 x 100cm. © Courtesy the artist; Sophie Gannon Gallery, Melbourne; and GRANTPIRRIE, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542919047570-EW395ZXM61MCW1SK829Y/image-asset.jpeg Issue 221 July 2009 11 Paint: the language: UNA REY Ildiko Kovacs, Bounce, 2008, oil on plywood 160 x 120cm. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267592861-Y9XXWKX0MLJ8LRNRLUPR/image-asset.jpeg Issue 221 July 2009 12 David Thomas: Colour. Time: PATRICK HUTCHINGS DAVID THOMAS, Two photopaintings on orange/yellow wall; left to right: End of Summer: Homage à Tati; (small splash), 2009, enamel on photo on Dibond, 101 x 135cm; Movement of Grey ( London), 2008-9, acrylic on photograph on Dibond, 32 x42.5cm. Images courtesy the artist and Nellie Castan Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267624014-DUV10SULIFSETZXKTTBA/image-asset.jpeg Issue 221 July 2009 13 Light Years: Alexander Knox, Maxims of Behaviour: KATE ADAMS Alexander Knox, Maxims of Behaviour, permanent seasonal winter installation launched in 2008, film, animation and lights on Royal Mail House Building, Melbourne CBD. Commissioned by the City of Melbourne. Image courtesy the artist and City of Melbourne. Photograph by Greg Sims https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267649098-P4GPF6FHIWHSY2FHBOZG/image-asset.jpeg Issue 221 July 2009 14 Wade (Boris) Marynowsky: on the edge of the Uncanny Valley: RYSZARD DABEK Wade Marynowsky, The Discreet Charm Of The Bourgeoisie Robot, installation detail, The Institute of Contemporary Art Newtown (I.C.A.N), 2008. Image courtesy the artist. Photogragh by Craig Bender https://www.artmonthly.org.au/issue-220-june-2009 daily 0.75 2018-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477267768234-IPXULY1QU6E8J9OQESBV/image-asset.jpeg Issue 220 June 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539716061851-WT9KUQ88TBDLFM4LA21Z/image-asset.jpeg Issue 220 June 2009 1 On judging green pens JUDGES: TAMSIN KERR & ALAN DODGE 2 A LITTLE-KNOWN PLACE: THE ART OF SHANE PICKETT: NICHOLAS TAPPER SHANE PICKETT, ON THE HORIZON OF THE DREAMING BOODJA, 2005, ACRYLIC ON LINEN, 153 X 122CM. COLLECTION: NATIONAL GALLERY OF AUSTRALIA, CANBERRA. GIFT OF ROSLYNNE BRACHER 2006 3 PALIMPSEST # 7 – DISPLACEMENT: HELEN VIVIAN DENISE JAMES, THE DANCE, 2009, INSTALLATION AT LAMBERT’S SWAMP INCORPORATING BEESWAX FIGURES. IMAGES COURTESY THE ARTIST. PHOTOGRAPH BY KRISTIAN HAGGBLOM. ALL IMAGES THIS ARTICLE FROM PALIMPSEST # 7, MILDURA, 2009. 4 THE INDISPENSABLE CONTROL: FRANCO LA CECLA FUTUREFARMERS COLLECTIVE, RAINWATER HARVESTER/GREYWATER FEEDBACK LOOP, 2007, MIXED MEDIA INSTALLATION. COURTESY AMY FRANCESCHINI, MICHAEL SWAINE E GALLERY 16, SAN FRANCISCO 5 CLUES FOR OUR COMMON FUTURE? GREEN ART AND FLOATING LAND: TAMSIN KERR BY THE LAKE, INSTALLATION AT FLOATING LAND 2007. ARTISTS: ROWLEY DRYSDALE, ELLEN APPLEBY, TONY GRIMSHAW AND SUSAN COBURN, AMONG OTHERS; THE PRACTICE OF POTTERS HERE BEING MADE INTO ART. PHOTOGRAPH BY ADAM SEBASTIAN WEST 6 TEN DAYS ON THE ISLAND: DANIEL THOMAS ALEKSANDRA MIR, FIRST WOMAN ON THE MOON, 1999, DVD, 12 MINUTES. IMAGE COURTESY THE ARTIST AND GALERIE LAURENT GODIN, PARIS. 7 PLANNING, PUBLIC ART AND THE MAKING OF COMMUNITY – THE PONDS: DEBORAH HALL SUSAN MILNE AND GREG STONEHOUSE, FLOAT, 2008, STEEL, STEEL MESH. PUBLIC SCULPTURE INSTALLED IN ROUNDABOUT, THE PONDS,SYDNEY. IMAGES COURTESY THE ARTISTS 8 PRESCRIBED TEXT: ROSALIE GASCOIGNE IN MELBOURNE: DAVID HANSEN ROSALIE GASCOIGNE, ALL THAT JAZZ, 1989, WEATHERED PAINTED WOOD ON PLYWOOD, 131 X 100CM. COLLECTION OF GRAEME UTHMEYER, MELBOURNE 9 A BLACKNESS BEYOND THE BRANCHES: THE PAINTINGS OF ANDREW BROWNE: ALAN DODGE ANDREW BROWNE, UNTITLED #5 2007, OIL ON LINEN, 153 X 306 CM. COURTESY TOLARNO GALLERIES, MELBOURNE. 10 DRAWING AS DIALOGUE: JAN HOGAN JAN HOGAN, RIVES BFK. JAN HOGAN IS A VISUAL ARTIST CURRENTLY LIVING IN GUNDAROO, NSW. SHE IS A PH.D CANDIDATE IN PRINTMEDIA AND DRAWING AT THE SCHOOL OF ART, ANU. THIS ARTICLE WAS HIGHLY COMMENDED IN THE INAUGURAL ART MONTHLY AUSTRALIA EMERGING ARTS WRITERS’ AWARD 11 ‘CARKED’ IT LIKE A CASSOWARY: SASI VICTOIRE GERHARD HILLMAN, BIRD SEED ,2009, PHOTOMONTAGE ON CANVAS, 76 X 35CM. IMAGE COURTESY THE ARTIST. ALL IMAGES THIS ARTICLE ALSO COURTESY LAUREL MCKENZIE. 12 THE ROAD: THE ECOLOGIES PROJECT, MUMA: MELISSA AMORE FIONA PARDINGTON, SHINING CUCKOO / RIRORIRO, 2006. SHINING CUCKOO CHALCITES LUCIDUS NESTLING IN A RIRORIRO/GREY WARBLER GERYGONE IGATA NEST. AV4552 DUNEDIN 13.12.68 OTAGO MUSEUM, EDITION 1/5. IMAGE COURTESY THE ARTIST 13 A.I.R ON ICE: STEPHEN EASTAUGH AN AURORA AUSTRALIS OVER MAWSON STATION, ANTARCTICA 14 PIPE DREAMS: STEINER AND LENZLINGER’S THE WATER HOLE: URSZULA DAWKINS STEINER & LENZLINGER, GIADINO CALANTE, ST STAE, VENICE, 2003. IMAGES COURTESY THE ARTISTS AND ACCA. 15 THERE BE DRAGONS: CASSANDRA LEHMAN-SCHULTZ A COW EATING TRASH, PIYUNGAN LANDFILL SITE, JOGJAKARTA 16 FRAGILE MAPPING: ANGELA GRIFFITHS, VANISHING POINT: NATASHA CICA ANGELA GRIFFITHS, VANISHING POINT, 2008, PORCELAIN CONES, LED LIGHTS. INSTALLATION VIEWS, KELLY’S GARDEN, SALAMANCA ARTS CENTRE, HOBART. IMAGES COURTESY THE ARTIST. 17 BOOK REVIEW:THE AWFUL TRUTH ABOUT WHAT ART IS BY, DONALD BROOK: ANNE KIRKER DONALD BROOK, THE AWFUL TRUTH ABOUT WHAT ART IS, ARTLINK AUSTRALIA, 2008, 145 PAGES, RRP $38.50 https://www.artmonthly.org.au/issue-219-may-2009 daily 0.75 2018-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269573769-K49XK1AR8YFLV1G8RYVS/image-asset.jpeg Issue 219 May 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269649387-FNHWLNTQCKLUDZCIEL63/image-asset.jpeg Issue 219 May 2009 1 Yapang Marruma: Making Our Way: LARISSA BEHRENDT Tracey Moffatt, Up In The Sky # 1, 1997, offset lithograph, 61 x 76cm (image size). Campbelltown Arts Centre Collection, NSW. © Courtesy the artist and Roslyn Oxley9 Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269690404-BALYH0C657AI788N1M12/image-asset.jpeg Issue 219 May 2009 2 10 Days, 7 Critics on the Island Writers included: Lucy Wilson Magnus, Stephenie Cahalan, Mark Cutler, Sara Wright, Kylie E. Eastley & Gai Anderson Image: Stephen Bain, Baby, where are the fine things you promised me, 2009. Installation view, Penguin, Tasmania https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918422755-KOHGJI7GNS7M8SP7SEUH/image-asset.jpeg Issue 219 May 2009 3 Hume with a view: You Am I, VIRGINIA FRASER Image: Fatima Killeen, Laparoscopy, 2005, colour collograph, 42 x 54cm. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269777320-6ZTVXI63JDRSPJ2IVI8X/image-asset.jpeg Issue 219 May 2009 4 Islam in Oz: JEREMY ECCLES Image: Borderlands, installation view, Casula Powerhouse, December 2008. Photograph by Phillip George https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918460918-C7P9NGBFJHJ4MEEKP7D6/image-asset.jpeg Issue 219 May 2009 5 The Moment After: Lynette Wallworth’s Duality of Light: JEMIMA KEMP Image: Lynette Wallworth, Duality of Light, 2009, multimedia installation, Samstag Museum of Art https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269825345-YLUW4QIVKQJ5YZ8V3VUL/image-asset.jpeg Issue 219 May 2009 6 Bromley in Alice: CHRIS RAJA Image: David Bromley, Man’s best friend, 1999, acrylic on linen, 101 x 101cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918508899-WMAD16ZXSOD7LRJXDNYG/775_l_7.SLOT.jpg Issue 219 May 2009 7 Love thy neighbour: SLOT five years on AUTHORS: GINA FAIRLEY, MERILYN FAIRSKYE, RUARK LEWIS, MAI LONG & TONY TWIGG Image: Installing Ruark Lewis’s, Banalities for Babel (detail), 2005, installation view, 2009, at Gas N Go service station, Redfern. This text-panel reads: 8 he disappeared in thin air 9 across the citys [sic] frozen water he could hear the voices 10 where the folded ribbons remain a warning 11 a snake is mostly misunderstood 12 in their music the sound of water is almost audible 13 he was stationed in the army of the senses 14 why gather momentum 15 the rat has solved the problem of the hole. Image courtesy the artists and SLOT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269946307-DTBFJ7RZV27EOZ8GGVS6/776_l_9.Thompson.Optimism.jpg Issue 219 May 2009 8 Negotiating art and its public: Optimism at the GOMA: NICHOLAS THOMPSON Image: Tom Moore, Getting the truck out of there, 2008, hot joined, blown and solid glass with steel and silicon, 10 x 49 x 14cm. Courtesy the artist, JamFactory, Adelaide, and Ray Hughes Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269981230-76FRNIVFZI818ECU8NRX/image-asset.jpeg Issue 219 May 2009 9 Not Strictly for the Birds: The Art of Jan Brown: ROBERT DINGLEY Image: Jan Brown, Bird in hand, 2006-07, ciment fondu, 10 x 13 x 9cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918567168-TWJDO3J0IUQN0WXMMYO0/778_l_11.Huda.spencer.jpg Issue 219 May 2009 10 Sir Walter Baldwin Spencer: Portrait of a Collector: SHIREEN HUDA Image: George Lambert, Sir Walter Baldwin Spencer 1917, 1921, oil on canvas, 91.4 x 71.1cm. Image courtesy Museum of Victoria, Melbourne, presented by Lady Spencer in 1929 11 Letter: Model printmaking Letter printed in full: Dear Editor While I was very pleased to see the focus on the Ta Teut Amarasi – Awakening (Northern Territory, West Timor) printmaking project in AMA # 218 April 2009, and the very nice comparison with Aboriginal prints, I was sorry the context for it was missing, not only for understanding the wider ramifications of such a project but because of the link to Indigenous cultural experience which underlay it When Asialink and The Ford Foundation in Jakarta initiated the program, of which this was one outcome, three years ago, the Aboriginal experience of building an international market was the role model: building understanding of international cultural practice, particularly in marketing quality products for specific audiences, increasing capacity to work with such practices, and – a longer-term benefit – increasing pride in and strength of local cultural activity. We looked for projects that would act as pilots for further development in this direction The sale of high-quality, high-priced artworks from Aboriginal Australia was the example for people of Eastern Indonesia, in this case West Timor, to raise rather than lower (the current pressure) the quality and depth of their cultural products. From the Amarasi project, beautiful though these initial prints are, we see the next step being to build the size and scope of their output, and so increase the supply, sales and income from these wonderful images The Ford Foundation has been a great supporter of the pilot projects, but they have had a change of focus – from arts more to ‘media’ – so they cannot continue funding them. It would be great if another agency, with a community-capacity-building focus, could step in, and enable both this community to build on this first experience, and other communities to follow suit Yours, Alison Carroll Director, Asialink Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477270108614-J8GHZNFXXG0KE15C3XWY/image-asset.jpeg Issue 219 May 2009 12 Protocols for working with children in art: SERENA ARMSTRONG & SUZANNE DERRY Image: Concetta Petrillo, Censored I, 1996, from original silver gelatin print (51 x 51cm) and reprinted on transparent film (2003), 120 x 120cm. This image cannot be shown uncensored without infringing the protocols, unless it has first been given an unrestricted classification by the Australian Classification Board. Art Monthly has blacked out the boys’ genitals so that the photo no longer depicts a naked child. This would create a moral rights infringement if the artist did not consent to the censorship. Parental consent was obtained, confirmation the artist complied with applicable laws was obtained. Image courtesy the artist https://www.artmonthly.org.au/issue-218-april-2009 daily 0.75 2018-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477270343400-ITIJX3WUJL4GRQPH4UAY/image-asset.jpeg Issue 218 April 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918090532-GG62BIKTV75L4JM1UCM6/756_l_1.remakingfashion.jpg Issue 218 April 2009 1 Remaking Fashion: SALLY GRAY John Galliano, Dress no.39 (detail), 2000 (made 2003), fromThe Tramp collection, silk, paint, lacquer, metal, viscose, nylon, paint. Presented through the NGV Foundation by Norma and Stuart Leslie, Governors, 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918128236-CHZA94LZIRZL2VDQWZHP/image-asset.jpeg Issue 218 April 2009 2 Walking with Spirits: Ghosts, Gods and Men at the National Gallery of Australia: JACQUI DURRANT The Ambum Stone, c. 3500 BP, greywacke stone. From Ambum Valley, Western Highlands, Papua New Guinea. Purchased 1977. Image courtesy the National Gallery of Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477270721378-QGRGFHCHG6GYGBBC6FYB/image-asset.jpeg Issue 218 April 2009 3 Reasserting customary Indigenous Australian and Asian inheritance through contemporary printmaking: JOANNA BARRKMAN Reproduction of crayon drawing by Gumuk Gumana (1947) in Garma Festival’s Gapan Gallery (2008), Gulkula NT. Photograph courtesy artist, Buku-Larrŋgay Mulka and Yothu Yindi Foundation https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918175140-D7EMMVQB6Y4RAI5LP9OW/759_l_4.kelada.tonyalberts.jpg Issue 218 April 2009 4 Shooting from the hip: an interview with Tony Albert: ODETTE KELADA Tony Albert, Butterscotch Tribesman, 2009, acrylic on Belgian linen, 174 x 126cm. Photograph by Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918207653-R1I1UDTFWG1B41GH5IYH/760_l_6butcher+cherel.jpg Issue 218 April 2009 5 Kumanjayi Cherel c. 1920 – 2009: JEREMY ECCLES Kumanjayi Cherel, Thirrwi (Hill Kangaroo), 2000, polymer paint on paper. Image courtesy Mangkaja Arts resource Agency https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477270867743-2Q9GLDGA1DX7TDH8812U/image-asset.jpeg Issue 218 April 2009 6 Spirits of Progress: Exhibiting Art Deco and Modernism in Australia: ANDREW MONTANA The Victorian Railways present The Spirit of Progress, 1937, cover image for booklet: colour photolithographs, letterpress, 12 pages, cardboard cover, stapled binding, 20.8 x 26.8cm (closed), published by Victorian Railways. Museum Victoria, Melbourne. Purchased, 2005. Image courtesy National Gallery of Victoria https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477270896713-M8SCRKOC26ECDF5DLU65/762_l_8.musa.jpg Issue 218 April 2009 7 The heart of martyrdom: First International Fajr, Tehran: HELEN MUSA Hossein Hamedani, The Battle of Khaybar, pre-1979, oil on canvas. An example of the ‘Teahouse’ school of painting, this scene depicts a battle fought in the year 629 AD between the Prophet Muhammad and his opponents. Exhibited in the second edition of the Tehran Art Expo at the Vahdat Hall, Tehran, December 2008. Image courtesy Tehran Times https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477270928271-RNT2EMF4WKU5W525WS48/image-asset.jpeg Issue 218 April 2009 8 Social fabric: the art of Anna Eggert: MEREDITH HINCHLIFFE Anna Eggert, Dwelling Amongst Others, 2008, comprising a group of five works: Samra; Amina; Fatemah; Laila; Ula;stainless steel mesh, stainless steel rivets and washers, compatible paint, installation dimensions variable https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477270969185-L819HK1K43IVXK9A17R7/image-asset.jpeg Issue 218 April 2009 9 Building bridges in the desert, Museum of Islamic Art bedazzles: MATTHIAS KRUG The Museum of Islamic Art’s main building entrance façade through the palm tree alley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477271062616-JM70F9SFYODZVQU1SHS2/image-asset.jpeg Issue 218 April 2009 10 Alan Peascod: influences and dialogue: PAUL DONNELLY Alan Peascod, Notebook, Glasgow, Wombarra, 1987. Collection of Ellen Peascod https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477271212952-0965FIMIKRPUR7UMY8B1/image-asset.jpeg Issue 218 April 2009 11 Growing Histories: the influence of the Bayeux Tapestry on Elizabeth Paterson’s Growing Home: ZSUZSANNA SOBOSLAY Elizabeth Paterson, Growing Home - the street trees of Canberra (detail), 2008, end panel: papier-mâche, cardboard, inks and gloss medium. Image courtesy the artist. Photograph by Stuart Hay https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918322263-BOSAOJN3XAV1DT92KUOB/image-asset.jpeg Issue 218 April 2009 12 Dismay at the display: David Marr, The Henson Case, PAUL RAPOPORT Book cover from David Marr, The Henson Case, Text Publishing, Melbourne, 2008, 157 pages, 8 plates, $24.95 rrp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542918349055-TYHOSKZ8O3ZGADJRDIJU/image-asset.jpeg Issue 218 April 2009 13 Rachel Power, The Divided Heart: Art and Motherhood: DENISE FERRIS Book cover: Rachel Power The Divided Heart: Art and Motherhood, Red Dog, Melbourne, 2008, 352pp, $29.99 rrp https://www.artmonthly.org.au/issue-217-march-2009 daily 0.75 2018-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477440800648-H3GSW654SCKZOXKUAAYW/image-asset.jpeg Issue 217 March 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542917628739-WQDJ2C0IOOY09LT4X4CQ/image-asset.jpeg Issue 217 March 2009 1 Parallel: TERRY WHITEBEACH Eugenia Raskopoulos, Untitled 99/00 (detail), 1999/2000, six Type C photographs, 110 x 160cm each. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542917735241-23HNC212UQ00K32YI6RQ/image-asset.jpeg Issue 217 March 2009 2 Someone’s Universe: the Art of Eugene Carchesio: DAVID PESTORIUS Eugene Carchesio, 187 works for the People’s Republic of Spiritual Revolution (detail), 1975-90, watercolour, pencil, collage, ink and pressed leaves on paper. 168 sheets ranging from 15 x 9cm to 22.6 x 17cm. Purchased 2002. Collection: Queensland Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542917772076-A69KSD4FYOLNMXB89EAP/image-asset.jpeg Issue 217 March 2009 3 Why Orson Welles Matters: JOHN CONOMOS Cover image for Jonathan Rosenbaum’s Discovering Orson Welles, University of California Press, Berkeley, 2007, 336pp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477440997164-Q8ITUPW0SF3P2QCOLL98/image-asset.jpeg Issue 217 March 2009 4 Festivals, Folk and contemporary art: PAT HOFFIE Cassandra Schultz, Wombach after Bewick, Thomas, c. 1807, from the installation Pouch, the Antipodean Series, 2008, incense figurine (cinnamon wood paste), bell jar, rosewood base, rosewood and glass case. Exhibited in Carnal Carnivale. Image courtesy the artist. Photograph by Bruce Molloy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441026562-8O5R9HH7L97HPJ7YYMFP/image-asset.jpeg Issue 217 March 2009 5 ReCoil: a Celebration of Fibre Art in Australia: CHRISTIANE KELLER Kantjupayi Benson, Truck and Driver, 2007, grass, raffia, string, wool, wire, mesh, wheels, 112 x 190 x 75cm. Courtesy the artist and Tjanpi Desert Weavers https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441055829-I7XSWXKXLRS6IYBSNHWN/image-asset.jpeg Issue 217 March 2009 6 Danny Eastwood: a pretty potency: KERRIE KENTON Danny Eastwood, My Reconciliation, 2008, pen, ink and watercolour on paper, 69 x 90cm. Image courtesy the artist. Photograph by Silversalt Photography 7 Letter: Contemplations at the end of time https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542917858891-I6VOUOP8XBKHN8U3DPIU/image-asset.jpeg Issue 217 March 2009 8 From Fragonard to Kennard: René Gimpel - art dealer: DIANA KOSTYRKO René Albert and Florence in the grounds of rue Spontini, Paris, ca 1916 (Gimpel family archives) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441204603-V8VI15DU5Q77ZP2TEH4J/image-asset.jpeg Issue 217 March 2009 9 Shapes of purity & reality: an interview with Bert Flugelman: JAN JONES Bert Flugelman, Cones, 1982, stainless steel, 450 x 2050 x 450cm. Installation view, National Gallery of Australia Sculpture Garden. Collection: National Gallery of Australia, Canberra. Commissioned 1976, purchased 1982. © Bert Flugelman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441231797-4TZUVXEO1Z8NNEWSPDVO/image-asset.jpeg Issue 217 March 2009 10 Monet and the Impressionists: ADAM GECZY Pierre Auguste Renoir, Woman with a parasol and a small child on a sunlit hillside, c. 1874-76, oil on canvas, 47 x 56.2cm. Collection: Museum of Fine Arts, Boston, bequest of John T. Spaulding. Copyright Museum of Fine Arts, Boston https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441265442-BY3OY36IVUIOWX6P9U3Q/image-asset.jpeg Issue 217 March 2009 11 Freestylin’: artists’ books afloaT: LOUISE WAREHAM LEONARD, Brisbane Tim Mosely, Mixed carton 1: critical theory in a box, 2006, artist’s book in slipcase: recycled cardboard, metal eyelets and plastic tape, 17 x 18 x 8cm. Collection: Australian Library of Art, State Library of Queensland. Image courtesy State Library of Queensland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542917927059-Y8KLDOB8MIG8QMZ5FSPA/image-asset.jpeg Issue 217 March 2009 12 AuctionNotes: TERRY INGRAM At a sale of books and documents held by Australian Book Auctions at its rooms in Armadale on 1 December, this miniature portrait on ivory of Governor Thomas Brisbane (estimate $5000 to $10,000) sold at $65,000 or $75,725 with premium. The work was attributed to the British miniaturist Nathaniel Plimer (1757-1822) but the value was clearly in the sitter. The Australian art market at the end of 2008 deflated as the financial world went into a tailspin. This, however, was not a problem for object and document makers – and their collector(s) – as museums and libraries replaced merchant bankers and hedge fund operators as the saleroom’s pro-activists. Read more in #217 Terry Ingram has written for the Australian Financial Review on the art market for forty years and still contributes to its Thursday Saleroom section https://www.artmonthly.org.au/issue-216-summer-2008 daily 0.75 2018-11-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441409802-Z5EUIQFQHD6UHZDA9WQ7/image-asset.jpeg Issue 216 Summer 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441433208-1Y7HRJ3RKD3QWFXXD8HY/image-asset.jpeg Issue 216 Summer 2008 1 Darby Jampijinpa Ross: Make it good for the people: LOUISE MARTIN-CHEW Karlanjirrinpirri (Swallow Dreaming), 1994, acrylic on canvas. Collection of Roslyn Premont, Sydney. Courtesy Gallery Gondwana, Sydney and Alice Springs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441465808-XITBM1NCOXZXLGKZLSFV/image-asset.jpeg Issue 216 Summer 2008 2 Art on the rebound: LISA SLADE Louise Weaver, Sacred Kingfisher, 2007-2008, hand crocheted lamb’s wool over taxidermied Sacred Kingfisher, (Alcidinidae) bonsai tree, marine plywood, sequins and cotton thread. Images courtesy the artist and Darren Knight Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441506502-XIG90W7UTA4JZ5AWX9Q5/728_l_Lawrenson_linesinsand.jpg Issue 216 Summer 2008 3 Lines In the Sand: Botany Bay Stories From 1770: ANNA LAWRENSON Adam Hill, Heads Will Roll, 2008, acrylic on canvas. Courtesy the artist and Arc One Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441534811-9BMNKI8HALI6RXKHKNWD/image-asset.jpeg Issue 216 Summer 2008 4 Down South: A Stark View of the Sutherland Shire: DIANA SIMMONDS Andrew Stark, Cronulla Park, 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441561406-OJ543KBEUPYAWP734WM7/image-asset.jpeg Issue 216 Summer 2008 5 Adam Cullen: Let's get lost: ALAN DODGE Adam Cullen, Let's Get Lost, 1999, acrylic, ink and enamel on board. Collection: Art Gallery of New South Wales, Contemporary Collection Benefactors, 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441632687-M34PL6E9NCAUQ4X56IXO/image-asset.jpeg Issue 216 Summer 2008 6 The Bon Scott Project: ROBERT COOK Rennie Ellis, AC/DC, Atlanta, Georgia, 1978, silver gelatin print. Courtesy the artist and Fremantle Arts Centre https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441661432-JTC67A0WQS1921JOUOOF/image-asset.jpeg Issue 216 Summer 2008 7 Beyond frame: Philippine photomedia: PRUE GIBSON Steve Tirona, Imelda Collection Plate #1, 2006, digital print. Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542835698485-U3SP6M7X916C5N0E5UH3/image-asset.jpeg Issue 216 Summer 2008 8 Fluorescent Facade: Arkley in Action: ODETTE KELADA Patrick McCarthy in character(s), scene from Fluorescent Facade, with a projection of Howard Arkley's Mod Style, 1992. Photograph by Mary Evans https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441749942-XYQV7BJ2OYPBH4E5YWF9/image-asset.jpeg Issue 216 Summer 2008 9 James Gleeson 1915 to 2008: CHRISTOPHER CHAPMAN James Gleeson, Portrait of the artist as an evolving landscape, 1993, oil on canvas. Private collection. Courtesy of Tim Olsen Gallery, Sydney. Image courtesy National Portrait Gallery, Canberra. Currently on show in the new National Portrait Gallery debut exhibition Open Air, Portraits and Landscape, 4 December 2008 to 1 March 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542835738073-KNKAX8J4J2QC971Z0N3V/image-asset.jpeg Issue 216 Summer 2008 10 Grahame King 1915 to 2008: SASHA GRISHIN Grahame King in his Studio (detail). Photography by Richard Beck https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477441810563-4J4UUGXUP4R9J1EJQQWC/image-asset.jpeg Issue 216 Summer 2008 11 Ngarra, Andinyin/Kitja Artist, c.1920 to 2008: HENRY F. SKERRITT Ngarra at home in Derby, 2002. This photograph was taken by Ngarra's long-time friend and facilitator Kevin Shaw, and appears in Shaw's publication Mates: Images and Stories from the Kimberley, Australian Scholarly Publishing, Melbourne 2002. Ngarra approved of his photographic image being used after his death https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542835823135-G76KZSX13U82Q6V9O2XK/image-asset.jpeg Issue 216 Summer 2008 12 Gothic candour: 'I am the coffin that will not be silent': ASHLEY CRAWFORD Jazmina Cininas, Rima knows the curse of being born on Christmas Eve, 2006,reduction linocut, woodblock. Courtesy the artist and Port Jackson Press Australia (Melbourne) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542835850471-SZ5UNB0R4K08PB1IRK8V/image-asset.jpeg Issue 216 Summer 2008 13 Without Borders: Outsider Art in an Antipodean Context: MONICA SYRETTE Alvaro Alvarez, Untitled (Two figures), 2003, pencil on canvas. Collection Arts Project Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442019118-20ZRTJTR5BNMYY7A0KB6/image-asset.jpeg Issue 216 Summer 2008 14 Songs of Innocence and Experience: HARRY NEWELL & MAX LIEBERMAN Max Lieberman, Catharsis, 2006-2008, oil on canvas. Image courtesy the artist and Flinders St Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542835890726-ODGM33746NOBECQ5IUWD/image-asset.jpeg Issue 216 Summer 2008 15 Making here an everywhere: Jade Pegler's The Demonstrables: PETER FAY Jade Pegler, The Demonstrables (detail), 2008, paper, textiles and mixed media. Courtesy the artist and Wollongong City Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442073149-HVV1B1W6KOVZUL97N15O/image-asset.jpeg Issue 216 Summer 2008 16 Book: So Far: The Art of Dale Frank 1980-2005 BY DAVID BROKER DAVID BROKER, so Far: The Art of Dale Frank 1980-2005 Schwartz City, Melbourne 2008, 432 pp, $199 rrp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542835983450-Q3N67VVSM9DZHD7ESDMT/image-asset.jpeg Issue 216 Summer 2008 17 Book: Rita Angus: an artist's life: ANNE KIRKER Jill Trevelyan Rita Angus: an artist's life Te Papa Press, Museum of New Zealand, Wellington 2008, 420 pp, NZ$69.99 rrp 18 LETTER: Jeremy Eccles John Oster, Executive Officer/Director of Desart, complains that I brought "no new light" in my October 2008 AMA article on the issues surrounding the boycott of the 25th NATSIAA by artists and art centres that are members of Desart I admit it was hard to shine light on a situation that has never been adequately explained by Desart "as official spokes-organisation for the boycotters. In fact, about the only thing that the many shades of opinion that I did speak to which was agreed on, was the dismal job done by Desart of justifying the action by artists and art centre coordinators" actions which appeared to be an attempt to bring pressure against the artists, the art centre board and management of a former Desart member (Irrunytju Arts at Wingellina) beside whom they'D been selected to hang in Darwin Read more #216 https://www.artmonthly.org.au/issue-215-november-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442239662-GT1I33Q9MAA82LRWVY55/image-asset.jpeg Issue 215 November 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834493415-STQ8PI4680CYDGJ4KPYV/image-asset.jpeg Issue 215 November 2008 1 The re-ward in jellyfish town: the NATSIAA 25 years on: SUZANNE SPUNNER Dinni Kunoth Kemarre, Harts Range Rodeo Rider, synthetic polymer paint on Erythrina vespertilioh (Batswing coral tree). Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442319388-4ZZF3PXO8XNAK2JY5SBT/image-asset.jpeg Issue 215 November 2008 2 Et in Arcadia Ego: Lost and Found at TarraWarra: GERALDINE BARLOW Francis Upritchard, Flock, 2008, glass and modeling material. Installation view, Lost & Found, TarraWarra Museum of Art. Courtesy the artist, Ivan Anthony Gallery, Auckland, New Zealand, and Kate MacGarry, London, United Kingdom. This project has been supported by visiting artist residencies at Artspace, Sydney, and the Glass and Ceramics Studios at Sydney College of the Arts, University of Sydney. Photograph by John Brash https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442358698-KH3BP1GAGDG8ODHMN3A0/image-asset.jpeg Issue 215 November 2008 3 International promotion of Australian Art: RUPERT MYER Nola Campbell, Holden bonnet, 2007, synthetic polymer paint on metal. Purchased 2008 through the Queensland Government’s Gallery of Modern Art Acquisitions Fund. Collection of Queensland Art Gallery. © Nola Campbell, 2007. Licensed by Viscopy, Sydney 2007. These works will be shown as part of this month’s Contemporary Australia: Optimismexhibition at Queensland’s Gallery of Modern Art, 15 November 2008 to 22 February 2009. Optimism represents over 60 emerging, mid-career and senior artists Australia-wide, and is the first in the gallery’s triennial series of thematic Australian exhibitions https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834564733-EVWG2LL57Z6DSONCQK1X/image-asset.jpeg Issue 215 November 2008 4 First past the Post-Colonial: JOHN KELLY John Kelly, Probe II, 2008, plastic, cardboard, wood, glass, easel, IKEA product (wooden coat hook), TV, photo display, security cameras, Chinese calligraphy brushes https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442407792-MEP1SG3FOEKA3Z4TEY7Y/image-asset.jpeg Issue 215 November 2008 5 FAREWELL? A Review of the Shanghai Bienniale, Guangzhou Triennial and the Taipei Biennial: SOPHIE McINTYRE Maria Magdalena Compos-Pons and Neil Leonard, Porcelana de China/My Mother Told Me I am Chinese, 2008, multimedia installation. Image courtesy the artist and Guangzhou Triennial. All images in this article are photographed by Sophie McIntyre https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442434745-MR079NU2WI8N6NW65NHL/image-asset.jpeg Issue 215 November 2008 6 Shanghai High & Higher: MAURICE O'RIORDAN Effie Wu, Super Smile, 2007, still from one channel video, mini DV Pal. One of the standout works from ShContemporary 08: Best of Discovery exhibition. Image courtesy artist and Connoisseur Contemporary Gallery, Hong Kong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834642960-6XDW7BWUMU2GFM3157WD/image-asset.jpeg Issue 215 November 2008 7 The strange tale of the Lucky Country, the cultural cringe and the flight of the Tall Poppies: JOHN MONTGOMERY John Olsen, Iceberg, 2008, etching on paper. Courtesy the artist and Tim Olsen Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442485196-4ZRT3OTOYELAHD5TOXGW/image-asset.jpeg Issue 215 November 2008 8 Contemplating Inertia and Change in Politics: the Art of Jamin: MICHAEL DENHOLM Jamin, Change #2, 2008, spray enamel on coated steel. Images courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442517929-EJVVJ1TQ80QTUK31CPUC/image-asset.jpeg Issue 215 November 2008 9 The Lost Buddhas of Qingzhou: JEREMY ECCLES The Lost Buddhas: Chinese Buddhist Sculpture from Qingzhou, 2008, installation view (detail) of exhibition, Art Gallery of NSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442547359-BOWY2UD1JQVFNTN2VYSF/image-asset.jpeg Issue 215 November 2008 10 Investigating the nature of our ever expanding universe: HOLLY-MAE EMERSON Lara Merrett, Still vast reserves, 2008, acrylic and ink on linen (two panels). Collection of the artist, Melbourne. Image courtesy the artist and PICA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834780486-D5ODB19YZM3BGU6HJB9G/image-asset.jpeg Issue 215 November 2008 11 An irregular order: (im)materialising Micky Allan: JENNY McFARLANE Micky Allan, Winter, 2008, graphite, acrylic, ink, gold leaf, collage on drafting film and paper. Images courtesy the artist. Photographs by Derek Ross 12 Letter I need to raise concerns about Jeremy Eccles’s article, Telstra Imbroglio: the 25th NATSIAA, in your October 2008 issue. It concerns me that Mr Eccles has included a number of confused statements in his article which are demonstrably false, and he might have researched the matter more thoroughly if he had contacted Desart and others to verify the facts. In fact, Mr Eccles’s article throws no new light on the issues surrounding the 25th NATSIAA and is nothing more than a provocative stirring of the pot – adding imbroglio to imbroglio, if you like. [READ MORE #215] https://www.artmonthly.org.au/issue-214-october-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442699558-UF3JQFWRGY6EEBLVEAT0/214_COVER.jpg Issue 214 October 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442712273-UDVVKGE89O8GMKE1WYHL/702_l_Kerr_forestCouture.jpg Issue 214 October 2008 1 If I say I love my place, what’s with the bags I’ve packed? The cultural changes required by landscape memoir and eco-regionalism: TAMSIN KERR Wendy McGrath, Forest Couture, 2005, site-specific installation/sculpture, hand stitched ‘debut’ gown made from the leaves of the macaranga tanarius (a rainforest pioneer), red cotton and tulle. Location: Noosa Woods remnant rainforest, at the end of Hastings Street, for the Floating Land Art & Environment Project 2005. Collection of the artist. Photograph by Wendy McGrath https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834088968-XF7Q0759DCTIX9A1F9XG/image-asset.jpeg Issue 214 October 2008 2 Telstra Imbroglio: the 25th NATSIAA, JEREMY ECCLES Terry Ngamandara Wilson, Gulach – Spike Rush, 2008, natural pigments on bark. Bark Painting winner. Courtesy the artist and Maningrida Arts and Culture. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442770891-LPZYD8YWJZT4FZ848BB3/image-asset.jpeg Issue 214 October 2008 3 The 35th Alice Prize: KIERAN FINNANE Pip McManus, Ichor, 2006, DVD stills from 55-minute digital video. Nic Hempel: cello, David Nixon: digital content production, Bill Davis: Red House Studio recording. Courtesy the artist. This work was awarded the 2008 Alice Prize https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442796746-DMVP6PY1OKFYLQP4HSXU/image-asset.jpeg Issue 214 October 2008 4 Saltpan to Skyscraper: the 2008 TOGART Contemporary Art Award (NT): VAL CLARK MARINA MURDILINGA, DIRDBIM (MOON DREAMING), 2008, PANDANUS SPIRALIS, BAMBOO AND NATURAL DYES. COURTESY THE ARTIST AND MANINGRIDA ARTS AND CULTURE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442835434-1HLW7WZLTL4JWJZUX71M/image-asset.jpeg Issue 214 October 2008 5 As citizens of the world …: NIGEL LENDON Axel Poignant, Young Women, Croker Island, (1948/printed c. 1979), silver gelatin print on Ilford Galerie, © Roslyn Poignant, Axel Poignant Archive, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834229102-NP6N9Q0FVXCAU62TL4O0/image-asset.jpeg Issue 214 October 2008 6 PHotoEspaña 08: JUSTINE BAYOD ESPOZ, Madrid W. Eugene Smith, Doctor with Coffee Cup, 1948. Center for Creative Photography, W. Eugene Smith Archive. © The Heirs of W. Eugene Smith https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442890357-6JBSWRFOBJFCBE8Q6ATY/image-asset.jpeg Issue 214 October 2008 7 Bill Whiskey Tjapaltjarri c. 1920–2008: SASHA GRISHIN Bill Whiskey Tjapaltjarri, Rockholes Near the Olgas, 2008, synthetic polymer paint on Belgian linen. Image courtesy Watiyawanu Art Centre and Museum and Art Gallery of the Northern Territory. (This painting currently hangs as a finalist in the 25th Telstra National Aboriginal and Torres Strait Islander Art Award.) Photograph by Regis Martin 8 Letters About turn – 2008: Sydney Biennale In response to Michael Desmond’s article Back to the future? - 2008 Biennale of Sydney (AMA #213, September 2008), I enclose a quote from a catalogue of one of the Contemporary Art Society’s (founded 1938) annual exhibitions. Art does not stand still. Its movement is always forward, so each new year sees some new step taken. If the Contemporary Art Society is to be deserving of its name and the fundamental objects of its constitution, it, too, must move forward, When you cease to find in the annual exhibition of the society any new thought or feeling or any urge to explore the possibilities of the unknown, then you may be sure that the society no longer carries the banner it was intended to bear. ... read the rest in #214 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442933916-QUBIHQAUG2587S6DG2DK/image-asset.jpeg Issue 214 October 2008 9 Survivor City: Sarajevo: IAN ROHR Ian Rohr, Sarajevo looking out beyond a war-destroyed home, digital print, 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477442960046-LS9AOTAQMZMONXA5P2X7/image-asset.jpeg Issue 214 October 2008 10 Murray Walker: Memento: PATRICK HUTCHINGS Murray Walker, installation view of Memento exhibition at Scott Livesey Galleries, 2008. Courtesy the Artist and Scott Livesey Galleries, Melbourne. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834323143-PYE4SIDJT3BLCBORS89C/image-asset.jpeg Issue 214 October 2008 11 Book: A tank full of hungry sharks: PETER ANDERSON Don Thompson: The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses, Aurum Press, London, 2008, 299 pp, $39.95 rrp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834363018-IVPC6B2AK10JLAOQEP77/image-asset.jpeg Issue 214 October 2008 12 Book: Coherence and contradiction: Pioneering a history of the Arts and Crafts Movement in Australia: ANDREW MONTANA Harriet Edquist: Pioneers of Modernism: The Arts and Crafts Movement in Australia, Miegunyah Press, Melbourne University Publishing, 2008, 304 pp, 120 Illustrations, rrp: $59.95 https://www.artmonthly.org.au/issue-293-october-2016 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477873908671-O6MYQSEGH7YI0EO089E4/AMA293_COV_LG.jpg Issue 293 October 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478474891248-J1YLQSOAQDM7ZH5HEJ7J/Dispatches2_image.jpg Issue 293 October 2016 1 DISPATCHES: making modern; singapore transfer; finding a future for nas: ANDREW STEPHENS Arrival, inaugural exhibition view, Sullivan+Strumpf Singapore, Gillman Barracks, June 2016, including work (from left): Tim Silver (multiple plinths), Hiromi Tango, Alex Seton, Sally Smart, Karen Black, Richard Lewer and Tony Clark; image courtesy Sullivan+Strumpf https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477874005411-5ZH3JZA10E49P58SGHU1/image-asset.jpeg Issue 293 October 2016 2 On ‘Solid Ground’: Tony Albert, Sydney Pages from the 2016 publication Alexandria Park Community School is on Gadigal Land; courtesy the artist and Boccalatte, Sydney; photo: David Collins Alexandria Park Community School is on Gadigal Land will be launched on 12 November 2016 as part of the Black Arts Market at Carriageworks, Sydney. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477874098653-JV43M1ENY6DR0MFNDR2M/image-asset.jpeg Issue 293 October 2016 3 Without censure: ‘Black White & Restive’ at Newcastle: Louise Martin-Chew, Newcastle Black White & Restive, exhibition view, Newcastle Art Gallery, 2016; image courtesy Newcastle Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477874225748-M428DNE6UNLO9DAK8CR3/3+Fellowship_image1b.JPG Issue 293 October 2016 4 Reframing emerging art: The 2016 NSW Visual Arts Fellowship (Emerging): Talia Linz, Alexie Glass-Kantor and Lola Pinder, Sydney Tully Arnot, Meadow IRL, 2015, installation view; modified solar display stands, straws, light, motion; image courtesy the artist; photo: Tully Arnot https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477874406672-614F5ZNCKO3OAI0DALZD/image-asset.jpeg Issue 293 October 2016 5 Trace, breath and touch: Katthy Cavaliere at Carriageworks: Andrew Frost, Sydney Katthy Cavaliere, katthy’s room, 1998, installation view, Carriageworks, Sydney, 2016; image courtesy Carriageworks, Sydney; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477875586712-W45QJTDFZW0JNRJUNI8K/5+Bird_image2.jpg Issue 293 October 2016 6 Wittily subversive: Stephen Bird’s ‘Bastard Son of Royal Doulton’: Julia Jones, Sydney Stephen Bird, Dundee I love you but you’re bringing me down, 1992, oil on cardboard, tin and perspex, 55.5 x 84 x 10cm; image courtesy the artist, Gould Galleries, Melbourne, and Olsen Irwin, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477875651065-EVD5A5VV13FVR3BEAN3M/image-asset.jpeg Issue 293 October 2016 7 From manner to materiality: Sculpture in the Hunter: Jill Stowell, Maitland Braddon Snape sculptures from left: Single fold propped, 2016, welded, inflated and powder-coated steel, 180 x 60 x 40cm; Three chamber plop, 2016, welded, inflated and powder-coated steel, 63 x 60 x 40cm; Performed two chamber plop, MAKEit MADEit 2016, 2016, welded, inflated and powder-coated steel, 81 x 66 x 60cm; image courtesy the artist and Maitland Regional Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477876009804-O5GYB5X0IB4GT9X25URU/image-asset.jpeg Issue 293 October 2016 8 Anne Graham: Gathering: Simeon Kronenberg, Blue Mountains Anne Graham, Eugenia and Atom, 2014, photograph and dog hair felted; image courtesy the artist and Kronenberg Wright Artists Projects, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477876044620-PL73MMGCWIN4NHO3N82Y/image-asset.jpeg Issue 293 October 2016 9 Mountain mapping: Tony Bond, Blue Mountains MAPSPACE, exhibition view, Blue Mountains Cultural Centre (BMCC), Katoomba, 2016, with the work of (from left): Anne Graham, Claire Healy and Sean Cordeiro, and Sarah Keighery; image courtesy BMCC, Katoomba; photo: Silversalt Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477876073268-U8UDADQ0O5Q6YQI2Q1LT/image-asset.jpeg Issue 293 October 2016 10 Diversionary tactics: Mike Parr at the NGA: Bree Richards, Canberra Mike Parr, Information Centre, 2016, install view as part of ‘Mike Parr: Foreign Looking’, National Gallery of Australia (NGA), Canberra, 2016; image courtesy the artist and NGA, Canberra; photo: Lisa Mattiazzi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477876100181-UYKC86LZ4IL00QIYWZB6/image-asset.jpeg Issue 293 October 2016 11 Parr’s penance: ‘Asylum’ at Willow Court: Lucy Hawthorne, New Norfolk Mike Parr, Asylum [Entry by Mirror Only], exhibition view, Willow Court, New Norfolk, June 2016; image courtesy MONA, Hobart; photo: MONA/ReÅLmi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477875547054-GQIT8PLMA429TNKPHP8T/image-asset.jpeg Issue 293 October 2016 12 Blow, winds, and crack your cheeks!: ‘Tempest’ at TMAG: Craig Judd, Hobart Tempest, exhibition view, stairwell intervention, Tasmanian Museum and Art Gallery (TMAG), Hobart, 2016; image courtesy TMAG, Hobart; photo: James Spencer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477875517442-TD4BMBB27RU5AMVT38VD/image-asset.jpeg Issue 293 October 2016 13 Actions and reflections: ‘Space to Dream: Recent Art from South America’: Toni Ross, Auckland Lygia Clark, O eu e o tu (The I and the you), 1967/2016, installation view, Auckland Art Gallery, 2016; industrial rubber, foam, fabric, vinyl, acrylon, zipper, plastic brush, horsehair, plastic, 170 x 68 x 8cm (each); The World of Lygia Clark Cultural Association, Rio de Janeiro; image courtesy Auckland Art Gallery Toi o Tāmaki https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477875352453-OEER522TRM36OD66IDJJ/image-asset.jpeg Issue 293 October 2016 14 Alicia Frankovich and Tehching Hsieh: Well-matched in Brooklyn: Macushla Robinson, New York Alicia Frankovich, Bisons, 2010– , performance documentation; performance piece by Alicia Frankovich performed with Tehching Hsieh, International Studio & Curatorial Program, New York, 26 July 2016; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477875387013-SVE24539AZ5834MPZ0QV/image-asset.jpeg Issue 293 October 2016 15 An antipodean view of ‘Conceptual Art in Britain 1964–1979’: Ann Stephen, London Keith Arnatt, Art as an Act of Retraction, 1971, detail; Tate, London, transferred from Tate Archive, 2010; image courtesy Tate, London; ˝ Keith Arnatt Estate / DACS, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477875497430-5A9IEO3N2OR4AZNJK8NE/image-asset.jpeg Issue 293 October 2016 16 An unsettling ambivalence: Matthew Ngui’s ‘Every Point of View’: John Mateer, Perth Matthew Ngui, Swimming; at least 8 points of view, 2007, installation view, Fremantle Arts Centre, 2016; four-channel digital video, sound, 10:10 mins duration; Queensland Art Gallery / Gallery of Modern Art, Brisbane https://www.artmonthly.org.au/issue-213-september-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478045680650-00TMUUNBFWJTUWDRDMKF/213_coverLG.jpg Issue 213 September 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833381456-PNOQFQJFFZTTPOS3BVE6/image-asset.jpeg Issue 213 September 2008 1 Back to the future? – 2008 Biennale of Sydney: MICHAEL DESMOND Chen Xiaoyun (China), A Mythical Wild Animal?? Symbol of Durance, 2008, video, colour, sound. Courtesy the artist According to the Artistic Director of the 2008 Biennale of Sydney, Carolyn Christov-Bakargiev, ‘Revolutions – Forms that turn articulates the agency embedded in forms that express our desire for change’. Given the emphasis on change and of overthrowing the established order, there is a perversity in bringing back the art of several decades ago. The 2008 Biennale mixed art made in the last ten years with the art of high modernism, the art of the 20th century. This ranges from a photograph made in 1900 to works of classic modernism by Kasimir Malevich of 1915, or Luigi Russolo of 1911. Christov-Bakargiev explains that this mix is another aspect of revolution, that things revolve, i.e. that art cycles like the forms that turn, first disappearing then returning renewed. For those weary of novelty, wanting to finally embrace postmodernism with its relativistic tendencies and historical footnotes and an exhibition based around art and less concerned with high-brow theory or moral turpitudes – this exhibition promised much https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833442368-NGEI5HUQGODB8DPIB30Y/image-asset.jpeg Issue 213 September 2008 2 East and West? A different story: the impact of Mexico on 20th century Asian art: ALISON CARROLL Carlos V. Francisco, Victorio Edades and Galo Ocampo, State Theatre Mural, 1935 (detail), Manila. Images collection of Victorio Edades It is accepted universally that the world splits through the Pacific. There is a date line knifing down, where travellers lose and gain time – an unheard of concept for the rest of the Westernised world. In the past, the Pope started the idea with the Treaty of Tordesillas of 1494, expanded in 1529 to divide the world through this misty line, allocating colonial possessions (if they could be got) to the Portuguese and Spanish depending on their geographic relation to it. Today, the Pacific Ocean looms as one of the last great unknowns, a huge area to be flown over, with grateful reference to a few islands on which to either land to refuel, or aim towards if shipwrecked https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833478584-BMXCZVC9JTFNJ2YYSQ3I/image-asset.jpeg Issue 213 September 2008 3 Letter from Manila: GINA FAIRLEY Wawi Navarroza, Still Missing (You), 2007, archival pigment ink color photograph on artist premium canvas. Image courtesy the artist Regardless of how often I visit Manila, I am always bowled over by the pace of its art scene and its undeniable fracture. This ricochet one feels as an outsider is partly due to the sheer impenetrability of Manila’s urban landscape but also the blinding number of shows that demand one’s attention https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833575801-GWT8CX711BTT1U2T41D7/image-asset.jpeg Issue 213 September 2008 4 A Century of Focus: South Australian Photography 1840s – 1940s: TANYA COURT C. R. Marlow, Australia (1854 – 1919), Picnic at the beach, 1890s, albumen-silver photograph (cabinet card). R.J. Noye Collection. Gift of Douglas and Barbara Mullins 2004. Courtesy Art Gallery of South Australia, Adelaide As a landscape architect I am interested in the representation of landscape and how this is also manifested in the constructed landscape. Is ‘faithful recording’ possible? What are the possibly unique qualities of photography that this ‘new process’ was able to bring to the representation of landscape? Was the ‘wonder’ of the new process equal to capturing the ‘wonder’ of a new landscape unfolding at the same time to colonial settlers? A review of the recent exhibition, A Century in Focus: South Australian Photography 1840s – 1940s, will be used as a lens, narrowing the aperture, to consider the photographic depiction of the unique qualities of particular landscapes, especially in regard to their role in recording ‘time’. Photographs are static but they are not motionless. Where is this motionlessness evident in the exhibition? Is it in the space between the image and the dynamic ‘reality’ of the landscape? While the photographs are aesthetic objects in their own right, they are also contextualised records of progress and process, providing critique and commentary on our own time as well as their own. The same concerns resonate through contemporary debates about landscape architectural representation and practice https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833536613-2TR4M86XQBAJLOWD18AS/image-asset.jpeg Issue 213 September 2008 5 Art-Speak: CHRISTOPHER JOHNSTONE, Auckland Joyce Campbell, Mindanao 1, 2002,, ilfochrome photograph mounted on aluminium. The University of Auckland Art Collection In New Zealand any 125th anniversary is worth noting since the country is officially only 158 years old. The celebration of the establishment of the University of Auckland in 1883 as a constituent college of the University of New Zealand is being marked, amongst other events, by an exhibition of the university’s art collection titled Art-Speak https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833605977-AJ6YXIYVISPG2CMUID0N/694_l_Obit_213.jpg Issue 213 September 2008 6 Geoffrey Goldie (1921 – 2007): SAM SCHOENBAUM Geoffrey Goldie, Self-portrait, 1946, oil on canvas. Courtesy the artists estate The Australian artist Geoffrey Goldie was born on 14 November 1921, into a farming family in Port Fairy, a fishing village in Victoria. As a gifted child he pursued his interest in the visual arts with encouragement from his family. He began art study in a regional tertiary institute. After six years in the Australian army he returned to his studies (1947-49) in Melbourne with the modernist painter, George Bell, who emphasised form and structure. Goldie’s art was included in a 1992 exhibition, Classical Modernism: The George Bell Circle, at the National Gallery of Victoria. The human figure, interiors, and still lifes in a cubistic style carried the look of the time 7 Letters An Open Letter to the Prime Minister of Australia Re: The Australia Council Dear Prime Minister Rudd Recently my work was invited to participate in the Guangzhou Triennial at the Guangdong Museum of Art in China. This is an important invitation coming from curators with international reputations. The organisers asked me to assist them in looking for funding as they have limited government support. The Visual Arts Board (VAB) of the Australia Council for the Arts informed me that I was unable to apply directly for support through the appropriate category (Out of Time). The reason given was that the VAB only allows one application by an individual artist per year. As I had not made any applications to the VAB this year I was surprised to be ruled ineligible. Yes Minister came to mind when the VAB informed me that the unsuccessful application I submitted 16 months ago (April 2007) is considered by the VAB to be an application this year. Absurdly this restriction requires artists to know what future invitations will arrive to remain eligible read more #213 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833651610-KYLSEDKCAEOCQUNHB6BQ/image-asset.jpeg Issue 213 September 2008 8 Through a glass darkly: CHRISTOPHER HEATHCOTE Rick Amor: A Single Life Museum of Modern Art at Heide, 22 March to 13 July 2008. Gavin Fry: Rick Amor Beagle Press, 216 pp, $120 rrp Creativity is a self-generating, self-absorbing human state. Much as strong novelists write because they are obsessive readers, so, too, will strong artists paint because they are compulsive viewers, and – if my visits to painters’ homes are sufficient to go by – they prefer to dwell in image lined habitats. Setting the agenda for the high modernist twenties, the British poet-cum-critic T. S. Eliot tried to theorise this condition via his celebrated essay Tradition and the Individual Talent (1919), which suggested that every maker is caught up in a dialogue with existing creative texts. A half-century later, the idea was rejigged by budding postmodernists including the Yale scholar Harold Bloom whose landmark book, The Anxiety of Influence (1973), categorised how creators respond to their forebears, and the New York curator Douglas Crimp who, in a turgid, much anthologised essay, ‘Pictures’ (1979), boiled it all down to a catchy slogan: ‘beneath every picture is another picture’ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833701762-7UVRTWVTG66X15T23E5V/image-asset.jpeg Issue 213 September 2008 9 Joanna Woods Facing the Music: Charles Baeyertz and the Triad: DAMIAN SKINNER Joanna Woods, Facing the Music: Charles Baeyertz and the Triad, Otago University Press, 2008, 247 pages, $45 rrp. We all know it shouldn’t be done, but I’d like to begin by judging Joanna Woods’s Facing the Music: Charles Baeyertz and the Triad by its cover. On the front is a photograph of the man himself, in which Baeyertz is every bit the confident and successful critic and magazine publisher, his suit and bow tie signifiers of his material success, and the not-quite-smile on his face revealing his legendary steely commitment to excellence and to making judgments public, regardless of the personal cost. On the back of the book, a pictorialist photograph titled Melisande, which was the Triad’s centrefold in August 1918, reveals a now somewhat coy but no doubt then daring nude female poised on a rock and staring at her reflection in the tranquil water. Nicely complicating our reading of this image is a quote from Charles Baeyertz: ‘This magazine . . . is made to sell.’ Like Melisande on her rock, nudity in the Triad is balanced between an avant-garde challenge to middle-class taste and a fairly direct appeal to the (male) desires of that same market. Welcome to the world of Baeyertz and the Triad https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833759655-FPGL27JSX1C4VJ6S68O5/image-asset.jpeg Issue 213 September 2008 10 Yiloga: Tiwi Footy, MARGIE WEST Yiloga: Tiwi Footy F11 Productions, Darwin, 2008, 253 pages, $49.95 rrp. Australia is a nation obsessed with its football. The fact that this passion is also shared by many Aboriginal people in one of Australia’s most remote places is the subject of the photographic essay, Yiloga, Tiwi Footy. The culturally distinctive Tiwi of Melville and Bathurst Islands have fascinated outsiders for a long time, and from the colonial period onwards they have also been subjected to the photographer’s gaze, with the first provenanced images being taken by the German scientist Hermann Klaatsch in 1906, followed by the anthropologists Herbert Basedow (1911), and Sir Baldwin Spencer (1912) and professional photographer Ryko (1914-17). Much has happened in the intervening period in terms of post-colonial approaches to the representation of Indigenous people. And among the plethora of varying approaches, Yiloga represents the trend towards the photo-documentary by professional photojournalists – perhaps best defined by Penny Tweedie’s This My Country (1985) and of which Megan Lewis’s Conversations with the Mob and Heidi Smith’s Portrait of a People: the Tiwi of northern Australia (2008), a sequel to her Tiwi: the life and art of Australia’s Tiwi people (1990), are recent examples https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833876268-A6DDJJC98PT3P9QBI2D7/image-asset.jpeg Issue 213 September 2008 11 Engaging with Yolngu art: VINCENT MEGAW Howard Morphy, Becoming art: exploring cross-cultural categories, UNSW Press, Sydney, 2008, xv+234 pp, 59 figs, $44.95 rrp A quick search for ‘Aboriginal art’ in Amazon.com currently produces no less than 2417 titles. What is a lot less impressive is the relative paucity of serious studies of specific aspects of Indigenous art of both wide appeal and lasting quality. Of course there are exceptions – for example, Vivien Johnson on the acrylic painters of the Centre, Judith Ryan’s pioneering catalogues for the National Gallery of Victoria and, amongst an even smaller group of Indigenous commentators, Marcia Langton. And then there is Howard Morphy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833929437-7TP8BT0BTFXEK5S8B96W/image-asset.jpeg Issue 213 September 2008 12 Dollar Dreaming: Inside the Aboriginal Art World BY Benjamin Genocchio: ALAN DODGE Benjamin Genocchio Dollar Dreaming: Inside the Aboriginal Art World, Hardie Grant Books, Melbourne, 2008, 72 pages, $39.95 rrp Benjamin Genocchio’s title, Dollar Dreaming: Inside the Aboriginal Art World, led me to expect that finally someone had written a ripping exposé of the workings of the Aboriginal art world: the art centres, the dealers, the carpetbaggers, the pricing, the fakes, etc. Further, I thought to myself, here is a journalist who is not afraid to ask the ‘q’ question; who will finally come to grips with such issues as the separation of high quality from the rest – who determines this (the ‘wheat and chaff’ issue as I call it) and its effect on the market, and in particular, the communities themselves? I thought to myself; ‘Ah, here is finally someone far enough outside the Australian Indigenous art mainstream to take the bull by the horns, do some investigative journalism and lay his findings (as well as some informed judgements) at the reader’s feet’ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542834001260-NK62JP8BB0FJSAKY3B0Q/image-asset.jpeg Issue 213 September 2008 13 Rooftops BY Mandy Ord: CEFN RIDOUT Mandy Ord Rooftops Finlay Lloyd Publishers, Braidwood, NSW, 200 pages, $25 rrp In his 1970 survey of Australian comic art, The Inked-in Image, award-winning cartoonist and historian Vane Lindesay lamented the imminent passing of Australia’s ‘Golden Age of black and white comic art’. During this nearly century-long period, Australian cartoonists and illustrators from pen and ink pioneers Phil May and Norman Lindsay to modernist stylists George Molnar and Bruce Petty, enjoyed international acclaim for work ‘distinguished by sound, original draughtsmanship and reflected a humour that was often dry, sometimes uninhibited and always distinctive’ https://www.artmonthly.org.au/issue-212-august-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478046250150-U5IHXTX5GVIVQVDCGIPY/image-asset.jpeg Issue 212 August 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542832903588-D7WUJFE807ZCHSF9KP2N/image-asset.jpeg Issue 212 August 2008 1 Captain Cook’s Eye-patch: KATRINA SCHLUNKE Lines in the Sand: Botany Bay Stories from 1770, exhibition installation view Hazelhurst Regional Gallery & Arts Centre, with right: Daniel Boyd, Captain No Beard, 2006; left: E. Phillips Fox, Landing of Captain Cook at Botany Bay, 1902; adjacent left: Daniel Boyd, We Call Them Pirates Out Here, 2006; centre: Daniel Boyd, Untitled (installation with model ship), 2006. Image courtesy Hazelhurst Regional Gallery & Arts Centre https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542832941535-ML9Y4PH4L9OGN7VKA9X7/image-asset.jpeg Issue 212 August 2008 2 Storylines in Tasmania: VIVIEN JOHNSON Bangarra Dance Theatre dancers Elma Kris and Patrick Thaiday in a scene from the company’s current production Mathinna. Image courtesy Bangarra Dance Theatre. Photograph by Jeff Busby. Choreographed by Bangarra’s Artistic Director Stephen Page, Mathinna is based on the life of Mathinna (1835 - 1856), a Tasmanian Aboriginal woman tragically caught ‘between two cultures’. Mathinna is currently showing at the Drama Theatre, Sydney Opera House until August 23, 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542832978484-LZB7HAK9Z4HUFZ1H4T6S/image-asset.jpeg Issue 212 August 2008 3 hand in hand: sexy and dangerous: DANIEL BROWNING Shigeyuki Kihara performs Taualuga: the last dance at the Boomali opening of hand in hand, with Darrell Sibosado’s mural, Untitled, 2008 in the background. Image courtesy Jenny Fraser https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833021539-U4QHI4QB68BE6E0FO4Z9/image-asset.jpeg Issue 212 August 2008 4 Be True to Yourself: HOLLY-MAE EMERSON David Rosetzky, Nothing like this, 2007, still from 16mm film transferred to DVD, Courtesy the artist and Sutton Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833058917-CVQ31JY94R1PT7LWDFW8/image-asset.jpeg Issue 212 August 2008 5 Bibliomania: The Paintings of Victoria Reichelt: JESSICA BERRY Victoria Reichelt, Collapse, 2007, oil on canvas. Courtesy the artist and Dianne Tanzer Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833081392-YOXVMRBNCN5VJQ1S6QPA/681_l_Ryszard_212.jpg Issue 212 August 2008 6 (When you wake) you’re still in a dream: RYSZARD DABEK Janet Cardiff and George Bures Miller, The Murder of Crows, 2008, sound and mixed-media installation with audio speakers, amplifiers, computer, electronics, miscellaneous media, 30 mins, installation view in 16th Biennale of Sydney 2008 at Pier 2/3, Walsh Bay. Commissioned by Thyssen-Bornemisza Art Contemporary, Vienna for the 2008 Biennale of Sydney. Courtesy the artists; Luhring Augustine, New York; and Galerie Barbara Weiss, Berlin. Photograph by Greg Weight https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833121283-ET27ZG3OS37IMOBKFZ3T/image-asset.jpeg Issue 212 August 2008 7 Gotcha ... under my skin: eX de Medici Installation view with (left to right) Helmet, 2006 and Helmet’s Skull, 2006, watercolour on paper. First exhibited as part of the WHO CARES? group exhibition, Boutwell Draper Gallery, Sydney, 21 February to 24 March 2006. Courtesy the artist and Boutwell Draper Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833173581-FFY6V27ZJGAXQOFQZ676/image-asset.jpeg Issue 212 August 2008 8 Transcendence in Sam Jinks’s Still Life: Pietà JACQUI DURRANT Sam Jinks, Still Life, Pietà, 2007, mixed media, silicon, fibreglass, human hair. Courtesy the artist and Boutwell Draper Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833199026-VBJ9D7CSMT2EUAXZVX4L/image-asset.jpeg Issue 212 August 2008 9 Brian Njinawanga Campion (c.1934 – 2008): DR CHRISTIANE KELLER & LUDGER DINKLER Brian Njinawanga Campion, Malnyangarnak Story, 1978, natural ochres on bark. Collection National Gallery of Victoria. Courtesy the artist’s estate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478046669249-V0KOA7VRKPR6J4NUG0RU/image-asset.jpeg Issue 212 August 2008 10 Letters ‘Nude Girl Art Outrage’ In the interest of facilitating some debate around the issue of children as subjects in art, AMA publishes some of the letters in response to both the controversy related to the July edition’s cover image and the broader issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833247371-0GAG9LOOI1AX3HXN38L2/image-asset.jpeg Issue 212 August 2008 11 Conversations with a Crow: Karla DickenS: DJON MUNDINE Karla Dickens, Forever in my arms, 2007, mixed media on canvas. Images courtesy the artist 12 Julie Dowling: Eegarra Beearaba (To Arise from Sorrow): PATRICK HUTCHINGS Julie Dowling, Amazing Grace, 2008, acrylic on canvas. Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542833290144-0PDLRQ0Z3V5GAWN6THU6/image-asset.jpeg Issue 212 August 2008 13 The Laverty Collection of Indigenous art in print and on exhibition: JEREMY ECCLES Beyond Sacred: Recent Paintings from Australia’s remote Aboriginal communities, Edited by Colin & Elizabeth Laverty Published by Hardie Grant Books rrp $120 https://www.artmonthly.org.au/issue-211-july-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478046968779-N6J1LF5EJNABIVNU8ZP8/Cover211_classification_lg.jpg Issue 211 July 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542832066227-BE5B1BTJT60EPEN6R4UZ/image-asset.jpeg Issue 211 July 2008 1 Collateral Damage: DENISE FERRIS & MARTYN JOLLY Ella Dreyfus, The Ladz: Nadz and Dax, 2005, silver gelatin print. This photograph won the Olive Cotton Award for Photographic Portraiture (2005) yet as an image is similar to the artist’s partly censored Under Twelves series/exhibition. Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047049340-C78YT7G2VWLLQAQ00VNW/image-asset.jpeg Issue 211 July 2008 2 Humbert or Humbug?: ADAM GECZY Bill Henson, Untitled, 2007/08, type C photograph, from the Untitled series, 2007/08. Courtesy the artist and Roslyn Oxley9 Gallery, Sydney. 3 Art and (not or) Pornography: DONALD BROOK From time to time there is a great fuss made about whether some object is a work of art or pornographic. Experts are invited to testify, and mostly ridiculed for their trouble. Witnesses with no expertise at all are treated more courteously; often being commended for their assistance in establishing a community standard. This manoeuvre is prejudiced in two ways. First, those without expertise are not invited to testify in statistically significant numbers, and their opinions are mainly selected and filtered through the calculating minds of lawyers. Second, and perhaps more importantly, no conservative judge and jury seriously believes that a change of mind will ever be the appropriate response to evidence that a more radical opinion than their own is the community standard. (Or vice-versa, for more a radically minded judiciary and a more conservative community standard). All these good people are determined to do the right thing, and no evidence that in the domain of nutrition (for example) eating beef is the community standard will persuade a vegetarian to approve of it Read more in this issue of AMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047095379-KOWP0BLWHCVQRXFWSGEZ/image-asset.jpeg Issue 211 July 2008 4 Shashinjinsei: Nobuyoshi Araki’s photo journey: MANAMI OKAZAKI Nobuyoshi Araki, from the Sentimental Journey series, 1971, black and white photograph. Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047120393-NL8A10GMU0ZQ2OC50O7T/image-asset.jpeg Issue 211 July 2008 5 Ai Weiwei: Under Construction: JEREMY ECCLES Ai Weiwei, Fountain of Light, 2007, glass crystals, lights and metal on a wooden base, installation view, Ai Weiwei's studio, Beijing, 2007. Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047146660-D7CJW8N2M6QUE8BFXZ9T/image-asset.jpeg Issue 211 July 2008 6 Keep Calm and Carry On: new work by Mel Robson: LOUISE MARTIN-CHEW Mel Robson, Keep Calm and Carry On (detail), slipcast porcelain 2008. Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047175593-0JHBN73ZUPFMQQNDXRPH/image-asset.jpeg Issue 211 July 2008 7 Sex in the Country: David Laity’s Laid Bare: JACQUI VERROCCHIO David Laity, Dream of the Fisherman’s Wife, 2003, oil on hessian on board. Courtesy the artist and Metro5 Gallery, Melbourne. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047198247-8ZL1BMCY8DY9MMMR9AZ8/image-asset.jpeg Issue 211 July 2008 8 Survival, Decay and Excavation: curating Arthur McIntyre: DANIEL MUDIE CUNNINGHAM Arthur McIntyre, Birth Pains II, c. 1975, collage on paper. Courtesy the estate of Arthur McIntyre https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047222304-OVVGBJ3BIA7TPDPIYWB8/image-asset.jpeg Issue 211 July 2008 9 Bent Western, Sydney: CRAIG JUDD Liam Benson & Kenzee Patterson, Lock it or Lose it, 2004, photographic print. Courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047248320-9DIP11T2SD09VLP2MD3Y/image-asset.jpeg Issue 211 July 2008 10 Dual purpose: Otto Dix’s Hugo Erfurth with Dog: JUSTINE BAYOD ESPOZ Otto Dix, Hugo Erfurth with Dog, 1926, tempera and oil on panel. Courtesy Thyssen-Bornemisza Museum Madrid, Spain https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542832261902-I1FZZ38BDYZPG1HKGWQ4/image-asset.jpeg Issue 211 July 2008 11 Sam Leach: ghost in the machine: ASHLEY CRAWFORD Sam Leach, Self in Uniform, 2007, oil and resin on wood. Courtesy the artist, Sullivan+Strumpf Fine Art, Sydney, Nellie Castan Gallery, Melbourne and Peter Walker Fine Art, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478047301117-4MNMKOXH31MJMXQ9FS8V/image-asset.jpeg Issue 211 July 2008 12 The Brisbane Sound: DANNY ZUVELA Gary Warner, Cassettes, 1975–86, 2008, 91 audio cassettes, installation view, The Brisbane Sound exhibition opening, Institute of Modern Art, Brisbane, 8 February, 2008. Courtesy the artist and David Pestorius Projects https://www.artmonthly.org.au/new-page-1 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481625970-UGYQPDA7CB179OSY1J2K/image-asset.jpeg Issue 210 June 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481684151-OTIZ57XHY7COCVOL3T31/image-asset.jpeg Issue 210 June 2008 1 The shifting ground of non-Indigenous art-making in Central Australia: KIERAN FINNANE Pamela Lofts, Country Love (detail), 1996-2006, inkjet print collage on foamcore. Courtesy the artist. Photograph by Pamela Lofts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481715227-DMH1K39RCX7TCQRI2BBJ/image-asset.jpeg Issue 210 June 2008 2 Wading into Scripture: Bal Tashchit: VIRGINIA FRASER, Melbourne Hari Ho, Eternity: Moment by Moment, 2003, C-type print. Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481743750-KRCFA2NHMJXDJV0SZJ1H/image-asset.jpeg Issue 210 June 2008 3 Environmentalists’ art at an ecotourism lodge: DANIEL THOMAS Julie Gough, Some words for change, annotated pages from a book, laminated, and pierced by teatree spears standing in a clearing in kunzia scrub. Courtesy the artist and Freycinet Experience Walk. Photograph by Simon Cuthbert https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481771461-5F3M06MHXQZP8C13L985/image-asset.jpeg Issue 210 June 2008 4 slowly disappearing darling: MARGUERITE BROWN Martin King, slowly disappearing darling (detail), 2007, sequence of drawings nos. 22-25 from a series of 100, charcoal on drafting film. Courtesy the artist and Port Jackson Press Australia, Melbourne. Photograph by Viki Petherbridge https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542831785044-GRCT8IUNMN8X1J1X9E43/image-asset.jpeg Issue 210 June 2008 5 Power camouflage: an interview with Michael Goldberg, DAVID McNEILL Michael Goldberg, video still of luggage X-ray (from loop of 50 images), installation detail from Strong language Some violence Adult themes, 2008, Artspace, Sydney. Image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542831822467-UHX6MHP6S9D8Z7AL7SO4/image-asset.jpeg Issue 210 June 2008 6 Out of the box: Economy: ERIN COATES, Perth Ric Spencer in collaboration with Lizzie Delfs and Britt Salt,Speakers’ Corner, 2007, mixed media, installation view at Perth Institute of Contemporary Arts. Courtesy the artists. Photograph by Eva Fernandez 7 LETTER NIGEL LENDON: DJON MUNDINE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479078519346-4MOTO4RF5ZXSOS1GKW6G/image-asset.jpeg Issue 210 June 2008 8 Scales of perception: recent Chinese painting: DENNIS COLEMAN Zhao QiuPing, Nimble Carp Towards Splendid Waves, 2004, watercolour on paper. Courtesy the artist. Photograph by Adi Pande https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542831871388-P8J0K21X2SDUGWUT5SB5/image-asset.jpeg Issue 210 June 2008 9 The Third Nude: EMILY ROBERTSON, Canberra Jenny Coyne, Untitled, 2008, digital photograph. Model: Gosia Pilat, Min Mae’s Tableaux Vivants, The Front, Canberra. Courtesy the artist: www.allyeska.com https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542831904595-F0O6F0KCVFIWDXGMHGOK/image-asset.jpeg Issue 210 June 2008 10 Deathly art: VR Morisson, Nell & Therese Howard: PRUE GIBSON Nell, A white bird flies in the mist, a black bird flies in the night, a woman walks, wild and free, she is not afraid to die, 2008, bronze, mother of pearl, resin, 33 individually hand-blown clear glass ghost sculptures. Installation at Gertrude Contemporary Art Spaces. Courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542831973379-MTN089ULC61W152PGWMX/image-asset.jpeg Issue 210 June 2008 11 Judith Wright: Conversations: ANNE KIRKER Rhana Devenport (Ed., Judith Wright: Conversations , Govett-Brewster Art Gallery, New Zealand, and the artist, 2007, 140 pages (hard bound), $59.95 rrp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479079134284-AO9WOOQZ4VVH9ADULEVB/662_l_emSasha_Billy_LakeLG.jpg Issue 210 June 2008 12 Em files: Billy Pareroultja Tjungarrayi: SASHA GRISHIN Billy Pareroultja Tjungarrayi, Lake Mackay, 2008, acrylic on Belgian linen. Courtesy the artist and Ikuntji Artists Aboriginal Corporation. Photograph by Terry Larkin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479079187284-HDKLYI6OOVTAEVW56MRZ/image-asset.jpeg Issue 210 June 2008 13 Em files: Jessica Geron: MAURICE O'RIORDAN Jessica Geron, Bird Watching, oil on canvas, 2008. LEFT: Jessica Geron, Factitious Fictions, oil on canvas, 2008. All images courtesy the artist Jessica is a featured artist in SafARI 2008, an unofficial fringe to the Biennale of Sydney comprising 11 emerging artists from around the country and curated by Lisa Corsi. SafARI 2008 runs from 13 to 29 June (see Artnotes NSW): www.safari.org.au, Jessica’s website: www.jessicageron.com https://www.artmonthly.org.au/archive daily 0.75 2022-12-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8df3659d-7739-4b97-aae7-22944a700ba2/AMA340+Spring+Front+Cover.jpg Archive - Issue 340 Spring 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bf2ba037-d642-41ce-8a36-14a4fd7fba3d/AMA339_Winter_FrontCover.jpg Archive - Issue 339 Winter 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/dded5a4a-074e-40fb-a972-b265471423b2/AMA338_Cartier_FrontCover.jpg Archive - The 24th Biennale of Sydney Issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1a319440-ed39-4933-9dd7-64afe21f16a2/AMA%23338_AUTUMN_Front+Cover.jpg Archive - Issue 338 Autumn 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/05512dd3-66d5-4afd-8aa8-c872ef8bb1d5/image-asset.jpeg Archive - Issue 337 Summer 2023/24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bfbed95c-b353-4878-9f10-0cb4d76ee12a/AMA336-Cover+For+Mockup.jpg Archive - Issue 336 Winter 2023 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/992d22ad-49dd-405d-97cc-5dc9ce9e8e92/AMA335_AUTUMN_Covers.jpg Archive - Issue 335 Autumn 2023 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1678146674508-XZ9N3OHY526L5AR6SSXG/image-asset.jpeg Archive - Issue 334 Summer 2022/23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/fe17c9dd-a773-4a17-934c-893a82c2c89a/AMA333_SPRING_Cover.jpg Archive - Issue 333 Spring 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1e7938d1-6ba3-4a4a-8127-e5ea0c5a1bce/image-asset.jpeg Archive - Issue 332 Winter 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1653532439832-GDITRFT7J7YUV4RZAHKW/AMA332_WINTER_Cover.jpg Archive - Issue 331 Autumn 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a3981e11-a91c-4585-a60c-5f4293a7edfe/image-asset.jpeg Archive - Issue 330 Summer 2021/22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1638847367947-6LFQ5A05QKPB14UYHPE6/image-asset.jpeg Archive - Issue 329 Spring 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630463616297-11VYJQ7KIYASTJ2MP0QN/AMA328_WINTER_FC.jpg Archive - Issue 328 Winter 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622604520964-HL79XK8REJBUD7DKSOEJ/image.jpg Archive - Issue 327 Autumn 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622604489652-85BQV7VNO7399RVC6O36/image-asset.jpg Archive - Issue 326 Summer 2020-2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606775545096-6YU2UG33B2E9HBNPIKQQ/image-asset.jpeg Archive - Issue 325 Spring 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598917342167-J0GPY54QZ8HEQXFZNJRY/image-asset.jpeg Archive - Issue 324 Winter 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591056484547-YKH334O8ZDCMREA1634E/image-asset.jpeg Archive - Issue 323 April 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585694989578-5IO51T8FMGR69M5D3PFQ/image-asset.jpeg Archive - Issue 322 March 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583109436363-D6M6AG310TFOTEWXCV2P/AMA321_SUMMER_FrontCover.jpg Archive - Issue 321 Summer 2019/20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1575325312100-MWGNTX4O65OKL0KDOU6G/AMA320_NOV_Cover.jpg Archive - Issue 320 November 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572907265435-14CLK7LDIYWOIC918EVF/AMA319_OCT_FrontCover.jpg Archive - Issue 319 October 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569896328476-K1WIHPOFG891MW7L086N/AMA318_SEP_FC.jpg Archive - Issue 318 September 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568082914643-IHG3QXYG4GMLW259HK2E/AMA317_Winter_FrontCover.jpg Archive - Issue 317 Winter 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559793119653-BB4JM6YPPKN5PYO5ULR9/316+May+cover.png Archive - Issue 316 May 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557372671835-9G68WZFM0T0FW2XIYHO3/AMA315_APR_FrontCover.jpg Archive - Issue 315 April 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554686476668-6UYFIJH4J7JD0SUTFRGS/314+Cover.jpg Archive - Issue 314 March 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551672740728-Z3VD463G10SKTR6LQVZZ/ArtMonthly_Dec18_cover.png Archive - Issue 313 Summer 2018/19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543811077832-CJSLJEOU8EACR9KFID5F/AMA312_NOV_COV_hires.jpg Archive - Issue 312 November 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541115354525-LVI5WN5DSRKLXUMQO69K/AMA311_OCT_LG.jpg Archive - Issue 311 October 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537943324208-YN3HP44EX62I8VWISL25/AMA310_SEP_Cover.jpg Archive - Issue 310 September 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1535958861861-U19I20AE3FHWUN9RLQ0N/AMA309_AUG_Cover_LG.jpg Archive - Issue 309 August 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1533171680129-73VA7XB3HPEKYEDC9UGK/AMA308_Cover_LG.jpg Archive - Issue 308 June/July 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527646426348-V51I3JLPMABK0MLK5TV5/AMA307_Cover_LG.jpg Archive - Issue 307 May 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525138139918-W9YWW3HGXFGCKY8CYFWU/AMA306_APR_Cover_LG.jpg Archive - Issue 306 April 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522715496614-8BYHCNA36W4T26O4SY0N/AMA305_Cover_LG.jpg Archive - Issue 305 March 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519969005034-DRFG15QYAKRG5Y67TRLL/AMA304_Cover_LG.jpg Archive - Issue 304 Summer 2017/18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519968785374-2NFG0UF35GYK8JPTQEGT/AMA303_LG.jpg Archive - Issue 303 November 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1509508053359-KN82R8XZS8NKNX3V60EA/AMA302_OCT_LG.jpg Archive - Issue 302 October 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506986489258-JQBFJGIFJFY2LVNN0I6M/AMA301_SEP_Cover_LG.jpg Archive - Issue 301 September 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504059266924-OOSPT5OR85074GZ16WUX/AMA300_Cover_LG.jpg Archive - Issue 300 August 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501631606743-T580VDZZ88W37X31ZIS2/-1.jpg Archive - Issue 299 June-July 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496364294116-P9WWP563YDADNVSUBVB5/AMA298_Cover_LG.jpg Archive - Issue 298 May 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494206133904-9PUYJ3COXPYIB669LZZX/AMA297_Cover_LG.jpg Archive - Issue 297 April 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491131166922-SSN8INGCAG6ARSMA6F5H/1488499610612.jpeg Archive - Issue 296 March 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488335207615-T6US95KCO043UBZ23MVW/AMA295_COV_LG.jpg Archive - Issue 295 Summer 2016/17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480648401875-SC0PGROVNT923LJIUPEY/AMA294_LG.jpg Archive - Issue 294 November 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477876144513-F2NH8NO1E2Q4DNE270XM/AMA293_COV_LG.jpg Archive - Issue 293 October 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478729363639-0ATMR1M1POYCKZANMVQZ/issue+292+sep+2016+cover.jpg Archive - Issue 292 September 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472611589686-IIV32YRWYJ0749HFZVQQ/AMA291_Cover_LG.jpg Archive - Issue 291 August 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1469966726930-6O0OZVJRMVDD5ZNX52DR/AMA289_FrontCover_LG.jpg Archive - Issue 290 June/July 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1464757203591-C1XOJITV8XMEMH3AGVVL/AMA289_FrontCover_LG.jpg Archive - Issue 289 May 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1462408054669-M8R2Y4B6K3XTHZU4FKX7/AMA288_LG.jpg Archive - Issue 288 April 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1462407597406-ZZRN870IAFSE9943NV6P/AMA287_Cover_LG2.jpg Archive - Issue 287 March 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456653835895-ZQNQVLWPQ7374I4F7XUM/image-asset.jpeg Archive - Issue 286 Summer 2015/16 Feminism Now, guest edited by Susan Best and Louise Mayhew.   https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654141948-LC5DDEYHS6JLZOK8ONX2/Nov_Cover_LG.jpg Archive - Issue 285 November 2015 Lisa Reihana, New Zealand Focus Issue, 8th Asia Pacific Triennial of Contemporary Art. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654403841-6FJWOFLXWDS3A903H0GT/Oct_LG.jpg Archive - Issue 284 October 2015 Lola Greene and Marina Abramović, The Inaugural MPavilion/Art Monthly Australia essay on interdisciplinary art, Tasmania focus issue   https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654817014-PJB1THQY4ZIN84OEM5IP/AMA283_LG.jpg Archive - Issue 283 September 2015 Michelle Nikou, South Australia focus issue, Remembering Mirdidingkingathi Juwarnda (Mrs Gabori) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654825541-WZ7EXS98MMH7KFU4BR8G/AMA_282_LG.jpg Archive - Issue 282 August 2015 NT Focus issue, Julian Engberg on the 56th Venice Biennale, Patrick Hall at TMAG https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654827501-DVFFB036YXYIK84WM774/AMA_281_LG.jpg Archive - Issue 281 July 2015 Janet DeBoon, 14th Australian Ceramics Triennale, Special issue guest-edited by Glenn Barkley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654835311-BITEN0IDMLRAHF5MLXHX/AMA280_Milsom_LG.jpg Archive - Issue 280 June 2015 Nigel Milsom, New South Wales Focus issue, Janine Barke on animals in curatorial practice https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654841071-AAYYCCLSO6CDRAXQ9TYB/AMA_279_ZAVROS_LG.jpg Archive - Issue 279 May 2014 Michael Zavros, Queensland Focus issue, Lee Weng Choy on curating contemporary art from Southeast Asia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654847473-FG3CQAHRUG6T6OXBS2FQ/AMA_278_LG.jpg Archive - Issue 278 April 2015 Tony Albert's untold stories, "do it" in Adelaide", State focus on Western Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1456654852180-P0FJHI0GQT6FO56A4ODN/ama_277_LG.jpg Archive - Issue 277 March 2015 Singapore overview, Hito Steyerl in Brisbane, State focus on Victoria https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087164812-E9335HJ5T92YKJ2TQ3X5/image-asset.jpeg Archive - Issue 276 Summer 2014/15 Hyperreality, "Pop to Popism", Summer bumper issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087257250-3D7DLLU92P6R375XOD5F/image-asset.jpeg Archive - Issue 275 November 2014 Fashion in the art museum, Matthew Barney's "River of Fundament", Tasmania Focus issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087327359-76G1ESTFKLIMDTLTQD6R/image-asset.jpeg Archive - Issue 274 October 2014 South Australia Focus issue, Nicholas Folland, Julie Ewington on Pierre Huyghe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458087442119-C55RPHN3YK1TQFLP0KG7/image-asset.jpeg Archive - Issue 273 September 2014 Pat Brassington, Revisiting Albert Namatjira, Special Nothern Territory focus https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1467935543257-N51CRZ47YZ6G99X4DLYQ/ama272.coverLG.border.jpeg Archive - Issue 272 August 2014 'Henri Matisse' The Cut Outs, New South Wales focus issue, Ken Unsworth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458088073275-694SM1AOFOF0Q029TUUD/image-asset.jpeg Archive - Issue 271 July 2014 Guy Grey-Smith, Annette Messager's motion, emotion', Specia focus on Queensland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458088474417-YPJ9GXN24EEDP9R3DRYP/ama270.coverLG.jpg Archive - Issue 270 June 2014 The Sydney Biennale and Adelaide Biennial in review, ACT Focus issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1458088489854-KVRP7BRC3DT0M4RN7CG4/ama269.cover.LG.jpg Archive - Issue 269 May 2014 Art across the Pacific, Inside Margaret Olley's studio, Focus on Western Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471826278619-6D028POGC9TLF43PZHSS/ama268.coverLG.jpg Archive - Issue 268 April 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471826793630-X0Z6YQIOWIYXHDW4NQP6/ama267cover.LG.jpg Archive - Issue 267 March 2014 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827933676-9IWWJ7ITYL8EETMSFISJ/ama266.cover.LG.jpg Archive - Issue 266 Summer 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827941358-0CV9Q61DUP6LEQDIJL3O/265.cover.LG.jpg Archive - Issue 265 November 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827945550-X2FCJ2M644WB9F8LZBPC/264.cover.LG.jpg Archive - Issue 264 October 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471827948855-BQGJ71C850LLVT38JG2I/263.cover.LG.jpg Archive - Issue 263 September 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829971429-CPAVC4OQ5GND5R330JCV/262.cover.borderLG.jpg Archive - Issue 262 August 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471829973597-KE5WYTPZSS7JPY3QA7GF/261.cover.LG.jpg Archive - Issue 261 July 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1471832802611-EMBQR7PU9QTR7OTMWCPB/260.cover.LG.jpg Archive - Issue 260 June 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472427957361-94U67QA4YLC1BWUR71P0/259.Cover.LG.jpg Archive - Issue 259 May 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472427961628-OX896T92I00IM0EW04P1/258.cover.LG.jpg Archive - Issue 258 April 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472427963948-APDJFAWH28UNDICK2NGW/257.cover.LG.jpg Archive - Issue 257 March 2013 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431506826-BRVRLOJ9VOHARHHKUIIH/256.cover.LG.jpg Archive - Issue 256 Summer 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431509354-P36U8K78GCKM4PX17AD6/ama.255.cover.LG.jpg Archive - Issue 255 November 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472431513657-ZMVWF91EP6KYBHS7385S/254.cover.LG.jpg Archive - Issue 254 October 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433391346-D3P9NJUR0OR3I08PYOEP/253.cover.LG.jpg Archive - Issue 253 September 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433395039-T5IED9CA21R2Q190ANIA/252.cover.web.jpg Archive - Issue 252 August 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472433400560-XQ11L2I20EDDZFF1MYVE/251.cover.LG.jpg Archive - Issue 251 July 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1472436088323-I0TDPYHZSXZF9YNJ6RUD/AMA250.jpg Archive - Issue 250 June 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473222665566-LS1RYXSCTABIT50TT3ED/249.cover.LG.jpg Archive - Issue 249 May 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473220151357-HQ5PIEFUZDAMRV0H3Z75/248.cover.LG.jpg Archive - Issue 248 April 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638175956-GZQRIEKQPZ14WCSZCQ2A/247.cover.LG.jpg Archive - Issue 247 March 2012 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1473638179315-XHUCJJPXF1UUN1U1HCJ9/petrina.cover.LG.jpg Archive - Issue 246 Summer 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249851009-MEBTL9JR95O261UZUMWD/rsz_ssue_245_november_2011.jpg Archive - Issue 245 November 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249858692-I81O5VKAL1GLHFGLT2OA/cover+244.LG300.jpg Archive - Issue 244 October 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249870905-Z97MPIVRYNG0YYA24BIH/issue+243+september+2011.jpg Archive - Issue 243 September 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249887146-VEDP8CLKVJPVGHB0ZMFZ/issue+242+august+2011.jpg Archive - Issue 242 August 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249894055-GCS99BIS74AXXUG3KGV9/cover+241.LG.jpg Archive - Issue 241 July 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249921154-CKAOIXQOUYNGRUSCUNAD/240+inside+cover+LG.jpg Archive - Issue 240 June 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249938217-ZQ9P6ZW2O2GICCZWKEU6/239.coverLG.jpg Archive - Issue 239 May 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249944609-778EPUDF9VU90GCJLXDR/issue+238+april+2011.jpg Archive - Issue 238 April 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1474249950875-Q5FM3Q091AFP7ULHBZRK/LG+cover+237.jpg Archive - Issue 237 March 2011 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660400023-E96USX0CAI308STHTDVD/issue+236+december+2010.jpg Archive - Issue 236 Summer 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476660409953-7I2PGLFK1EFLOZF4Q0GY/issue+235+november+2010.jpg Archive - Issue 235 November 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663100876-2YP9S6W6C7UJ6PU8UIUE/234coverLG.jpg Archive - Issue 234 October 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663108760-B56A5QW2PGPIDYMXEBAY/issue+233+september+2010.jpg Archive - Issue 233 September 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663115038-YY8AVSRX9RIM6AKTUPMH/232cover.jpg Archive - Issue 232 August 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663274012-FARE45CJQZWDS6USJGL4/231.coverLG.jpg Archive - Issue 231 July 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476663576806-5KEPZ0KCDWDRHEC7H4AA/cover.image230.jpg Archive - Issue 230 June 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665485302-9SRU36VELNWEW6RITI4D/issue+229+may+2010.jpg Archive - Issue 229 May 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1476665486577-J6R218OD8JN4T0370AAT/228coverLG.jpg Archive - Issue 228 April 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477262795839-MARNT1YBTXKLZ40E8PGW/227.cover.jpg Archive - Issue 227 March 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477262814933-QFKPZDCVN4WJCRYIO76Q/issue+226+december+2009.jpg Archive - Issue 226 Summer 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269057396-ODKL9RDIESRK8JFRNQBJ/225.sound.coverLG.jpg Archive - Issue 225 November 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269068046-KDD14OJACS368EFKCNW6/224.cover.jpg Archive - Issue 224 October 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269076210-EQRWRT7E7CQP5IJNN162/223.coverLG.jpg Archive - Issue 223 September 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269088043-R8HG0DDD0ODA073IH66B/1477266247245.jpeg Archive - Issue 222 August 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269091850-CNN51PV7Y6NS66DUWUAB/221.cover.LG.jpg Archive - Issue 221 July 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269095360-0EOIWNMG7GQQ7JEDG8AS/220.Cover.LG.jpg Archive - Issue 220 June 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477269104368-AKXNDR7DSA8FIFYP3Q5T/issue+219+may+2009.jpg Archive - Issue 219 May 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867298352-K7FJISYH297PMXEXTDI3/218_cover-1.lg.jpg Archive - Issue 218 April 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867418414-RWSM1W5LNHJ0G2S3NGCD/217_coverFULLWEB-1.jpg Archive - Issue 217 March 2009 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867419632-SCUHJ738R1G87YTLQHBT/216_COVER_LG.jpg Archive - Issue 216 Summer 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867425716-EGEM6NG7QP63GMU26XNJ/215_coverLG-1.jpg Archive - Issue 215 November 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477867428096-4Z6ZS95TRXFXEZRTAP82/214_COVER-1.jpg Archive - Issue 214 October 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481364803-GFDH3RDHQ8HEG8NGFSBM/213_coverLG.jpg Archive - Issue 213 September 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481367363-7HH3XD3V078IC38TL2XM/August212_cover.jpg Archive - Issue 212 August 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478481371217-MANDWWIR2SN5483RDIFI/Cover211_classification_lg.jpg Archive - Issue 211 July 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858313774-A3P8PIR2ZU8CFJMOQX1G/WEB_210CoverLG.jpg Archive - Issue 210 June 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858318816-VPOY3ZGVTCF2H6ZIVUBF/Cover-LG-209.jpg Archive - Issue 209 May 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858323184-9TA6EXRW6KSL24VCGHG4/cover208LG.jpg Archive - Issue 208 April 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858327345-ER2ORTVUZMWM59CO8UJH/cover_207.jpg Archive - Issue 207 March 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858334921-XYRNGLXP2EZVLJZOHWNX/cover_206WEB.jpg Archive - Issue 206 Summer Dec-Feb 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861635849-927MJVW5J6OV153936RQ/cover_205.jpg Archive - Issue 205 November 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861638847-7728CNEL5TMPO7D53A2L/cover_204_lg.jpg Archive - Issue 204 October 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861643913-3T8SM4N660YZ3KMTI8NG/cover_203.jpg Archive - Issue 203 September 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861648042-QIDW53HWXJ3ITTVXG38D/cover_202.jpg Archive - Issue 202 August 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481865933209-17LSWSR1Q09UWQHPQXC0/201+july+2007.jpg Archive - Issue 201 July 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481865935489-N6QAP641I3N9GIT2BMAG/Issue+200+June+2007.jpg Archive - Issue 200 June 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484530024415-U4ON9BXBEDHNAWFK2QPR/cover_199_image.jpg Archive - Issue 199 May 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484531184606-SMG4TAS8T6DLBBO8OD5X/cover_198_COVERIMAGE.jpg Archive - Issue 198 April 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484531846035-O14K3DFV97Y1AHC0E8J1/cover197_large.jpg Archive - Issue 197 March 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537021330-1G4MB1B3DDT8HUBMIMVY/cover_196_imagecover.jpg Archive - Issue 196 Summer 2006/07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538123324-C24M2KHYF82XXGWZ8SVV/cover_195_coverpage.jpg Archive - Issue 195 November 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539211775-81KGANUXI3CUT88G1QPX/cover_194image.jpg Archive - Issue 194 October 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540192333-H65UG77PARZAAHY5UGJU/cover_image.jpg Archive - Issue 193 September 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540889394-3BE5HH0ZJ13TW253Y1MI/cover192_300px2.jpg Archive - Issue 192 August 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488498931661-ELF55UVRXELWURNL5VTT/300pxcover191.jpg Archive - Issue 191 July 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488502499903-QHZHWXVF07DYVJ4UO6AE/cover_image_190.jpg Archive - Issue 190 June 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489105388069-GAKST5FH9VCPD6IUVABZ/cover_189_300px.jpg Archive - Issue 189 May 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107232576-6DEXLKLJFL36X9QNTS8X/cover_april_300px.jpg Archive - Issue 188 April 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109769378-NR15V6Q2SVUMUSIO7ID8/187Cover+big.jpg Archive - Issue 187 March 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109955939-RN7FM7O1VX6Y5P53OPRL/186DECCover.jpg Archive - Issue 186 Summer 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110664370-7FB08Z2BP7JUXAC3RSC3/185NOV.Cover.jpg Archive - Issue 185 November 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110665789-7784NGS88ZUVGB8S1HJY/184OCTcover.jpg Archive - Issue 184 October 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110757604-4YUJSWHIK2I2GSDSMLHL/183SeptcoverBig.jpg Archive - Issue 183 September 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110760890-YEGQKV5173EI9JAD8QMZ/182+Augus+Big.jpg Archive - Issue 182 August 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110762257-1AFOCOKGXFYSIRXENN09/181JulyBig.jpg Archive - Issue 181 July 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110881789-IN8S9FTJTE00ZSMCTKU8/180JuneCover.jpg Archive - Issue 180 June 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110883495-7HLGC041AJ4NQF0GW2WX/179MayCoverBig.jpg Archive - Issue 179 May 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110886747-CLYZ1WWL7VB212DCTTC4/178Aprilcover.Big.jpg Archive - Issue 178 April 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110891767-HPXKEJ03WIMV7NPLLDKO/177coverbig.jpg Archive - Issue 177 March 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110894587-MLRT9THKGVOWK88ZOL42/DecFebBig.jpg Archive - Issue 176 Summer 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329313924-77CCJTM4SR05CIIIQXIN/AMA+600+res+cover+175.jpg Archive - Issue 175 November 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329417786-LOKF76T5H9UYPS40TJ4F/AMA+600+res+cover+174.jpg Archive - Issue 174 October 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329588482-KEOYYVXO73TB32SA0FVT/AMA+600+res+cover+173.jpg Archive - Issue 173 September 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329839443-LLIT8Q3B48HKODXMEB5J/AMA+600+res+cover+172.jpg Archive - Issue 172 August 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490329977580-HBXNHNQEOCVNF4XUAYWN/AMA+600+res+cover+171.jpg Archive - Issue 171 July 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330213057-UMUBPPTTEEXJP4SGMX2P/AMA+600+res+cover+170.jpg Archive - Issue 170 June 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330368009-TM638DNGDSL8Q8U3UCSK/AMA+600+res+cover+169.jpg Archive - Issue 169 May 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330515184-6I4CSEHS718FTG2O1OVL/AMA+600+res+cover+168.jpg Archive - Issue 168 April 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330657307-E66VOKSL1SDDI4O6Z1R1/AMA+600+res+cover+167.jpg Archive - Issue 167 March 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490330787907-E8X91L3V5Z6VI22VO3QA/AMA+600+res+cover+166.jpg Archive - Issue 166 December 2003 - February 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331093025-9RP0QMN2L9NSPJ0OIBE0/AMA+600+res+cover+165.jpg Archive - Issue 165 November 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331247677-Y50ZY3H17T539KXGW5X3/AMA+600+res+cover+164.jpg Archive - Issue 164 October 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331396366-94SGBRSWCBB1I39Q3MMQ/AMA+600+res+cover+163.jpg Archive - Issue 163 September 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331550401-UZI1NEAOQV3LFYZIAQYK/AMA+600+res+cover+162.jpg Archive - Issue 162 August 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490331704064-LNAY8NYTEQ0T3XA9KFWA/AMA+600+res+cover+161.jpg Archive - Issue 161 July 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928251893-BH0XFMUMQNSH07QBM9DM/AMA+600+res+cover+160.jpg Archive - Issue 160 June 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491358310559-D0QSIGKY8DGDUXG3U7WI/AMA+600+res+cover+159.jpg Archive - Issue 159 May 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928424293-NYAVJSDNS4EP5WWPUS72/AMA+600+res+cover+158.jpg Archive - Issue 158 April 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928663585-1BC5GOJ0PRF1WYPK88YT/AMA+600+res+cover+157.jpg Archive - Issue 157 March 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928809692-RBO4IVQVTLGAVFSH88MU/AMA+600+res+cover+156.jpg Archive - Issue 156 December 2002 - February 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490928907198-MPIWZ50ULKJLXDSS4SDE/AMA+600+res+cover+155.jpg Archive - Issue 155 November 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929231755-8LH1IP7AJHYS5667V2FI/AMA+600+res+cover+154.jpg Archive - Issue 154 October 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929408386-KSGKNZC0FQVSK96X3R3W/AMA+600+res+cover+153.jpg Archive - Issue 153 September 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929589535-2B137CATRQPXHSGAPQBV/AMA+600+res+cover+152.jpg Archive - Issue 152 August 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929756785-OKNOA3FFTV1FT6XXZDLZ/AMA+600+res+cover+151.jpg Archive - Issue 151 July 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490929913938-T8XHO1AZ3CU0FNQT4Z1V/AMA+600+res+cover+150.jpg Archive - Issue 150 June 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930109573-2J6OM9HH92LSQL424NJU/AMA+600+res+cover+149.jpg Archive - Issue 149 May 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930328241-6ARBOLCK1AM75EHANMEF/AMA+600+res+cover+148.jpg Archive - Issue 148 April 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930495853-UPHG2ESDA4XE7RJ8UE7W/AMA+600+res+cover+147.jpg Archive - Issue 147 March 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930667496-QNADPFLUR93VCFIDDVP3/AMA+600+res+cover+146.jpg Archive - Issue 146 December 2001 - February 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490930823307-1SGQR9FKRD6G185QX0M9/AMA+600+res+cover+145.jpg Archive - Issue 145 November 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931051087-1H95GITCO2FHR8023GJI/AMA+600+res+cover+144.jpg Archive - Issue 144 October 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931217867-KSUPN2UXBHGF7V9OXVIG/AMA+600+res+cover+143.jpg Archive - Issue 143 September 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931406934-6QIW6T6YRIRYLLOKO8CN/AMA+600+res+cover+142.jpg Archive - Issue 142 August 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931617342-E2153I0US2LPP4HWN44T/AMA+600+res+cover+141.jpg Archive - Issue 141 July 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931749334-KYNDVYOQNRKOOCD44K0T/AMA+600+res+cover+140.jpg Archive - Issue 140 June 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490931824865-72RX6K3LX7L2PGKJMKZ3/AMA+600+res+cover+139.jpg Archive - Issue 139 May 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932040410-1X6N9MBLQT2Y0ZXA58XI/AMA+600+res+cover+138.jpg Archive - Issue 138 April 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932216923-AYID5KRA95DPZCUR82MM/AMA+600+res+cover+137.jpg Archive - Issue 137 March 2001 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932383215-PX98D8IVJWL5F3OI0TFU/AMA+600+res+cover+136.jpg Archive - Issue 136 December 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1490932623131-1EHXYCEY48AQ6G2QO2UJ/AMA+600+res+cover+135.jpg Archive - Issue 135 July 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977599230-LZZE9FRB5WEM9I4O16H1/300AMA+600+res+cover+134.jpg Archive - Issue 134 October 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977504986-SZJRWK7WQ0O01SWQGLOG/300AMA+600+res+cover+133.jpg Archive - Issue 133 September 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977435749-FEZV1FQREMKLYDDKYKSN/300AMA+600+res+cover+132.jpg Archive - Issue 132 August 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977273652-7POV0QWT7O9S8WNR284N/300AMA+600+res+cover+130%28131%29.jpg Archive - Issue 131 (130.2) July 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977669815-1UKFGX2BV65GZR0XYJ8F/300AMA+600+res+cover+130.jpg Archive - Issue 130 June 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977710353-LAK1GQI9B7HIBPU4R59R/300AMA+600+res+cover+129.jpg Archive - Issue 129 May 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977746435-TY1O09C3JPNP7MY7Z012/300AMA+600+res+cover+128.jpg Archive - Issue 128 April 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977794697-OHFEBETADD1JY5DMZQEI/300AMA+600+res+cover+127.jpg Archive - Issue 127 March 2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977834924-XLDHTPZZNBXK3RMO2IG0/300AMA+600+res+cover+126.jpg Archive - Issue 126 Summer 99/2000 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977889940-XLIC0HW4Z4T9C45SXW9V/300AMA+600+res+cover+125.jpg Archive - Issue 125 November 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977936625-601FFXKT4K90RQPYBSAP/300AMA+600+res+cover+124.jpg Archive - Issue 124 October 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491977981920-46TMD7ILT4OMQ9K5XGNY/300AMA+600+res+cover+123.jpg Archive - Issue 123 September 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491978138654-C6TXCLALXPQ3CBLOWYGL/300AMA+600+res+cover+122.jpg Archive - Issue 122 August 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1491978180640-1E6R7CWT8SBI5HJJ3A9P/300AMA+600+res+cover+121.jpg Archive - Issue 121 July 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646192669-G7V2I6GVG1H00OD8Y8PU/300AMA+600+res+cover+120.jpg Archive - Issue 120 June 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646239043-8HKYDY6IW0WWQIXYC7BD/300AMA+600+res+cover+119.jpg Archive - Issue 119 May 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1653532157160-USZMLT4R2XSBBJAODXCU/image-asset.jpeg Archive https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646286789-SQ005TGFEJIS5A0LTDBG/300AMA+600+res+cover+118.jpg Archive - Issue 118 April 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646368934-4H77BMKX40T4HTUSR8HX/300AMA+600+res+cover+117.jpg Archive - Issue 117 March 1999 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646452022-1IWVRSKL7YT3861TEV1H/300AMA+600+res+cover+116.jpg Archive - Issue 116 Summer 1998/99 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646566310-80X9V432NTIH23E0EMCZ/300AMA+600+res+cover+115.jpg Archive - Issue 115 November 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646602143-S9RUN8JNWZQTM0T90KGJ/300AMA+600+res+cover+114.jpg Archive - Issue 114 October 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646650665-NGUG1572PH4I5LGFUXEK/300AMA+600+res+cover+113.jpg Archive - Issue 113 September 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646699829-EZLNSKAHYR3DIW7VLK8K/300AMA+600+res+cover+112.jpg Archive - Issue 112 August 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646740055-6RA7TTC3RRVDVL9CV73K/300AMA+600+res+cover+111.jpg Archive - Issue 111 July 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646845234-9SUPRY0UCYOOI7PZOW77/300AMA+600+res+cover+110.jpg Archive - Issue 110 June 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646899733-SHFHI978BJ77FFZREY2Q/300AMA+600+res+cover+109.jpg Archive - Issue 109 May 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646941820-D655YTSCWUHCJWSK1VBN/300AMA+600+res+cover+108.jpg Archive - Issue 108 April 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492646981104-S2I749BP01X3G1JLDCPD/300AMA+600+res+cover+107.jpg Archive - Issue 107 March 1998 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647018558-KHUZPPHPH3QAODRAJYM6/300AMA+600+res+cover+106.jpg Archive - Issue 106 Summer 1998/97 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489705475703-4S85Y5PR3QSYIU5Y9LQG/AMA+600+res+cover+102.jpg Archive - Issue 102 August 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647059941-G8GS0MLTMSYPLJD0O495/300AMA+600+res+cover+105.jpg Archive - Issue 105 November 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647093474-SPMFZ8Z5SFODWX0P6TFT/300AMA+600+res+cover+104.jpg Archive - Issue 104 October 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492647474877-CUQE5L0COX9BE3L0NYHB/300AMA+600+res+cover+103.jpg Archive - Issue 103 September 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489705711836-KE0U9D1D3UPLM483AXGW/AMA+600+res+cover+101.jpg Archive - Issue 101 July 1997 https://www.artmonthly.org.au/issue-209-may-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479079524984-QUFRR6MJH6RKE39TQMVE/image-asset.jpeg Issue 209 May 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542831560807-UPIWM9FMV9ZNX6OETDRW/White-LARGE-background-300x150.jpg Issue 209 May 2008 1 Handle with care: 2008 Adelaide Biennial and Adelaide Festival Visual Art Program: MARGOT OSBORNE 2 Penumbra: Contemporary art from Taiwan, Samstag Museum of Art, University of South Australia: NICHOLAS JOSE 3 Adaptive Reuse Goes West: Casula Powerhouse & Carriage works: JEREMY ECCLES, Sydney 4 The Shock of the Independent: Imants Tillers and Tony Clark: ASHLEY CRAWFORD, Melbourne 5 On the Power & beauty of Political Art: FIONA FOLEY 6 Just about men: CHRISTOPHER CHAPMAN 7 Peter Alexander Tomory, 1922-2008: ELIZABETH CROSS 8 Whatever Happened to the Age of Art Criticism?: MICHAEL DENHOLM 9 Walking in Constable's Footsteps?: RICHARD WHITE 10 Why Paraguay? Australia in the Latin Mirror: KEVIN MURRAY 11 Stephanie Radok and Dick Richards: Julie Blyfield: ANNE BRENNAN https://www.artmonthly.org.au/issue-208-april-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479080202113-AGEDKEA6AHYV0D7U6R7U/image-asset.jpeg Issue 208 April 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542830604795-7BHUN196JCZX0IB9OCDX/image-asset.jpeg Issue 208 April 2008 1 Editorial LEFT: Jock Puautjimi (cast with Luna Ryan),Pukumani Pole, Arrow, 2004, kiln cast crystal, metal, rubber. RIGHT: Jock Puautjimi (cast with Luna Ryan), Pukumani Pole, Large Bird, 2006/07, kiln cast crystal, metal, rubber and recycled television screen. Installation view, Mamana Mamanta exhibition, Craft ACT: Craft and Design Centre, Canberra. Image courtesy the artists, Tiwi Design, Bathurst Island, and Craft ACT, Canberra. Photograph by Creative Image Photography. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479080592920-8KEYCTU900KJXMLMK5E6/627_l_BackTotheCity.jpg Issue 208 April 2008 2 Back to the City? the re-berth of coal: LISA SLADE & GERALDINE BOBSIEN Allan Chawner, Pasha wave, 2007, digital print. Collection Newcastle Region Art Gallery. First exhibited in Float: watercraft in art, Lake Macquarie City Art Gallery, 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479080721394-ECLJALMBFEOK1J59DK7W/image-asset.jpeg Issue 208 April 2008 3 Old Skool Rules and the Yearning for Roots: RIC SPENCER Soda_Jerk, Astro Black: A History of Hip Hop (Episode One), 2007. Courtesy the Penrith Regional Gallery and the Lewers Bequest https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479080787760-8ALMSF2SW3ES8FVGT57Q/image-asset.jpeg Issue 208 April 2008 4 Working on New Directions for the Arts: PETER ANDERSON Clifford Possum Tjapaltjarri (1932-2002),Warlugulong, 1977, synthetic polymer paint on canvas. National Gallery of Australia, Canberra. Purchased with the generous assistance of Roslynne Bracher and the Paspaley Family, David Coe and Michelle Coe, Charles Curran and Eva Curran 2007. © the estate of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479080889262-4OH037T5H8ZNQAH0ER4R/image-asset.jpeg Issue 208 April 2008 5 Postcard from KL & Jogja: HAYLEY WEST Hayley West, CAN (detail), 2007, still from performance DVD, from the exhibition Bangun - Abandon Project, 1 – 3 February 2008, Kuala Lumpur, Malaysia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479080966179-3ML346V8LJYNQVGQPTIV/image-asset.jpeg Issue 208 April 2008 6 Weaving around the traps: ANNA CLABBURN, Melbourne Alan Joshua Jnr, Fishing by the coast, 2008, acrylic on canvas. Courtesy the artist and Ngukurr Arts. Photograph by Steven Pam Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479081020957-F01KDPSEA4VCQ5JF4K3S/image-asset.jpeg Issue 208 April 2008 7 Jan Martin 1939 − 2008: CHRISTOPHER HEATHCOTE (l to r) Mayatil Marika and Banduk Marika with Jan Martin, 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479081102076-UGSJVCVCTBR4CXHIJBCV/image-asset.jpeg Issue 208 April 2008 8 The QCP: ongoing analysis and a constant receptivity, an interview with Maurice Ortega: ADAM GECZY Marian Drew, Crow with salt, 2003, Giclee print. Courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479081259699-8TUDO6BNUWJY9LY4DUQJ/image-asset.jpeg Issue 208 April 2008 9 Monument to Memory: Woomera in Australian contemporary art: VERONICA TELLO Rosemary Laing, Welcome to Australia, 2004, Type C photograph. Courtesy of Rosemary Laing and Tolarno Galleries, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479081308769-1E9YOHMXDTRDA11WMW2V/image-asset.jpeg Issue 208 April 2008 10 Breaking the Veils at Shepparton: JACQUI VERROCCHIO Laila Shaw (Palestine), Twenty Targets, 1994, silkscreen on paper. Collection of the Jordan National Gallery of Fine Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542830803211-L962QGLYD2RR41SL4YKN/image-asset.jpeg Issue 208 April 2008 11 The Repression of the Irrepressible: Mona Ryder’s Barcelona Twostep: NOLA FARMAN Mona Ryder, Lost Parcel, 2007, crutches, wheels, MDF and fake fur, wrapped parcel with stamps, shoes, red dyed stockings and metal cross. Courtesy the artist. Photograph by Benjamin Townsend Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479081702300-TWQ9PCU5IEDQ9CYMPADV/image-asset.jpeg Issue 208 April 2008 12 The dance of Carmencita: Flamenco and the Avant-garde: JUSTINE BAYOD ESPOZ Martin Ramon Durban Bielsa, Cafe Concert,1936. Oil on canvas. Courtesy Reina Sofia National Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542831128344-0TXLOS5GYF12XGMK3BWK/image-asset.jpeg Issue 208 April 2008 13 Book: The Formalesque: A Guide to Modern Art and its History BY Bernard Smith: RACHEL JESSIE-RAE O’CONNOR Book review: Bernard Smith: The Formalesque: A Guide to Modern Art and its History, Macmillan Art Publishing, Melbourne, 2007, 136 pages, $77 rrp https://www.artmonthly.org.au/issue-207-march-2008 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479081994503-RM1COAAHGWK5J3D0G2K5/image-asset.jpeg Issue 207 March 2008 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775326072-SI8503OV4KP0DSIH6K6K/image-asset.jpeg Issue 207 March 2008 1 From The Chair; New year, New editor: David Williams 2 Editorial: Maurice O’Riordan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082165298-9FLQQDRUV3TFNVOS6WOE/image-asset.jpeg Issue 207 March 2008 3 Andy Warhol: WESLEY HILL, BRISBANE Andy Warhol, Skull, 1976, Acrylic and silkscreen ink on linen, The Andy Warhol Museum, Pittsburgh Founding Collection, Contribution Dia Center for the Arts © The Andy Warhol Foundation for the Visual Arts, Inc https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082241285-L8ZNB1SMW0YZ0LRMLEHV/image-asset.jpeg Issue 207 March 2008 4 Political Kunst - Postcard from Germany, JENNY FRASER Beds at concentration camp, Dachau, 2008. Photograph by Jenny Fraser https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082271007-4LV9AWBD40M6E8R4PEBA/image-asset.jpeg Issue 207 March 2008 5 Sigmund Freud’s Collection: DIANA SIMMONDS, Sydney Edmund Engelman, View of the writing desk in the study (detail), 1938, silver gelatin print. Courtesy Thomas Engelman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082305694-TNKMUB2I2J7IGOAL66TH/image-asset.jpeg Issue 207 March 2008 6 Rarrk – London: JEREMY ECCLES Ground view of the Level 3 room at the Bargehouse Gallery with barks by John Mawurndjul (front left) and Timothy Wulanjbirr. Courtesy Maningrida Arts and Culture and Josh Lilley Fine Art. Photograph by Sam Green https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082376889-TFV2DT2RRK6X1CB6IRPW/618_l_stretton3.jpg Issue 207 March 2008 7 Andrea Stretton (1952 – 2007): BILL WRIGHT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775405444-BMRC1GZL2HYLC3DO4DZJ/image-asset.jpeg Issue 207 March 2008 8 ‘We mean business’: John Stringer (1937 – 2007): FRANCES LINDSAY John Stringer, at the opening of Australian Impressionism at the National Gallery of Victoria (NGV), March 2007. Courtesy NGV https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082543003-WDUXB55M6RGWA0OPPG7L/620_l_PeepLG.jpg Issue 207 March 2008 9 Peep — TarraWarra Museum of Art: ANDREW GAYNOR Cecile Williams, Peep (detail), 2001, paper, cardboard, cellophane, string, glue and adhesive tape (dioramas), flattened heavy cardboard, pine stud panels, halogen lights, transformers, electric fan, electric cable, insulation tape, construction adhesive, heavy grade staples. Kerry Stokes Collection, Perth, © Cecile Williams, 2001. Courtesy the artist. Photograph by Adrian Lambert, Acorn Photo Agency, Perth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082635593-8FE5UQG6LDZTD5GZWFNE/image-asset.jpeg Issue 207 March 2008 10 Letter: Masters of the Dancing Brush: Peter Upward 1932 – 1983: PENELOPE UPWARD Peter Upward in his Brougham St studio, Woolloomooloo, Sydney, 1961, before his painting New Reality (now in the Art Gallery of NSW). An old friend, Howard Smith, owned this place https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775583739-QSK1R2YSKK9LZFFDHSX6/image-asset.jpeg Issue 207 March 2008 11 South Korea, democracy and art, EN YOUNG AHN Kim Joon, tattooress-stitch, 2005, C print. Courtesy and collection of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082739644-41FPFPTUMWSC5L35Y16Z/image-asset.jpeg Issue 207 March 2008 12 To see or not to see: is that the question? John Hayward at the South Australian Museum: RAY TYNDALE, Adelaide John Hayward, Mouse cutter, 2007, computer mouse, kangaroo bone (scapula). Photograph by Michal Kluvanek https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082784651-OEGC2Z6CVD6ZK4SWQXBR/image-asset.jpeg Issue 207 March 2008 13 South light: JUDE RAE Jude Rae, Victoria Chambers, installation view, Silvershot, Melbourne, 2006. Courtesy of the artist and Helen Maxwell Gallery, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082834439-6P2Z9WLQCLZN2ARHY6E7/image-asset.jpeg Issue 207 March 2008 14 Diary of a Fortunate Man: Ray Cook photographs: ANNE KIRKER Diary of a Fortunate Man: Ray Cook photographs, Queensland Centre for Photography, Brisbane, 2007, 72 pages, $55 rrp https://www.artmonthly.org.au/issue-206-summer-decfeb-2007 daily 0.75 2018-11-21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479082949678-2P9MXD0Y4S4WLGQ1PGZR/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775044014-9VLQE6HQSA3KPGB92Z12/White-LARGE-background-300x150.jpg Issue 206 Summer Dec-Feb 2007 1 From the chair: David Williams 2 From the editor: Christopher Chapman https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479083583589-HXQQA0YTN2SPFIY342ON/599_l_culturewarriers.jpg Issue 206 Summer Dec-Feb 2007 3 Culture Warriors, the inaugural National Indigenous Art Triennial: CARLY LANE, IAN MCLEAN AND JOHN CARTY, Canberra Maringka Baker, Pitjantjatjara people, Kuru Ala, 2007, acrylic on canvas. National Gallery of Australia, Canberra. © Maringka Baker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479083603440-APGLICC7DDYAM4CNVNCR/602_l_togart.jpg Issue 206 Summer Dec-Feb 2007 4 Confessions of a boot scooter: The Togart Contemporary Art Award (NT): MAURICE O’RIORDAN, Darwin Chayni Henry, Stories from the city, stories from the sea, 2007, acrylic on board https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775098715-G8VI7DS5G5LZDQDK6SE9/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 5 Marie Hagerty and Derek O’Connor: MATTHEW HOLT, Canberra Marie Hagerty, Joker, 2007, collage. Courtesy of the artist and Tim Olsen Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479083702634-K3IJK0NKBFXB8YSZ5HY1/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 6 Panic Attack! Art in the Punk YearS: EVE SULLIVAN, London David Lamelas, From The violent tapes of 1975, 1975, single image from a set of ten black and white photographs. Courtesy Galerie Kienzle & Gmeiner GmbH, Berlin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775140250-VP2DQ6SFY4J1GKEECQ9Y/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 7 Super Bodies: Heroic Fashion from the 1980s: SALLY GRAY, Melbourne Norma Kamali, New York (fashion house), Norma Kamali designer, Evening dress, autumn-winter 1977, polyester jersey. National Gallery of Victoria, Melbourne. Purchased NGV Foundation, 2006. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775792201-I6M9LUL0YGU38UQ1IQZG/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 8 Portraits by John Brack: RONALD MILLAR, Canberra John Brack, Second daughter, 1954, drypoint. National Gallery of Australia, Canberra. © Helen Brack https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775832229-WPTBDWOO1HG5OSUYMB8N/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 9 Owen Gower Lade 1922–2007: big artist in a small city: DANIEL THOMAS Owen Lade, Yours Sincerely, 1988, oil on board. Collection of Luke Wagner, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542775861629-V34G7I1ICQQM31XBDT54/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 10 Te Huringa / Turning Points: Pakeha colonisation and Maori empowerment: ALICE TE PUNGA SOMERVILLE & TERESIA TEAIWA, Wellington C. F. Goldie, Kapikapi, 1909, oil on canvas. From the Fletcher Trust Collection, Auckland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542776147419-Q3PXJJINTXOCSK223ISC/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 11 Silent witnesses: TO HIRAM G.O.D. billboard, Causeway Bay, Hong Kong. Photograph by TO Hiram https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542776479104-3DLNHW9XN4451B7IR0CY/610_l_ferris.photobook.jpg Issue 206 Summer Dec-Feb 2007 12 Book review: Photography: Art Gallery of New South Wales Collection Edited by Judy Annear: DENISE FERRIS Photography: Art Gallery of New South Wales Collection Edited by Judy Annear, Art Gallery of New South Wales, Sydney 2007 $45 rrp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1479083958215-SYUB4997BJGRW3QNXP9N/image-asset.jpeg Issue 206 Summer Dec-Feb 2007 13 Book review: Uncommissioned Art: The A-Z of Australian Graffiti by Christine Dew: RACHEL JESSIE-RAE O’CONNOR Uncommissioned Art: The A-Z of Australian Graffiti, Christine Dew, The Miegunyah Press, Melbourne University Publishing, Melbourne, 2007 $39.95 rrp https://www.artmonthly.org.au/issue-294-november-2016 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1477876934297-M5STF6LFESGEORB7XTMT/image-asset.jpeg Issue 294 November 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478064264714-WBM1F79V0XNJ05SCD14S/image-asset.jpeg Issue 294 November 2016 1 Dispatches: hive of hybridity; designs on canberra refreshing the drill: Andrew Stephens Katy Mutton, In plain sight, 2016; image courtesy the artist and Contour 556 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478062302530-30P4GXQQG9XJO6ZGF5ZE/unspecified-3.jpeg Issue 294 November 2016 2 Small, medium and national: Capital art cultures: Jay Kochel, Canberra 2°, exhibition view, Canberra Contemporary Art Space (CCAS), Gorman Arts Centre, Canberra, July–August 2016, featuring the work of Daniel Bonson, GW. Bot, David Buckland, Søren Dahlgaard, Jacky Green, Annika Harding, Timothy James Johnson and Andrew Styan; image courtesy CCAS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478062385802-DFWK366WE2TIK9M11808/image-asset.jpeg Issue 294 November 2016 3 Linking time, distance and peoples: Aboriginal and Torres Strait Islander art in the capital: Tina Baum, Canberra Yhonnie Scarce, Thunder Raining Poison, 2015, glass, wire, metal armature; National Gallery of Australia, Canberra, purchased 2016; photo: Janelle Low https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478063451252-Y2YCRTW7LC09CNJFRFPX/image-asset.jpeg Issue 294 November 2016 4 Backyard and back room conversations: Raquel Ormella, Canberra Natalya Hughes: Woody, exhibition view, The Garage Gallery, 34 Longstaff Street, Lyneham, March 2016; photo: Nicholas Shearer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478062586522-VUB54LKXPZAXD8N09AD7/image-asset.jpeg Issue 294 November 2016 5 Textual poetics in this small corner: Caren Florance, Canberra Geoff Hinchcliffe, DaDa Visualisation, 2014, thermal receipt printer, paper, website, dimensions variable; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478062709568-3GJZ0M9RYR64NYVWP55H/image-asset.jpeg Issue 294 November 2016 6 The Uniform Project: Saluting artistic endeavor: Yolande Norris, Canberra Alison Alder, The Uniform Project (af Klint/Waller), 2016, screen-print on cotton drill, wooden buttons, woven wool embellishment by Dan Edwards; image courtesy the artist; photo: Julia Boyd https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478062907039-JAVTRYASTVFXINWQPZMV/unspecified-2.jpeg Issue 294 November 2016 7 On reflection and collaboration: The Anzac Centenary Print Portfolio: Brett Graham, Auckland Brett Graham, Bury my patu, 2015, woodblock relief printed in black ink from one block; etching and opening bite printed in graphite ink from one copper plate; screenprint printed in white ink from one screen on paper; 76 x 56 cm, edition of 20; commissioned by the Australian War Memorial (AWM) in 2015; Image courtesy the artist and the AWM, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478062942524-7BVM5YTGJNMPBIIX0WWW/image-asset.jpeg Issue 294 November 2016 8 Driving around bad water: Rowan Conroy, Canberra Joseph Lycett, View of Lake George, New South Wales, from the North East, c.1820, watercolour, 20.7 x 28.6cm; Australian National Library, Canberra, PIC Drawer 762 #R8736 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478063625130-25UXNV1QFFQ6X943I0FI/image-asset.png Issue 294 November 2016 9 Landscapes of the mind: Michael Taylor at CMAG: Michael Desmond, Canberra Michael Taylor, Bones, Eden, 1983, oil on canvas, 183 x 229cm; private collection, Bowral; photo: Rob Little https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478063756930-EXJ9OI5RT0HWLFDDQ5U9/image-asset.jpeg Issue 294 November 2016 10 Shaping culture: Conversations on craft and design with Robert Bell: Patsy Hely, Canberra Marion Mahony Griffin, Walter Burley Griffin and H. Goldman Manufacturing Company, Café Australia chair, 1916, blackwood, plywood, leather, 96 x 47cm; National Gallery of Australia, Canberra, purchased 2015 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478063885336-PXPN99SDRJN2056Y4HNA/image-asset.jpeg Issue 294 November 2016 11 Robert Foster 1962 – 2016: Anne Brennan, Canberra Robert Foster with his F!NK Droplet Hanging Light, 2011; thermoformed acrylic, electrical components, ceiling plate, 60 x 3cm; image courtesy the estate of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1478064000444-Z9ZOZRTSU5HX6YRQMX6X/image-asset.jpeg Issue 294 November 2016 12 Klaus Moje AO 1936 – 2016: Nola Anderson, Canberra Klaus Moje, Ceremonial Dance Formation, 1985; Museum Kunstpalast, Düsseldorf; photo: Klaus Moje https://www.artmonthly.org.au/issue-205-november-2007 daily 0.75 2018-11-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858818175-7JHYJH0V2VUO9AYRS0BT/image-asset.jpeg Issue 205 November 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858855321-DFZ8C139WVB6YBD0OFF7/image-asset.jpeg Issue 205 November 2007 1 The Guggenheim Collection: MICHAEL DESMOND, Melbourne Sarah Anne Johnson, Boy in the field, 2002, chromogenic print. Solomon R. Guggenheim Museum, New York. Purchased with funds contributed by Pamela and Arthur Sanders; the Harriett Ames Charitable Trust; Henry Buhl; the Heather and Tony Podesta Collection, Falls Church, VA; Ann and Mel Schaffer; Shelley Harrison; and the Photography Committee, 2005. © Sarah Anne Johnson, courtesy of Julie Saul Gallery, New York https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858911606-0YM27Z5K6LZPTHCML78A/image-asset.jpeg Issue 205 November 2007 2 Epiphanic uncertainties: Mystic Truths in Auckland: JOHN HURRELL Mungo Thomson, The true artist helps the world by revealing mystic truths (12 step), 1999, ink on holographic vinyl. Courtesy of the artist and Margo Leavin Gallery, Los Angeles, and John Connelly Presents, New York. Photograph by Althea Thauberger https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481858942893-HMQ5SEQV2WNKB9AY00AM/image-asset.jpeg Issue 205 November 2007 3 Some meditations on death and dying: Reveries: Photography & Mortality: JOHN THOMPSON, Canberra Anne Noble, In my father’s garden, 2001, single image from an installation of six monochrome type C photographs and two concertina books of monochrome type C photographs. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749642967-ZEG3159W2WG2ASGDKM18/image-asset.jpeg Issue 205 November 2007 4 Peter Upward: The frozen gesture: CHRISTOPHER DEAN Peter Upward, October Still, 1962, PVA on board. Laverty Collection, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749669921-L2CZFR8C08593SNAAKL5/image-asset.jpeg Issue 205 November 2007 5 Book: Our Way: Contemporary Aboriginal Art from Lockhart River by Sally Butler: SUSAN REID Sally Butler, Our Way: Contemporary Aboriginal Art from Lockhart River, University of Queensland Press, 2007 136 pp $80 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859044979-TCNB4P71OCMIM0IW61EW/image-asset.jpeg Issue 205 November 2007 6 Increase your uncertainty: A Constructed World: NATALIE KING, Melbourne A Constructed World, stills from DVDs screened in the ‘dance room’. Clockwise from top left: Truck dance, 2007, Eye burn, 2006 (with choreographer João Saldanha), Sincere (death dance), 2005, Big dirty death drive, 2006-07 (soundtrack by Ali Perret), Ecstatic Torino, 2004. Courtesy of Uplands Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749710942-XQ0NNKLJ2V8LXAOUIQJV/image-asset.jpeg Issue 205 November 2007 7 Letter from Istanbul AES+F, Last Riot – Last Riot 2, 2005-07, digital photograph on canvas. Detail of installation at Antrepo No.3. Photograph by Gina Fairley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859162117-Z1YFHFXUG6Z3K6XOY7D9/image-asset.jpeg Issue 205 November 2007 8 aberhart by Gregory O’Brien, Justin Paton, Laurence Aberhart AND SUE GARDINER aberhart, Gregory O’Brien, Justin Paton, Laurence Aberhart, Victoria University Press, Wellington, New Zealand 2007 NZ$125 rrp 9 Letter: Confusions in copyright: a comment on Adam Geczy’s adventures in image permissions: Peter Anderson 10 Letter: A truly national gallery?: Scott Redford https://www.artmonthly.org.au/issue-204-october-2007 daily 0.75 2018-11-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859656850-8Y2RNTUFX8OX8JC1SWDA/image-asset.jpeg Issue 204 October 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859681934-XQI38DKOL9MPAJVUFJ80/image-asset.jpeg Issue 204 October 2007 1 Prizes and politics: The 24th National Aboriginal & Torres Strait Islander Award: BELINDA SCOTT, DARWIN Dennis Nona (Kal-lagaw-ya language, Badu and Saibai Island, Torres Strait, Qld homeland), Ubirikubiri, cast bronze https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859751585-6HMOTX8C0MKTCZWT3U51/image-asset.jpeg Issue 204 October 2007 2 A tribute to Ingmar Bergman and Michelangelo Antonioni: ADRIAN MARTIN Ingmar Bergman and Michelangelo Antonioniat work https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859780758-TLZ2EP66Z0EKKCK05IGP/image-asset.jpeg Issue 204 October 2007 3 Sixteen artists: Excerpts from a European diary, June 2007: Bill WRIGHT & HILARIE MAIS Ai Weiwei, Template, installation of found wooden windows and doors, in Documenta 12, Kassel https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859811354-QWIOCDYVBS51Q2MH7Z85/image-asset.jpeg Issue 204 October 2007 4 Snap freeze: Still life now in the Yarra Valley: HILARY MADDOCKS John Scurry, Still life with Helmut and juggling batons, 2006, oil on linen, collection of Nick and Anne Lolatgis, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859854580-4HJL2BIKZ3C998UHVQIB/image-asset.jpeg Issue 204 October 2007 5 Psychogothical: ASHLEY CRAWFORD Ben Armstrong, Conflict, 2003-05, mixed media, courtesy the artist and Tolarno Galleries, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481859888884-S04MWQ5FBUNHKWMBVVPU/image-asset.jpeg Issue 204 October 2007 6 Aura: A twenty-first century tour of Lake George; altered relations in speed and its affect: ANN FINEGAN John Conomos, Still from Aura, 2003, video installation, 13 mins https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860017709-AK0E7PKE02WQ2ZMBAZQP/image-asset.jpeg Issue 204 October 2007 7 Dear Hilary https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860038523-NZWQRQHBLGMZYSVQL1YA/image-asset.jpeg Issue 204 October 2007 8 Something to smile about in Beijing: CLAIRE ROBERTS Zhang Wei, The Hall of Supreme Harmony, [Forbidden City], 1976, oil on paper. Reproduced courtesy Zhang Wei https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860070114-0SKMOAAGBWAIR1GX81C7/image-asset.jpeg Issue 204 October 2007 9 Adventures in image permissions: ADAM GECZY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860092538-X37IU7N8H398PZT1JZA8/image-asset.jpeg Issue 204 October 2007 10 Strange fruit: Testimony and memory in Julie Dowling’s portraits: KATE SANDS, Melbourne Julie Dowling, Aunties with cards, 1999, synthetic polymer paint, red ochre and gold on canvas, Hyphema Collection, Perth 11 Letter: This (patronised) art life https://www.artmonthly.org.au/issue-203-september-2007 daily 0.75 2018-11-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860357317-AX0P5IYYLDOC408X5FLP/image-asset.jpeg Issue 203 September 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749227237-WN5YK6WV6Q5KY3Z2UXZO/image-asset.jpeg Issue 203 September 2007 1 Ecstasy and melancholy from the Masters of emotion at the Mornington Peninsula Regional Gallery: Victoria HUGH HUDSON Louise Bourgeois, St Sébastienne, 1992, drypoint, edn 36/50, private collection, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860426701-2Q0ITJDYQVHVTYWXSFNR/image-asset.jpeg Issue 203 September 2007 2 The arts of Islam: Treasures from the Nasser D Khalili CollectioN: MICHAEL DESMOND, Sydney Part 8 of a 30-part Qur’an, Iran, perhaps Azerbaijan, c. 1175-1225 AD, ink, gold and opaque watercolour on paper, 92 folios, 3 lines to the page https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860461073-D441KWMC77U2W4TQKSLR/image-asset.jpeg Issue 203 September 2007 3 Kant in a lab coat: Visual Animals: MARGOT OSBORNE, Adelaide Erica Seccombe, Cephalopoda nano-plastica, 2006, microcomputed x-ray CT data https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860496169-WW4RU6Q48F2ZK19QZ1A1/image-asset.jpeg Issue 203 September 2007 4 Katharina Grosse’s Picture park: CHRISTOPHER CHAPMAN, Brisbane Katharina Grosse, Picture park, 2007, installation at the Gallery of Modern art, Brisbane (detail). Photo John Gollings https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860529653-K40TPAKI4PQ5U5TCX6HO/image-asset.jpeg Issue 203 September 2007 5 Kitty Kantilla: MARIELLE SCHWERIN, Melbourne Kutuwalumi Purawarrumpatu Kitty Kantilla, Tiwi, Untitled, 2002, earth pigments on canvas, private collection, NSW. © The artist’s estate, courtesy of Jilamara Arts & Crafts 6 Interference problems? Comments on the recent reception of Howard Arkley: JOHN GREGORY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749362280-J2GD0UJ9TEY0IBKHS7OJ/image-asset.jpeg Issue 203 September 2007 7 The battle of the Bogside Artists in Derry, Northern Ireland: CHRIS HOLMES Bogside Artists, Bloody Sunday, 1997, mural, Bogside, Derry https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749388063-U615YU0B8TLEGY9O1JVL/576_l_installationSeoul.jpg Issue 203 September 2007 8 Letter from Seoul: VERONICA TELLO Nam June Paik, The more the better, 1988, three-channel video installation with 1003 monitors and steel structure, colour, sound https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481860669330-C1ZFX4RW9CJF9Q47O8AI/image-asset.jpeg Issue 203 September 2007 9 A tribute to Eric Westbrook 1915–2005: GERARD VAUGHAN Eric Westbrook. Courtesy of the National Gallery of Vicotria https://www.artmonthly.org.au/issue-202-august-2007 daily 0.75 2018-11-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861086184-2RN0N2ANV8Q32P3L97OZ/image-asset.jpeg Issue 202 August 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748938270-BCIMQSX6O109ADJRKOHI/image-asset.jpeg Issue 202 August 2007 1 STOP PRESS; Arrivals and departures, Dear departed, Reconciling and spending https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748967250-1YDNBFMPUPTF5L60H6AX/image-asset.jpeg Issue 202 August 2007 2 Gilbert & George: Larger than life: EVE SULLIVAN, London Gilbert & George, Death, from Death Hope Life Fear, 1984. Tate Gallery, London. Copyright the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748990839-QVOKY50SFFUW1ZDSP6GF/image-asset.jpeg Issue 202 August 2007 3 ‘But this is about them, not me’: Brook Andrew: Eye to eye: DAVID HANSEN, Melbourne Brook Andrew, Sexy & dangerous 1, 1996, duraclear mounted on acrylic. Courtesy of the artist and Tolarno Galleries, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749027292-QZ0WO6Z4R0CGG0UPIXNZ/image-asset.jpeg Issue 202 August 2007 4 BOOK REVIEW: Tony Tuckson, TIM FISHER Tony Tuckson, Geoffrey Legge, Renée Free, Daniel Thomas and Terence Maloon Watters Gallery for Craftsman House, an imprint of Thames & Hudson, 2006 [new, revised and updated edition] 204 pp $80.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861324690-IZQ0NEZI1IVV4ISEQ91Y/image-asset.jpeg Issue 202 August 2007 5 BOOK REVIEW: Albert Tucker, CHRISTOPHER HEATHCOTE Albert Tucker, Gavin Fry, Beagle Press, 2006 distributed by Peribo 252 pp $120 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749072521-17LYQFODYPU1B8EQULAU/image-asset.jpeg Issue 202 August 2007 6 BOOK REVIEW: This is not a photograph BY Pat Brassington, SHAUNE LAKIN Pat Brassington: This is not a photograph, Anne Marsh, Tasmanian Monograph series, Quintus Publishing, 2006 64 pp $39.95 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749116386-7EHSYO0BDK2PYUNZBRWW/image-asset.jpeg Issue 202 August 2007 7 Michael Callaghan: A survey 1967-2006: KATIE DYER, Wollongong Michael Callaghan, If the unemployed are dole bludgers?, 1979, silkscreen print. Michael Callaghan, Redback Graphix. Client: Steel City Pictures, Wollongong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542749141168-MOTH6Q7D4EW6C1MPRTYT/image-asset.jpeg Issue 202 August 2007 8 Making space: Artist-run initiatives in Victoria: Words on the program, publication and surrounding issues: RACHEL JESSIE-RAE O’CONNOR Kate Just, Winter, Summer, from her exhibition Wallflower, at The Dolls House, 108 Miller Street, Preston, 8 to 25 May https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861461243-5DRJ9LFR1XQJ96C25YEB/image-asset.jpeg Issue 202 August 2007 9 BOOK REVIEW Interzone: Media Arts in Australia & Prefiguring Cyberculture: An Intellectual History BY Darren Tofts: RUSSELL SMITH Craftsman House, an imprint of Thames & Hudson, 2005 143 pp $39.95 RRP, Prefiguring Cyberculture: An Intellectual History, Darren Tofts, Annemarie Jonson and Alessio Cavallaro (ed), Power Publications, 2002 322 pp $54.95 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481861502533-QA6R7TDW1625ASV1XBDH/image-asset.jpeg Issue 202 August 2007 10 BOOK REVIEW: At a Distance: Precursors to Art and Activism on the Internet BY Annmarie Chandler and Norie Neumark (ed): MELINDA RACKHAM The MIT Press, 2005 496 pp $37.95 RRP https://www.artmonthly.org.au/issue-201-july-2007 daily 0.75 2018-11-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481862112124-JXRXTGPYQI6OF8OXSE9H/image-asset.jpeg Issue 201 July 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542578792808-B580CZALRLEXQSLNAZWN/default-1.jpg Issue 201 July 2007 1 Editorial Deborah Clark 2 Stop Press; Going Dutch, In Britain, Australian living treasures, Running AFTRS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542579051176-6YAC551QSP3ATXZ8DWLO/image-asset.jpeg Issue 201 July 2007 3 Hall of mirrors: Anne Zahalka portraits 1987-2007: OLIVIA POLONI, Melbourne Anne Zahalka, The girls #2, 2007, type C photograph https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542578918756-GY6ENLSUGKC1M2U4DVRJ/image-asset.jpeg Issue 201 July 2007 4 Hany Armanious: Morphic resonance: ALISON KUBLER, Brisbane Hany Armanious, Selflok, 1994-2001, hotmelt, mixed media. The Govett-Brewster Art Gallery Collection. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542578902543-DR0FEMH2EWV8MEEARF8U/image-asset.jpeg Issue 201 July 2007 5 Winners are grinners, Perth David Griggs, Gacy habitat, 2005, synthetic polymer paint on canvas, installation view at the Perth Institute of Contemporary Arts. Courtesy of the artist and Kaliman Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542578863082-1FW5OTE99I1D6P80BZ8F/image-asset.jpeg Issue 201 July 2007 6 Letter from New York: DENISE GREEN Sol LeWitt, Curved wall with towers, 2005. Madison Square Park, New York. Courtesy of the Madison Square Park Conservancy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748808957-78BZP9301LSV6BMFK63H/image-asset.jpeg Issue 201 July 2007 7 The Idea, the Universal and the global: two days in Paris: IAN MCLEAN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748830781-6QANW1HEKAVD28QTLNNN/image-asset.jpeg Issue 201 July 2007 8 Mixed commotions: Turbulence: the 3rd Auckland Triennial: JOHN HURRELL Julian Hooper, Liliu (detail), 2006, various media on paper. Courtesy of the artist and Ivan Anthony Gallery, Auckland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748854185-LG83HJSHHY4JDL4Y5S9T/image-asset.jpeg Issue 201 July 2007 9 Urs Fischer: a surprising twist on Cockatoo Island: GINA FAIRLEY, Sydney Urs Fischer, Installation (detail), 2007, Cockatoo Island, Sydney. Courtesy of the artist and Kaldor Art Projects. Photo Jenny HarE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748881067-NNRFACWI5ICDKM9A5ZQE/image-asset.jpeg Issue 201 July 2007 10 Leigh Hobba – The space of presence in Hobart: BEC TUDOR Leigh Hobba, Still from This is a song about Hobart and some of the people who live here, 1982, performance, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542748907316-B6AZ21HKTICTP36ZW3WX/image-asset.jpeg Issue 201 July 2007 11 The king of quirk: Stephen Birch: Looking out my back door: ADAM GECZY, Sydney Stephen Birch, Untitled, 2005, fibreglass, polyurethane, acrylic, oil paint, hair, two parts. Photo Stephen Birch https://www.artmonthly.org.au/issue-200-june-2007 daily 0.75 2018-11-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481862738611-P9TTTFVC1N860QBXYFCV/image-asset.jpeg Issue 200 June 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541552148695-X7H6VWVFABV6ZNTEXBDK/image-asset.jpeg Issue 200 June 2007 1 EDITORIAL: DEBORAH CLARK 2 STOP PRESS; GRAB ME A GONDOLA, AND WHILE IN EUROPE... BY INVITATION https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541552179186-V0MV3HKEGTDWUQ5JHK0F/image-asset.jpeg Issue 200 June 2007 3 Howard Arkley: CHRISTOPHER CHAPMAN, Sydney Howard Arkley, Suburban interior, 1983, synthetic polymer paint on canvas. Museum of Modern Art at Heide, Melbourne, the Baillieu Myer Collection of the 80s https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541552199515-8VU7WX7WHFV2WQIAVBUN/image-asset.jpeg Issue 200 June 2007 4 The shadow economy: JUSTIN PATON Euan Macdonald, Richard Pryor billboard, 2005, ink on paper. Courtesy of the artist, Darren Knight Gallery, Sydney, and Cohan and Leslie, New York https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541552238207-CIE6BX17MR4WAD4T8Z90/image-asset.jpeg Issue 200 June 2007 5 Rarrking the sky: HETTI PERKINS Exterior of the Musée du quai Branly, Paris, showing installations by Ningura Napurrula, (Untitled (Wirrulnga) 2005), Gulumbu Yunupingu (Garak, the universe 2006), and Tommy Watson (Wipu rockhole 2005). Photo Peter Lonergan 6 Arts policies: Where the bloody hell are you?: ROWANNE COUCH https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542577762684-CMNFRHY1S82QCWGBJPUF/image-asset.jpeg Issue 200 June 2007 7 Impressions of AustraliA: MICHAEL ROSENTHAL Frederick McCubbin, The city’s toil, 1887, oil on canvas. Famdal Collection, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542578139825-ORYGRXDNVZDGVOEBVQSZ/image-asset.jpeg Issue 200 June 2007 8 Time capsules: KATE DAVIDSON Susan Bright Art Photography Now Thames and Hudson, London, 2005 224 pp $79.95 Isobel Crombie Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund National Gallery of Victoria, Melbourne, 2006 111 pp $49.95 hb, $34.95 pb RRP Daniel Palmer (ed.) Photogenic: Essays/Photography/CCP 2000-2004 Centre for Contemporary Photography, 2005 103 pp $20 non-members/$15 members https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542578360641-LPYULLI1YLV7FRHIUPDP/image-asset.jpeg Issue 200 June 2007 9 BOOK REVIEW: Joan Kerr: A Pictorial BiographyY: JOHN THOMPSON Prepared to accompany Joan’s papers to the National Library of Australia, 156pp $55.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481863328520-X867ARSWY1O6VRQISR8C/image-asset.jpeg Issue 200 June 2007 10 Australian gargoyleS: KYLA WARD Unknown artists, Gargoyles at the University of Sydney. Courtesy of the University of Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1542578396486-H5J1VR34GH7J6E24IVY0/image-asset.jpeg Issue 200 June 2007 11 Queensland enlightenment: DANIEL THOMAS Lynne Seear & Julie Ewington (eds), Brought to Light II: Contemporary Australian Art 1966–2006 from the Queensland Art Gallery Collection Queensland Art Gallery Publishing, 2007, 492pp $112.50 hb, $85.00 pb https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1481863423845-VO7BQV92TGOQ1ZXS5TOH/image-asset.jpeg Issue 200 June 2007 12 The intersubjective space of visual art: GAIL HASTINGS Gail Hastings, missing walls: bureaucracy at work, 2007, oil paint on plywood, watercolour on silk, framed watercolour and lead pencil on paper. Courtesy and copyright of the artist. From the exhibition ‘I LOST MY BALANCE YESTERDAY, MY MIND IS REALLY BEGINNING TO SLIP’ (OVERHEARD CONVERSATION, WHARF 2, CIRCULAR QUAY, SYDNEY, 6 JUNE 1999): SCULPTURAL SITUATIONS BY GAIL HASTINGS, Level 2 Contemporary Project Space, Art Gallery of New South Wales, 2007. Photo Diana Panuccio https://www.artmonthly.org.au/issue-199-may-2007 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535693694-SJ2Z3HG3PZPJK6E3Z9RU/image-asset.jpeg Issue 199 May 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535712938-6FZ4JXUB0M8Z3ABCT1IZ/image-asset.jpeg Issue 199 May 2007 1 Squaring the circle: Janet Dawson Survey 1953-2006: MICHAEL DESMOND, Canberra Janet Dawson, Cloud over Barry’s Hill, 2000, oil on canvas. Collection of the National Gallery of Australia, Canberra. ©Janet Dawson. Licensed by VISCOPY, Australia, 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535731905-Q4Y5VW4WAYIXF0DFVTCK/image-asset.jpeg Issue 199 May 2007 2 Eyes, lies and illusions: MARTYN JOLLY, Melbourne Lantern of fear, in Gulielmo Jacobo’s Gravesande, Physices Elementa Mathematica, Geneva, 1748 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535748556-3J7LZXE27TQFCGHY4RMM/image-asset.jpeg Issue 199 May 2007 3 Book review: Ian Potter: A Biography, Peter Yule: ROBERT DINGLEY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535768614-OEB2X0C4MTB57NHSKKFI/image-asset.jpeg Issue 199 May 2007 4 Book Review: Art Works: Place, Tacita Dean and Jeremy Millar: MARCO MARCON https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535785987-XDVG5SJFI6PFAIL1AN5J/532_l_whitehouse.jpg Issue 199 May 2007 5 Hope in white ruins: NIKOS PAPASTERGIADIS Video still from Lida Abdul, White house, 2005, 16mm film transferred to video. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535801376-4QO0XCFCWT0E682E4LUF/533_l_winikof.jpg Issue 199 May 2007 6 Asian art alpha waves: TAMARA WINIKOFF Tamara Winikoff conducting a forum at the Zendai Museum of Modern Art in Shanghai, China. Late last year, with the assistance of the Australia Council, I joined the international brat pack of art junkies, visiting Gwangju in South Korea and Shanghai, China, where two of the Asian Biennales opened in quick succession. My mission was to talk to some of the artists about their working lives. ... 7 Dear Hilary... A popular culture query from the heartland, Hilary. The fashion for wearing the trouser at mid-bottom level or below, and exposing the undergarment. Where will this lead? K P, DOUBLE BAY Having received a number of similar inquiries in recent months, I sense a sea change. I have taken soundings, though, and can confirm that young persons remain committed to the dropped-waist mode, especially when they are proud of their buttocks and free of what my assistant Robert refers to as ‘love handles’. This is a sensitive issue. I think we would all agree that the effect is entirely wholesome when the buttocks on display are firm, well-rounded, nicely maintained, and the underwear freshly laundered. Large bottoms can be charming, but only if held aloft by an adequate exercise regime. However, and on this point my assistant Robert agrees with me, persons of girth should be alert to the potential for embarrassment arising from the cleft between impressively proportioned but overly constricted buttocks. On a different note, I am intrigued that you felt able to identify yourself as coming from the heartland, which is hardly how I would have characterised Double Bay. H https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535890977-LPNMSO72U3EG8RX7C8K2/535_l_matthew_others.jpg Issue 199 May 2007 8 For Matthew & others: Journeys with schizophrenia: CHRISTINE FRANCE Jon Cattapan, Untitled from Sister series of drawings, 1984, pencil on paper, two units of twelve. Courtesy of the artist and Kaliman Gallery, Sydney https://www.artmonthly.org.au/issue-198-april-2007 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535626512-H6GA7EDC9LU73VKK9RBV/image-asset.jpeg Issue 198 April 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535086261-TS3YEF56FVHGMAIWBP08/image-asset.jpeg Issue 198 April 2007 1 Vivienne Binns in Hobart: DAVID BROKER Vivienne Binns, Vag dens, 1967, synthetic polymer paint and enamel on composition board. Collection of the National Gallery of Australia, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535104716-I268HM8KDF82FEYOFMAG/image-asset.jpeg Issue 198 April 2007 2 Over my shoulder: Nien Schwarz in Perth: ROBERT COOK Installation view of the Perth Institute of Contemporary Arts showing the work of Nien Schwarz in Over my shoulder: Requiem for rain on the wall and Woman writing a letter (to Vermeer) on the floor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535122386-7TCL4PDUHTMTHMGXLM6C/image-asset.jpeg Issue 198 April 2007 3 Never do yourself what others can do for you: Pat Hoffie: ROSS WOODROW, Brisbane Pat Hoffie, After Rodchenko via Samar (Artefact and Ideology), 2002, woven and hand-dyed reed mat. Thanks to the mat weavers of Samar, Santiago Bose 4 1962: DONALD BROOK https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535402076-OU0AA92CI04AJGGTAIX2/image-asset.jpeg Issue 198 April 2007 5 Book Review: Irony and Subversion in the Politics of Institutional Critique: ANN FINEGAN Museum Highlights: The Writings of Andrea Fraser https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535423324-M7QJBQQ9E796V4J0V22V/image-asset.jpeg Issue 198 April 2007 6 The Windsor Group – more than Sunday painters at Hawkesbury Regional Gallery: COURTNEY KIDD Roderick Shaw, Dick Edwards’s hands, submitted as part of the required works for the NSW Travelling Scholarship (1945), pencil on paper. Collection of Dick and Cynthia Edwards https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535484376-9B5POAZZJ4J33LAGSTPB/image-asset.jpeg Issue 198 April 2007 7 Heaven on earth: Dream on at Hazelhurst: PRUE GIBSON, Sydney Hot Rod. Collection: Powerhouse Museum, Sydney. Photo Marinco Kojdanovski https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535501801-7XFDBXEMZF9NYR2P4P42/image-asset.jpeg Issue 198 April 2007 8 The Blake Prize for Religious Art looks to the future: ROB DITESSA Justin O’Brien, The Virgin enthroned, 1951, oil on canvas, triptych. Collection of the National Gallery of Victoria. Winner of the inaugural Blake Prize for Religious Art, 1951 https://www.artmonthly.org.au/issue-197-march-2007 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535657022-UX3YKGTNMUY03S4Q3FRO/image-asset.jpeg Issue 197 March 2007 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484532677947-M0G1G3YEOGS26KWMS2FF/image-asset.jpeg Issue 197 March 2007 1 Where to now? The 5th Asia-Pacific Triennial of Contemporary Art: CHAITANYA SAMBRANI Gussie R Bento [Hawai’I, United States, b1932], Na kalaunu a me na kahili o Kamehameha IV [The crown and the kahili of Kamehameha IV], c1980, kapa kuiki quilt: commercial cotton cloth, synthetic batting with hand appliqué and contour quilting. Collection of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484532700202-IIJPIYKQ58VIC4BVJ57T/image-asset.jpeg Issue 197 March 2007 2 Cinema (and post-cinema) effects in APT5: ADRIAN MARTIN Beck Cole [Australia, b1975, Warramungu/Luritja people] Production still from The Lore of Love, 2005, Digital Betacam, 25 minutes, colour, stereo, Australia, Pintupi, Warlpiri, Luritja and English. Image courtesy of CAAMA Productions and the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484532719988-6IA84X0VEP6TSLELPXI1/image-asset.jpeg Issue 197 March 2007 3 The Queensland Art Gallery & its Gallery of Modern Art: DANIEL THOMAS Installation view in December 2006 of the Gallery of Modern Art, Indigenous Australian Art Collection display, GoMA level 3, Gallery 3.2. The photograph shows work by artists including Thancoupie [Australia, b1937, Thainakuith people]; Emily Evans [Australia, b1975, Lardil language group]; Queenie McKenzie [Australia 1915-1998, Kija (Gidja)/Nakarra language group]; Ron Yunkaporta [Australia b1956, Wik-Ngathan language group]; Joe Ngallametta [Australia 1945-2005, Kugu Muminh/Kugu Uwanh language group]; Michael Boiyool Anning [Australia, b1955, Yidinyji language group]; and Desley Henry [Australia 1951-2005, Jirrbal language group] https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484532734407-BVWLS2YWLHSMTLOJSBTI/image-asset.jpeg Issue 197 March 2007 4 Impressionism to Pop Art: The international art rehang at the National Gallery of Australia: JOHN MCPHEE Pablo Picasso, Nature morte au masque, 4 mars 1937 [Still-life with mask, 4 March 1937],1937, cardboard, metal, wood, string, oil paint and sand on canvas. National Gallery of Australia, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484532782982-UJ07L8X4KZQ2PN5JF050/image-asset.jpeg Issue 197 March 2007 5 Art from the future: Alberto Giacometti and James Angus: CHRISTOPHER CHAPMAN Alberto Giacometti, Project for a book IV [Projet pour un livre IV], 1951, lithographic crayon. Marguerite and Aimé Maeght Foundation, Saint-Paul. Gift of Marguerite and Aimé Maeght, 1974. © Alberto Giacometti/ADAGP. Licensed by Viscopy, Sydney, 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484532809784-NJ0Q6Z0B05BRX9KW53Y8/image-asset.jpeg Issue 197 March 2007 6 The Singapore Biennale 2006: Belief: GINA FAIRLEY mran Qureshi, Wuzu 2, 2006, painting installation, at Masjid Sultan, Singapore Biennale 2006 (detail). Photo: courtesy of Gina Fairley 7 Getting to know the Latin neighbours: The South Project: KEVIN MURRAY 8 Book review: CLIVE FARO Jill Julius Matthews, Dance Hall and Picture Palace: Sydney’s romance with modernity https://www.artmonthly.org.au/issue-196-summer-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535936937-XD7W2JUPHU4BHRDK1J8B/image-asset.jpeg Issue 196 Summer 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484535951928-6C02YHTA81WY3JSG0MRP/image-asset.jpeg Issue 196 Summer 2006 1 [sic] Juan Davila:DAVID HANSEN, Sydney Juan Davila, Rat man, 1980, oil on canvas. Collection National Gallery of Victoria, purchased 1984. © the artist and Kalli Rolfe, Contemporary Art Copyright Agent https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536058587-OSIK9YFOGGPZGMR2MCU0/image-asset.jpeg Issue 196 Summer 2006 2 Book review: Juan Davila: ADAM GECZY Guy Brett and Roger Benjamin with the writings of Juan Davila https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536190676-IDZCLGCJ4JG1D7RKRS2N/502_l_Best.Butler.jpg Issue 196 Summer 2006 3 Book review: Relativism and its discontents: SUSAN BEST Rex Butler (edited), Radical Revisionism: An Anthology of Writings on Australian Art https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536173278-NZ6SM00I6EZMG0ETKKN3/503_l_Bernard+Smith+1.jpg Issue 196 Summer 2006 4 History business: An interview with Bernard Smith: CHRISTOPHER HEATHCOTE Bernard Smith, 2006. Photograph courtesy of Don Heathcote https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536380658-MTVGRYIZZCUVB5SZZ1FN/504_l_Iyuna.Mandjabu.jpg Issue 196 Summer 2006 5 Mumeka to Milmilngkan: Innovation in Kurulk art: CATH BOWDLER, Canberra James Iyuna, Mandjabu fish trap, 1999, natural ochres and pigments on bark. Private collection, Maningrida https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541551745798-DHDUDP5PC2X8DAZ9UOGV/blank.png Issue 196 Summer 2006 6 [Review of five books]: Our art world DANIEL THOMAS Art + Australia: debates, dollars & delusions, Patricia Anderson The Australian Artworld: Aesthetics in a global market, Annette Van den Bosch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536362969-GU87T41RP9R801XI4ORS/506_l_MosManEgg.jpg Issue 196 Summer 2006 7 Thanakupi: First hand in Weipa, Brisbane and Sydney: SIMON WRIGHT Thanakupi, Mosquito man egg, 2006, buff raku stoneware, oxide, bauxite, clear glaze. Courtesy of the artist and Craft Queensland. Photo Andrea Higgins for Craft Qld https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536461077-M0V7VN1XGQ2I6CC160A7/507_l_underwood_legs_1910srgb.jpg Issue 196 Summer 2006 8 DEAR HILARY As a senior art-school functionary and bureaucrat, I have been asked by a colleague whether I will relish the disciplinary aspect of a new and challenging role to which I have recently been elevated. I am not sure what the sub-text is, and would appreciate your assistance in coming up with an appropriate response. Read the answer to this and many other questions in this months Art Monthly. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536514492-024502UWU16PRWE6R3VT/509_l_Green.Herman.3.jpg Issue 196 Summer 2006 9 New York New York: DENISE GREEN Nicholas Herman, Differentiation and correlation of revelation, 2006, metallic FGR. On display in the 2006 Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Long Island, New York, until March 2007. Courtesy of the artist and the Socrates Sculpture Park. Photo Chris Baker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536700521-DPO2R4GXIQBYB8KKXEAF/508_l_Eccles.Tiwi.jpg Issue 196 Summer 2006 9 Yingarti Jilamara: The art of the Tiwi Islands: JEREMY ECCLES, Adelaide Tjamalampua, [Milikapiti, Melville Island], Bushfire woman at Turiturina, 1954, ochres on bark. South Australian Museum, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541551828751-X6U0YERSLZ6VWHPXXZ6B/image-asset.png Issue 196 Summer 2006 10 Wish you were here: Australian Government funding for our art overseas: ALISON CARROLL We at Asialink have kept an eye on where Australian government funds for international cultural activities are spent for quite a time now – over sixteen years. We have seen the good times for Asia in the early 1990s, and the tougher times since then1. Every now and then we look at the figures seriously, but mostly it is just keeping a weather eye out, and feeling the wind. Read the rest in this months Art Monthly. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484536841858-JP9NCANKN096GBATQFLS/511_l_24aQiuJiewasherwomen.jpg Issue 196 Summer 2006 11 A narrowing of horizons: The Shanghai and Gwangju Biennales 2006: JOHN CLARK Qiu Jie [China], Washerwomen, 2006 Shanghai Biennale https://www.artmonthly.org.au/issue-195-november-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537259902-8NAFI6BTNKX5TPY8V6QQ/image-asset.jpeg Issue 195 November 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537452691-ETQL9BBLMWYCAU5IC86A/491_l_RoCoco.jpg Issue 195 November 2006 1 Follow that ribbon: Circumnavigating the Julia Morison survey: JOHN HURRELL, Christchurch Julia Morison, RoCoco, detail from Gargantua’s petticoat, 2006, mixed media on aluminium laminate. Courtesy of the artist and Gallery 64zero3 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537501749-O2EPN40T2Z0ON8CP75ZV/image-asset.jpeg Issue 195 November 2006 2 Imants Tillers: CHRISTOPHER CHAPMAN, Canberra mants Tillers, Hiatus, 1987, oilstick, gouache and synthetic polymer paint on 190 canvasboards. Auckland Art Gallery Toi o Tamaki https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537532318-TKUN1GXIDF039CM3KQG9/image-asset.jpeg Issue 195 November 2006 3 TogArt Contemporary Art Exhibition: History in the making: DAENA MURRAY, Darwin Marina Strocchi, Red river, 2006, acrylic on linen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538081149-V55EW0ADADWVSO4F7Y82/494_l_Diamond.Painted.Nov.jpg Issue 195 November 2006 4 Book Review: Painted Histories: Early Maori Figurative Painting & Carved Histories: Rotorua Ngati Tarawhai Woodcarving, ROGER NEICH & Mick Douglas (ed): JO DIAMOND https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537746980-HY1KYV2X3PH23L4SZRD8/495_l_Thompson.Bk-JollyCover.jpg Issue 195 November 2006 5 Book Review: Faces of the Living Dead: The Belief in Spirit Photography, Martyn Jolly, reviewed by JOHN THOMPSON https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538068035-XDAN6T3YXB6J07ZGGTQ3/image-asset.jpeg Issue 195 November 2006 6 The vacant girl, the phallic teapot and the nasty flowers: Charles Blackman: Alice in WonderlanD: TIM FISHER, Melbourne Charles Blackman, Feet beneath the table, 1956, tempera and oil on composition board. National Gallery of Victoria, Melbourne, presented through the NGV Foundation by Barbara Blackman, Honorary Life Benefactor, 2005. © Charles Blackman/Licensed by VISCOPY Ltd, Sydney 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541551599514-NHP0WJF06TVEWWUVBFMW/image-asset.png Issue 195 November 2006 7 1968 DONALD BROOK Readers of the Australian Magazine of 27-28 March 1993 will know that the year that changed the world, a quarter of a century earlier, had been 1968. John Gorton had become Prime Minister. The Seekers were named Australian of the Year. Lionel Rose beat Fighting Harada. Edward Kennedy was shot and Nixon won the US presidency. France braced itself for more violence, and de Gaulle refused to resign. It was not reported that I had just joined the newly opened Power Institute of Fine Arts at the University of Sydney with a mandate to bring the latest and ideas and theories about the visual arts to the people of Australia, and had also become the Sydney Morning Herald’s new art critic. The fact that this was a watershed year for Australian art was clearly coincidental. My small family moved to Glebe, to a cottage overlooking a park where our son Simon, born in Canberra almost four years earlier, was taken and killed. After this Bernard Smith, the Power Institute Director, did me a great kindness. The American Clement Greenberg was at that time the most influential art critic in the history of the world, and Bernard had invited him to give the first John Power Memorial Lecture. He asked me to prepare the second lecture in the series, for delivery in the following year. His generous impulse, I am sure, was to give my mind somewhere safe to go; but he must also have been confident that my response to Greenberg would not be acquiescent. Greenberg had come to reassure whoever doubted it that the history of art – still widely regarded as a fiction under European construction – had been trans-nationally acquired and its headquarters moved to New York. Read the rest in this issue of Art Monthly Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484537949078-SGTNZYJVTZW30BE8SGS9/image-asset.jpeg Issue 195 November 2006 8 Dude Ranch Dada: William T. Wiley comes to Australia: ANNE KIRKER William T. Wiley, travelling c 1980. Photo Judy Olausen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538026344-WTG2DCH094RGAX5SZCH3/image-asset.jpeg Issue 195 November 2006 9 Art, politics and the economy: A possible future for art and craft in Australia in the twenty-first century: MICHAEL DENHOLM Dick Marks, Droughty Point, 2006, digital photograph. Courtesy of the artist https://www.artmonthly.org.au/issue-194-october-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538570960-PNGCDC1BCG0KNS69BUKH/image-asset.jpeg Issue 194 October 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538648093-5MD0Z8GMTVS7L8PV71CI/image-asset.jpeg Issue 194 October 2006 1 The National Aboriginal & Torres Strait 01. Islander Art Award, in Darwin: Yesterday, today and tomorrow: CATH BOWDLER Linda Syddick Napaltjarri, The witch doctor and the windmill, synthetic polymer paint on linen. Courtesy of the artist and MAGNT. Photo Gilbert Herrada https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538682550-KE1KUOUB3L12LPFD99I3/484_l_Chapman.EAFsnapshot01.jpg Issue 194 October 2006 2 Snapshot: Contemporary South Australian art: CHRISTOPHER CHAPMAN, ADELAIDE Installation view of Snapshot at the Experimental Art Foundation, showing on wall, left to right: Annette Bezor, Urban turbans, 2006, oil on canvas; Viv Miller, Volcano painting, 2005, oil, enamel, acrylic and pencil on canvas; mid-ground: KAB101, The Study of History, 2006, mixed media; and foreground Matthew Bradley, Storm Boy, 2006, bike parts, scrap steel and spray enamel https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538747709-W141G4IFBBL2F05IF4VB/485_l_Hinchliffe_3.jpg Issue 194 October 2006 3 Artists sustaining their practice in different ways: MEREDITH HINCHLIFFE Morley Grainger with work from her exhibition Rise – cooking up character. Photo David Martinelli. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538863876-LMOWSKF98GIM6ZMH0Q76/image-asset.jpeg Issue 194 October 2006 4 Angela Brennan: Every morning I wake up on the wrong side of capitalism: KATE SANDS, Melbourne Angela Brennan, These are my principles, 2005, oil on linen. Courtesy of the artist, Niagara Galleries, Melbourne, and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538901305-A896I9ABCK4G3RA3WSR9/487_l_Brighton.Bacon.Head.jpg Issue 194 October 2006 5 Peter's joke: Art and the Nonconformist Conscience: ANDREW BRIGHTON Francis Bacon, Head II, 1949, oil on canvas. Collection of the Ulster Museum.© Estate of Francis Bacon, all rights reserved, DACS. Photo reproduced with permission of the Trustees of the National Museums of Northern Ireland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484538980286-6RTS9VD0LTBN9T1824UP/image-asset.jpeg Issue 194 October 2006 6 Letter from Spain: ALISON KUBLER Richard Serra, The matter of time, an installation of 8 sculptures, completed 2005, weatherproof steel, at the Arcelor Gallery, Guggenheim Museum, Bilbao. Copyright Robert Polidori, 2005. All rights reserved. Photo by Erika Ede, 2005. ©FMGB. Guggenheim Bilbao Museoa https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539047268-DWC34FVNC4LE7WEWUZMH/489_l_Tribute.jpg Issue 194 October 2006 7 New Zealand pays Tribute at the Auckland Art Gallery: ANDREW CLIFFORD Len Castle, Bird-headed bowl, c 1990, earthenware, alkaline copper glaze, textured exterior washed with grey pigment. Private collection, Auckland https://www.artmonthly.org.au/issue-193-september-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539332637-6C5U0FTOYJD50Z9OPM5I/cover_image.jpg Issue 193 September 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539374849-00RTGKDT27A8DZXX771Y/image-asset.jpeg Issue 193 September 2006 1 Dora and the Minotaur Picasso: Love and war 1935–1945: DAVID HANSEN, MELBOURNE Béatrice Hatala, Dora Maar’s apartment at 6 rue de Savoie, Paris, November 1997, gelatin silver print. Library Musée Picasso, Paris. © Béatrice Hatala https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539434927-9XW2962OS94NMBK099RK/image-asset.jpeg Issue 193 September 2006 2 Louise Weaver: Taking a chance on love Selected works 1990–2006: MARIE SIERRA, MELBOURNE Louise Weaver, Sweeper (Racoon), 2005, hand crocheted lambs wool and embroidered Japanese silk thread over high density foam, artificial fur fabric, cotton crochet thread, Swarovski crystals. Private collection, Melbourne. Photo David Callow https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539480161-CFMOHCTVQYGDILUSEH81/image-asset.jpeg Issue 193 September 2006 3 Captain Cool: MARTIN TERRY, CANBERRA John Sherwin, after Nathaniel Dance, Captain James Cook, c 1779, engraving. Rex Nan Kivell Collection, National Library of Australia, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539525858-NKI8C1ET812PRF6FFJYQ/image-asset.jpeg Issue 193 September 2006 4 Bronwyn Oliver 1959–2006: HANNAH FINK Bronwyn Oliver, with her Wave installation at Gordon's Bay, December 1980 5 Art Lovers Advertisers can download the art lovers classifieds form or find more information from our website: www.artmonthly.org.au. To Reply to an ad please include Art Lovers and the box number in the subject line of your email or on the front of your envelope and send to: E: art.monthly@anu.edu.au or Art Monthly AustralAsia LPO Box A321 ANU ACTON ACT 2601 We advise respondents to take due precautions when answering personal ads https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539679310-FJEYVI387KCOHR83WMCE/image-asset.jpeg Issue 193 September 2006 6 A tribute to Peter Townsend: Introduction: DEBORAH CLARK Peter Townsend, c 1994. Photo Johanna Macnaughtan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539711024-2QVVWMNLC2BDH96QTSL3/image-asset.jpeg Issue 193 September 2006 7 Peter Townsend in China and Canberra: The Peter Townsend Collection of Chinese woodcuts in the National Gallery of Australia: CHRISTINE DIXON Artist unknown (Mai Gan?), Woman with baby, child with toy gun, c1940, woodcut. National Gallery of Australia, Peter Townsend Collection, purchased with the assistance of the Australia-China Council 1985 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539829133-3Q45OGK7CZFE6P3RZJ48/474_l_Studio.NickMunro-cover+2.jpg Issue 193 September 2006 8 Peter Townsend and Studio International: Notes from inside the archive: JO MELVIN Cover of Studio International, July/August 1972 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539866359-XDZRF25E3Q9FA62Q7BUD/image-asset.jpeg Issue 193 September 2006 9 Peter Townsend in London: ANDREW BRIGHTON Peter Townsend, 1983. Photo Denise Ferris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484539919383-3620570CU8D4GSYBUUWD/image-asset.jpeg Issue 193 September 2006 10 Peter Townsend in Australia: JACQUELINE MACNAUGHTAN Peter Townsend working, 1994. Photos Johanna Macnaughtan 11 PETER TOWNSEND AND ART MONTHLY AUSTRALIA: CHRISTOPHER HEATHCOTE COVER OF THE FIRST ISSUE OF ART MONTHLY AUSTRALIAN AND INTERNATIONAL, JUNE 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540035720-HJXD0Q0YNBB2V4U1W9RA/image-asset.jpeg Issue 193 September 2006 14 Peter Townsend A view from the bar: DAMIAN SMITH Peter Townsend in a hotel in Balmain in 1983. Photos Denise Ferris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540079262-8D4K2JH5GBRTCQ816JW2/image-asset.jpeg Issue 193 September 2006 15 All my own work: PETER TOWNSEND Peter Townsend c1940, just before leaving for Burma. Photo courtesy of Catherine Townsend In 1994 Peter Townsend was a writer-in-residence at the Canberra School of Art. At the end of his stay, as was the custom, Peter wrote in David Williams’s School of Art Visitors Book – fifteen closely-written pages of memories, anecdotes and observations in an apparent stream-of-consciousness wherein he frequently castigates himself for writing too much. He called it ‘All my own work’, and here are a few extracts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540132327-1VR3R6KFTYTO0SWQ6IOD/image-asset.jpeg Issue 193 September 2006 16 The most delightful thing on earth: The art of Gladys Reynell: JUDITH HEAVEN, ADELAIDE Gladys Reynell, Emu beaker, 1917, London, earthenware, sgraffito decoration. South Australian Government Grant, assisted by the Crafts Board of the Australia Council 1980, Art Gallery of South Australia, Adelaide https://www.artmonthly.org.au/issue-192-august-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540360563-Y392H8PTOIPE2BVKZBIK/image-asset.jpeg Issue 192 August 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540476605-FTNUYBJE3A52MA8YNTLX/image-asset.png Issue 192 August 2006 1 STOP PRESS Vale Noel Noel Sheridan, the inaugural director of the Experimental Art Foundation (EAF) in Adelaide and the Perth Institute of Contemporary Arts (PICA), died in Fremantle on 12 July. Sheridan was a painter and a video and performance artist as well as an innovative arts administrator, and was deeply committed to the development and promotion of contemporary art. Read the rest in Art Monthly... Vale Bronwyn Bronwyn Oliver, one of Australia’s best and brightest sculptors, has died aged forty-seven in Sydney, her home for nearly thirty years. Read the rest in Art Monthly... Mr Smith goes to Tuscany It’s been one of the hottest scandals in the Australian art world since, well, forever. Geoffrey Smith, a curator of Australian art at the National Gallery of Victoria for some fifteen years, well-known for his substantial exhibitions of Arthur Streeton, Russell Drysdale, Sidney Nolan and James Gleeson, is embroiled in a court case with his ex-lover, the equally well-known Melbourne art dealer Robert Gould of Gould Galleries. Read the rest in Art Monthly... Gertrude seeks new Assistant Curator Jeff Khan is moving on from the position of Assistant Curator, Communications at Gertrude Contemporary Art Spaces in Fitzroy, Melbourne, and Gertrude is seeking a replacement. Read the rest in Art Monthly.. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540525089-41TUWZ7RLKQETTGHEY86/image-asset.jpeg Issue 192 August 2006 2 Desert painting from the town camps of Alice Springs: A new art centre and a new social landscape: SALLY BUTLER Image caption: Artists and supporters Jane Vadiveloo, Margaret Kemarre Turner OAM, Rhonda Renwick, Janice Williams, Rachael Williams and kids at the Tangentyere Artists exhibition opening at the Araluen Centre, Alice Springs in March this year A recent exhibition of desert painting by Aboriginal artists living in Alice Springs town camps signals one way that Australia’s remote Indigenous communities are negotiating a new social landscape https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540575779-39ZRR1EU9OLLSQHF93BK/image-asset.jpeg Issue 192 August 2006 3 Constable, now and then: MICHAEL ROSENTHAL mage caption: John Constable, The hay wain, 1821, oil on canvas. The National Gallery, London In 1984 I was surprised to discover from a furniture advertisement in the Brisbane Courier-Mail that, in Australia as much as in Britain, the walls of the home beautiful would typically be embellished with reproductions after the landscapes of John Constable. While I pondered what resonance these could have for a population whose experience of actual landscape tended to the dry and ochre rather than the wet and green, at least I learned that the art of Constable was as familiar to some Australians as we assume it is to the British https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540619859-WFK9D7PVXSPI3G0B27DO/image-asset.jpeg Issue 192 August 2006 4 Zones of contact: 2006 Biennale of Sydney: CHRISTOPHER CHAPMAN Image caption: Olga Chernysheva, Russian museum, 2003-05, video still from DVD, 6 mins. Courtesy of the artist It would be difficult to argue against the stated aims of Artistic Director and Curator Charles Merewether for his sprawling and heterodox Biennale of Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540664302-NCCYREN0IIQUH3YK7DGD/image-asset.jpeg Issue 192 August 2006 5 Lost in translation: ASHLEY CRAWFORD mage caption: Pat Brassington, October, 2001, pigment print. Courtesy of the artist and Asialink It is strange to realise in this day and age of media-image saturation that art can still shock and offend. It doesn’t happen that often, but two Australian artists showing abroad in recent months found their work banned – one by Catholics, the other by communists – at the last moment https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540704086-FGKC8NEWCZKBD06UWJEC/image-asset.jpeg Issue 192 August 2006 6 The sound of the sky: The Northern Territory in Australian Art 1802-2005: ANITA ANGEL Image caption: Thomas Baines, Baines and Humphrey killing an alligator on the Horseshoe Flats, Victoria River 27 June 1856, 1857, oil on canvas. Courtesy of the Royal Geographical Society (with IBG) As an historical survey and chronological assembly of ‘visual responses to the Northern Territory by artists of European descent’ over a period of more than 200 years, The sound of the sky exhibition was a museum milestone in a regional and national sense https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541551027241-520ZJKNCYCI2DK9TS4IJ/image-asset.png Issue 192 August 2006 7 Roland Barthes The Language of Fashion: PETER MCNEIL The reading public might be alarmed that we have here a new translation of Roland Barthes’s The Fashion System, that 300-page tome which Michael Carter calls a spectacularly impenetrable book, the ‘Moby Dick of structuralism’ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1484540788271-7YV7OWPGPDFR5IB2IFF2/image-asset.jpeg Issue 192 August 2006 8 A good rate of exchange between Malaysian and Australian artists: GINA FAIRLEY Image caption: Angela Hijjas and Hijjas Kasturi in the gardens at Rimbun Dahan, Malaysia in 2005. Photo: Gina Fairley This year Malaysia’s Rimbun Dahan Artist Residency program celebrates its twelfth year of operation. The philanthropic brainchild of Malaysia’s pre-eminent architect Hijjas Kasturi and his Australian wife Angela Hijjas, this program has made an important contribution to the development of contemporary art practice in Malaysia https://www.artmonthly.org.au/issue-295-summer-201617 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480646531241-Z3KPL0L1VG10EXN6QVAH/image-asset.jpeg Issue 295 Summer 2016/17 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480916149247-Q1MVMGZPAIG3QR5ZG3XV/image-asset.jpeg Issue 295 Summer 2016/17 1 Dispatches: Evolutionary art; Still Edgy: Andrew Stephens Mat Collishaw, The Centrifugal Soul, 2016, acrylic, aluminium, steel, LED lights, motor, electronic circuitry, resin, paint; commissioned by MONA for ‘On the Origin of Art’; image courtesy MONA, Hobart; photo: MONA/Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480916298655-O5DFZUA2GVQL5QON1VXZ/image-asset.jpeg Issue 295 Summer 2016/17 2 Through the looking glass: The 5th Singapore Biennale, Michael Fitzgerald, Singapore Chia Chuyia, Knitting the Future, 2015–16, installation view, 5th Singapore Biennale, 2016; performance with knitting needles and leeks, dimensions variable; image courtesy the artist and Singapore Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480916397866-72YN3HLJAL1W1QFM34NW/image-asset.jpeg Issue 295 Summer 2016/17 3 The 32nd SÃo Paulo Biennial: In praise of uncertainty: En Young Ahn, São Paulo Frans Krajcberg, Untitled, n.d., installation view, the 32nd SÃO Paulo Biennial, 2016; burnt wood and natural pigments, dimensions variable; photo: En Young Ahn https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480916598766-4TITWLJCWC0KA7S1DV3M/image-asset.jpeg Issue 295 Summer 2016/17 4 ‘Frágil’: An Australian art exhibition in Ecuador: En Young Ahn, Cuenca Reko Rennie, I was always here, 2016, installation view, ‘FrÁgil’, Salón de Pueblo, Cuenca, 2016; synthetic polymer, metallic foil and binder on linen, 1000 x 120cm; photo: En Young Ahn https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480919594960-QQJ9P6J56MIKBLFTLCAM/image-asset.jpeg Issue 295 Summer 2016/17 5 Centre and periphery: Establishing Galerie Allen in Paris: Caroline Hancock, Paris Boris Achour, 12XU, exhibition view, Galerie Allen, Paris, 12 May – 23 July 2016; image courtesy the artist and Galerie Allen, Paris; photo: Aurélien Mole https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480919680769-V1LKFKMT3IP099RCNHCS/image-asset.jpeg Issue 295 Summer 2016/17 6 ‘For your enjoyment’: Australian Galleries turns 60: Sasha Grishin, Melbourne Charles Bush watercolour reproduced for Australian Galleries pamphlet, 1956; image courtesy the Australian Galleries, Melbourne and Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480919798889-YKEXU4RMQGK3BVG8F82E/image-asset.jpeg Issue 295 Summer 2016/17 7 A poignant intimacy: Nyonya needlework at the Peranakan Museum: Andrew Montana, Singapore Valance for a wedding bed, Indonesia, mid-nineteenth century; image courtesy the National Museum of World Cultures, The Netherlands https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480919871295-VA2YUCYSMQZO5Q17DMEM/image-asset.jpeg Issue 295 Summer 2016/17 8 A delicate balance: Sriwhana Spong and Maria Taniguchi at the ICA: Tai Mitsuji, Singapore Sriwhana Spong and Maria Taniguchi: Oceanic feeling, exhibition view, Institute of Contemporary Arts Singapore, LASALLE College of the Arts, 2016; photos: truphotos.com https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480919993591-ROO89F238S9CAC2SPLYI/image-asset.jpeg Issue 295 Summer 2016/17 9 Firsts and lasts: Zhang Peili at the Australian Centre on China in the World: Minerva Inwald, Canberra Zhang Peili, Uncertain Pleasure, 1996, install view, Australian Centre on China in the World, Canberra, 2016; 6-channel video, 12 CRT monitors, 5:04 mins duration; photo: Ashley St George https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480920231990-UUYUAB4YJN6OZ7LCD3LB/10.jpg Issue 295 Summer 2016/17 10 The realm of the senses: The artwork of teamLab in Australia and Japan: Russell Kelty, Adelaide teamLab, Crows are Chased and the Chasing Crows are Destined to be Chased as well, Blossoming on Collision – Light in Space, 2016, interactive digital installation, 4 mins 20 secs duration; sound: Takahashi Hideaki; image courtesy the artists and the Mori Art Museum, Tokyo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480920390875-WGZIVYB1CROY0Y53LN9B/image-asset.jpeg Issue 295 Summer 2016/17 11 ‘Sovereignty’: Indigenising and decolonising curatorial practice: Khadija von Zinnenburg Carroll, Melbourne Kent Morris, Boonwurrung (St Kilda) – Magpie, 2016, from the series ‘Cultural Reflections – Up Above #2’, archival print on rag paper, 100 x 150cm; image courtesy the artist and Vivien Anderson Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480920547842-B2O12IBCWV3I9SN2DOHU/image-asset.jpeg Issue 295 Summer 2016/17 12 ‘Dwelling’ as a political form: Architecture and memory in the practice of Archie Moore: Tess Maunder, Brisbane Archie Moore, A Home Away from Home (Bennelong/Vera’s Hut), 2016, installation view, 20th Biennale of Sydney, Royal Botanic Garden, 2016; mixed-media installation, 433.2 x 345 x 258.4cm; made with assistance from Neil Hobbs and Karina Harris, and Kevin O’Brien; image courtesy the artist and The Commercial Gallery, Sydney; photo: Wendell Teodoro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480920752014-YINB8CXERUZGJH728LJP/image-asset.jpeg Issue 295 Summer 2016/17 13 A transfer of stimulus and creativity: 25 years of ‘Primavera’: Michael Fitzgerald, Sydney Rebecca Baumann, Improvised Smoke Device, 2010/11, installation view, ‘Primavera 2011: Young Australian Artists’, First Fleet Park, Circular Quay, Sydney, 2011; 25 smoke canisters, coloured smoke, aluminium, electric detonator; image courtesy the artist and the Museum of Contemporary Art Australia, Sydney; © the artist; photo: Alex Davies https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480920839115-2GBHY0EQE8BAEOYHZ037/image-asset.jpeg Issue 295 Summer 2016/17 14 Careful gestures: Curatorial work and the poetic potential of metaphor: Isobel Parker Philip, Sydney Imprint: photography and the impressionable image, exhibition view, Art Gallery of New South Wales (AGNSW), Sydney, 2016; photo: Felicity Jenkins/AGNSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480920930052-IMXWHMIGG1XHYGYP8RZ9/image-asset.jpeg Issue 295 Summer 2016/17 15 Reproducing history: New Zealand Photography Collected: Geoffrey Batchen, Wellington Peter Peryer, New Zealand 15.3.1991, 1991, silver gelatin print, 40.8 x 26.8cm; Museum of New Zealand Te Papa Tongarewa, Wellington, purchased 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480920996894-UA667WPL9E4791OVYNOJ/image-asset.jpeg Issue 295 Summer 2016/17 16 The view from the South: Bernard Smith’s antipodean visions: Richard Haese Sheridan Palmer, Hegel’s Owl: The Life of Bernard Smith, Power Publications, Sydney, 2016, 415 pages, AU$39.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480921434582-ZPFUNVL1T9QB81WIC4NX/image-asset.jpeg Issue 295 Summer 2016/17 17 Another country: Half the Sky: Conversations with women artists in China: Mikala Tai Luise Guest, Half the Sky: Conversations with women artists in China, Piper Press, Sydney, 2016, 224 pages, AU$69.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480921649278-6K4L1MUDBUTP9SF2SI73/18.jpg Issue 295 Summer 2016/17 18 Miriam Stannage 1939 – 2016: Lee Kinsella, Perth Miriam Stannage, 8.46 a.m. (11 Sept. 2001), 2002, relief prints, printed by hand in colour inks, from artist designed rubber stamps; printed image 76.6 x 56.8cm; National Gallery of Australia, Canberra, Gordon Darling Australia Pacific Print Fund, 2010; © and courtesy the artist’s estate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480921122377-RKP1TMVSXD0LQ1C7ZOWG/image-asset.jpeg Issue 295 Summer 2016/17 19 Huang Zhuan 1958 – 2016: Claire Roberts Huang Zhuan, OCAT Shenzhen, 3 June 2006; photo: Wang Youshen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1480921750842-W0PVM4LXUP6JTGMA4L2O/image-asset.jpeg Issue 295 Summer 2016/17 20 S. Teddy D. 1970 – 2016: Asmudjo Jono Irianto and Christine Clark S. Teddy D., August 2011; image courtesy the National Portrait Gallery, Canberra; photo: Mark Mohell https://www.artmonthly.org.au/issue-191-july-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488499027969-A07CEQW5Z639IMOA61O1/image-asset.jpeg Issue 191 July 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541550648709-ZL81H73JDI71DCR324MX/default.jpg Issue 191 July 2006 1 Editorial: DEBORAH CLARK It’s good to be back in the Art Monthly clocktower. I had almost – but not quite – forgotten the pace of the magazine and its relentless deadlines, but it keeps us honest and on our toes. I am very grateful to Eve Sullivan, Guest Editor of the first four issues of the magazine this year, for stepping in and keeping the Art Monthly flag flying. She has done a terrific job (and it has been wonderful for me reading the issues quite distanced from the circumstances of their production) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110557602-APRM9QE4SRU07FQWDRA3/image-asset.jpeg Issue 191 July 2006 2 Letter from Paris: ADRIAN MARTIN Johan van der Keuken, Le 14 juillet, Ile Saint-Louis, de la série Paris mortel [14th July, Ile Saint Louis, from the series Mortal Paris], 1956-58. Collection Maison Européenne de la Photographie, Paris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110592062-81JILBONUZEBF69GUS32/image-asset.jpeg Issue 191 July 2006 3 Red pills: Jon Cattapan's neo-urbanism: DAVID HANSEN Jon Cattapan, Church alight (East Melbourne), 1988, oil on canvas, 10 parts. Courtesy the artist and Sutton Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110623772-967FQI4S58EYH2A6SL5I/image-asset.jpeg Issue 191 July 2006 4 Two quiet men: Micky Garrawurra c 1940–2006 and Tom Djumburpur 1920–2006: DJON MUNDINE Micky Garrawurra painting. © Bula’bula Arts 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110654842-0MJOELBHJ0KEKLBMMAGZ/image-asset.jpeg Issue 191 July 2006 5 Stencil Graffiti Capital, Jake Smallman and Carl Nyman: CHRISTOPHER CHAPMAN, Melbourne Book cover https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110686793-ANQ95I8EUFRNMINMXA18/image-asset.jpeg Issue 191 July 2006 6 Tramjatra: Imagining Melbourne and Kolkata by tramways, Mick Douglas (ed): MARIE SIERRA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110737070-GT1WCZ5ISW1AKSD5POI5/image-asset.jpeg Issue 191 July 2006 7 Dear Hilary The Art Monthly summer issue for 2004-05 ( #176), mentioned emerging artist Megan Seres. I was wondering a) whether this is the artist whose work appeared on the Foxtel drama Love My Way and, b) where her work might currently be viewed. R, SYDNEY Read Hilary's answer, and lots more, in this months Art Monthly Troubled by professional or personal issues in the art world? askhilary@yahoo.com.au https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110801243-Y7ZRGLSE4J1R9BW5HJ3J/image-asset.jpeg Issue 191 July 2006 8 Max Angus: A lifetime of watercolour at the Tasmanian Museum and Art GalleryA; PETER TIMMS Max Angus, Constitution Dock, c 1949, watercolour, carbon pencil and gouache. Private collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110822359-CZM4L7ALCMOFJ4CQB4XK/image-asset.jpeg Issue 191 July 2006 9 New York to New Plymouth: Where eye becomes ear in What sound does a color make?: JOHN HURRELL Granular-Synthesis [Kurt Hentschläger and Ulf Langheinrich], LUX, 2003, single-channel projection with sound, 20 mins. Installation at the Govett-Brewster Art Gallery, New Plymouth, New Zealand. Courtesy the artists and Govett-Brewster Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110867799-RFJU7PINFSJU8I33C77A/image-asset.jpeg Issue 191 July 2006 10 The disquieting impact of The unquiet world: JULIE ROBERTS Jenny Holzer, For the centre, 2006, light projection. © Jenny Holzer 2006. Courtesy Artists Rights Society (ARS), New York. Photo John Brash https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541550846314-MPBVO1G30I3MUUFRFUXD/image-asset.jpeg Issue 191 July 2006 11 Money makes the art world go around: TAMARA WINIKOFF It’s worth paying attention to the last Federal Budget because buried in it was a very significant decision for Australian artists. At first glance it was an odd place for it, but political logic being more about what lies below the surface than mere appearances, it starts to make sense when you look at the context and circumstances. ... Read the rest in this months Art Monthly https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541550882598-9FDB0WLWWX2M7Q3IFMEW/image-asset.jpeg Issue 191 July 2006 13 STOP PRESS Surely we’re dreaming Gary Lee’s exhibition Nice coloured boys, which we reported last month as being exhibited as part of the The Dreaming – Australia’s International Indigenous Festival at Woodford, Queensland, was withdrawn before the opening on the Queen’s Birthday long weekend following complaints from four young (white) volunteers... Read more news from the Australian art world in this months Art Monthly https://www.artmonthly.org.au/issue-190-june-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488502443946-VWDTZNMKACX8C6IY8JDS/image-asset.jpeg Issue 190 June 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110206884-H9DJO3RFR6IXLSUH6FLJ/image-asset.jpeg Issue 190 June 2006 1 From today photography is dead: Portraiture in the digital age: MICHAEL DESMOND Samuel Foss, The chief, the one who sold Africa to the colonists, 1997, type C photograph. Courtesy of Jean-Marc Patras, Paris, and Jack Shinman Gallery, New York 2 Moderinism is back! 21st century modern: 2006 Adelaide Biennial of Australian Art: EVE SULLIVAN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110267200-4M5LY9IMMQLD10W2RD0D/image-asset.jpeg Issue 190 June 2006 3 Xstrata Coal Emerging Indigenous Art Award 2006: JEREMY ECCLES Jonathon Jones, Kamilaroi,Wiradjuri people, Lumination fall wall weave, 2004/06, electrical cable, light fittings, bulbs and MDF board. Collection of the artist. Courtesy of Gallery Barry Keldoulis, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110293604-G5QO16MIW4XQUQPON0K1/image-asset.jpeg Issue 190 June 2006 4 Good times & friendship: Artist initiatives and relational aesthetics: ANN FINEGAN Sarah Goffman, Refuse, 2005. Installation view, Situation, Museum of Contemporary Art, Sydney, 2005. Photo Greg Weight https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110319835-7CKLTVX4IC36HZ71OERB/image-asset.jpeg Issue 190 June 2006 5 Marketing the myth: Glasgw's designs on Chalres Rennie Mackintosh: ANDREW MONTANA The drawing room at Hill House, Helensburgh, Scotland. Designed by Charles Rennie Mackintosh. Copyright The National Trust for Scotland Photo Library https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110348596-WPUV41MT0P8XZ2IK9KCS/image-asset.jpeg Issue 190 June 2006 6 Blow up the inside world: David M Thomas: ANNA ZAGALA, Brisbane David M Thomas, Every day I am a day older, 1995, photograph. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110375879-ZD9Z00WQQZGOE3ZALAAA/image-asset.jpeg Issue 190 June 2006 7 Oh, boy! The portraits of Gary Lee: GARY LEE Gary Lee, Self-portrait with Manish in Hanuman Temple, 2004. Courtesy of Karen Brown Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110410164-L8JRB69I1E0KISO6P4Z1/image-asset.jpeg Issue 190 June 2006 8 BOOK REVIEW: Forget me not: Photography and remembrance, Geoffrey Batchen, KATE DAVIDSON Van Gough Museum, Amsterdam and Princeton Architectural Press, New York, 2004 128 pp. RRP $60 (hardback); $37.50 (softback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110448495-E4WUNQ325KYNT5LDS54Q/image-asset.jpeg Issue 190 June 2006 9 BOOK REVIEW: Light wine things, Bill Culbert: ELEN ENNIS dunedin Public Art Gallery, 2005 120 pp. RRP NZ $29.95 https://www.artmonthly.org.au/issue-189-may-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489105678456-I3YZAFMDHA1O582HLB2P/image-asset.jpeg Issue 189 May 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489105891495-CWYFCMW4284ZB0VH6Y3G/image-asset.jpeg Issue 189 May 2006 1 Crescent moon: Islamic art and civilisation in Southeast Asia: JOHN CLARK Kelantan, Malaysia, Qur’an, c. 1900, European paper, pigment, gold leaf, ink. Collection of the Natural History Museum, Kuala Lumpur https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489105965470-D6TI2N4WV6EST1O8UFXY/image-asset.jpeg Issue 189 May 2006 2 A person of the plain surface Joseph Lycett: Convict artist Joseph Lycett, View on the River Tamar, and part of the Asbestos Hills, Van Diemen’s Land, from Views in Australia, 1825, etching and aquatint, printed in black from a copper plate, hand coloured. Petherick Collection, National Library of Australia, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489106358614-RP8XUXTSB0I4YK9AKZ7F/image-asset.jpeg Issue 189 May 2006 3 Connectivity and the moving image Adelaide Bank Festival of Arts 2006: TERRI HOSKIN Chico MacMurtrie & Amorphic Robot Works, Inflatable bodies, 2006, installation view at the Experimental Art Foundation, Adelaide. Photo Duke Albada https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489106425370-KC2BHN0LZN37BWBJQQN9/432_13canoes.jpg Issue 189 May 2006 4 Colliding worlds at Tandanya 13 canoes at the South Australian Museum: SUSAN JENKINS Goose egg hunters poling themselves through the Arafura Swamp, April 1937. Photo DF Thomson. Courtesy of Mrs DM Thomson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489106470243-00CN5EVACWJITG2AE5D2/image-asset.jpeg Issue 189 May 2006 5 Just a feeling: BRENT HARRIS Brent Harris, He washed away my sins, 2004, oil on canvas. Collection of Robin Greer, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489106568873-F6KZ4NOLAXPKT8I3AGAK/image-asset.jpeg Issue 189 May 2006 6 Shapes of inhabitation: Painting in the expanded field: MARK TITMARSH Installation view of Richard Dunn’s Shadowzone, Artspace, Sydney, 2005. Courtesy of Artspace 7 Art and psychoanalysis: Discourse, knowledge and praxis: ELIZABETH NEWMAN A revised version of a paper presented at the Psychoanalysis and Creativity Workshop of the Australian Centre of Psychoalysis held in Adelaide in March 2006 8 Letters to the Editor Pay artists and play the game The artist, the academic, the flag and neo-liberalism In response: On looking at looking: The art and politics of Ian Burn In response: David Pestorius and the Paul Maenz ArchivE https://www.artmonthly.org.au/issue-188-april-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107343597-BZLPKEAJS175D8YSXPTU/image-asset.jpeg Issue 188 April 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541550000731-NG6R72Z69U7SUCEQJ5SK/image-asset.jpeg Issue 188 April 2006 1 Evaluating the Visual Arts and Crafts Strategy: DEBORAH CLARK https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107498442-3BQ0KMO7ZSK2910LJK5R/image-asset.jpeg Issue 188 April 2006 2 The artist, the thief, the flag and sedition: ADAM GECZY Photo Wayne Taylor © John Fairfax Publications https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107577521-S59FD2HK3T0NSDHR144L/image-asset.jpeg Issue 188 April 2006 3 2006 Contemporary Commonwealth: KAREN BURNS Yinka Shonibare, still from Un ballo in maschera (A masked ball), 2004 colour video, sound, 32 min. edition of 6. Collection of the artist. Courtesy of James Cohan Gallery, New York. © Yinka Shonibare, courtesy of James Cohan Gallery, New York https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107767009-G72RK8Q3EU6N6C44QT94/image-asset.jpeg Issue 188 April 2006 4 People of the cedar: First nations art from the northwest coast of Canada: MELINDA HINKSON Fred Modeste, First nation: Coast Salish, Sxwaixwe mask, c. 1975, wood, paint. Courtesy of the High Commission of Canada, Australia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107807666-W6TTO4AD5PDUKLOBLZFF/image-asset.jpeg Issue 188 April 2006 5 Koorah Coolingah – Children long ago: The lost paintings of the Carrolup School: JOHN MATEER Reynold Hart, Spirit figures and possum, Carrolup, 1948, pastel on paper. Courtesy of the University of Western Australia’s Berndt Museum of Anthropology https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107833337-Z5NM7FFGMR3686WZMCRF/image-asset.jpeg Issue 188 April 2006 6 Miriam Stannage: Sensations: JOHN MATEER Miriam Stannage, Missing (detail), 1991, triptych, mixed media on canvas. Collection of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107864346-AJ1TJC0KN2WRG5LCP4H5/image-asset.jpeg Issue 188 April 2006 7 Pelt: Modern aesthetics in the moving image: ANN FINEGAN Virginia Hilyard, frame still: Cyprus hedge maze, Super 8 film from In the depths, 2005. Courtesy of the artist. Photo Virginia Hilyard https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107935880-KXN7XPDBQEE3WUX6IU1K/image-asset.jpeg Issue 188 April 2006 8 On being (almost) invisible: PETER TIMMS Installation by Anne Mestitz at Friendly Beaches Lodge, February 2006. Photo Simon Cuthbert https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489107970059-RYCT8WCF7R31W28W2P5G/image-asset.jpeg Issue 188 April 2006 9 How art can change the world: art, life and modernity in Western Arnhem Land: IAN MCLEAN John Mawurndjul, Mardayin design, 2006. Courtesy Maningrida Arts & Culture. © John Mawurndjul https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108027718-MT2XDK4PI2NFMTLNUHYB/image-asset.jpeg Issue 188 April 2006 10 Obituary: The public life of Harry Seidler, CRAIG BREMNER Architect Harry Seidler, a driving force in Sydney’s reach for the sky, with models of his Australia Square building. It was completed in 1967 and was at the time the world’s tallest lightweight concrete building, 15 August 1964. Photo Stuart MacGladerie. © John Fairfax Publications https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108113067-DQKU7C28V8YX7D8MM8N8/image-asset.jpeg Issue 188 April 2006 12 On looking at looking: The art and politics of Ian Burn, Ann Stephen: REX BUTLER REX BUTLER & Ann Stephen, On looking at looking: The art and politics of Ian Burn, The Miegunyah Press, 2006 251 pp. RRP $54.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108167436-FNOOF2E811QQN2WBXS2I/image-asset.jpeg Issue 188 April 2006 13 Art beyond representation: The performative power of the image, Barbara Bolt: CHRISTINE NICHOLLS CHRISTINE NICHOLLS & Barbara Bolt, Art beyond representation: The performative power of the image, IB Taurus, 2004 256 pp. $46 RRP https://www.artmonthly.org.au/issue-187-march-2006 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108396158-7A6NLN7R5FICNVU8CRCQ/image-asset.jpeg Issue 187 March 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108508756-RLCQCEQ6NWIIH8QSHSAQ/image-asset.jpeg Issue 187 March 2006 1 It started with a kiss: ADRIAN MARTIN Production still from Bride of the Gorilla (USA, 1951), directed by Curt Siodmak. Courtesy of teh Academy of Motion Pictures and Sciences, Los Angeles, and Wade Williams, Kansas City. In Kiss of the Beast: From Paris Salon to King Kongat the Queensland Art Gallery, Brisbane, from 16 November 2005 to 22 January 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108557595-FIOA3YBVOQCEKQB389N4/image-asset.jpeg Issue 187 March 2006 2 Inside the mind of Stanley Kubrik: JOHN CONOMOS A Clockwork Orange (GB/USA 1970-71). Alex DeLarge (Malcolm McDowell) in the Korova Milkbar. Copyright Warner Bros. Entertainment Inc. In Stanley Kubrick: Inside the mind of a visionary filmmakerat the Australian Centre for the Moving Image, Melbourne, from 25 November 2005 to 29 January 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108607568-AP7XMLI2AL93LBX39AHD/image-asset.jpeg Issue 187 March 2006 3 Craft undone: JOHN MCPHEE Installation shot of Transformations: The Lanugage of Craft at the National Gallery of Australia, Canberra, from 11 November 2005 to 5 February 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108638365-7X48WL5RCD44MKIJCYS7/image-asset.jpeg Issue 187 March 2006 4 Handled with care: Less Blakeborough and Gwyn Hansessn Pigott: PATSY HELY Les Blakebrough, Large Bowl (from the Derwent series), 2002, unglazed Southern Ice porcelain, deep etched, shellac, resist. Courtes the artist Les Blakeborough: Ceramics was on exhibition at Object Gallery, Sydney, from 19 November 2005 to 15 January 2006 and is touring nationally during 2006-07 Gwyn Hanssen Piggott: A survey 1995-2005 opened at the National Gallery of Victoria, Melbourrne, on 4 November 2005 until 19 March 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108684800-NWMH8OPLQ3RVMK22IJ6Z/image-asset.jpeg Issue 187 March 2006 5 Making it modern: Japan and Siegried Bing's L'Art Nouveau: ANDREW MONTANA Cover of Artistic Japan, no 1, May 1888. Edited by Siefried Bing. Van Gogh Museum (Library), Amsterdam https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108731181-GW229EIS03HNMRKTLJ8S/image-asset.jpeg Issue 187 March 2006 6. Gang Festival: An Australian-Indonesian Artists Exchange: Haema Sivanesan While in Sydney, Taring Padi was invited to paint a 3 x 2.5 metre panel space installed on May Lane, St Peters. They focussed on military 'collaboration' between Australia and Indonesia and the recent mistreatment of refugees from West Papua. Image Courtesy of Gang Festival The Gang Festival took place in the inner-city Sydney suburbs of Chippendale and Surry Hills, 12-29 January 2006 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108768881-D2N4F1GLJZMKWSUKPVRZ/image-asset.jpeg Issue 187 March 2006 7 Esme Timbery: TESS ALLAS Esme Timbery, Blue Bridge, 2005, fabric, shells, glitter, cardboard. Parliament of New South Wales Collection. Photo Sirenshan Pure Photography Esme Timbery won the inaugural $20,000 Parliament of New South Wales Indigenous Art Prize in August 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108813396-QQ3RSJGBJ4IT7NOBCPAS/image-asset.jpeg Issue 187 March 2006 8 Jimmy Wululu (1936-2005) Bark painter from Arnhem Land: DJON MUNDINE Jimmy Wululu with Bongu (waterhole) sand sculpture at the ANU Drill Hall Gallery, Canberra, 1992. Photo courtesy of The Canberra Times https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108852253-DP6N900WOPTAT7GNHKFH/image-asset.jpeg Issue 187 March 2006 9 In memoriam: Mutlu Cerkez 1964-2005: MICHAEL GRAF Mutlu Cerkez 1964-2005. Photo courtesy of Rose Nolan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108933581-6IPR9EDTWWODBBAUBTON/image-asset.jpeg Issue 187 March 2006 10 Lisa Roet: Uncommon observations, Alexi Glass: ANTHONY BOND Alexie Glass, Lisa Roet: Uncommon Observations New Art Series published by Craftsman House. An imprint of Thames & Hudson Australia 2004 12pp. $39.95 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489108957683-U4QXXJTKSIRZFYFGVMGG/image-asset.jpeg Issue 187 March 2006 11 David Noonan: Before and now, Johana Fahey: CHRISTOPHER CHAPMAN Johanna Fahey David Noonan: Before and Now New Art Series published by Craftsman House. An imprint of Thames & Hudson Australia 2004 12pp. $39.95 RRP 12 Kiss of the Beast Kiss of the Beast, at the Queensland Art Gallery (QAG), was curated by Ted Gott (from the National Gallery of Victoria) and Kathryn Weir (Head of Cinema at QAG) https://www.artmonthly.org.au/issue-186-summer-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109433946-H2JTXKJZPJQL6KODWLG0/image-asset.jpeg Issue 186 Summer 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109596948-B2AHVX4SEFSKO2NLGTSP/image-asset.jpeg Issue 186 Summer 2005 1 We live in Interesting times: Focus on contemporary Australian art: MICHAEL DESMOND, Sydney Shaun Kirby, cousin beast, 2005, timber, paint, etherfoam, plaster. Courtesy and © the artist. (below) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109691839-AAU2AV2EY29WW1OO16EZ/image-asset.jpeg Issue 186 Summer 2005 2 A walk with Fairweather to Anak Bayan Street: TONY TWIGG Ian Fairweather, Anak Bayan, 1957, gouache on cardboard on hardboard (3 sheets). Art Gallery of New South Wales, bequest of Lucy Swanton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109751681-R9GNM5VW5R8T7K1JHNC8/image-asset.jpeg Issue 186 Summer 2005 3 No direction home: New Zealand expatriates: JOHN HURRELL Billy Apple, Billy Apple bleaching with Lady Clairol Instant Crème Whip, November 1962, 1962, black and white photograph. Courtesy of Hamish McKay Gallery, Wellington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109843495-A7SBV0C2RWZ3XZOPMW43/image-asset.jpeg Issue 186 Summer 2005 4 Photography: TIMOTHY MORRELL, BRISBANE Maurice Ortega, from the Billboard series, 2004, Lambda print. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109920800-EUSXDZZSN3I7Z5WVQRW4/image-asset.jpeg Issue 186 Summer 2005 5 Hanging at Yale: ANGUS TRUMBLE View of the fourth floor, and the upper portion of the east side of the Entry Court, of the British Art Center, with (left to right)The fishery by Richard Wright, Hadleigh Castle by John Constable, and Harlech Castle by J M W Turner. In the distance may be seen portraits by Allan Ramsay and Thomas Gainsborough. Architecture by Louis I Kahn. Courtesy Yale Center for British Art. Photo Richard Caspole https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489109976135-95YVIREJQ5L22HDCNSDD/image-asset.jpeg Issue 186 Summer 2005 6 In time of war: Charles Meere’s Australian beach pattern: JOY EADIE Charles Meere, Australian beach pattern, 1939-40, oil on canvas. Courtesy of the Art Gallery of New South Wales, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110011925-OL8Q6A9Y024XLC3ZW9VM/image-asset.jpeg Issue 186 Summer 2005 7 Kaltjiti Arts and Crafts: CAROLYN WILSON Inawinytji Williamson, Iwana Ken, Fairy Stevens, and Kathy Maringka with products from Kaltjiti Arts, Fregon, South Australia. Photo Andra Archer, Archer Concept Group, USA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110050580-DM0MILQPEH5LNBRG0VJ0/image-asset.jpeg Issue 186 Summer 2005 8 Artists as model workers: ROSS WOODROW Mike Parr, Sitting member, performance on 3 October 2005 (8 hours), Boiler Shop, Honeysuckle Workshops, Newcastle (documentation of performance). Courtesy of the artist. Photo Ross Woodrow https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110089215-8Z85M4QMOXXPBNMP76N0/image-asset.jpeg Issue 186 Summer 2005 9 Nothing sits outside of the gaze of contemporary art: Interview with Nicholas Tsoutas: ADAM GECZY Paul Adair, Untitled, 2002, C-type print, from the series A perfect crime, in the article Photography in Brisbane by Tim Morrell. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1489110158842-IS9O63GJ4OC4S6A07880/image-asset.jpeg Issue 186 Summer 2005 10 Indigenous Australian art in Europe: Positioning the Aboriginal Art Museum, Utrecht: GEORGES PETITJEAN Interior view of the Aboriginal Art Museum, Utrecht, the Netherlands https://www.artmonthly.org.au/issue-296-march-296 daily 0.75 2018-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488335085938-C31PFCDIKCV1QXWK7WFB/image-asset.jpeg Issue 296 March 296 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488335768498-5X81WRYZMGYLIUCQ09AV/image-asset.jpeg Issue 296 March 296 1 Dispatches: Making private museums public: Andrew Stephens Reko RenniE, Visible Invisible, 2017, installation view at the construction of the new Lyon Housemuseum galleries, 2017; image courtesy Lyon Housemuseum, Melbourne; photo: John Gollings https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488336324471-MOFTMVI3FVF4S7YBB3DB/image-asset.jpeg Issue 296 March 296 2 Place-based: PAM and Biennial Lab: David Cross, Melbourne A Centre For Everything, Visible Hands, 2016; image courtesy the artists; photo: Bryony Jackson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488344150684-GRLJB4TMAUJ2HOVZ6D8C/image-asset.jpeg Issue 296 March 296 3 Grand designs: Towards a new: SAM D.J. Huppatz, Shepparton Image courtesy MvS Architects https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488336676986-64QJNC0FVIZ4G0DZTBS0/image-asset.jpeg Issue 296 March 296 4 Claire Lambe’s libidinal economy: Sophie Knezic, Melbourne Claire Lambe, Shhhh men at work II, 2013, detail; cast bronze foot, chain mail top, wooden and gold hanging chain, 35 x 25 x 300cm; National Gallery of Victoria (NGV), Melbourne, Yvonne Pettengell Bequest, 2014; image courtesy NGV Photographic Services; photo: Christian Markel https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488336907418-JJS9YGKMWOZQ93RGSR96/unspecified.jpeg Issue 296 March 296 5 From the bower , Loris Button, Deborah Klein, Louise Saxton and Carole Wilson Eucalyptus leaves, 2015 –16, handpainted with Indian ink, acrylic paint and pigment markers, dimensions variable; flower presses: wood and metal, each 4 x 24 x 10cm (approx.); collection of Deborah Klein; image courtesy the artist; photo: Tim Gresham https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488337208431-82BL6I84TKQAFYXIXR2K/image-asset.jpeg Issue 296 March 296 6 Screening Vassilieff: The Wolf in Australian Art: Felicity St John Moore, Melbourne Photographer unknown, ‘Daniel’ Vassilieff in Bristol at the age of 35; image courtesy Felicity St John Moore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488338998527-7418DB15LDPM9VIBYUXH/unspecified.jpeg Issue 296 March 296 7 Towards a global discourse: ‘Making Modernism’: Sally Quin, Melbourne O’Keeffe, Preston, Cossington Smith: Making Modernism, exhibition view, Heide Museum of Modern Art, Melbourne, 2016, featuring the work of Grace Cossington Smith; photo: Jeremy Weihrauch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488339017964-5524WXUK2PVEZAKOPUPE/image-asset.jpeg Issue 296 March 296 8 Answering back: ‘Artist and Empire’ at the National Gallery Singapore: Julie Ewington, Singapore Michael Cook, Undiscovered #7, 2010, inkjet print, 125 x 100cm; National Gallery of Australia, Canberra, purchased 2010; image courtesy the artist and Andrew Baker Art Dealer, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488339042624-GZ0K557RJ3L5PEMEDNQJ/image-asset.jpeg Issue 296 March 296 9 A multilayered mapping: The 5th Singapore Biennale: Tarun Nagesh, Singapore Qiu Zhijie, One Has to Wander through All the Outer Worlds to Reach the Innermost Shrine at the End, 2016, installation view, 5th Singapore Biennale, 2016; ink on paper, glass and stone, dimensions variable; collection of the artist, Singapore Biennale 2016 commission; image courtesy the artist and Singapore Art Museum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488339064130-LHJHTRRQFIWCM0YKSOG8/10.jpg Issue 296 March 296 10 Southeast Asia Forum: Dissonant voiceS: Michael Fitzgerald, Singapore Tintin Wulia, Untold Movements Act 1: Neitherland, Whitherland, Hitherland, 2015, installation view, Art Stage Singapore, 2017; 32-channel sound installation, dimensions variable; image courtesy the artist, Art Stage Singapore and Milani Gallery, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488339084885-LLR9EJ9PPY2LN40CXSU3/image-asset.jpeg Issue 296 March 296 11.Cerebral spheres: ‘Light Geist’ at Fremantle Arts Centre: Andrew Frost, Perth Ngamaru Bidu and Sohan Ariel Hayes, Walyja Ngurra, 2016, installation view, Fremantle Arts Centre, 2016; 4-channel video projection with 4.1 soundscape, 21 minute loop; image courtesy Fremantle Arts Centre; photo: Eva Fernandez https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488339104923-ICQIGSMNO2P5SL89FTWM/image-asset.jpeg Issue 296 March 296 12. Allure and discomfort: Bruce Connew’s Body of Work: Jenny Harper Bruce Connew, Body of Work #9, 2015, offset tritone; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488339124719-TPY5ZTW4LM9VZH16GMIU/unspecified.jpeg Issue 296 March 296 13 Gordon Samstag: Major ‘New Deal’ American artist in South Australia: Daniel Thomas, Adelaide Book Cover https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1488339147757-XPGUFKNXVDCBHH4SG48A/image-asset.jpeg Issue 296 March 296 14 Leonard William French 1928 –2017: Sasha Grishin Leonard French’s Great Hall ceiling, NGV International, Melbourne; image courtesy National Gallery of Victoria, Melbourne https://www.artmonthly.org.au/issues-1100 daily 0.75 2017-04-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492999094708-IDXQNUWMRHWSITZVMJ81/AMA+600+res+cover+100.jpg Issues 1-100 - Issue 100 June 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492999062977-NGK169O0AQX2UFENS1VH/AMA+600+res+cover+99.jpg Issues 1-100 - Issue 99 May 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998974907-47CITX6IFHDMH9KULRY5/AMA+600+res+cover+98.jpg Issues 1-100 - Issue 98 April 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998930341-T2QA2C8OYZ8BO1H4685F/AMA+600+res+cover+97.jpg Issues 1-100 - Issue 97 March 1997 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998885782-RJKVTXRMB13ZL4FEMUWV/AMA+600+res+cover+96.jpg Issues 1-100 - Issue 96 December 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998850132-GONWFCU4DVH59SFBUOSN/AMA+600+res+cover+95.jpg Issues 1-100 - Issue 95 November 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998806956-6V4C1G1H246QG5TN3Y7U/AMA+600+res+cover+94.jpg Issues 1-100 - Issue 94 October 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998638790-3SB11OJ23RQ7DVKW4JQJ/AMA+600+res+cover+93+%28called+92%29.jpg Issues 1-100 - Issue 93 (called 92) September 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998574724-T0PCZFSUHY4RP151FP3E/AMA+600+res+cover+92+.jpg Issues 1-100 - Issue 92 August 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998523637-AS0M7M0JDR8T88QKPF7J/AMA+600+res+cover+91.jpg Issues 1-100 - Issue 91 July 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998389938-3GGK9JN4H9WNHT6MWFBN/AMA+600+res+cover+90.jpg Issues 1-100 - Issue 90 June 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998345927-DS1VR9FWDERZREXFAG09/AMA+600+res+cover+89.jpg Issues 1-100 - Issue 89 May 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998303870-S4TILNR1Q537LJINMIZ1/AMA+600+res+cover+88.jpg Issues 1-100 - Issue 88 April 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998260720-QSSEMMEK1PMOKD7SYAC6/AMA+600+res+cover+87.jpg Issues 1-100 - Issue 87 March 1996 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998219364-P65H2CKKAL5980AO9ODC/AMA+600+res+cover+86.jpg Issues 1-100 - Issue 86 Summer 1995/6 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998163332-AU5ZRDWK9EV0HYBQT8DB/AMA+600+res+cover+85.jpg Issues 1-100 - Issue 85 November 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998105202-EYRHHZWM7ZUY6MYD6DT3/AMA+600+res+cover+84.jpg Issues 1-100 - Issue 84 October 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998064569-EAPIXB09MD4LV9TKJVQB/AMA+600+res+cover+83.jpg Issues 1-100 - Issue 83 September 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492998024324-65CMXWIILGJ0KUEP6ZGM/AMA+600+res+cover+82.jpg Issues 1-100 - Issue 82 August 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997979238-P3ZSCNR9TCP117E0X8VO/AMA+600+res+cover+81.jpg Issues 1-100 - Issue 81 July 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997306320-IFHD067QJ6IM3T8GCROG/AMA+600+res+cover+80.jpg Issues 1-100 - Issue 80 June 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997261309-K6LYSK4KVZC867SDSHSJ/AMA+600+res+cover+79.jpg Issues 1-100 - Issue 79 May 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997215164-B7DS7XU7O2TXS2O8DH6C/AMA+600+res+cover+78.jpg Issues 1-100 - Issue 78 April 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997119926-CFGBKTTQC42N5IQBBEOX/AMA+600+res+cover+77.jpg Issues 1-100 - Issue 77 March 1995 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997082142-02XGLDK3U9179JGV05G2/AMA+600+res+cover+76.jpg Issues 1-100 - Issue 76 December 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492997038706-25KJIAQPVAYQMYVT2IMZ/AMA+600+res+cover+75.jpg Issues 1-100 - Issue 75 November 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996984670-K3HIRC51L87TDRZW9GVF/AMA+600+res+cover+74.jpg Issues 1-100 - Issue 74 October 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996944355-OM9D8FZKQ52Q2081JDQU/AMA+600+res+cover+73.jpg Issues 1-100 - Issue 73 September 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996908807-IXNM09CVXVHBE15C7IE9/AMA+600+res+cover+72.jpg Issues 1-100 - Issue 72 August 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996829829-0DKADG86OL4SQB0GMAUT/AMA+600+res+cover+71.jpg Issues 1-100 - Issue 71 July 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996489543-PS1QBNJEBYF28YHMJDXG/AMA+600+res+cover+70.jpg Issues 1-100 - Issue 70 June 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996443743-AC64ER4ZA7A1IWK7G6QU/AMA+600+res+cover+69.jpg Issues 1-100 - Issue 69 May 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996401435-AD11DZY25GXOBTLDASUS/AMA+600+res+cover+68.jpg Issues 1-100 - Issue 68 April 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996356888-Z1GKS46BID2HQ0VLGSNT/AMA+600+res+cover+67.jpg Issues 1-100 - Issue 67 March 1994 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996303749-A4BOWEW35M603Y6629W8/AMA+600+res+cover+66.jpg Issues 1-100 - Issue 66 Summer 1993/4 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996261911-FYL9ET89MDUN51BG1T9X/AMA+600+res+cover+65.jpg Issues 1-100 - Issue 65 November 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996225639-B2EVGXIKCILL5G0FJJTE/AMA+600+res+cover+64.jpg Issues 1-100 - Issue 64 October 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996188833-RK1HYUFLVGR76ACL3A85/AMA+600+res+cover+63.jpg Issues 1-100 - Issue 63 September 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996144165-58NNPP91CIWDU7W0MFIQ/AMA+600+res+cover+62.jpg Issues 1-100 - Issue 62 August 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492996098563-9X8L6SFAXOA3KGKK3251/AMA+600+res+cover+61.jpg Issues 1-100 - Issue 61 July 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995735261-5M01YLHJ96VNJM2NREVO/AMA+600+res+cover+60.jpg Issues 1-100 - Issue 60 June 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494557183241-6C7KZFXAMX1UNXDQYH3Y/AMA+300+res+cover+59.jpg Issues 1-100 - Issue 59 May 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995688581-Z9UU3B3U664HF3UZ0KCH/AMA+600+res+cover+58.jpg Issues 1-100 - Issue 58 April 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995640155-IGYAQF8PA9U8LLFRE6KX/AMA+600+res+cover+57.jpg Issues 1-100 - Issue 57 March 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995537873-GSZHIJVMA5MOVM5QB0Q9/AMA+600+res+cover+56.jpg Issues 1-100 - Issue 56 Summer 1992/3 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995491764-LTXDPN92IGS0650B6418/AMA+600+res+cover+55.jpg Issues 1-100 - Issue 55 November 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995421201-4DVZC5JNBBBC0X1O2JB6/AMA+600+res+cover+54.jpg Issues 1-100 - Issue 54 October 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995331614-20YL9VDTFTXNFOHPYHKE/AMA+600+res+cover+53.jpg Issues 1-100 - Issue 53 September 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995279465-9EMFH7F98X3N4BOSZNBW/AMA+600+res+cover+52.jpg Issues 1-100 - Issue 52 August 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492995225860-7EEFIJ49FI6VJ2D1OPQ7/AMA+600+res+cover+51.jpg Issues 1-100 - Issue 51 July 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751234209-XS4XQQ8M0XFLEV2XVI0I/300AMA+600+res+cover+50.jpg Issues 1-100 - Issue 50 June 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751542886-XO9NSUJZU0W38MW2VWZC/300AMA+600+res+cover+49.jpg Issues 1-100 - Issue 49 May 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751574213-NRMCW9V5XMB1FLV7XNQA/300AMA+600+res+cover+48.jpg Issues 1-100 - Issue 48 April 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751668382-WPJKT5TO0RAYIVD5FQOX/300AMA+600+res+cover+47.jpg Issues 1-100 - Issue 47 March 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751786349-HNSBJLZ5WOK4399BAFDN/300AMA+600+res+cover+46.jpg Issues 1-100 - Issue 46 December 1991 - January 1992 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751847754-RN3KHVR07W0JC12WC33W/300AMA+600+res+cover+45.jpg Issues 1-100 - Issue 45 November 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751892376-PD7IC2D4YBVDS38IJV09/300AMA+600+res+cover+44.jpg Issues 1-100 - Issue 44 October 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751929355-RJ4G1UL3WZ86GLT5I302/300AMA+600+res+cover+43.jpg Issues 1-100 - Issue 43 August/September 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751981607-SDL2LMXBC57KFGVB84RR/300AMA+600+res+cover+42.jpg Issues 1-100 - Issue 42 July 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752027387-71S7X2P2QA751XTWCI6U/300AMA+600+res+cover+41.jpg Issues 1-100 - Issue 41 June 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752067412-EEFCD15SXCC3N4IL3D80/300AMA+600+res+cover+40.jpg Issues 1-100 - Issue 40 May 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752107111-AZS9BAYFPKDA204EXHMT/300AMA+600+res+cover+39.jpg Issues 1-100 - Issue 39 April 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752149943-0RFVVQRA0LKHT8568KUC/300AMA+600+res+cover+38.jpg Issues 1-100 - Issue 38 March 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752194905-GPSE99DRKTQ7UA1EYL0Q/AMA+600+res+cover+37.jpg Issues 1-100 - Issue 37 December 1990 - January 1991 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752314187-N0I2VADFSHWW3FWXLX34/AMA+600+res+cover+36.jpg Issues 1-100 - Issue 36 November 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752352054-FH3VYEMZJ1NJK0MBB8I5/AMA+600+res+cover+35.jpg Issues 1-100 - Issue 35 October 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752390974-P2VAHY4N24ECBVUW410L/AMA+600+res+cover+34.jpg Issues 1-100 - Issue 34 September 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752453414-WIZXNHUD58Q1MYIVKQCG/AMA+600+res+cover+33.jpg Issues 1-100 - Issue 33 August 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752544590-RDGDIQJQNRKLXSKLR9CT/AMA+600+res+cover+32.jpg Issues 1-100 - Issue 32 July 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492752604248-QWVJ9R27MQSQKOM8E0BU/AMA+600+res+cover+31.jpg Issues 1-100 - Issue 31 June 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494382412835-SKY5IDG3B2C8KHJJAJ6L/AMA+300+res+cover+30.jpg Issues 1-100 - Issue 30 May 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548166421-98VDGIIWEC3NOPDLR82P/AMA+300+res+cover+30+special+supplement.jpg Issues 1-100 - Issue 30 Special Supplement https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494382738603-TRGXF38EAC2A83PAQ5VC/AMA+300+res+cover+29.jpg Issues 1-100 - Issue 29 April 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547634928-VUXJKZHYRKIUVSAMR82Q/AMA+300+res+cover+28.jpg Issues 1-100 - Issue 28 March 1990 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547681370-665M2IZTQTR35K1VU3SW/AMA+300+res+cover+27.jpg Issues 1-100 - Issue 27 Dec-Jan 1989-90 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547740723-M9A3M6D0J7OP7XODZRSJ/AMA+300+res+cover+26.jpg Issues 1-100 - Issue 26 November 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547775999-E7XA6TC5U1DM0KM5J8FA/AMA+300+res+cover+25.jpg Issues 1-100 - Issue 25 Oct 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547800067-NH9HFRABB6FRRSWOAQQA/AMA+300+res+cover+24.jpg Issues 1-100 - Issue 24 Sept 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547865881-QYK7IYLTNJ3YY1UTLKGD/AMA+300+res+cover+23.jpg Issues 1-100 - Issue 23 August 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547899345-FHMBMBS4SM2WZTTETMR5/AMA+300+res+cover+22.jpg Issues 1-100 - Issue 22 July 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494547928323-H55NAZ1XR5YBGNEDEEJ1/AMA+300+res+cover+21.jpg Issues 1-100 - Issue 21 June 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550013996-QEHHQY69IBG2XJW3Z3Z3/AMA+300+res+cover+20.jpg Issues 1-100 - Issue 20 May 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550152972-B5HWGD9BW8CS43487T3B/AMA+300+res+cover+19.jpg Issues 1-100 - Issue 19 April 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548027874-NEA36XBWJK0XID93YLCS/AMA+300+res+cover+18.jpg Issues 1-100 - Issue 18 March 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550368229-4MZN46OJXTWH0W3V0RBC/AMA+300+res+cover+17.jpg Issues 1-100 - Issue 17 Dec 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548066418-11R3NY9XH5U3L9U7XTD1/AMA+300+res+cover+16.jpg Issues 1-100 - Issue 16 Nov 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494548102603-VQ65DFONS7K0TRWF6G62/AMA+300+res+cover+15.jpg Issues 1-100 - Issue 15 Oct 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550486097-PBYJEJTA7S15KCPRB7WF/AMA+300+res+cover+14.jpg Issues 1-100 - Issue 14 Sept 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550649954-XK1EXA598ETJBXC1HZJH/AMA+300+res+cover+13.jpg Issues 1-100 - Issue 13 August 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550797787-4Q5DFVWVDJQUPWNMMNVZ/AMA+300+res+cover+12.jpg Issues 1-100 - Issue 12 July 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494550900048-5EU921IENSQVJ00O3KKO/AMA+300+res+cover+11.jpg Issues 1-100 - Issue 11 June 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751083884-EYP17TTRV0IAHTZNTUEN/010.+1988.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 10 may 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492751021129-P4KS0QJXH5NSLV4UQXRS/009.+1988.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 9 April 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750991925-67MIW11D5MM3GKCJGZF0/008.+1988.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 8 March 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750951248-7OSBZJK5O172FTGIHGJF/007.+1987.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 7 December 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750933754-0R9UPSC3ZK6TCEQ7IV6I/006.+1987.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 6 November 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750904721-FOPA9QC6Z980DW9YLRT4/005.+1987.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 5 October 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750885191-JJXX33WWFRDA0MRX68VE/004.+1987.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 4 September 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750807964-NJVVE4QBAWHNCL4BJ8AC/003.+1987.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 3 August 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750748882-SR09TZVO67O3EEJS9TDB/002.+1987.+Cover+%28300dpi%29.jpg Issues 1-100 - Issue 2 July 1987 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1492750686195-MRCN7DWA37TQI53AG5WZ/001.+1987.+Cover%28300dpi%29.jpg Issues 1-100 - Issue 1 June 1987 https://www.artmonthly.org.au/issue-185-november-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493600692724-VDSQUGBW5LBDBSJJBJ4V/image-asset.jpeg Issue 185 November 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493600797120-AI40UV1GRLWTG912X35O/image-asset.jpeg Issue 185 November 2005 1 Margaret Preston: Art and life: BRUCE ADAMS Margaret Preston in her garden at Berowra, 1937. Photo F J Halmarick, Fairfaxphotos https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493600968422-ONKQDNSU5DX9QBZ8AD85/image-asset.jpeg Issue 185 November 2005 2 C*town bling: COURTNEY KIDD Patricia Piccinini, Destroy, 2002, from the series Sandman, digital C-type photograph. Courtesy the artist and Roslyn Oxley9 Gallery, Sydney. Collection Craig James and Priya Selva-Nayagam https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601090682-ZAM8DS7WAWWNJ2OMIVCA/image-asset.jpeg Issue 185 November 2005 3 Twenty years at Gertrude StreetA: SARAH THOMAS Charlotte Day (Ed), A Short Ride in a Fast Machine: Gertrude Street Contemporary Art Spaces 1985-2000 Gertrude Contemporary Art Spaces in conjunction with Black Inc., 2005. 236 pp $45.00 RRP (paperback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601218928-HN8NP40TM80W36PEACHH/image-asset.jpeg Issue 185 November 2005 4 Rarrk – John Mawurndjul: A journey through time in northern Australia: MELINDA HINKSON John Mawurndjul beside a rock painting of Ngalyod, Dilebang, Arnhem Land, Northern Territory, September 2004. Photo Erika Koch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601276136-84HUSU2YO4DBBNQLTAYZ/image-asset.jpeg Issue 185 November 2005 5 Herbarium, Robyn Stacey & Ashley Hay: KELLY GELLATLY Robyn Stacey & Ashley Hay, Herbarium, Cambridge University Press, 2004 164 pp $79.95 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601335162-Z03R1F1W1NMWOI3KXAMP/image-asset.jpeg Issue 185 November 2005 6 Paintings and Drawings 1949 – 2003, Christopher Heathcote et al: Yvonne Audette: WILLIAM WRIGHT Christopher Heathcote et al, Yvonne Audette: Paintings and Drawings 1949 – 2003, Macmillan, 2003 240 pp $99.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601384635-Y9IVPATW3XP1BYMHMFI3/image-asset.jpeg Issue 185 November 2005 7 Joseph Beuys in the British Isles and America: EVE SULLIVAN Mark Rosenthal, Sean Rainbird & Claudia Schmuckli Joseph Beuys: Actions, Vitrines, Environments The Menil Collection, Houston in association with Tate Publishing, 2005. (distributed by Thames & Hudson in Australia) 224 pp $75.00 RRP Sean Rainbird Joseph Beuys and the Celtic World Tate Publishing, 2005. (distributed by Thames & Hudson in Australia) $39.95 RRP 8 Synaesthesia and the redemption of painting: byPRUE AHRENS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601633963-QPT2H5Y3N4HHKU0BM7GE/image-asset.jpeg Issue 185 November 2005 9 The sound of visual art: JEREMY ECCLES Noel McKenna, Home, Blue Mountains, 2004, enamel on canvas. Private collection. In the exhibition The sound of painting, at the George Adams Gallery, the Arts Centre, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601679142-WR0HSPZFPG6W3AZ1NXS2/image-asset.jpeg Issue 185 November 2005 10 Mirror worlds: Contemporary video from Asia: HAEMA SIVANESAN, sYDNEY Chen Shaoxiong, Still from Anti-terrorism variety, 2003, DVD. Courtesy the artist and Vitamin Creative Space, Guangzhou, China https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601725409-H5SWGC2TIDZ2J0MWMGYO/image-asset.jpeg Issue 185 November 2005 11 Letter from Singapore: GINA FAIRLEY Ceramics by Jesse Lim [Singapore] on exhibition at ARTSingapore art fair. Photo: Gina Fairley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601767923-JSW78952LS1PC5640U61/image-asset.jpeg Issue 185 November 2005 12 LETTER FROM ISTANBUL: STEPHEN NAYLOR Y Z Kami [Iran/USA], The real beloved is not the form, 2005, installation of photographs and painting. Photo Stephen Naylor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493601822442-CFKUGQCC8GJ6RV7W7UB8/image-asset.jpeg Issue 185 November 2005 13 Letter from Dubai: HERMOINE MACURA https://www.artmonthly.org.au/issue-184-october-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603078152-OJVOR4J0NMC0GQOTK0NT/image-asset.jpeg Issue 184 October 2005 Write here... https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603171305-4C5MWZX40J6CFEPLXDNF/image-asset.jpeg Issue 184 October 2005 1 Letter from DarwiN: DEBORAH CLARK Shirley Purdie [Kija language/Warmun WA], Dirringinji, 2005, natural pigments on wood. Courtesy of the artist and MAGNT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603241922-XMRQQ60M6EXZ1S8JAGBG/image-asset.jpeg Issue 184 October 2005 2 Caroline Jordan: Picturesque Pursuits: Colonial Women Artists & the Amateur Tradition: ELIZABETH LAWSON Melbourne University Press, 2005, 224 pp $49.95 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603286417-MSBKUEU2YWE96J111L7S/image-asset.jpeg Issue 184 October 2005 3 Cultural Relations: The Other Side of the Diplomatic Coin, Neil Manton: PHILIPPA KELLY Homosapien Books, 2003 180 pp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603329721-UBB460YT9NWKB05IL63V/image-asset.jpeg Issue 184 October 2005 4 Decolonising the Mind, Ulli Beier: JENNIFER ISAACS Pandanus Books, 2005 169pp $45.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603379943-6M9IY1KT9QTHAOGOASRK/image-asset.jpeg Issue 184 October 2005 5 Art: A New History, Paul Johnson: MICHAEL ROSENTHAL Weidenfeld & Nicolson (distributed in Australia by Allen & Unwin), 2003 777pp $75.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603429440-29CP65XVXK7CYXVNBP89/image-asset.jpeg Issue 184 October 2005 6 Antipodean wanderer in the Mediterranean, Diana Wood Conroy: MELISSA BOYDE The Fabric of the Ancient Theatre: Excavation Journals from Cyprus and the Eastern Mediterranean Moufflon Publications Ltd. (distributed in Australia by the Australian Book Group), 2004 394 pp $60.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603506639-NKHH9GSTPFA0KN2T7G03/image-asset.jpeg Issue 184 October 2005 7 Prosthetic Gods, Hal Foster: MICHAEL CARTER The MIT Press, 2004 455pp, $63.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603542565-Y261XTNEHSAJS3LI66TX/image-asset.jpeg Issue 184 October 2005 8 Over Here: International Perspectives on Art and Cultureand Nikos Papastergiadis (ed), Complex Entanglements: Art, Globalisation and Cultural Difference, Gerardo Mosquera and Jean Fisher (ed): Ian McLean The New Museum of Contemporary Art and The MIT Press, 2004 431 pp US$40.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603572645-BDKWQOK7DZSSYDMWL1I5/image-asset.jpeg Issue 184 October 2005 9 Walter Sickert: A Life, Matthew Sturgis: ROGER NEILL HarperCollins, 2005, 784 pp $75.65 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603619718-C81NRY286N8GWU5MHLKT/image-asset.jpeg Issue 184 October 2005 10 A life by design: the art and lives of Florence Broadhurst, Siobhan O’Brien: JOHN MCPHEE Allen and Unwin, 2004, 280 pp $24.95 RRP 10 Mr Felton’s Bequests, John Poynter: ROBERT DINGLEY The Miegunyah Press, 2003, xxiv+639 pp $89.95 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603722153-4L9WYXOWHC9M30GIRXNI/image-asset.jpeg Issue 184 October 2005 11 The Art of War and Scott Bevan,Battle lines: Australian Artists at War, Betty Churcher: BETTY SNOWDEN The Miegunyah Press, 2004 200 pp $39.95 RRP (paperback) Random House, 2004 $59.95 (hardback), $34.95 (paperback) RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493603777778-JHXFP8YUFVOMXL2UETIT/image-asset.jpeg Issue 184 October 2005 12 Art, Performance, Media: 31 Interviews, Nicholas Zurbrugg (ed): JOHN CONOMOS University of Minnesota Press, 2004 407 pp US$77.95 (hb), US$25.95 (pb) RRP https://www.artmonthly.org.au/issue-183-september-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605050960-4JX6VDNPZ4QKUVMRLNLI/183SeptcoverBig.jpg Issue 183 September 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605151429-WWAW2JVLYBY3M28A29LZ/image-asset.jpeg Issue 183 September 2005 1 Letter from Indonesia: ALISON CARROLL On the heritage trail in Yogyakarta. Photo Sulis Indiarto, Australian Embassy, Jakarta https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605199612-B46S1AH2DU6UIUILQ4VZ/image-asset.jpeg Issue 183 September 2005 2 Nike Savvas and Wolfgang Laib at the Australian Centre for Contemporary Art: RACHEL JESSIE-RAE O'CONNOR Nike Savvas, Atomic: Full of love, full of wonder, 2005, installation of coloured polystyrene balls, at the Australian Centre for Contemporary Art, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605243320-K8MI80AJM16Y6N9AS34Q/image-asset.jpeg Issue 183 September 2005 3 Sorry Monica, we were not paying attentioN: RICHARD LARTER AND FRANK WATTERS Monika Tichacek, The Shadowers 14, 2004/05, light jet print, Ed 6. Courtesy of the artist and Karen Woodbury Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605280776-S8663LGGOG677JGCGNAB/image-asset.jpeg Issue 183 September 2005 4 Australia and New Zealand go to Venice: PETER HILL Ricky Swallow [Australia], Salad days [detail], 2005, laminated jelutong, maple. Courtesy of the artist and Darren Knight Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605319506-RFXJKYNEUKIROSFLKSXO/image-asset.jpeg Issue 183 September 2005 5 Andy Warhol's Time Capsules: EVE SULLIVAN Clark Gable’s shoes and other ephemera from Andy Warhol’s Time Capsule 58 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605383479-4U6B2NN6J5TM5WI254PJ/image-asset.jpeg Issue 183 September 2005 6 Letter from New York: Child's play: ANONDA BELL Morton Bartlett, Doll, 1950-65, paint on cast plaster with synthetic hair and fabric. Collection of Dr Siri von Reis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605417716-YSNX1XGP8KKP87P0WQEQ/image-asset.jpeg Issue 183 September 2005 7 Letter from London: SIMEON KRONENBERG Langlands & Bell, domain, 2005, view of installation: wall painting design derived from computer animation projection of internet country codes, water soluble house paint. At Milton Keynes Gallery, Buckinghamshire, UK. Photo Jerry Hardman Jones. Courtesy of the artists and Milton Keynes Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605461252-S18AFNW3IODREMETR84D/image-asset.jpeg Issue 183 September 2005 8 The coarse and the cleaned: Dutch Masters from the Rijksmuseum, Amsterdam: DANIEL THOMAS Rembrandt Harmensz van Rijn, Self-portrait at an early age (Zelfportret op jeugdige leeftijd), c 1629, oil on wood panel. Purchased with aid from the Rembrandt Society, the Photo Commission, the Prince Bernhard Foundation and the Ministry of CRM https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605501829-CH2MXEEUVME4AYL2OMEW/image-asset.jpeg Issue 183 September 2005 9 Diamonds are forever Cape Town: Halfway to Sydney 1788 -1870 Artist unknown, Chameleon, from the William Paterson album, 1777–79, watercolour. The Brenthurst Library, Johannesburg https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605546703-MUD75XBE7GIEXVOJW8A9/image-asset.jpeg Issue 183 September 2005 10 Brian Finemore 1925 - 1975: The first Australian art curator: IAN MACNEILL Brian Finemore, debonair in Collins Street, Melbourne, late 1950s 11 Moment of change: The Big Picture of the visual arts and crafts in Australia: DAVID THROSBY https://www.artmonthly.org.au/issue-182-august-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605686562-N7YRIL9UTE5EBGRUBWBS/image-asset.jpeg Issue 182 August 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605730387-OGZ8S1E6PHLSQ6OUMH0P/image-asset.jpeg Issue 182 August 2005 1 How might one live: The 51st Venice Biennale: DENNIS DEL FAVERO Zwelethu Mthethwa [South Africa], Flex(video still), 2002, video. Courtesy of Jack Shainman Gallery, New York and Marco Noire Contemporary Art, Torino, Italy 2 Dear Hilary https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605793554-MNQGUIK1UUOCHWS25K0F/image-asset.jpeg Issue 182 August 2005 3 St Petersburg 1900: Russian art at the Art Gallery of Western Australia: ALAN R DODGE Ivan Ivanovich Shishkin, Winter, 1890, oil on canvas. Collection of the State Russian Museum, St Petersburg https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605836335-W2BZ4EMNOV0W64M658S9/image-asset.jpeg Issue 182 August 2005 4 Book Review: Margaret Michaelis: love, loss and photography, Saskia Folk REVIEWED by DRUSILLA MODJESKA Helen Ennis, Margaret Michaelis: love, loss and photography, National Gallery of Australia, 2005 250 pp $49.95 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605872433-TDR6OOYZEROE7I1ZG2DP/image-asset.jpeg Issue 182 August 2005 5 Book Review: Rustic Cubism: Anne Dangar and the Art Colony at Moly-Sabata, Bruce Adams REVIEWED BY ANN STEPHEN Bruce Adams, Rustic Cubism: Anne Dangar and the Art Colony at Moly-Sabata, The University of Chicago Press, 2004, 284 pp $60.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605939793-5I0I444U3CJ34LKOUGRS/image-asset.jpeg Issue 182 August 2005 6 Amazing Grace: Thoughts inspired by the Grace Cossington Smith exhibition at the National Gallery of Australia, Canberra: VIRGINIA SPATE Grace Cossington Smith, Bush at evening, 1947, oil on hardboard. Collection of the Art Gallery of New South Wales https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493605994847-NJNVOAFUQOE6URB6Y28B/image-asset.jpeg Issue 182 August 2005 7 A fourth-dimensional emotion: JENNY MCFARLANE Grace Cossington Smith, Hand-drawn copy of Beatrice Irwin, Chart of ‘The Three Colour Systems with Their Subdivisions’ (in New Science of Colour, 1916), 1924, pencil, watercolour and ink. Courtesy of the Estate of Grace Cossington Smith https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1493606045261-15QPLAY6WKJMG810Z6O1/image-asset.jpeg Issue 182 August 2005 8 Neo-medievalism: ADAM GECZY Illustration: Erica Jane, Sad apple theoretically peeled, 2005. Computer-generated image poorly pixelated for ultimate grunge quality video effect https://www.artmonthly.org.au/issue-298-may-2017 daily 0.75 2018-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205200163-TP5GDDCCT1KW1KWX3Y7N/image-asset.jpeg Issue 298 May 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205276671-JYMNY2TEUECS8LTNGO9M/1.jpg Issue 298 May 2017 1 Dispatches: Andrew Stephens luna tunapri workshop, Bruny Island, 2011; photo: Lucia Rossi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205300659-EB3P8EY2A7R35P7GS2XJ/Honolulu_image2.jpg Issue 298 May 2017 2 Welina mai ke aupuni o Hawai'i: Greetings from the Hawaiian Kingdom: Léuli Eshraghi, Honolulu Sama Alshaibi, Wasl (Union), 2016, video still, from the project 'Silsila'; image courtesy the artist and Ayyam Gallery, Beirut and Dubai https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205326636-52KO8J9T63JN760YJKSZ/3.jpg Issue 298 May 2017 3 An archival: Brook Andrew’s ‘The Right to Offend is Sacred': Sophie Knezic, Melbourne Brook Andrew: The Right to Offend is Sacred, exhibition install views, Ian Potter Centre: NGV Australia at Federation Square, Melbourne, 2017; photos: Wayne Taylor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205891976-LOOXAADSIMPRXEQ74A7Z/Papunya_image3lores.jpg Issue 298 May 2017 4 Papunya painting: Revisiting the genesis of the movement: Kieran Finnane, Alice Springs Walter Tjampitjinpa, Water story with possum, 1971, synthetic polymer paint on chipboard, 43.7 x 27.1cm; Museum and Art Gallery of the Northern Territory, Darwin, purchased 1972 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205399250-JRI9O6JPVKKWG0DWDINH/image-asset.jpeg Issue 298 May 2017 5 Spreading like wildfire: The ‘Kulata Tjuta Project’ in the APY Lands: Nyurpaya Kaika-Burton, Amata Kulata Tjuta Project, installation and inma (ceremony) view, Government House, Adelaide, 9 October 2015; commissioned for ‘TARNANTHI: Festival of Contemporary Aboriginal and Torres Strait Islander Art’; image courtesy the Art Gallery of South Australia, Adelaide, and Ernabella Arts, Iwantja Arts, Kaltjiti Arts, Mimili Maku Arts, Ninuku Arts, Tjala Arts and Tjungu Palya; photo: Ben Searcy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205441096-K0LJ8NWGUWOE8UG102G2/6.jpg Issue 298 May 2017 6 ‘I can see a shadow thinking’: Tracey Moffatt in conversation: Natalie King Tracey Moffatt, Artist at work, 1997, colour billboard, New York; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney, and Tyler Rollins Fine Art, New York https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205472487-9RBUGM6MFNLN6K1S9IJR/image-asset.jpeg Issue 298 May 2017 7 Notes on perception: Gordon Bennett and Daniel Boyd: Tim Walsh, Brisbane The Green Room: Daniel Boyd, exhibition install view, Institute of Modern Art, Brisbane, 2016; image courtesy and © the artist and Roslyn Oxley9 Gallery, Sydney; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1494205705816-RRJSIF4ZEHN2M5PBME0C/image-asset.jpeg Issue 298 May 2017 8 On Rattling Spears: Ann Stephen Ian Mclean, rattling spears: a history of indigenous australian art, reaktion books, london, 2016, 296 pages, AU$59.99 https://www.artmonthly.org.au/issue-299-june-july-2017 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496023154726-5SBH7CKLNAUF8BCDJW4K/image-asset.jpeg Issue 299 June-July 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496023768825-LSLS2YR3X5ZWGLWGJULV/image-asset.jpeg Issue 299 June-July 2017 1 Dispatches: Andrew Stephens Sharyn Egan, The Nullians, 2017, turned wood from the balga tree, dimensions variable; image courtesy the artist and Perth Institute of Contemporary Arts, Perth; photo: Alessandro Bianchetti https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496021097661-LG4S0O0N63CJ7BYBBTZG/image-asset.jpeg Issue 299 June-July 2017 2 Out of The Enclosure: Elisabeth Cummings's 'Interior Landscapes': Anne-Marie Jean, Canberra Elisabeth Cummings: Interior Landscapes, exhibition install view, ANU Drill Hall Gallery, Canberra, 2017; image courtesy the Drill Hall Gallery, Canberra; photo: Rob Little Digital Images https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496021335825-P6VQBMJDAVDO1STEMZUM/Gulf_image1.jpg Issue 299 June-July 2017 3 Plein-air Revival: 'headland Sculpture on The Gulf 2017': Bob Evans, Waiheke Island Chris Bailey, Te Rerenga Wai ō Tīkapa Moana – The flowing waters of Tī kapa Moana, 2016, install view, ‘headland Sculpture on the Gulf 2017’, Hauraki Gulf, 2017; turpentine (syncarpia glomulifera), pāua shell and stain, eight parts; image courtesy the artist and SOTG https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496022444010-8EL6UIDTBGIPIQ67PN0S/image-asset.jpeg Issue 299 June-July 2017 4 Destabilising states: Ann Shelton's Dark Matter: Blair French, Auckland Ann Shelton, Dark Matter, exhibition install views, Auckland Art Gallery Toi o Tāmaki, 2017; images courtesy Auckland Art Gallery Toi o Tāmaki; photos: Sam Hartnett https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496022611436-QQ7JPGWN0HSDISRFU5OS/image-asset.jpeg Issue 299 June-July 2017 5 Maori Matters: 'Colin McCahon: On Going Out With The Tide': Peter Simpson, Wellington Colin McCahon, On Going Out with the Tide, exhibition install views, City Gallery Wellington, 2017; images courtesy Colin McCahon Research and Publication Trust; photos: Shaun Waugh https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496022901837-H29B2SIXQPB56ZMEITD9/image-asset.jpeg Issue 299 June-July 2017 6 Contemporary Atauro carving from Timor-Leste: James Bennett, Darwin Kai Nai, Mask, mid-late 20th century; wood, presumed white hardwood (Wrightia javanica), initim (AD), ai lalar (T), 36.5 x 16 x 7.5cm; Charles Darwin University Art Collection, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496023462829-1HOF1CB7DVKNDTA9GKVH/image-asset.jpeg Issue 299 June-July 2017 7 N. S. Harsha and Agatha Gothe-Snape in Tokyo: mori Art Museum and the Australian connection: Julie Ewington, Tokyo N. S. Harsha, Sky Gazers, 2010/17, installation view,‘ N. S. Harsha: Charming Journey’, Mori Art Museum, Tokyo, 2017; acrylic on plywood, 975.4 x 488cm; Image courtesy Mori Art Museum, Tokyo, and Victoria Miro, London; photo: Shiigi Shizune https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496024084606-5KH6NNRFY00OE6ZHMBEG/image-asset.jpeg Issue 299 June-July 2017 8 Studio Tropes: Exploring the Fluid contexts for Creativity: craig Judd, Sydney Our Studio Selves, exhibition install view, ‘Ideas Platform’, Artspace, Sydney, April 2017; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496024494937-M5AZA09YM7UZAQHPBFK4/image-asset.jpeg Issue 299 June-July 2017 9 Yosl Bergner, Melbourne and his Kafka paintings: Ross Mellick Photographer unknown, Melech Ravitch and an Australian ‘brother’ in 1933; image courtesy the author https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496024732856-DLVSTL4T47IL3FDZ2SF4/image-asset.jpeg Issue 299 June-July 2017 10 German artists in the South Sea: Alison Carroll Eugene von Guérard, Tower Hill, 1855, oil on canvas, 68.6 x 122cm; image courtesy Warrnambool Art Gallery, on loan from the Department of Environment, Land, Water and Planning, presented by Miss Effie Thornton, 1966 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496024951176-DF61HEI0Z36CJB82K8CX/image-asset.jpeg Issue 299 June-July 2017 11 The Pacific Room, Michael Fitzgerald https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496025045829-OR7MF62XPPVNY8UCKHGW/image-asset.jpeg Issue 299 June-July 2017 12 From storied gourds to political billboard: Native Hawaiian artists in focus: Mārata Ketekiri Tamaira, Honolulu Drew Broderick, Billboard I. (The sovereignty of the land is perpetuated in righteousness), 2017, detail; installation view, 1st Honolulu Biennial, 2017; neon, vinyl; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1496025467439-XYIFIOME0GB1MPWJZA04/image-asset.jpeg Issue 299 June-July 2017 13. Michael Parekowhai: The Empire of Light Michael Parekowhai, The Lighthouse, 2017, details; images courtesy the artist and Michael Lett, Auckland https://www.artmonthly.org.au/issue-181-july-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500429405671-UXPTC470PF1EMBBAAGZ4/image-asset.jpeg Issue 181 July 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500429522711-MHS67CO9VNUB1LVKW6FV/image-asset.jpeg Issue 181 July 2005 1 Mixed-up Child or Messed-up adulthood in Auckland: JOHN HURRELL Grayson Perry, Interior conflict, 2004, glazed ceramic. Collection of Jay Ecklund, Fort Lauderdale, Florida https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500429688683-EDC6E39CJXWVZRFQ3LWY/image-asset.jpeg Issue 181 July 2005 2 The legacy of Eduardo Palozzi 1924 - 2005: byRYAN JOHNSTON Eduardo Paolozzi, Evadne in green dimension, 1972, screenprint,lithograph and mixed media on paper, fromBrunk!{screenprint version or original collage]. Collection Tate Britain, London. Courtesy of DACS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500429898554-B60MLVJRQET9IBF3QLXW/image-asset.jpeg Issue 181 July 2005 3 Robert Boynes: True Fictions: DEBORAH HART, Canberra Robert Boynes, The Great Divide/ in place and time, 1997, synthetic polymer paint on canvas. Courtesy the artist and Canberra Museum and Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500429958941-Z6NZSS6IGTENPWCHJNH6/image-asset.jpeg Issue 181 July 2005 4 Under cover of flowers: MARY EAGLE Margaret Preston, Banksia, 1927, oil on canvas. National Gallery of Australia, Canberra. Licenced by VISCOPY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500430018976-E8RG0PYNBUOYTJFM20X4/image-asset.jpeg Issue 181 July 2005 5 In memoriam: (Rita) Joan Brassil 1919 - 2005: bySUSAN BEST Sandy Edwards, Joan Brassil with her wind harp, A tether of time, 2001, in the sculpture garden at Campbelltown Arts Centre, Western Sydney in 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500430087613-4RWT6NQXZQE58TN9LPIJ/image-asset.jpeg Issue 181 July 2005 6 The allure of Albion in Adelaide: Island to Empire: 300 years of British art 1550 - 1850: ALISON INGLIS Cornelius Ketel, Richard Goodricke of Ribston, Yorkshire,c 1578, oil on oak panel. Art Gallery of South Australia, Roy & Majory Edwards Bequest Fund 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500430163173-W55MMPO2DANGAHFO3U78/image-asset.jpeg Issue 181 July 2005 7 New forgetfulness and new media art: World without end: JOHN MATEER Christian Boustani, A viagem, , 1998, 35mm, 2D and 3D computer animation/DVD, colour stereo sound, 10 mins. Courtesy of the artist and Heure Exquisite!, Paris 8 Is arts criticism relevant? Some thoughts for Sydney: PRUE GIBSON Prue Gibson is a freelance visual arts writer based in Sydney. 9 'Dangerous ground' for resale royalties: KATRINA GUNN Katrina Gunn is a lawyer who is currently a researcher in the Law Faculty of the Australian National University, Canberra https://www.artmonthly.org.au/issue-180-june-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500431417177-JDOH78L8OR5LCYAMURMP/image-asset.jpeg Issue 180 June 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500431569905-EUZ5Q6CW3AMUY3UOUERC/image-asset.jpeg Issue 180 June 2005 1 BOOK REVIEW - Dalí: The Centenary Retrospective, Dawn Ades REVIEWED by ADAM JASPER SMITH Thames & Hudson, 2004, 608 pp $135.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500431651042-0IUY4JLV0AA6W31NOGHC/image-asset.jpeg Issue 180 June 2005 2 BOOK REVIEW: Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art, Eileen Chanin and Stephen Millar, with Judith Pugh REVIEWED by MARTIN TERRY The Miegunyah Press, 2005, 306 ppm /$69.95 RRP 3 BOOK REVIEW: New Art in the 60s and 70s: Redefining Reality, Anne Rorimer REVEIEWED by MICHAEL DESMOND Thames & Hudson, 2004, 304 pp $50.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500431773952-DGPH03H76UANYSJ51QBF/image-asset.jpeg Issue 180 June 2005 4 BOOK REVIEW: EXTREME BODIES, Francesca Alfano Miglietti (FAM) REVIEWED by HELEN MCDONALD Skira, 2003, 254 pp $36.00 RRP 5 Artists and the ATO: Two views Good news for artists? by DONALD RICHARDSON Tax is so thrilling: TAMARA WINIKOFF https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500431896096-XKSDWSQAR99432HYG6O4/image-asset.jpeg Issue 180 June 2005 6 PNG at the ACP: Papua New Guinea in Sydney: KATE DAVIDSON Paul Blackmore, Mudman, Goroka,from the series Images of Papua New Guinea, 204, C-type print. Courtesy of the artist, Stills Gallery, Sydney, and Rapho, Paris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500432029086-9HDM8V7E5P2AW6ZE2LR4/image-asset.jpeg Issue 180 June 2005 7 Theatres of fashion: Vivienne Westwood and Boucher, Watteau and the origin of the Rococo: HANNAH WILLIAMS Vivienne Westwood, Corset printed with a detail from Francois Boucher, Daphnis and Chloe (shepherd atching a sleeping shepherdess), from the Portrait collection (Autumn/Winter 1990 - 91) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500432095033-BF10543RSE32N76U8ALS/image-asset.jpeg Issue 180 June 2005 8 Footnotes matter: Jean Bellette Retrospective: DINAH DYSART Jean Bellette, Still Life with wooden bowl, c1954, oil on hardboard. Collection of the Art Gallery of New South Wales. Photo Brenton McGeachie for AGNSW https://www.artmonthly.org.au/issue-179-may-2005 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500432933502-J4ZD4WYADT25XB4OAVV3/image-asset.jpeg Issue 179 May 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500432977189-AUR78FP7C133E1IFCY16/image-asset.jpeg Issue 179 May 2005 1 Cultural malling in Manila: The new Ayala Museum bridges culture and consumerism: GINA FAIRLEY Ayala Museum at night. Courtesy of the Ayala Museum, Manila https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433025236-4PXLM0GE3G1EQ1M2G0PC/image-asset.jpeg Issue 179 May 2005 2 Recollections on the art and life of Margaret Preston, Thea Proctor and Grace Cossington Smith: A personal memoir: MARY TURNER Thea Proctor, Lady with fan, 1913, pencil, watercolour wash on cream wove paper. Purchased 1919. Collection of the Art Gallery of NSW. is on at the National Portrait Gallery, Old Parliament House, Parkes until 19 June https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433102730-GW4AZGCUROWJC09MY152/image-asset.jpeg Issue 179 May 2005 3 Videoperformance: Tony Schwensen in Sydney: CHRISTOPHER CHAPMAN Tony Schwensen, High school shuffle (stills from video), 2003, video transferred to DVD, c 62 minutes, exhibited as projection. Courtesy of the artist and Performance Space, Sydney. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433146940-2X8KJS7VAFN5LTB79HDC/image-asset.jpeg Issue 179 May 2005 4 Terry Smith’s dilemma: Modern or Contemporary?: BERNARD SMITH Exterior view of MoMA, designed by Yoshio Taniguchi. Photo Timothy Hursley, 2005. Courtesy of MoMA 5 Geoglyphs: An ancient art form reinvented: KEN SCARLETT Andrew Rogers, Ancient language, 2003, volcanic rock, clay and bird droppings, 2.8 x 80 x 36 metres, Atacama Desert, Chile https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433315892-LEXQ9Y9T3XO78B431WP4/image-asset.jpeg Issue 179 May 2005 6 The art of Fiona Hall in Brisbane: TIMOTHY MORRELL Fiona Hall, Tender (detail), 2003-05, US dollars. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney. Photo Clayton Glen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433357369-XFAV2FODGOP7LX9CRMOP/image-asset.jpeg Issue 179 May 2005 7 Fire and fear in the Australian landscape: Fireworks in Mackay: SALLY BUTLER, Queensland Eugène von Guérard, Bushfire between Mount Elephant and Timboon, 1857, 1859, oil on canvas mounted on board. Collection of the Ballarat Fine Art Gallery, gift of Lady Currie in memory of her husband the late Sir Alan Currie, 1948 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433387664-MZ5ZU6OS5QIBQFRXTG43/image-asset.jpeg Issue 179 May 2005 8 Ten Days on the Island 2005: The exhibition round-up: DANIEL THOMAS Lucia Usmiani, Clatter (detail), 2005, installation of plastic bottles and bamboo stakes on Goldie Street, Wynyard. In the exhibition HWY1 #2, at various locations on the Bass Highway, Tasmania, from 1 to 10 April. Photo Richard Muir-Wilson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433480443-KN5E00Z80CPPZKQDL8LW/image-asset.jpeg Issue 179 May 2005 9 Death, desire and dolls in Darwin: SUZANNE SPUINNER Topsy, courtesy of Brenda Croft. ‘Topsy was given to me by my mother when I was a little girl. It was her dolly when she was a little girl and she handed it on to me. Although my mother’s heritage is Anglo-Australian of Irish, German, English background, being married to an Aboriginal man she wanted to make sure I had a strong sense of cultural identity and so I had black dolls when I was a child even though they were ‘mammy dolls’ based on African-American doll.’ https://www.artmonthly.org.au/issue-178-april-2005 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433764956-DFJDA8D9QMEMUBO3VFK5/image-asset.jpeg Issue 178 April 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433792247-KE4FRALGHG07A2IAY136/image-asset.jpeg Issue 178 April 2005 1 Making Manhattan modern, but not contemporary, again: The Museum of Modern Art, New York, reopens: TERRY SMITH Exterior view of the David and Peggy Rockefeller Building, MoMA, designed by Yoshio Taniguchi, from West 54th Street. Photo Timothy Hursley 2005. Courtesy of MoMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433825444-VVJJ6V0T955KQND1N6M4/image-asset.jpeg Issue 178 April 2005 2 BOOK REVIEW: CONFORM: FoToFolk no.1 Saskia Folk, REVIEWED by RACHEL JESSIE-RAE O’CONNOR Palgrave Macmillan, 2004, 144 pp $39.95 RRp https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433858894-00VRRMB19M9ZT0HV3LBX/image-asset.jpeg Issue 178 April 2005 3 The Samstag legacy: The man, the program and the art: WENDY WALKER Anne Wallace, Sang-froid, 2004, oil on canvas. Private collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433891722-1LHREMA0DQ2LR94371BX/image-asset.jpeg Issue 178 April 2005 4 Painted abundance in the Anangu Pitjantjatjara and Yankunytjatjara Lands, South Australia: TRACEY LOCK-WEIR Tali Tali Pompey, Fregon, South Australia, Untitled, 2004, synthetic polymer paint on canvas. Art Gallery of South Australia, Adelaide, Public Donations Fund 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433921550-TYNQP2AVUETGTNBZD66P/image-asset.jpeg Issue 178 April 2005 5 New frontiers for Indigenous art: Jirrawun Arts, East Kimberley: JEREMY ECCLES Goody Barrett, Lirnkirrel, 2004, earth pigments and synthetic polymer on linen, eight panels. Courtesy of the artist and Sherman Galleries, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433958414-6FWBI7M29H0BMOP49MGP/image-asset.jpeg Issue 178 April 2005 6 Better late than never: Bridget Riley at the Museum of Contemporary Art, Sydney: ZARA STANHOPE Bridget Riley, Blaze 1, 1962, emulsion on hardboard. Private collection. © Bridget Riley 2004. Photo Robert Horner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500433987210-C03V8NRV6970AHN8943U/image-asset.jpeg Issue 178 April 2005 7 Edvard Munch: The frieze of life at the National Gallery of Victoria: ADAM FREE Edvard Munch, Loneliness, 1906, oil on canvas. Bergen Kunstmuseum, Bergen, Norway. © Munch-Ellingsen Group. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434028826-EI5V46105L8TGP4MW4ZG/image-asset.jpeg Issue 178 April 2005 8 The naked truth: On receiving the Australia Council’s Visual Arts & Craft Emeritus Medal for 2004: BERNARD SMITH Carmel O’Connor, Portrait of Emeritus Professor Bernard Smith, 2002, acrylic on linen. Exhibited in the Archibald Prize, Art Gallery of New South Wales, 2002. Courtesy of the artist https://www.artmonthly.org.au/issue-177-march-2005 daily 0.75 2018-11-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434221394-4PEEMQFD9QGB3GPOTQDI/image-asset.jpeg Issue 177 March 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434304105-ERJAQR70MTCOBTBIJYB3/image-asset.jpeg Issue 177 March 2005 1 Book Review, Patrick Hall, Grace Cochrane, REVIEWED BY ANNE BRENNAN Tall stories from the art world, 1993, cabinet, MDF, enamel paints, block-printing ink. Tasmanian Museum and Art Gallery. Photo Peter Whyte. Craftsman House, an imprint of Thames &Hudson, Australia, 2004 64 pp $39.95 RRP 2 Book Review: Cindy Sherman: Retrospective, Cruz, Smith and Jones, REVIEWED by KATHRYN WEIR Thames & Hudson, 1997, preprinted 2003. 219 pp $79.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434417410-0FK5PQYBMR2XYFE0MMDB/image-asset.jpeg Issue 177 March 2005 3 Book Review: The Art of Bill Viola, Chris Townsend (ed, REVIEWED by KATE DAVIDSON Thames & Hudson, 2004 224 pp $40.00 RRP 4 Arte Moris: Free Art School in Dili, East Timor: ADAM GARTRELL & CHRISTIAN TANCRED A group of junior Arte Moris students painting, 2004. Photo Adam Gartrell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434492963-DJPE2DRTD9PNDL8CE6J1/image-asset.jpeg Issue 177 March 2005 5 Anonymity and memory: The public art of Christopher Trotter: STEPHEN WRIGHT Christopher Trotter, Sparky, 1996, recycled steel https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434534075-ABLZSU074G1ENWU7E0MW/image-asset.jpeg Issue 177 March 2005 6 Countering the Egyptian effect: The Melbourne International Arts Festival Visual Arts Program: JOHN MATEER Illustration by Erica Jane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434804810-3ESBFX9IKHE3MVFZFY2X/image-asset.jpeg Issue 177 March 2005 7 'My, sir does know what he wants': REX BUTLER Destiny Deacon, Oz games - under the spell of the tall poppies, 1998/2003, light jet print from Polaroid. Courtesy of the artist and Roslyn Oxley9 Gallery A survey exhibition Destiny Deacon: Walk & don't look blakwas at the Museum of Contemporary Art, Sydney, from 26 November last year to 30 January this year 8 Scoping our SCAPE: Assessing the Third Biennial in Christchurch: JOHN HURRELL Reuben Paterson, Whakatata mai: Do you see what I see?, 2004, installation at Riccarton House & Bush, Putaringamotu, shown in SCAPE: From a different angle. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434916062-LCUG2UBNYY8MFHRKY5T1/image-asset.jpeg Issue 177 March 2005 9 James Gleeson: Beyond the screen of sight at the National Gallery of Victoria: CHRISTOPHER HEATHCOTE James Gleeson, We inhabit the corrosive littoral of habit, 1940, oil on canvas. National Gallery of Victoria, Melbourne, anonymous gift, 1941 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434955717-XLMWCL6LTCA0FIVPML98/image-asset.jpeg Issue 177 March 2005 10 Emma Minnie Boyd: The invisible artist at the Mornington Peninsula Regional Gallery: BRENDA NIALL Emma Minnie Boyd, An afternoon nap, 1874, watercolour on paper. Private collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500434989452-EBISXAY414T4RSRHZV6G/image-asset.jpeg Issue 177 March 2005 11 Kayimwagakimi: The painting of Raelene Kerinauia and Pedro Wonaeamirri: MARIELLE SCHWERIN Pedro Wonaeamirri, Pwoja - Pukamani body paint design, 2004, natural ochres on linen. Courtesy of Jilamara Arts & Craft and the artist. Photo Peter Eve https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500435025523-S73K7RCPB5KSNN4PGNT8/image-asset.jpeg Issue 177 March 2005 12 Finola Jones: Artificially reconstructed habitatsat the Canberra Contemporary Art Space: EVE SULLIVAN Installation photograph of Finola Jones: Artificially reconstructed habitats, 2004, at the Canberra Contemporary Art Space https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500435055632-BZLRZ0MHY3I5Y8FS06RD/image-asset.jpeg Issue 177 March 2005 13 Book Review: A Brief History of the Smile, Angus Trumble, REVIEWED by GEOFFREY HEITHERSAY Allen & Unwin, 2004, 226 pp $35RRP 14 Natural disasters in São Paolo, ADAM GECZY David Haines & Joyce Hinterding, Purple rain, still from digital video, 2004. Courtesy of the artists 15 Book Review: Material Thinking: The Theory and Practice of Creative Research, Paul Carter, REVIEWED by PENNY CRASWELL Melbourne University Press, 2004, 264 pp $49.95 RRP (paperback) https://www.artmonthly.org.au/issue-177-march-2005-1 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500436645368-C3Z14B04A8XMZOALLYLD/image-asset.jpeg Issue 176 December 2004 – February 2005 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500436729640-7T0S7HXG2IYTDMO94DZ1/image-asset.jpeg Issue 176 December 2004 – February 2005 1 William Kentridge's imperfect activity: Kentridge in Sydney: SHAUNE LAKIN William Kentridge, Office love, 2001, mohair tapestry, woven in South Africa. Private collection Sydney. Photo courtesy of Annandale Galleries, Sydney. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500436893165-A0GJFGH6NTZ9F88DYDY6/image-asset.jpeg Issue 176 December 2004 – February 2005 2 The Dark Room: Photography and the Theatre of Desire, Anne Marsh. book review by ANNE FERRAN Anne Marsh, The Dark Room: Photography and the Theatre of Desire, Palgrave Macmillan, 2003, 287 pp $59.00 RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500436942760-FKV64AHFLQWKWBMDFXO3/image-asset.jpeg Issue 176 December 2004 – February 2005 3 Crossing country: The alchemy of Western Arnhem Land art in Sydney: ROGER BENJAMIN Yirawala, Untitled (Mardayin design), early 1970s, natural pigments on bark. Collection of the Art Gallery of New South Wales, Sydney. Gift of Qantas. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437010037-VTOGXH5VAN1KVW0K88EK/image-asset.jpeg Issue 176 December 2004 – February 2005 4 Letter from Dublin: A new (re)generation: DAVID GODBOLD Garrett Phelan, Now Here, 2003. Installation at 29 Sean Tracey House, Dublin, in collaboration with Pallas Heights. Courtesy of the artist & Pallas Heights, Dublin. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437055740-V9QN9HTQHAIKEKG6R9W6/image-asset.jpeg Issue 176 December 2004 – February 2005 5 Photography thinking itself: Jacky Redgate: Survey 1980 - 2003 in Adelaide: MARIA BILSKE Jacky Redgate, Life of the system #5 tow pairs of leather gloves, 1998, C-type photograph. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437145359-VP754BPT9DN8VKMC5BB9/image-asset.jpeg Issue 176 December 2004 – February 2005 6 The Impressionists in Melbourne PETER RUDD Frederic Bazille, Reunion de famille (Family reunion), 1867 reworked 1869, oil on canvas. Collection of the Musee d'Orsay, Paris. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437185486-42L5HV1N78QIRMBWL2K1/image-asset.jpeg Issue 176 December 2004 – February 2005 7 Life, dogs and art in Yuendumu: GLORIA MORALES Warlukurlangu Artists. Photo Gloria Morales. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437226034-BAMK6ZCPWS8HD9VWEQ9B/image-asset.jpeg Issue 176 December 2004 – February 2005 8 Diary: From Paris to Texas: ANGUS TRUMBLE The author, photographed at the annual Hall & Knight Old Master Paintings summer cocktail party and ping-pong tournament, East 67th Street, New York City. Photo courtesy of Nicholas Hall. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437285263-TB3BLRDXQGKVFRPMOH80/image-asset.jpeg Issue 176 December 2004 – February 2005 9 Blame and other 'subtle political ends': Edge of desire: Recent art in India in Perth: DEAN CHAN N Pushpamala (with Clare Arni), From the series Cracking the whip, 2002-03, C-type photographic prints. Collection of the artists. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500436765910-DK0ZGCFYRHCD9RP5HQ9L/image-asset.jpeg Issue 176 December 2004 – February 2005 10 Kings of the Pacific Rim, HELEN McDONALD Del LaGrace Volcano, Elvis Herselvis and Harriet Dodge, San Francisco, 1998. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437351746-2GQ2P8MZS9XNVZQLJNAX/image-asset.jpeg Issue 176 December 2004 – February 2005 11 Jorn Utzon in Humlebaek, Denmark: CHRISTINE NICHOLLS Installation view of Jorn Utzon: The architect's universe at the Louisiana Museum of Modern Art, Humlebaek, Denmark. https://www.artmonthly.org.au/issue-176-december-2004-february-2005 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437692213-1MVTHUI3TZR4H2JO3BE9/image-asset.jpeg Issue 175 November 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437722056-6HSE4FO2BVXLZQ7J90XP/image-asset.jpeg Issue 175 November 2004 1 Art & Life reviewed by Philip Jones: CHRISTOPHER HEATHCOTE Philip Jones, Art & Life, Allen & Unwin, 2004, 312 pp $49.95 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437773348-1O6JCV74YBWWA7PTKNSM/image-asset.jpeg Issue 175 November 2004 2 Through Artists's Eyes: Australian Suburbs and Their Cities 1919 – 1945 BY John Slater, reviewed by PETER TIMMS John Slater, Through Artists's Eyes: Australian Suburbs and Their Cities 1919 – 1945, The Miegunyah Press, 2004, 238 pp $69.95 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437847107-BWVCHHC5YLD438D3JEWL/image-asset.jpeg Issue 175 November 2004 3 Painting Ghosts: Australian Women Artists in Wartime, Catherine Speck, reviewd by SARAH THOMAS Catherine Speck, Painting Ghosts: Australian Women Artists in Wartime, Craftsman House, (an imprint of Thames & Hudson), 2004, 239 pp $70.00 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437898225-QK7H9ZB6FYMQS6RU5KOJ/image-asset.jpeg Issue 175 November 2004 4 Treasures of the State Library of Victoria, Bev RobertS, reviewed by JOHN THOMPSON Bev Roberts, Treasures of the State Library of Victoria, Focus Publishing, 2003, 176 pp $49.95 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437943721-5T0MLRVBL3NBLPLINAHN/image-asset.jpeg Issue 175 November 2004 5 Plenty: Art into Poetry, Peter Steele, reviewed by ROBERT DINGLEY Peter Steele, Plenty: Art into Poetry, Macmillan Art Publishing, 2003, 128 pp $77.00 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500437978047-MSH89B9PTVKLVP461XAC/image-asset.jpeg Issue 175 November 2004 6 Castles of the Samurai: Power and Beauty, Jennifer Mitchelhill, reviewed by GARY HICKEY Jennifer Mitchelhill, Castles of the Samurai: Power and Beaty, Kodansha, 2003, (distributed by Bookwise International), 110 pp $65.00 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438076122-8O871AGOL0YSRC0FGGGU/image-asset.jpeg Issue 175 November 2004 7 Materials & Techniques in the Decorative Arts: An Illustrated Dictionary, Lucy Trench (ed), reviewed by CHRISTOPHER MENZ Lucy Trench (ed), Materials & Techniques in the Decorative Arts: An Illustrated Dictionary, University of Chicago Press, 2000, (distributed by Footprint Books) 572 pp $118.00 RRP (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438215359-G74HWG0LABSUQ3XE0M0K/image-asset.jpeg Issue 175 November 2004 8 Australia Council, 2004, H2W2 – How to do an arts project, where to get help reviewed by AL MUNRO Australia Council, 2004, H2W2 – How to do an arts project, where to get help, 174 pp (available on line via www.ozco.gov.au) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438282793-9A3G2TI5DTOGFZN8APOD/image-asset.jpeg Issue 175 November 2004 9 Piercing the Ground: Balgo Women'ts Image Making and Relationship to Country, Christine Watson, reviewed by GEORGES PETITJEAN Christine Watson, piercing the Ground: Balgo Women's Image Making and Relationship to Country, Fremantle Arts Centre Press, 2003, 400 pp $39.95 RRP (paperback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438370052-G1YAS6WFA3VGP93DLCGO/image-asset.jpeg Issue 175 November 2004 10 Adam Cullen: Scars Last Longer, Ingrid Periz, reviewed by EVE SULLIVAN ngrid Periz, Adam Cullen: Scars Last Longer, Craftsman House, (an imprint of Thames & Hudson), 2004, 112 pp $39.95 RRP (paperback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438436794-2PJ8EKHZJRFFJKPWLO7F/image-asset.jpeg Issue 175 November 2004 11Ricky Swallow: Field Recordings, Justin Paton, reviewed by TIMOTHY MORRELL Justin Paton, Ricky Swallow: Field Recordings, Craftsman House, (an imprint of Thames & Hudson), 2004, 112 pp $39.95RRP https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438465602-QIRC2JN7BD7DIJ3RR238/image-asset.jpeg Issue 175 November 2004 12 Birds: Poems (4th edition), Judith Wright, reviewed by ELIZABETH LAWSON Judith Wright, Birds: Poems (4th edition), Introduced by Meredith McKinney with illustrations from the National Library of Australia's Picture Collection, National Library of Australia, 2003, 80 pp $24.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438494034-V1ZGMK89IPIEIHMNPZ6Y/image-asset.jpeg Issue 175 November 2004 13 Monumental Queensland: Signposts on a Cultural Landscape, Lisanne Gibson and Joanna Besley, reviewed by Daniel Thomas Lisanne Gibson and Joanna Besley, Monumental Queensland: Signposts on a Cultural Landscape, University of Queensland Press, 2004, 268pp, $49.95 RRP (paperback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438523577-EWCKQW907HWKHL09CWI9/image-asset.jpeg Issue 175 November 2004 14 Andy Warhol: 365 Takes, reviewed by MARK HENSHAW Andy Warhol: 365 Takes, Thames & Hudson, 2004, 744pp $75.00 RRP (hardback) 15 John Waters: Change of Life (exhibition catalogue), Martin Heiferman et al, reVIewed by ANNA ZAGALA Martin Heiferman et al, John Waters: Change of Life (exhibition catalogue), Harry N Abrams Inc, in association with the New York Museum of Contemporary Art, New York, 2004 (distributed by Thames & Hudson) 144 pp $75.00 (hardback) https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500438576269-MUXZ0JQAKAL0NPUY85GQ/image-asset.jpeg Issue 175 November 2004 16 Art – A Sex Book, John Waters and Bruce Hainley, reviewed by CHRISTOPHER CHAPMAN John Waters and Bruce Hainley, Art – A Sex Book, Thames & Hudson, 2003, ]208pp $60 RRP (paperback) https://www.artmonthly.org.au/copy-of-issue-174-october-2004 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439309513-9BYHW8YW7ZAN1XL385MA/image-asset.jpeg Issue 174 October 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439349512-K02OUGIYSWE3LS5XKBPZ/image-asset.jpeg Issue 174 October 2004 1 Video magic at the Performance Space: ADAM GECZY, Sydney John Gillies, The Mary Stuart Tapes, 2000, still from singe channel DVD projection. Performer Clare Grant. Courtesy of the artist and Performance Space, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439383014-XR64287LGZ9CKEIR3Q5G/image-asset.jpeg Issue 174 October 2004 2 An argument for resale royalty for artists: DONALD RICHARDSON JErica Seccombe, Stretching the dollar, 2004, computer-generated drawing. Copyright of Art Monthly Australia, October 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439412448-2EWZG5F68Z2DK15D230W/image-asset.jpeg Issue 174 October 2004 3 Sculpture, sculpture, and more sculpture!: KEN SCARLETT Robert Owen (artist), with Denton Corker Marshall (architects), Webb Bridge, 2003, Docklands, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439452693-VSVHTGZJ0VYDRJ8SNAXE/image-asset.jpeg Issue 174 October 2004 4 A philanthropic milestone: TarraWarra Museum of Art in the Yarra Valley: SARAH THOMAS, Victoria Installation detail from the exhibition Echo at TarraWarra Museum of Art, showing William Delafield Cook, Hanging Rock, 1985, synthetic polymer paint on canvas, collection of TarraWarra Art Museum (top); and unknown maker, Sofa (part of a drawing-room suite), c.1865, blackwood (Acacia melanoxion) and silk. Collection of the National Gallery of Victoria (bottom). Photo Jenna Blyth 5 Sky train: The 21st NATSIAA in Darwin: MAURICE O'RIORDAN Flora Nulyarima Napaljarri Hotl, Train, 2004, acrylic on canvas. Courtesy of the artist and Julalikari Arts. Photo Gilbert Herrada, MAGNT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439509893-7TJFMKUT1VA609UD0C1W/image-asset.jpeg Issue 174 October 2004 6 Letter from New York:(Un)Conventional Art: ANONDA BELL Icon doll of the Pants of Fire organisation. Photo Anonda Bell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439542712-H1T3VN93X4XC8HVGLSYY/image-asset.jpeg Issue 174 October 2004 7 Three colours: Gordon Bennett and Peter Robinson at the Heide Museum of Modern Art: STEPHEN HALEY, Melbourne Gordon Bennett, Self portrait (but I always wanted to be one of the good guys), 1990, oil on canvas. Private collection. Courtesy of the artist and Bellas Milani Gallery, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439567283-JVZGE0G4CKFV6B1711VO/image-asset.jpeg Issue 174 October 2004 8 Hilarie Mais: Survey of works 1974 – 2004 at the ANU Drill Hall Gallery: ANNE SANDERS, Canberra Installation detail from the exhibition HIlarie Mais: Survey of works 1974 - 2004, at the ANU Drill Hall Gallery, Canberra https://www.artmonthly.org.au/issue-174-october-2004 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439938357-WXGI0OP0UZKBNO8Z0CD4/image-asset.jpeg Issue 173 September 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500439954374-RMY62K8EKM65VBLR1JJ7/image-asset.jpeg Issue 173 September 2004 1 JOHN CONOMOS :Antonioni Still from Blow Up , 1966, directed by Michelangelo Antonioni, with Vanessa Regrave and Davind Hemmings. Courtesy of the Sydney Film Festival 2 Sonnets from the Portuguese, JOHN MATEER https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500440209417-I9U81WLNUC53R9WLVC7L/image-asset.jpeg Issue 173 September 2004 3 Book Review - The Bird Man: The Extraordinary Story of John Gould by Isabella Tree: ELIZABETH LAWSON Ebury Press, 2003 246 pp $49.95 RRP, $23.95 paperback (An earlier edition of this book was published by Barrie & Johnson in 1991 as The Ruling Passion of John Gould: A Biography of the Bird Man) 4 Book Review - Uncharted Waters by Daniel Connell (Ed): ANN McMAHON: https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500443834412-XUK96J6V0F21PPR4VOL8/image-asset.jpeg Issue 173 September 2004 5 stripTEASE: Max Pam Photography from Perth to Sydney: KATE DAVIDSON Max Pam, Baker's children, Kashmir,1977, silver gelatin photograph. Collection of the Art Gallery of Western Australia 6 Anti-Archibald: Doing the Doug Moran: DANIEL THOMAS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500444061767-TMS7ZKRVVJ2L19AIBUTZ/image-asset.jpeg Issue 173 September 2004 7 MARY EAGLE: The man who looked after everyone: No ordinary place: The art of David Malangi IN Canberra David Malangi Daymirringu, Dhamala Story (Sea Eagle, Catfish and King Brown Snake), 1983, natural pigments on eucalyptus bark. Collection of the Art Gallery of New south Wales, Sydney. Photo Brenton McGeachie for AGNSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500444093260-G858H5NLBWO2XOTD5MOG/image-asset.jpeg Issue 173 September 2004 8 Penetralia: Art and psychoanalysis in Melbourne 1940 – 2004: JANINE BURKE Albert Tucker, Psycho, Heidelberg Military Hospital, 27 September 1942, 1942, carabon pencil, coloured wax crayons, brown pastel, gouache on paper. Collection of the Australian War Memorial, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500444131430-QUU81XY2MSSLGGI9L2R9/image-asset.jpeg Issue 173 September 2004 9 Woodchipping the spirit of Tasmania: TIM BONYHADY Peter Dombrovskis, Lake Oberon, Western Arthur Range, southwest Tasmania, 1988, colour photograph. Courtesy of Liz Dombrovskis, West Wind Press, Hobart, and the National Library of Australia, Canberra https://www.artmonthly.org.au/issue-172-august-2004 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500594923535-J0OHUQLGFY1095L4ZE9R/image-asset.jpeg Issue 172 August 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539579111660-103CRH10KM26MR49CD37/block+1.jpg Issue 172 August 2004 1 COMPETITIONS GALORE! Adversing Competition Hurry, only one more month to enter our Advertising Competition. Contact Erica Seccombe today to book an ad with Art Monthly Australia. For more details, check out our July and August issues! Winter Reading Special August is the last month of our Winter Reading Special. Subscribe today and receive a free back issue. Art Monthly @ Home Competition We have a copy of Peter Conrad's At Home in Australia (RRP $49) to give away to one of our lucky subscribers. To enter, simply send or email us a photo of Art Monthly 'at home. Submissions could include you or a friend or famous face reading Art Monthly in your house or on an exotic location. All entries must be accompanied by a completed subscription form. Entries close ! October. See the August issue for more detials. The "NO BULL" Art Monthly Australia's Readers Competiton We hope you enjoyed this 'meaty' issue. You may have noticed a recurring, quite unintentional, theme; so let's see how observant you are! We have a Tony Coleing Japanese Scientific Experiment, 1993 print (edition of 50) valued at $150 to five to one of our readers who can correctly identify the numbers of images in both articles and advertisements that refer to meat, livestock or dead flesh appearing in the August issue. Entries close 3 September. See the August issue for more details. 2 Zero to one thousand to nothing: ROBERT COOK I have nothing to say about craft and have been saying it for ten years. I say nothing and it takes 750 words, 5000 words, for me to finisth. Here, its' 1000. That means I've got 964 to go.....Read more in the August issue! 3 Manifesta 5, 2004 in Donostia-San Sebastian, Spain: MARCO MARCON Huseyin Alptekin, Hostal Pasaia (Capacity/Capacities &: hospitality), 2004. Photo Marco Marcon. For Manifesta 5, Alptekin used hotel name signs he had acquired in his travels, and hung them along what is referred to as 'Rape Alley' in Pasaia, the port area of Donosita-San Sebastian. 4 Books: MARY EAGLE ‘What's Wrong with Contemporary Art?’: Peter Timms Interesting people have moved purposefully away from the art scene before today. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500595424801-AB9F3AYFV216DS2AG6UJ/image-asset.jpeg Issue 172 August 2004 5 Caricature finally triumphs at the Archibald Prize: ROSS WOODROW Craig Ruddy, David Gulpilil, two worlds, 2004. Charcoal and graphite on wallpaper (detail). Photo Ben Rushton/tairfaxphotos. The news that a Sydney artist backed by a substantial fighting fund is to challenge the award of this year's Archibald Prize to Craig Ruddy for his portrait David Gulpilil, two worlds must have heartened many. 6 Art, politics and ideology: TAMARA WINIKOFF It being election time, arts policies are busily being pulled out of drawers and dusted off, replenished and presented to the public, in particular to those of us with a vested interest. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500595537116-25YLKZO845FH7DINF9ZM/248_Desmond.Almeida.BIG.jpg Issue 172 August 2004 7 On reason and emotion: Biennale of Sydney 2004: MICHAEL DESMOND Helena Almeida, Sem titulo (Untitled), 1994 -95, black and white photographs, one with red acrylic paint (detail: single photograph). Collection of the Serralves Foundation, Museum of Contemporary Art, Porto, Portugal. Photo Arthur Rosa. First impressions shouldn't count, but I suspect that the works encountered at the doors of the Sydney Biennale, both at the MCA and at the AGNSW jaundiced my view of the entire show. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500595591330-H7P8SBWHP4N52CWX1H5M/image-asset.jpeg Issue 172 August 2004 8 2004: Australian culture now In Melbourne: LINDA MICHAEL Monica Tichacek, The shadowers,, 2004, still from digital video. Courtesy of the artist and Karen Woodbury Gallery. I keep thinking of 2004: Australian culture now as the caption for an image of a child in detention or an American flag and ponder its malleable meaning. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500595708546-ANCZL75G5J9I611L6JTU/image-asset.jpeg Issue 172 August 2004 9 FLeshly moralities: Ivan Durant in Melbourne: DANIEL THOMAS Ivan Durrant, The window, 1970, acrylic on board. Courtesy of the artist. He proposed his meat-themed exhibition Paddock to plate: Ivan Durant 1968 - 2004 to the Monash Gallery of Art because of the gallery site, at Jells Road, Wheelers HIll, had once been a paddock where Ivan Durrant rented land for fattending beef. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500595766899-4KIE04EH1TMR62MKVSZ5/image-asset.jpeg Issue 172 August 2004 10 A gatekeeper in every paradise: Paradise now? Contemporary art in the Pacific in New York: TREVOR SMITH Lisa Reihana, Native portraits, n. 19897, 1977, mulit-media installation. Courtesy of the artist and the Museum of New Zealand Te Papa Tongarewa. In mythology and religion, every paradise has its gatekeeper and each has rules of entry. Some are entered through acts of grace and others through acts of exclusion and violence; but all are entered through some form of sacrifice or conformation to a set of rules or tasks. https://www.artmonthly.org.au/issue-172-august-2004-1 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500596209493-IIM4OSC3SIZ8XYGMNSOQ/image-asset.jpeg Issue 171 July 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500596235506-W33WTX4AYOI719SEEWTS/image-asset.jpeg Issue 171 July 2004 1 Video hits: Art & music video at the Queensland Art Gallery: ALISON KUBLER Kaie Rule, I'm a lover not a dancer,2002, still from video, 4:09 mins. Courtesy of the artist, Palm Pictures and RESFEST. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500596290014-1S2OGC1W3YZVFKK5GNJ4/static1.squarespace.jpg Issue 171 July 2004 2 Book Review: Tiepolo’s Cleopatra by Jaynie AndersoN: BERNARD SMITH Tiepolo's Cleopatra by Jaynie Anderson. Plagrave Macmillan, 2003, 224 pp RRP $99.00. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1541547055838-1XCMTFMS9I6LAMLL99L1/image-asset.jpeg Issue 171 July 2004 3 Printing across borders: the Aar-Paar Project 1: CHAITANYA SAMBRANI Asma Mundhrawala, Poster for the Aar-Paar Project, 2002. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500596482848-MK2EH0I6ZJGRLSYJAS6Q/image-asset.jpeg Issue 171 July 2004 4 Out of the box: Exhibitions from the archives of the Australian Print Workshop and Studio One in Canberra: PATSY PAYNE Toni Robertson, Poster for Studio One, 1983, silkscreen print. Private collection. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500596527282-SPB3V7SUZ6LMUFXVXPXC/image-asset.jpeg Issue 171 July 2004 5 1017 Kelvin - pretty hot! Metis Time: 04: MICHAEL ASCROFT Peter Fitzpatrick, SPIN,2004, video installation with video monitors and LCD projector. Courtesy of the artist and the Canberra Museum and Gallery. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500596553579-NUKH0SF4FR3AVEQ55HWG/image-asset.jpeg Issue 171 July 2004 6 To look within: Self portraits in Australia at the University of Queensland Art Museum: TIMOTHY MORRELL Eric Thanke, Self portrait in a borken shaving mirror,, 1945, gouache on paper. Private collection, Geelong, Victoria. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500596581353-A8Y2HAY0MK8G4AH5GDST/248_Desmond.Almeida.BIG.jpg Issue 171 July 2004 7 Craft + design. What’s in a name?: IAN WERE Vaisamoa Manoa, Fan, 2003, woven raffia over coconut midrib, dyed feathers. Courtesy of the Queensland Art Gallery. 8 The day the art world came to Balgo: JACQUELINE HEALY At Balgo 4-04: Philomena Baadjo and her family in the exhibition, Helicopter Tjungurrayi in the background. Courtesy of Warlayirti Artiists. Photo Kim Lawler. https://www.artmonthly.org.au/issue-170-june-2004 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500597015496-XQ3F54XFJ84DHAJDGPL3/image-asset.jpeg Issue 170 June 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539578974589-OZVPZ9173HG9O6GMV9LA/block+1.jpg Issue 170 June 2004 1 JOHN MATEER: Empires, Ruins + Networks: Art in Real Time CulturE 2 JOHN FAULKNER: From Blue poles to red fans: The 2004: Whitlam Oration 3 DAVID MASKILL: Sunny Lindsay: A book and an exhibition 4 PETER TIMMS: Book Reveiw: Shifting Foundations 5 STEPHEN NAYLOR: Public/Private Tumatanui/Tumataiti 6 SARAH THOMAS: Sex, death and fascism: eX de Medici @ MPRG 7 NICK WATERLOW: Holy Holy Holy 8 BARBARA CAMPBELL: Take a Bowery: The art and (larger than) life 9 SHAUNE LAKIN: Southern Californian package tours: Ed Ruscha https://www.artmonthly.org.au/issue-169-may-2004 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539578889121-UPEBG7BAQ5J6WI4MDNPB/AMA%2B600%2Bres%2Bcover%2B169.jpg Issue 169 May 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539578367113-8BUY4AQB36Q3VLWM870X/block+1.jpg Issue 169 May 2004 1 Thou shalt (not) make graven images: Humphrey McQueen 2 the power of the image: The use of photography and video as means of authentication in Western Desert art: Georges Petitjean 3 Books: Virginia Nicholson Among the Bohemians: Experiments in Living 1900-1939: Christopher Heathcote 4 Books Marco Livingstone + Kay Heymer Hockney’s Portraits and People: Andrew Sayers 5 Art, craft and ecology meet at the Styx Forest: Adam Geczy 6 Joan Kerr: A tribute 1938-2004 7 Clifford Possum Tjapaltjarri at the Art Gallery of South Australia, Adelaide: Christine Nicholls 8 Letter from the Lower Hunter: Philippa Kelly 9 Brisvegas: Little city, big history: Alison Kubler 10 Sculpture, and yet more sculpture, at Changchun, China: Ken Scarlett https://www.artmonthly.org.au/issue-169-may-2004-1 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500598406099-11WSW9EUC1UELWJYX6Q4/image-asset.jpeg Issue 168 April 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539578190071-3HNIES024D8P5A66OYBC/block+1.jpg Issue 168 April 2004 1 Editorial 2 Abbas Kiarostami: The earth trembles: Adrian Martin 3 Leaving well alone: Julian Wood 4 Presence & absence: Portrait sculpture in Australia at the National Portrait Gallery, Canberra: Kate M Murphy 5 NGV International: John McPhee 6 Of images and episodes: Tracey Moffatt at the Museum of Contemporary Art, Sydney: Kate Davidson 7 Howard Taylor: Phenomena in Sydney and Perth: Gordon Bull 8 Turner’s turn: Michael Rosenthal 9 This is tomorrow: Experimenta in Melbourne and Primavera in Sydney: Russell Smith https://www.artmonthly.org.au/issue-168-april-2004 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500598734768-4F5CNM82GQI2LLQD3O15/image-asset.jpeg Issue 167 March 2004 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539578072719-VA2HP1QOOFC3P2P7NPZR/block+1.jpg Issue 167 March 2004 1 Unhurried: Olive Cotton 1911 – 2003: Helen Ennis 2 Contemporary crafts: Jane Burns 3 Under the skin of history: Scott Redford and Brisbane Conceptualism: Michele Helmrich 4 Fear of the dog: Peter Booth: Human/Nature at the NGVA: Mary Eagle 5 Caravaggio’s grace: Darkness & light: Caravaggio & his world: Chris Chapman 6 John Glover and the natural picturesque: Daniel Thomas 7 Kitty Kantilla (Kutuwulumi Purawarrumpatu) c 1928 – 2003: Hetti Perkins 8. Nora Heysen 1911 – 2003: Catherine Speck https://www.artmonthly.org.au/issue-166-december-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500599065549-ESCA6436UMGMXPTK0E7P/image-asset.jpeg Issue 166 December 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539578018977-WRFTNYQCU0EYNY4HOE5O/block+1.jpg Issue 166 December 2003 1 Story place: Indigenous art of Cape York and the rainforest at the Queensland Art Gallery: Susan Rothnie 2 Arts alive in the West: The National Review of Live Art, Midland, Perth: John Mateer 3 Does size matter?: Geoffrey Batchen 4 Love, death and wilderness photography: Peter Timms 5 Patrick McCaughey The Bright Shapes and the True Names: Angus Trumble 6 Photographic Proof: Portraits from the Movement 1978 - 2003 by Juno Gemes: Catherine De Lorenzo + Jennifier Isaacs 7 Roger Benjamin: Orientalist Aesthetics: Ted Gott 8 The curatorship of historical material: David Hansen 9 The sculpture of Donna Marcus: Elizabeth McMahon 10 The secret life of us: Jeanette Winterson 11 Writing archives: The book, At Home in Australia (NGA), and the exhibition, In a new light (NLA): Martyn Jolly https://www.artmonthly.org.au/issue-166-december-2003-1 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500599395384-S4J3J8A17YL1OYXU4O5L/image-asset.jpeg Issue 165 November 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577956304-PK1MH3UFWNE0ZQ481TFY/block+1.jpg Issue 165 November 2003 1 Diana & Acteon: Glover reminds the colonists about the legalities of property rights: Mary Eagle 2 Mary Alice Evatt: Mas 1898 - 1973: Patricia Anderson 3 Benton, Benton and Wood: Art Deco 1910 - 1939: Andrew Montana 4 Charlotte Samuels: Art Deco Textiles: Ann McMahon 5 Cruickshank, Newall and North (eds) Blaze: Visual Art and Writing from the Contemporary Art Centre of South Australia 1990 - 2002: Morgan Thomas 6 David Sylvester Interviews with American Artists: Michael Desmond 7 Dear Hilary 8 Letter from Istanbul: Benjamin Genocchio 9 Moulin Rouge: Charles Conder: Martin Terry 10 Paul Mathieu Sex Pots: Eroticism in Ceramics: Peter Timms 11 Shop until you drop at the V&A: Art Deco 1910 - 1939: Andrew Montana 12 Suzanne Lussier: Art Deco Fashion: Roger Leong https://www.artmonthly.org.au/issue-165-november-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500600005536-TIEWD38Y429AL1WNKAX6/image-asset.jpeg Issue 164 October 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577834701-W5CWAOS61E2SA1QSAV0R/block+1.jpg Issue 164 October 2003 1 The book review issue 2 Bill Henson: Lux et Nox: Ashley Crawford 3 Ashley Crawford Wimmera: The work of Philip Hunter: Simeon Kronenberg 4 Bone beneath the skin, and spirit: Sid talks with Albert, Rover, Colin and Fred: Daniel Thomas 5 Bruce James Australian Surrealism: The Agapitos / Wilson Collection: Chris Chapman 6 Chris McAuliffe and Peter Yule (eds) Treasures: Highlights of the Cultural Collections of the University of Melbourne and Jenepher Duncan and Linda Michael (eds) Monash University Collection: Four Decades of Collecting: Kate Davidson 7 Dear Hilary 8 Gillian Forwood Lina Bryans: Rare Modern 1909-2000: Mary Eagle 9 Mark H. C. Bessire (ed) William Pope.L: The Friendliest Black Artist in America: Destiny Deacon 10 Michael Carter Putting a Face on Things: Studies in Imaginary Materials, and Fashion Classics: From Carlyle to Barthes: George Alexander 11 Michael Dunn New Zealand Sculpture: A History: Deborah Edwards 12 Odile Ayral-Clause Camille Claudel: A Life: Helen McDonald 13 Terry Smith Transformations in Australian Art: Volumes One & Two: Ian McLean https://www.artmonthly.org.au/issue-164-october-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500600920313-NEGCOMIAR9EPRN27G7IQ/image-asset.jpeg Issue 163 September 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577706281-SZBK9QH0LPKS9ITHCSM0/block+1.jpg Issue 163 September 2003 1 The labyrinthine effect at the Australian Centre for Contemporary Art: John Mateer 2 Anne von Bertouch: Nick Mitzevich 3 Between grit and belief: The Stedelijk Museum's Colin McCahon retrospective in Melbourne: Mary Eagle 4 Celebrating the sixties - then and now: Nick Waterlow 5 Dear Hilary 6 Part 2 - The art of darkness: Reflections on an encounter with Albert Speer: Philippe Mora 7 Recent political art exhibitions in Australia: Adam Geczy 8 Team New Zealand: New Zealand at Venice: Louise Tegart 9 The sculpture of David Jensz: Kim Mahood 10 Vandalising objects, destroying art: Andrew Benjamin 11 War, what is it good for? 'Requiem: By the photographers who died in Vietnam and Indochina': Alison Kubler https://www.artmonthly.org.au/issue-162-august-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500601256610-D9SM2B1LB1ISNM5GETU3/image-asset.jpeg Issue 162 August 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577585841-OYCQGF5ORUM7DZ8RH8T4/block+1.jpg Issue 162 August 2003 1 A philanthropic perspective on the arts: Dorothy Scott 2 Bette Davis eyes: Scratch the surface at the Canberra Contemporary Art Space: Chris Chapman 3 Dear Hilary 4 'For an apple and an egg': Resolving competing claims for ownership of works of art and antiquities stolen, looted or forcibly sold: Katrina Gunn 5 Letter from Hanoi: Katherine Oliver 6 Letter from London: Rita Hatton 7 Peppi painting large: Maurice O'Riordan 8 South African township art: Bringing is all back home: Tom Nevin 9 The art of darkness: Reflections on an encounter with Albert Speer: Philippe Mora https://www.artmonthly.org.au/copy-of-issue-161-july-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500601540854-O1BU93LMR34JHYJW22FZ/image-asset.jpeg Issue 161 July 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577489943-IH72XX67FTCR4MB4UD63/block+1.jpg Issue 161 July 2003 1 Ken Unsworth The art of flowers: Survey 1973 - 2003: Richard Moore 2 Art training: Adam Geczy 3 Dear Hilary 4 Encountering Indonesian textiles in Darwin: Joanna Barrkman 5 Feeling the heat at the 50th Venice Biennale: Stephen Naylor 6 Geoffrey Bardon: An appreciation 1940 - 2003: Paul Carter 7 Journeying to other worlds: Liquid sea at the Museum of Contemporary Art: Kate Davidson 8 Mr Kaldor's feeling for fabric Journey to now: John Kaldor art projects and collection: Ian North 9 Santiago Bose 1949 - 2002: John Batten 10 The opposite of nostalgia: POL: Portrait of a generation and Lewis Morley: Myself and eye at the National Portrait Gallery: Russell Smith https://www.artmonthly.org.au/issue-161-july-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500601771589-MO9DKG3B6AM462XXCG7Z/image-asset.jpeg Issue 160 June 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577421523-L4OH6DV4ID5KH3Y8NSB0/block+1.jpg Issue 160 June 2003 1 Anita and beyond at the Penrith Regional Gallery: Jeremy Eccles 2 Intersections: South African art from the BHP Billiton Collection: John Mateer 3 Morris & Co in Adelaide: Kathleen Connellan 4 Art round-up: Adelaide: Maria Bilske 5 Dinosaur Designs: Katherine Oliver 6 Flat art, Bruce James 7 Like painting like football: Suzanne Spunner 8 Pugin's antipodean Paradise: Andrew Montana 9 Time and tide: Decadal shifts in Australian contemporary art: Mark Titmarsh https://www.artmonthly.org.au/issue-160-june-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500602231217-GV4LZVNQTUIB5NMZN31F/image-asset.jpeg Issue 159 May 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577322655-D7N1Z7QDZBWJJPOKTKZF/block+1.jpg Issue 159 May 2003 1 Ian Burn and Imants Tillers in conversation: Introduction by Ann Stephen 2 Blood on the spinifex: Roger Taylor 3 Pierre Bonnard: Observing nature: Richard Larter 4 An inquiring mind: An interview with Rupert Myer: Philippa Kelly 5 Antony Gormley Inside Australia, Hilary Maddocks 6 Art round-up: Darwin and the Northern Territory: Maurice O'Riordan 7 Dear Hilary 8 Seven beauties in Albany and Perth: Marie Bonnal 9 Ten Days on the Island: Daniel Thomas https://www.artmonthly.org.au/issue-158-april-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500603788700-NWGSWELJ5A658QVQII4I/image-asset.jpeg Issue 158 April 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539577243374-DAF0U3BS1W6TXOY3XI5X/block+1.jpg Issue 158 April 2003 1 Crossing boundaries: Bali: A window to twentieth century Indonesian art: John Mateer 2 Blood and death: The recent body art of Jill Orr: Anne Marsh 3 Dear Hilary 4 New histories of Australian art: South West Central: Indigenous art from south Western Australia 1833-2002: Ian McLean 5 Paul Partos 1943 - 2002: Frances Lindsay 6 Peter Fay interviewed by Nigel Lendon 7 Thomas Gainsborough in London and Washington: Angus Trumble https://www.artmonthly.org.au/issue-157-march-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500607527183-SHF6N6VR5CXKB2JY88TS/image-asset.jpeg Issue 157 March 2003 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539576390673-2BB0RQRRAWP7MWLIOICC/block+1.jpg Issue 157 March 2003 1 Art round-up: Melbourne: Natalie King 2 Beyond the everyday: The art of Elizabeth Gower: Kelly Gellatly 3 Dear Hilary 4 Letter from Shanghai: Benjamin Genocchio 5 Pablo has left the buildinG: Michael Desmond 6. S&D at NGVA: Daniel Thomas 7 The Was and May: Ricky Swallow's Wooden problem: Justin Paton https://www.artmonthly.org.au/copy-of-issue-157-2003 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500607790282-3N3LWWFOZ8VTMALT14UV/image-asset.jpeg Issue 156 December 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539576325632-A9K0TZH9VXAV5NEH7WXN/block+1.jpg Issue 156 December 2002 1 A Child's Christmas in Warrnambool,:Dylan Thompson AND John Clarke 2 A return to Pollock: Rex Butler 3 Culture shock: Australians in London in the sixties: Philippe Mora 4 Dear Hilary 5 Free and indirect: The autonomy of form in abstract art: Matthew Holt 6 Letter from Paris: Trevor Smith 7 Letter to Bruce Pollard: Mike Brown 8 Margaret Preston: Reviewing the landscape: Deborah Edwards 9 Taring Padi: Allison Gray 10 The Tangi of Shona Rapira Davies: Megan Tamati-Quennell 11 The amateur's contract: Christopher Wallace-Crabbe 12 The post-colonial jigsaw puzzle: David Hansen 13 Zen effects: Chris Chapman https://www.artmonthly.org.au/issue-155-november-2002 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500608193046-3GBXPUM9SK60N9HCJRXS/image-asset.jpeg Issue 155 November 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539576273284-M9WM1CWYXZKGE6MGJ573/block+1.jpg Issue 155 November 2002 1 Art round-up: Brisbane: Timothy Morell 2 Austerity - Excess - Invention the Asia Pacific Triennial 2002: Chaitanya Sambrani 3 Dear Hilary 4 Documenta11 Kassel: Germany: Lisa Byrne 5 Following on: The Myer Report and droit de suite: David Throsby 6 George Gittoes and the grotesque: Bernard Smith 7 Sculpturitis: Benjamin Genocchio 8 Two art scenes: some thoughts from the Melbourne Art Fair: Geoffrey Legge 9 Walking zero: Nakahashi Katsushige: Kate M Murphy and Erica Seccombe 10 What's the point of painting these days?: Adam Geczy https://www.artmonthly.org.au/issue-155-october-2002 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500608353012-W8831SQ8PESLVM2SRKVS/image-asset.jpeg Issue 154 October 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539576220771-J8B3DOPX572NCOXJF42B/block+1.jpg Issue 154 October 2002 1 A white field on the Moon Plain: Matej Andraz Vogrincic: Sarah Thomas 2 Art round-up: Tasmania: Jane Rankin-Reid 3 Dear Hilary 4 Ginger Riley: Judith Ryan 5 I am not sorry: Beyond Capricornia: Brenda L Croft 6 Ripping the heart out of the islanD: Michael Denholm 7 Sculpture in the desert: Broken Hill: Jeremy Eccles 8 Seeing the Centre: The art of Albert Namatjira: Christine Nicholls 9 The ghost in the machine: Robert KlippeL: Michael Desmond 10 The Milky Way Dreaming: Norah Napaljarri Nelson's floor mosaic: Patrick Hutchings https://www.artmonthly.org.au/issue-153-september-2002 daily 0.75 2018-10-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539576160465-UCBO1JT4I6ADX0TNGWZ7/image-asset.jpeg Issue 153 September 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500597039176-Q7R482XL693B0C1B64A0/image-asset.jpeg Issue 153 September 2002 https://www.artmonthly.org.au/issue-153-september-2002-1 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539576096614-5TSNAVB4UIT81AU4SOD5/image-asset.jpeg Issue 152 August 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1539576062235-Q77I4Z5K2DYY9LRHG51G/block+1.jpg Issue 152 August 2002 1 Art round-up Sydney: Chris Chapman 2 Books 3 Clifford Possum Tjapaltjarri: Vivien Johnson 4 Don't forget to remember: the art of David McDiarmid: Ted Gott 5 Letter from Los Angeles: Lindsay Dunbar 6 Souvenirs: Amanda Bishop 7 Stripperama - Richard Larter: Linda Sproul 8 The Edifice Complex: Gene Autry 9 When film was Modern: Philippe Mora https://www.artmonthly.org.au/issue-151-july-2002 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1500608755703-UQNVDALWINCXUNXBENWF/image-asset.jpeg Issue 151 July 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 151 July 2002 1 A MODERN WARRIOR GIR: KATE BEYNON AND SARAH THOMAS 2 BOOKS 3 BRUCE ARMSTONG'S EAGLE: TED GOTT AND BRONWEN COLMAN 4 CRYPTO REALISM BITTERSWEET: ADAM GECZY 5 FABULOUS: 2002 BIENNALE OF SYDNEY: HANNAH FINK 6 INDIGENOUS CULTURAL AND INTELLECTUAL PROPERTY RIGHTS: TERRI JANKE 7 MUSICAL CHAIRS: DAVID THROSBY 8 PASTS PRESENT: MARY ROBERTS 9 PETER KENNEDY: JOHN MATEER 10 SOMETHING ABOUT SCULPTURE: JASON SMITH https://www.artmonthly.org.au/issue-300-august-2017 daily 0.75 2018-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501636646230-93ZP8G8DDAHBWB0GYN7G/AMA300_Cover_LG.jpg Issue 300 August 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501633135951-VO27Z2XS05MIZUZCTACX/image-asset.jpeg Issue 300 August 2017 1 Vieux*: Catherine townsend From left: Studio International assistant editor John McEwen, Peter Townsend and André Cadere (with pole) outside the Bloomsbury pub, c. 1972–73; photo courtesy Catherine Townsend and André Cadere https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501633302305-F3AO8IJJ4OCLBC14U90S/image-asset.jpeg Issue 300 August 2017 2 Looking Into The Chinese Mirror: Peter Townsend William Townsend, Peter Townsend, 1936–37, oil and pastel on canvas, 76 x 63cm; courtesy Catherine Townsend; photo: Sarah Ainslie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501633521910-HH2KLE84EIF0A5XIAN2U/Roberts_image2.jpg Issue 300 August 2017 3 friends: Peter Townsend and China: Claire Roberts Gu Yuan, Starvation, 1930s, woodcut, printed in black ink, from one block, 9.8 x 11.6cm, National Gallery of Australia, Canberra; Peter Townsend Collection, purchased with the assistance of the Australia-China Council 1985 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501633898615-Q32X42ZZF836RRKJ7QED/image-asset.jpeg Issue 300 August 2017 4 Autres temps, autres moeurs: Michael Hobbs No.1, June 1987: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd Cover caption (as published): Paddy Jumbaji from Turkey Creek, Western Australia uses natural earth pigments on hardboard, 82 x 102cm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501634462113-MFP5VWBTCQORXA62U4F8/image-asset.jpeg Issue 300 August 2017 5 From the Clock tower: David Williams No.193, September 2006: edited by Deborah Clark; designed by bKathreen Ricketson Peter Townsend in the Art Monthly Australia office, in the clock tower of the ANU School of Art, Canberra, c. 1993; photo: Douglas Holleley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501634821713-C5EPT7LACNWKPT5T0OZF/image-asset.jpeg Issue 300 August 2017 6 The Large Man At The Door: Julie Ewington No.8, March 1988: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd John Brack, Portrait of Fred Williams, 1958, detail; oil on canvas, 112.7 x 90.8cm, Art Gallery of South Australia, Adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501635158027-TWHLZJT4N532HYP4DM3F/image-asset.jpeg Issue 300 August 2017 7 Peter Townsend, Art Monthly and Asia: Alison Carroll No.40, May 1991: edited by Peter Townsend; designed by ANU Graphic Design https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501637095558-2UNLY5PDNWBB6L44H444/image-asset.jpeg Issue 300 August 2017 8 300 Covers Art Monthly in Australia 1987-2017 300 covers: ART MONTHLY in Australia 1987–2017, exhibition installation views, Foyer Gallery, ANU School of Art & Design, Canberra, June 2017; photo: Aishah Kenton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1501635660134-71CDZHMLCHRSU92TWXEQ/image-asset.jpeg Issue 300 August 2017 9 Homage to Peter Townsend: Laurence Weiner Lawrence Weiner’s homage to Peter Townsend first appeared as a projection at a memorial event for Peter Townsend at Tate Britain, London, in 2006; and subsequently in the exhibition ‘Five Issues of Studio International’, curated by Jo Melvin, at Raven Row, London, in 2015; and is kindly reproduced here courtesy the artist https://www.artmonthly.org.au/issue-301-september-2017 daily 0.75 2018-12-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504058010489-0K29B9S6MVESMAH8FZH2/AMA301_SEP_Cover_LG.jpg Issue 301 September 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504051367203-7UQN6ZSKD6URRBCF9KSE/Dispatches_image1.jpg Issue 301 September 2017 1 Dispatches: Andrew Stephens Mikala Dwyer, Square Cloud Compound, 2010, Installation View, Musuem of Contemporary Art, Sydney; Fabric stockings, glass, beer, Champagne, Plastic, Ceramics, Found Things, Wood, Rocks, Lights, Paints, Acrylic, Cat and Bird ornaments, dimensions variable; image courtesy the artist; photo: Jessica MAurer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504052263615-AE394EBXXKCOI8QISGAX/Galleries_image4.jpg Issue 301 September 2017 2 September in The Galleries: Chloé Wolifson Desert Mob, 2016, exhibition opening, 8 September 2016; image courtesy Araluen Arts Centre, Alice Springs; Photo: Lisa Hatzimihail https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504052840488-BV5MAXIEKGN8DCDG2PH4/Youngphilanthropy_image1.jpg Issue 301 September 2017 3 The Young ones: Finding Philanthropy: Rhianna Walcott, Sydney MCA Young Ambassadors at Tom Polo's Artspace Studio, Sydney, 16 May 2017; image courtesy the artist, Artspace, Sydney, and the Museum of Contemporary Art Australia, Sydney; Photo: Sam Whiteside https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504053388628-T0AL7G44T25D1QVO82XU/SemuandPhiljames_image1.jpg Issue 301 September 2017 4 Greg Semu and Philjames: All that Glitters Is Not Gold: Elizabeth Reidy, Sydney Greg Semu, Black Tracker Surrogate Family, 2016-17, from the 'Blood Red' series; pigment print on art paper, 80 x 106.75cm; image courtesy the artist and Alcaston Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504053878765-Z2DPD3Y8552S4G5M1NPZ/Zahalka_image1.jpg Issue 301 September 2017 5 Revisiting Landscape and Identity with Anne Zahalka: Jacqui Durrant, Albury Anne Zahalka, Outlawed!, 2017, archival Pigment Print, 90 x 121cm; image courtesy the artist and ARC ONE Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504054152907-T3EJ21RUOWKAAEZEZ8WL/DacchiDang_image4.jpg Issue 301 September 2017 6 Beneath The 'layered otherness' of Dacchi Dang: John Clark, Sydney Dacchi Dang, An omen near and Far, Exhibition detail View, 4A Centre for Contemporary Asian Art, Sydney, 2017, with (from left): Spectacle I, 1996; Untitled, 1996, from the series 'Spectacle II'; image courtesy the artist; photo: Document Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504056368457-K9U6M5FLB7NKTG9VBNCZ/Mais_image3.jpg Issue 301 September 2017 7 Hilarie Mais: A geometary of Emotion: Michael Desmond, Sydney Hilarie Mais, Cluster Ghost, 2016, Synthetic polymer paint on wood, 182 x 182 x 4.5cm; image courtesy and copyright the artist; photo: Jessica Maurer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504055787324-Q10WRYZI15AL999ZIPYG/Dreyfus_image1+copy.jpg Issue 301 September 2017 8 Ella Dreyfus: Walking in Wiesbaden Ella Dreyfus, brettheimer, dreyfus, juden, ransenberg (brettheimer, dreyfus, jews, ransenberg), No 2, Schulbergstrabe, Wiesbaden, 2017, from the series Walking in Wiesbaden (2017); chromogenic print, 60 x 84cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504057269478-5FVSLHSY832PWYBKR1VB/Telstras_image2.jpg Issue 301 September 2017 9 A Curated Vision for the 2017 NATSIAAs: Michael Fitzgerald, Darwin Robert Fielding, Milkali Kutju - One Blood, 2017, synthetic polymer paint and ink on burnt and pierced paper, 153.5 x 140.5cm; image courtesy the artist and MAGNT, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504057206110-RURK0KIJ6R0V95VLM0YK/Poetsandpainers_image1.jpg Issue 301 September 2017 10 'To attend, singing, to the trace of the fugitive gods' The Big Punchbowl Project: Delia Nicholls, Freycinet Peninsula Poet Adrienne Eberhard and painter Sue Lovegrove at the Big Punchbowl, Tasmania, October 2016; Photo: Mathew Newton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1504057550653-DW774J3FGGBTT0TYWUW3/TheNational_image2.jpg Issue 301 September 2017 11 The National ' Institution': Fernando de Campo, Sydney The National 2017: New Australian Art, exhibition installation view, Carriageworks, Sydney, 2017; image courtesy Carriageworks, Sydney; photo: Zan Wimberley https://www.artmonthly.org.au/issue-302-october-2017 daily 0.75 2018-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506484767726-CI2GXKXIACEVAKOAS758/AMA302_OCT_LG.jpg Issue 302 October 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506480374737-V5EJE625CEWQJYOS3GKE/Octoberdispatches_image1.jpg Issue 302 October 2017 1 Dispatches: Andrew Stephens Tjala Arts women's collaborative painting for the APY Art Centre Collective and Purple House Fundraiser auction in Adelaide on 15 October 2017; image courtesy the artists and Ernabella Arts, Pukatja https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506480724202-28EDI9O0ZI9W2VICJ4OJ/Octobergalleries_image2.jpg Issue 302 October 2017 2 October in The Galleries: Chloé Wolifson Caz Haswell, Drinker of White Wine, 2017, velvet, cotton and metallic thread, steel rod, 129 x 120cm; image courtesy the artist and Flinder's Street Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506481055198-DQFO8KISGUTV90XHKBYO/Roundtable_image1.jpg Issue 302 October 2017 3 THE intimacy of Shared Stories: A South Australian Roundtable: Liz Nowell, Adelaide Ali Gumillya Baker, sovereignGODDESSnotdomestic #1, 2017, digital photograph on lightbox, 120 x 83cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506481330077-B6OY1DGDLO2YOC5JV25K/Drawing_image6.jpg Issue 302 October 2017 4 States of Commonality and correspondence: 'The Drawing Exchange': Joe Frost, Adelaide The Drawing Exchange, installation view with artist Liz Bradshaw, National Art School (NAS), Sydney, August 2017; Image courtesy NAS, Sydney: Steven Cavanagh https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506481639898-GPMR4H131GAK7X4S0P8F/Marlene_image.jpg Issue 302 October 2017 5 Every Face has a Story, Every Story has a Face: Kulila!: Marlene Rubuntja, Larapinta Trudy Inkamala, Roxanne Petrick, Dulcie Raggett, Marlene Rubuntja, Rosabella Ryder, Dulcie Sharpe, Roxanne Sharpe and Valerie Stafford, Every Face has a Story, Every Story has a Face: Kulila! 2016, 9-piece soft sculpture, 228 x 120 x 100cm; Art Gallery of South Australia; image courtesy the artists and Yarrenyty Altere Artists, Larapinta https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506482048008-EO0TSD71NNYZSM1KJARQ/Claybosses_image1.jpg Issue 302 October 2017 6 Clay Bosses: Indigenous Potters at the JamFactory: Hannah Kothe, Pukatja Derek Jungarrayi Thompson in the Studio; iage courtesy the artist and ernabella Arts, Pukatja https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506482460275-P5D1U7GU843RRCBBRSHA/Pepai_image2.jpg Issue 302 October 2017 7 Pepai Jangala Carroll's Journey Home: Luke Scholes, Walungurru Pepai Jengala Carroll, Mu Mu, 2017, synthetic polymer paint on linen, 175 x 280cm; image courtesy theartist and Ernabella Arts, Pukatja; photo: Rhett Hammerton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506482813595-OE4RP7RAGQDCE7F5LSO8/Hossein_image6+copy.jpg Issue 302 October 2017 8 Hossein Valamanesh: in his Mother's hands: Andrew Purvis, Adelaide Hossein Valamanesh, Passing Time, 2011, MDF, MONITOR AND Media Player, 61 x 52 x 52cm, 4 minute loop; image courtesy the artist and GAGPROJECTS, Adelaide; Photo: M. Kluvenek https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506483223731-779RHJAKFFCCO75D1BYG/Munster_image1.jpg Issue 302 October 2017 9 Making a Splash: 'Skulptur Projecte Münster 2017': En Young Ahn, Münster Nicole Eisenman, Sketch for a Fountain, 2017, installation view, 'Skulptur Projekte Münster 2017', 2017; Bronze, plaster, basin; Photo: En Young Ahn https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506484107364-33K67LANAJYX62619OKH/documenta_image1.jpg Issue 302 October 2017 10 Solidarity: live your greece myth: Audrey Schmidt, Athens and Greece Gordon Hookey, Solidarity, 2017, installation view, 'documenta 14', Athens School of Fine Art, 2017; acrylic paint on concrete; image courtesy and © Gordon Hookey/VG Bild-Kunst, Bonn 2017; Photo: Stathis Mamalakis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506484339151-Y37NQG89EO52CQNV66BL/Venice_image1.jpg Issue 302 October 2017 11 Venice 2017: The Good, the Bad and the Ugly: Janis Lejins, Venice Eliza Douglas in Anne Imhof, Faust, 2017; installation view, German Pavillion, 57th Venice Biennale, 2017; image courtesy the artist and the german pavillion 2017; photo and © Nadine Fraczhowski https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1506484497072-UK5CXSGVGBQ2SOBAOM4Y/Ball_image.jpg Issue 302 October 2017 12 Tribute: Sydney Ball 1933-2017: Anne Lozley Sydney Ball with Zonal Turn, 1969; image courtesy the estate of Sydney Ball and Sullivan+Strumpf, Sydney and Singapore https://www.artmonthly.org.au/issue303november2017 daily 0.75 2018-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508894359353-OSJS2H2ES03SNXNFV33J/AMA303_LG.jpg Issue 303 November 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508889524445-8XLGYPD0CZ8B025P2794/Dispatches_image1.jpg Issue 303 November 2017 1 Dispatches: Andrew Stephens Paul Uhlmann, Batavia skull (camera obscura II), 2015, photo-print on aluminium, 15 x 12cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508889819979-KUUOXQNU66H8OP1JJ65U/GalleriesNovember_image2.jpg Issue 303 November 2017 2 October in The Galleries: Chloé Wolifson Parallel Park, In Time, 2017, performance installation; image courtesy Outer Space; photo: Llewellyn Millhouse https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508890081191-FX2QW1RSJAF1T9VR3FP3/AAANZ_image.jpg Issue 303 November 2017 3 Towards an idea of the 'West': Sally Quin, Perth Susanna Castleden, Globe Ball, 2013, maps, exercise ball, varnish, 65 x 65 x 65cm; image courtesy the artist; photo: Robert Frith at Acorn https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508890843599-85RLUYUAI2TKVKTORXMA/CurtisTaylor_image3.jpg Issue 303 November 2017 4 'Yolngu and Martu coming together': Curtis Taylor and 'In Cahoots': Sheridan Coleman, Perth Fire from Martu burning Country, east of Parnngurr Community, 2017; image courtesy the artists and Fremantle Arts Centre; photo: Curtis Taylor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508891875904-VDPEY2XM5KXLUYFEGMUM/Schenberg_image5.jpg Issue 303 November 2017 5 'Absolute Zest': Eight Years of the Schenberg Fellowship: Ted Snell, Perth Shan Turner-Carroll, from the 2012 series ‘Primal Crowns’; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508892080051-3KLQNSWQ7ZP2PY53MVX3/Strange_image2+copy.jpg Issue 303 November 2017 6 Artists Pages: Ian Strange 'ISLAND' Ian Strange, ‘RUN’, 2017, archival photographic print, 119 x 153cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508892624093-FYI9JSGV0TNKAB3JVCL4/Independence_image1+copy.jpg Issue 303 November 2017 7 Independence, space and art: Jason Wee and Grace Samboh in Conversation The Free and the Brave: Artist-Initiated Spaces and Platforms, Southeast Asia Forum at Marina Bay Sands for Art Stage Singapore, 12 January 2017, with (from left): Nathalie Johnston, Norberto ‘Peewee’ Roldan, Grace Samboh, Jason Wee and Chuong-Đài Võ; image courtesy Art Stage Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508892962153-4GVPSZYSL8STD0YAZG9M/Nicholson_image2+copy.jpg Issue 303 November 2017 8 Tom Nicholson's Historical Reckoning: Sophie Knezic, Melbourne Tom Nicholson, I was born in Indonesia, exhibition installation views, the Ian Potter Museum of Art, Melbourne, 2017; images courtesy the artist and Milani Gallery, Brisbane; photos: Christian Capurro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508893255613-TJ17CDJRU24BWG1J8SQY/GoodNeighbours_image2.jpg Issue 303 November 2017 9 Curating Community: 'Good Neighbours' at Artbank: Elizabeth Reidy, Sydney Good Neighbours, exhibition installation views, Artbank, Sydney, 2017; images courtesy Artbank; photos: Document Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508893455122-C5VPCZHK4Y4313SJACTF/Constructivism_image1+copy.jpg Issue 303 November 2017 10 Utopianism and us: 'Call of the Avant-Garde' at heide: Alison Carroll, Melbourne Call of the Avant-Garde: Constructivism and Australia Art, exhibition installation views, Heide Museum of Modern Art, Melbourne, 2017; photos: Christian Capurro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1508893692189-YQFY7N5SLI7C4T6X37TE/Video_image1+copy.jpg Issue 303 November 2017 11 Curating Histories: 'Red Green Blue' at Griffith: Ellie Buttrose, Brisbane Troy Innocent and Dale Nason, Cyber Dada Manifesto, 1990, still from video, 5 mins 48 secs duration; image courtesy the artists https://www.artmonthly.org.au/issue304summer2017/2018 daily 0.75 2018-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1512342262777-UYXP02FUCUJ472B5UD7V/AMA304_Summer_Cover.jpg Issue 304 Summer 2017/2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511487514607-AIR22352MA0AYZ9B6QPL/Dispatches_1and2_image1.jpg Issue 304 Summer 2017/2018 1 Dispatches: Andrew Stephens Jennifer Mitchell, Hugo Weaving as Martin, 1991, from the film Proof directed by Jocelyn Moorhouse; image courtesy House And Moorhouse Films Pty Ltd, and the National Film and Sound Archive of Australia, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511487839436-ASEDFYQV67YAJ5ZVODK3/Kataoka_image2.JPG Issue 304 Summer 2017/2018 2 Inhabiting complex currents and contexts: mami kataoka in conversation with julie ewington Mami Kataoka, Sydney Opera House, April 2017; image courtesy the Biennale of Sydney; photo: Catherine McElhone https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511488066081-XUHRFZNZQQ7M4V14ET1R/Japan_image1.jpg Issue 304 Summer 2017/2018 3 From 'Asia Corridor' to 'Sunshower': Illuminating North and Southeast Asian art in Japan: Judy Annear Felix Bacolor, Stormy Weather, 2009/2017, installation view, ‘Sunshower: Contemporary Art from Southeast Asia 1980s to Now’, Mori Art Museum, Tokyo, 2017; wind chimes, dimensions variable; image courtesy Mori Art Museum, Tokyo; © the artist; photo: Kioku Keizo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511488343502-2QE0D9IT41VRMHKX8ENG/Pipilotti_image4.jpg Issue 304 Summer 2017/2018 4 Watch the Inside of the heart of the other: notes on Pipilotti rist: Natasha Bullock, Sydney Pipilotti Rist, 4th Floor to Mildness, 2016, installation view, ‘Pipilotti Rist: Sip my Ocean’, Museum of Contemporary Art Australia, Sydney, 2017; image courtesy the artist, Hauser & Wirth and Luhring Augustine; © the artist; photo: Ken Leanfore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511488500446-IGEWIURD40TU16MU0I45/Tintin_image3.jpg Issue 304 Summer 2017/2018 5 Crossing boundaries and calling homeTintin Wulia in conversation with Tess Maunder Tintin Wulia, Eeny Meeny Money Moe, 2012, installation view, 7th Asia Pacific Triennial of Contemporary Art (APT7), Brisbane, 2012–13; interactive installation with handmade passports and synchronised machines, commissioned for APT7; image courtesy the artist and Milani Gallery, Brisbane; © the artist; photo: Mark Sherwood https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511488733662-Y9O2JV84YM5I8DHBLNWZ/Banaba_image3+copy.jpg Issue 304 Summer 2017/2018 6 Remaking culture in‘Project Banaba’Katerina Teaiwa in conversation with Michael Fitzgerald Katerina Teaiwa, Project Banaba, exhibition detail from Teaiwa’s Kainga; image courtesy the artist; photo: Katerina Teaiwa https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511488994029-ZAMM65EAZVDMWIK2OJ2F/Duterrau_image.jpg Issue 304 Summer 2017/2018 7 Benjamin Duterrau A grand contradiction: Greg Lehman, Hobart Benjamin Duterrau, The Conciliation, 1840, oil on canvas, 121 x 170.5cm; Tasmanian Museum and Art Gallery, Hobart, purchased with assistance from the Friends of the Museum Fund and the Murray Fund, 1945 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511489166714-2QHT942EK8OI6YO7CZKT/CantonExpress_image1.jpg Issue 304 Summer 2017/2018 8 Urgency rezoned ‘Canton Express’ at M+ Pavilion: Mikala Tai, Hong Kong Xu Tan, Biennale.dog, 2003, digital print on vinyl banner; M+, Hong Kong, gift of Guan Yi, 2013; image courtesy M+, Hong Kong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511490637934-OWK3K85ZAOVLWLLA2W1K/PICA_image7.jpg Issue 304 Summer 2017/2018 9 ‘It’s not that I’m afraid to die ...’: Kit Messham-Muir, Perth Abdullah M. I. Syed, Flying Rug of Drones (Circle), 2015–17, razor blades, sound; image courtesy the artist and Aicon Gallery, New York https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511489709039-6UFECA9LWLMFG6EUWPWH/AfterUtopia_image1.jpg Issue 304 Summer 2017/2018 10 Sociopolitical whirls ‘After Utopia’ at Samstag: Christine Nicholls, Adelaide After Utopia: Revisiting the Ideal in Asian Contemporary Art, exhibition installation view, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, 2017; photo: Sam Noonan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511489949204-2161D3QJK17XEE43IJM5/Sung_image3.jpg Issue 304 Summer 2017/2018 11 Resonating strong ‘Sung into Being’ at QAGOMA: Sasha Grishin, Brisbane Sung into Being: Aboriginal Masterworks 1984–94, exhibition installation views, Queensland Art Gallery / Gallery of Modern Art (QAGOMA), Brisbane, 2017; photos: Natasha Harth, QAGOMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511490124337-I9KC1J4V8O1JP98ICNQS/EmuIsland_image3.jpg Issue 304 Summer 2017/2018 12 Creating shape within shape ‘Emu Island’ at Penrith Regional Gallery: Christine France, Emu Plains Emu Island: Modernism in Place, exhibition installation view, Penrith Regional Gallery & The Lewers Bequest, Emu Plains, 2017, with (from right to left): Marea Gazzard, Crater, 1963, earthenware, tin and interior glaze, Penrith Regional Gallery & The Lewers Bequest, gift of Tanya Crothers and Darani Lewers, 2001; Lyndon Dadswell, Untitled, c. 1965, brown gummed paper on metal support and wooden base, Penrith Regional Gallery & The Lewers Bequest, gift of Tanya Crothers and Darani Lewers, 1980; photo: Silversalt Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511490570746-5OTS1GNE4TF2FQNOTTDU/Williams_image2.jpg Issue 304 Summer 2017/2018 13 A crucial shift ‘Fred Williams in the You Yangs’: Christopher Heathcote, Geelong Fred Williams, You Yangs III, 1963, oil and tempera on composition board; TarraWarra Museum of Art collection, gift of Eva Besen AO and Marc Besen AO, donated through the Australian Government’s Cultural Gifts Program, 2008; © Estate of Fred Williams https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1511490396744-7EEUNVE0HZ481B7RLZ4Z/Whiteley_image.jpg Issue 304 Summer 2017/2018 14 Both sides of the picture: Writing Whiteley on TriaL: Gabriella Coslovich, Melbourne Detective Senior Constable Justin Stefanec and the writer examine Big Blue Lavender Bay https://www.artmonthly.org.au/issue305march2018 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519964855179-AZF73S8VODL5WTYF3CA0/AMA305_Cover_LG.jpg Issue 305 March 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519964998254-EDPKPJJABA6JKP97Z104/Smith_image3.jpg Issue 305 March 2018 1 SMALL STEPS, LARGER JOURNEY: sYDNEY bIENNALES IN THE 1970S AND 1980S: TERRY SMITH Installation view, Art Gallery of New South Wales, 4th Biennale of Sydney,1982;image courtesy Biennale of Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519965338157-M58UR0N7JTLYJE2LHF3F/Hetti_image2.jpg Issue 305 March 2018 2 REVELATIONS AND REVOLUTIONS: HETTI PERKINS IN CONVERSATION WITH MAMI KATAOKA Yvonne Koolmatrie, Burial basket, 2017,woven sedge rushes, 46 x 111 x 57cm;image courtesy the artist and Aboriginal & Pacific Art, Sydney;© YvonneKoolmatrie and Aboriginal & Pacific Art, Sydney; photo: Isaac Coen Lindsay https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519965475139-FS0MT3J82H0UE0DMD97F/Semiconductor_image2.jpg Issue 305 March 2018 3 SEMICONDUCTOR: SURVEYING THE TECHNOLOGICAL SUBLIME: RUTH JARMAN AND JOE GERHARDT Semiconductor, Earthworks, 2016, installation view, SónarPLANTA,Barcelona, 2016; five-channel computer-generated animation withfour-channel surround sound, 11:20 mins duration; commissioned by SónarPLANTA; produced by Advanced Music; image courtesy the artists; photo:Semiconductor https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519965663676-PLMD3YIY43SG1BY3LQND/Dujourie_image1%281%29.jpg Issue 305 March 2018 4 From a distance: Lili Dujourie's AMERICAN IMPERIALISM AND SUBSTANTIA: MARTIN GERMANN Lili Dujourie, American Imperialism, 1972,steel, paint, dimensions variable; image courtesy the artist and Peter Freeman Inc, New York and Paris; photo: Dirk Pauwels https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519965680741-CGYWVY8M94P75HV47FHK/ChiaWei_image2.jpg Issue 305 March 2018 5 DISPATCHES FROM A PARALLEL UNIVERSE, CHIA-WEI HSU Chia-Wei Hsu, Ruins of the Intelligence Bureau, 2015, film stills; videoinstallation, 13:30 mins duration; produced by Le Fresnoy; images courtesythe artist and Liang Gallery, Taipei https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519965855720-5VPR6WX5ZNS6WRY1X12M/Akira_image2.jpg Issue 305 March 2018 6 'PERMITTED TO EXIST': AKIRA TAKAYAMA'S OUR SONGS - SYDNEY KABUKI PROJECT, MAMI KATAOKA Akira Takayama, Our Songs–Sydney Kabuki Project, 2018, video documentation of performances that took place at Sydney Town Hall on 28January 2018, 3.5 hours; filmmaker: Hikaru Fujii; commissioned by the Biennale of Sydney with support from the Neilson Foundation and assistance from Ishibashi Foundation, the Japan Foundation and the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; images courtesy the artist;photos: Tai Spruyt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519966536312-Q2KRNRO9HX2IKZ782CRB/Hahan_image1.jpg Issue 305 March 2018 7 ENTERTAINMENT AND WONDER: SPECULATING ON THE 'NGV TRIENNIAL': MICHAEL FITZGERALD, MELBOURNE Uji Handoko Eko Saputro (a.k.a. Hahan), Young speculative wanderers, 2014–15,installation views,‘NGV Triennial’, NGV International, Melbourne, 2017; National Gallery of Victoria, Melbourne, purchased through NGV Supporters of Contemporary Art, 2016; photos: Tom Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519966694499-7O9HEBK9P3I7MQN3OKKJ/HurtLocker_image2.jpg Issue 305 March 2018 8 PENNY BYRNE: ARMED AND VULNERABLE: ARJMAND AZIZ Penny Byrne, Hurt Locker, 2015, installation views,‘Hearts and Minds’, Canberra Glassworks, 2018; Murano glass, mild steel, 200 x 80 x 50cm;images courtesy Canberra Glassworks; photos: Sam Cooper https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519966792235-SH4H3Q9JYZNEOGDG3KO6/Richter_image1.jpg Issue 305 March 2018 9 STIMULATING THINKING, FEELING AND SEEING: GERHAD RICHTER AT GOMA, TONI ROSS, BRISBANE Gerhard Richter, The Life of Images, exhibition installation view, Queensland Art Gallery / Gallery of Modern Art (QAGOMA), Brisbane, 2017, with (from left):Abstract painting (726), 1990;Reader (804) and Reader (799-1), both1994; photo: Natasha Harth, QAGOMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519966910946-Y2Q5FIS0UT3TP5D9TGVT/Mannix_image2.jpg Issue 305 March 2018 10 ANTHONY MANNIX: CAPTURING THE DEFINITIVE NERVE: GARETH JENKINS ANTHONY MANNIX, The Museum of Everything, exhibition install view, Museum of Old and New Art(MONA), Hobart, 2018, featuring seven artist books by Anthony Mannix; imagecourtesy the artist and MONA; photo: MONA/Jesse Hunniford https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1519967084265-XBTT3U6G9SNE0ZRT23BM/Singapore_image.jpg Issue 305 March 2018 11 SINGAPORE ART WEEK: FACILITATING CREATIVITY: ANNE-MARIE JEAN, SINGAPORE Jesse Jones, Tremble Tremble,installation detail view, Institute of Contemporary Arts Singapore, LASALLE College of the Arts, 2017–18; photo:Weizhong Deng https://www.artmonthly.org.au/issue306april2018 daily 0.75 2019-02-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1521162247992-6XVIHR4NK7MAEC8CNB6Z/AMA306_APR_Cover_LG.jpg Issue 306 April 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1548984509278-R1VSLZEWWHVXVNT114AA/Dispatches_April18_image3.jpg Issue 306 April 2018 1 Dispatches: Andrew Stephens Peter Maloney, Untitled, c. 1995, collage and mixed media on paper, 72.6 x 54.8cm, Australian National University Art Collection, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194236707-2X0P5N7KOH10AFVEBSX9/Galleries_April_image1.jpg Issue 306 April 2018 2 Notes from the field: Chloé Wolifson Fiona Connor, Closed Down Clubs, Circus of Books, 2016–17; image courtesy the artist and Hopkinson Mossman, Wellington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194556739-O4WVMEE56OMWQZ0VYHOI/Hinton_image1.jpg Issue 306 April 2018 3 The Howard Hinton Collection: A magnificent obsession: Andrew Frost, Armidale Hinton: Treasures of Australian Art, exhibition installation view, New England Regional Art Museum, Armidale, 2018, with (detail, left): Julian Ashton, The Awakening, 1902; photo: Simon Scott Photo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194588700-N1LNUWNYOG8HNYF06QHF/Flora_image3.jpg Issue 306 April 2018 4 Scintillating signifiers: ‘Flora’ at Lawrence Wilson Art Gallery: Ann Schilo, Perth Flora, exhibition installation view, Lawrence Wilson Art Gallery, the University of Western Australia, Perth, 2018; image courtesy the Lawrence Wilson Art Gallery; photo: Caine Chennatt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194608185-SSM0LTD740PTDI33ZS0U/Devil_image2.jpg Issue 306 April 2018 5 Between nature and culture: ‘The Remarkable Tasmanian Devil’ at TMAG: Jan Hogan and Benjamin J. Richardson, Hobart Matt Calvert, Shadow devil, 2017, installation view, 'The Remarkable Tasmanian Devil’, Tasmanian Museum and Art Gallery (TMAG), Hobart, 2018; toughened glass, 50 x 75 x 12cm, TMAG, Hobart; photo: Mathew Farrell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194624814-VOSAU70CG4W1K50DB7PH/Unflinching_image2.jpg Issue 306 April 2018 6 From sadness to sunshine: ‘The Unflinching Gaze’ at BRAG: Pedro de ALMEiDA, Bathurst William Yang, Allan, from the series ‘Sadness’, 1988–90, detail; installation view, ‘The Unflinching Gaze: Photo Media and the Male Figure’, Bathurst Regional Art Gallery (BRAG), 2017; image courtesy BRAG; photo: Silversalt Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194648405-G3DCXBQUZXONI3D4TXVJ/UnfinishedBusiness_image5.jpg Issue 306 April 2018 7 ‘I can’t believe I still have to protest this fucking shit’: Janine Burke, Melbourne Ali Gumillya Baker, Racist texts, 2014/17, detail; installation view, ‘Unfinished Business: Perspectives on art and feminism’, Australian Centre for Contemporary Art, Melbourne, 2017–18; image courtesy the artist; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194669195-LADB7J6OPSZIQW2W1J0Q/Presley_image2.jpg Issue 306 April 2018 8 Ryan Presley: ‘Prosperity' Blood Money – Fifty Dollar Note – Fanny Balbuk Commemorative, 2011, watercolour on Arches paper, 40.5 x 91.5cm; image courtesy the artist; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194688534-PMNIPG1Q0J8AH9K90NOC/Mutlu_image2.jpg Issue 306 April 2018 9 Mutlu Çerkez: Fake or fortune?: Audrey Schmidt, Melbourne Mutlu Çerkez: 1988-2065, exhibition installation view, Monash University Museum of Art, Melbourne, 2018; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194712744-V70G3MQEPHSLCDBRO3M3/michael_hobbs-2.jpg Issue 306 April 2018 10 Michael Hobbs 1934 – 2018: Patricia Anderson Jon Lewis, Michael Hobbs, c. 1975, silver gelatin print; image courtesy Katharine Glass https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1522194734737-8AS3PWOQXM1TEXAPQD8K/Whitworth_image.jpg Issue 306 April 2018 11 Michael Whitworth 1947 – 2017: Candice Bruce Michael Whitworth at the exhibition ‘We used to talk about love’, Art Gallery of New South Wales, Sydney, 2013; image courtesy Candice Bruce https://www.artmonthly.org.au/issue-307-may-2018 daily 0.75 2018-08-20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525136999562-QLC53JNF2KZHA0G2J7SI/AMA307_Cover_LG.jpg Issue 307 May 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525133093485-H3VZEG3HF0WQ97L4P0B7/Dispatches_May_image1.JPG Issue 307 May 2018 1 Dispatches: Andrew Stephens Angelica Mesiti; image courtesy the Australia Council for the Arts; photo: Josh Raymond https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525133822125-D07GDW2BZ1QWTPQ17TUR/Notes_May_image1.jpeg Issue 307 May 2018 2 NOTES FROM THE FIELD: Chloé Wolifson Andy Leleisi‘uao, Harmonic Islands, 2018, acrylic on canvas, 101 x76cm; image courtesy the artist and Bergman Gallery, Rarotonga https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525134019799-TIBL1WZXC5DEEBJLGZES/MACAN_image2.jpg Issue 307 May 2018 3 'Art turns. world turns': the first months at macan: julie ewington, jakarta Art Turns. World Turns, exhibition installation view, Museum MACAN, Jakarta; image courtesy Museum MACAN, Jakarta https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525134456641-12349MYRJUUWQ6H81F3U/Gohier_image2.jpg Issue 307 May 2018 4 The complexity of contemporaneity: frank gohier at magnt: koulla roussos, darwin Franck Gohier: A Thousand Miles from Everywhere, exhibition installation view, Museum and Art Gallery of the Northern Territory (MAGNT), Darwin, 2018; image courtesy MAGNT, Darwin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525135163906-1DHV0DUAEPBLSKAKD246/Mace_image2a.jpg Issue 307 May 2018 5 violet mace: native or indigenous?: Peter Hughes, Hobart Governor Davey’s Proclamation board, 1930, ceramic (glazed earthenware) cup, 10.6 x 12.4 x 9.3cm (dia.); inscribed in clay on the underside: ‘Governor Davey’s / Proclamation to/ the Aborigenes / Tasmania 1816’; presented by Elaine Downie, 2016; image courtesy TMAG, Hobart https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525135347060-BNRZGJIDMTA5Y9G6T7CK/Unicorn_image2.jpg Issue 307 May 2018 6 The curators, the diplomat and 'the lady and the unicorn: joanna mendelssohn, sydney Mon Seul Désir, c. 1500, from ‘The Lady and the Unicorn’ series, wool and silk, 377 x 473cm, Musée de Cluny – Musée national du Moyen Âge, Paris; photo and ©: RMN-GP/M. Urtado https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525135724992-04PSDI9VSJZMJBCGT8ZN/Piccinini_image1.jpg Issue 307 May 2018 7 curiouser and curiouser: patricia piccinini at goma: tess maunder, brisbane The Grotto, 2018, installation view, ‘Patricia Piccinini: Curious Affection’, Queensland Art Gallery / Gallery of Modern Art (QAGOMA), Brisbane, 2018; image courtesy the artist, Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco; photo: Natasha Harth, QAGOMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525136279751-G1C18C430415BWEN3IQH/Biennale_image1.jpg Issue 307 May 2018 8 connecting the foreign with the familiar: the 21st biennale of sydney: tai mitsuji, sydney Ai Weiwei, Law of the Journey, 2017, installation view, Cockatoo Island, 21st Biennale of Sydney, 2018; reinforced PVC with aluminium frame, 312 figures, 60 x 6 x 3m; presented in Sydney with support from the Sherman Foundation; image courtesy the artist and neugerriemschneider, Berlin; photo: Document Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525136585422-C2SB69DHWNYIDGI8JWFL/Allegories_image8.png Issue 307 May 2018 9 allegories of the Anthropocene: animated dystopias in the work of geng xue, qiu anxiong and sun xun: luise guest Geng Xue, Mr Sea, 2013–14, video and installation; video: 13min 15sec duration; installation: dimensions variable; images courtesy White Rabbit Collection, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525136730969-ZZE8LZUDHK00VT3RN8CI/Encounters_image.jpg Issue 307 May 2018 10 a kind of calm: 'encounters 2018' at art basel hong kong: Chloé wolifson, hong kong Nyapanyapa Yunupingu, GÄna (self), 2018, installation view, ‘Encounters’, Art Basel Hong Kong, 2018; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://www.artmonthly.org.au/issue308junejuly2018 daily 0.75 2018-08-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527638412743-O7WQ1O3ZD675X0PUD6M9/AMA308_Cover_LG.jpg Issue 308 June/July 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527640047135-H6ZAXCO3E2ZUXRTXXTQX/June18_dispatches_image1.JPG Issue 308 June/July 2018 1 Dispatches: Andrew Stephens Nick Mitzevich, 2017; image courtesy the Art Gallery of South Australia, Adelaide; photo: Sven Kovac https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527640160311-G8YHMUA8W6DOV8LLY2JN/Notes_June_image1.jpg Issue 308 June/July 2018 2 notes from the field: Chloé Wolifson David Aspden, Jazz Festival Flag, 1968, acrylic on cotton duck, 120 x 236cm; image courtesy the Estate of David Aspden and Utopia Art Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527641282052-ZG8IBFZC5T7JS4OCHRMN/Balnaves_image2.jpg Issue 308 June/July 2018 3 constructing fantasy worlds at the nga: anne-marie jean and esther carlin, canberra Sarah Contos with Nikola Tesla sends Theda Bara to Mars, 2018, the artist’s Balnaves Contemporary Intervention; image courtesy the National Gallery of Australia (NGA), Canberra; photo: Lisa Mattiazzi/NGA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527642396702-10A3G5LTRLMI26JA5CDJ/Cartier_image3.jpg Issue 308 June/July 2018 4 art history which sparkles: 'cartier: the exhibition' at the nga: patricia anderson, canberra Cartier: The Exhibition, exhibition installation view, National Gallery of Australia (NGA), Canberra, 2018; image courtesy NGA, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527642003952-P625JQ8KU3STRU49DH6P/M%2B_image2.jpg Issue 308 June/July 2018 5 'throw your arms around the world': samson young and the M+ effect: Chloé Wolifson, hong kong Samson Young, We are the World, as performed by the Hong Kong Federation of Trade Unions Choir, 2017, installation view, ‘Songs for Disaster Relief World Tour’, M+ Pavilion, West Kowloon, 2018; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527646174956-M3XZH1QBP0ITAADWVJAQ/1979_melbourne_2295_001.jpg Issue 308 June/July 2018 6 on playing: daniel buren in conversation with Anaïs Lellouche Daniel Buren, Le Grand Arc, 1979, installation detail, ‘Static/Mobil’, National Gallery of Victoria (NGV), Melbourne, 1979; © Daniel Buren/ADAGP, Paris; photo: NGV, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527643258081-FN60RSNSSMX7SQKFC0U4/ThisIsNZ_image1.jpg Issue 308 June/July 2018 7 floating and flouting the national: two museums in wind¥ wellington: julie ewington, wellington Michael Parekowhai, Détour, 2018, exhibition installation view, Toi Art, Museum of New Zealand Te Papa Tongarewa, Wellington, 2018, with (from left): Michael Parekowhai, Constable Plum Bob and Hoodwinked, both 2018, fibreglass and automotive paint; with (in background) Colin McCahon, Northland Panels, 1958; image courtesy Te Papa; photo: Maarten Holl https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527643647888-WNXMJ2O06US4VHWW9IS3/Moore_image4.jpg Issue 308 June/July 2018 8 sense memory: 'archie moore 1970-2018' at griffith: helen hughes, brisbane Archie Moore: 1970–2018, exhibition installation view, Griffith University Art Museum, Brisbane, 2018; image courtesy the artist and The Commercial, Sydney; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527645097418-LNY87H6AZTXEJC2TQSJD/Oliver_image1.jpg Issue 308 June/July 2018 9 building a house with hairs: bronwyn oliver: strange things: candice bruce The Sculpture of Bronwyn Oliver, exhibition installation view, TarraWarra Museum of Art, Healesville, 19 November 2016–5 February 2017; image courtesy Roslyn Oxley9 Gallery, Sydney; © Estate of Bronwyn Oliver; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527644273521-GCVEFPL9M3A826UKSMSO/TheField_image5.jpg Issue 308 June/July 2018 10 it's 1968 (again) and 'the field' rises (again): john barrett-lennard, melbourne Works in preparation for The Field, and Murdoch Court, National Gallery of Victoria (NGV), Melbourne, 1968; image courtesy the NGV, Melbourne; photo: George Mehes https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527644501910-E8MXUT8HWSATIPG1BIQQ/Taylor_image1.jpg Issue 308 June/July 2018 11 in the margins: howard taylor's omission from 'the field' exhibition: ted snell, perth Howard Taylor, Columns, 1970, painted steel and galvanised iron, 213.5 x 38.2cm (each), University of Western Australia Art Collection, Perth, acquired 1984; © Howard H. Taylor Estate, represented by Galerie Düsseldorf, Perth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1527644783050-MCD8ZLSU6FE9E68L9LYQ/Femalefield_image.JPG Issue 308 June/July 2018 12 'the field revisited': let's talk about gender: michael fitzgerald, melbourne Normana Wight, Untitled – double curve grey, 1968, colour screen print, 76.7 x 56cm (sheet); National Gallery of Victoria, Melbourne, purchased, NGV Supporters of Prints and Drawings, 2014; © Normana Wight   https://www.artmonthly.org.au/issue-309-august-2018 daily 0.75 2018-11-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532915130924-MDH61DKZT9OLFQX8RCOS/AMA309_AUG_Cover_LG.jpg Issue 309 August 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1536287665661-BP8SDVUNFA8DNN34JL7T/Dispatches_August18_image1.jpg Issue 309 August 2018 1 Dispatches: Andrew Stephens brook andrew, 2015: image courtesy the biennale of sydney; photo: trent walter https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532915537518-H4FPELN3PLN8LFQ0MCAO/Notes_August_image1.jpg Issue 309 August 2018 2 notes from the field: Chloé Wolifson danh vo, dos xx ambar, 2016, dos xx ambar beer box found in mexico city, gilded in thailand, 50 x 140cm; image courtesy the artist, arndt art agency (a3), berlin, and kurimanzutto, mexico city https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532915813315-ROK5AC7XRV3AJYVYSIM0/TarraWarra_image1.jpg Issue 309 August 2018 3 Curating 'from will to form': emily cormack in conversation with amita kirpalani starlie geikie, abri i, 2018, archival pigment inkjet print on hahnemühle photo rag, 74.5 x 111.8cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532915830616-NTNUWLO60EIST61JG6P2/Adelaide_image5.jpg Issue 309 August 2018 4 a celebration of life force: 'divided worlds': chris reid, adelaide emily floyd, icelandic puffins, 2017, installation view, 'divided worlds', anne & gordon samstag museum of art, adelaide, 2018; photo: saul steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532916324373-UKO7BQISHXDMSTXQM3BO/Signature_image2.jpg Issue 309 August 2018 5 reorient: surveying a region in the 'apb foundation signature art prize 2018': tai mitsuji, singapore leung chi wo and sara wong, he was lost yesterday and we found him today, 2015, detail from photographic series; image courtesy the artists and blindspot gallery, hong kong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532915980346-S3M7AISS6SXSD350XJJE/DesertMob_image2.JPG Issue 309 August 2018 6 the dynamic terrain of the contemporary desert: kim mahood kaylene whiskey work featured in the desert mob 2017 exhibition, araluen arts centre: cultural precinct, alice springs, 2017; image courtesy araluen arts centre, alice springs https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532916044859-5OHB9J0NB50XO6J8DV81/Bridgeman_image4.jpg Issue 309 August 2018 7 eric bridgeman: 'kala büng (colours join together)' eric bridgeman: my brother and the beast, 2018, exhibition installation view, gallerysmith, melbourne, 2018; image courtesy the artist and gallerysmith, melbourne; photos: ian hill https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532916069768-T8X66PT1FOBQWQSK4Q8K/Maloney_image3.jpg Issue 309 August 2018 8 action and re-action: peter maloney and 'missing in action': caren florance, canberra peter maloney: missing in action, exhibition installation view, drill hall gallery, canberra, 2018: image courtesy the artist and utopia art sydney; photo: rob little, rldi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532916946677-30FG3LPIBQSJ90UOM6YQ/211+cover+AMA+copy.jpg Issue 309 August 2018 9 polixeni papapetrou 1960-2018: natalie king art monthly's july 2008 cover featuring polixeni papapetrou, olympia as lewis carroll's beatrice hatch before white cliffs, 2003, detail; type-C print https://www.artmonthly.org.au/shop-with-product-blocks daily 0.75 2018-08-01 https://www.artmonthly.org.au/issue-310-september-2018 daily 0.75 2018-09-24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1535958944413-SFMCVWAI44NCMLED997H/AMA310_SEP_Cover.jpg Issue 310 September 2018 https://www.artmonthly.org.au/issue-311-october-2018 daily 0.75 2018-10-07 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537766542159-7V7L91KJX0A8Y8U5CO53/AMA311_OCT_LG.jpg Issue 311 October 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537762047047-9G1RVJ5O284CDVPPV8WY/darkroom-notes.jpg Issue 311 October 2018 1 NOTES FROM THE DARKROOM: michael fitzgerald john stezaker, pair xxvii, 2015, collage, 20.3 x 24.2cm; image courtesy of the artist and the approach, london https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537762390923-LQZU7QAC44M638GAP2AH/Best_image.jpg Issue 311 October 2018 2 conceptual art and after: the rise of the interesting: susan best taloi havini, an imaginary line (ii), 2018, kodachrome slide transferred to digital and installed as wallpaper, dimensions variable https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537765643888-HVZCEBPBM90QH6WXSVHB/hayley%26james_image8.jpg Issue 311 October 2018 3 returning the gaze: hayley millar-baker and james tylor in conversation james tylor, vanished scenes from an untouched landscape #12, 2018, inkjet print on Hahnemühle paper with hole removed to a black velvet void, 25 x 25cm; image courtesy of vivien anderson gallery, melbourne, and gagprojects, adelaide and berlin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537766805725-FHBD43RT23IETAEZBSQ9/Marian%26Tony_image2.jpg Issue 311 October 2018 4 making new: tony albert and marian tubbs in conversation tony albert, invisibility, 2017, vintage playing cards on found paper, 54 x 81.2cm; image courtesy the artist and sullivan+strumpf, sydney and singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537766879377-4IRLH0LYI0O9RLPWXFCQ/Shiga_image2.jpg Issue 311 October 2018 5 shiga lieko; resisting time: reuben keehan shiga lieko. rasen kaigan (spinal coast), 2008-12, detail; chromogenic development print, dimensions variable; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537766908189-1PF90T65Z834VR2USGFT/photobooks_image3b.jpg Issue 311 October 2018 6 the new algorithm of the photobook: a reading: patrick pound tim coghlan, hell’s gates, PERIMETER editions/knowledge editions, melbourne, 2018, 224 pages: essay by dan rule; edition of 666: courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1537766941178-6DBCLU5OZP1GMP7RO86E/McLeavey_image1.jpg Issue 311 October 2018 7 still looking: peter mcleavey and the last photograph: kyla mcfarlane francis frith, the pyramids of dahshoor, from the east, 1858, albumem photograph from mammoth-plate glass negative, 35.6 x 45.7cm https://www.artmonthly.org.au/issue-312-november-2018 daily 0.75 2018-11-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540783619017-TED58A4R4UYHGWZRVRUR/AMA312_NOV_COV_web.jpg Issue 312 November 2018 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540783658154-CASYZXV91INWXEFCHBCM/Dispatches_Nov18_image2.jpg Issue 312 November 2018 1 Dispatches: Andrew Stephens May Gibbs, Eucalyptus Ficifolia (Red flowering gum), 1902, watercolour on cardboard, 30.6 x 23.4cm; State Art Collection, Art Gallery of Western Australia, Perth, purchased 1975; © The Northcott Society and Cerebral Palsy Alliance 2018; photo: Bo Wong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540783685162-IZEXHBEXTP0PON7FU7FW/Notes_Nov18_image1.jpg Issue 312 November 2018 2 Notes from the field: Chloé Wolifson Min Wong, It’s party time, 2018, digital print on stainless steel mirror, 100 x 100cm; image courtesy the artist and Hugo Michell Gallery, Adelaide; photo: Grant Hancock https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540784869006-1H15VU29HUHM3V60E6F6/SAoverview_image2.jpg Issue 312 November 2018 3 on the precipice of change: Jane howard, Adelaide Waqt al-tagheer: Time of change, exhibition installation view, ACE Open, Adelaide, 3 March – 21 April 2018, featuring a detail of: Abdul-Rahman Abdullah, 500 Books, 2018, carved wood, oil paint, aluminium leaf, 95 x 110 x 115cm; courtesy the artist and Moore Contemporary, Perth; photo: Sam Roberts Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540783712340-JNT9WDFAPYW2JLKPRQOU/Wedd_image5.jpg Issue 312 November 2018 4 Interior outlook: Gerry Wedd in conversation with Liz Nowell Gerry Wedd, SONGS FOR A ROOM, 2018, installation views, ACE Open, Adelaide, 2018; glazed ceramic, dimensions variable; images courtesy the artist; photos: Sam Roberts Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540783735419-XMWB1ZDUDAOUPXPFT65T/AdelaideContemporary_image1.jpg Issue 312 November 2018 5 Adelaide contemporary: a new-ish proposition: wendy walker, Adelaide Diller Scofidio + Renfro and Woods Bagot, Adelaide Contemporary, North Terrace frontage, concept design, 2018; image courtesy Diller Scofidio + Renfro and Woods Bagot, New York and Adelaide, and Malcolm Reading Consultants, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540784905548-T4VZS5YQV0VNN855TQH6/WaitingRoom_image1.jpg Issue 312 November 2018 6 Sight Seeing: Anna Zagala, Adelaide Molly Reynolds & Rolf de Heer: The Waiting Room, 2018, installation view, the Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, 2018; image courtesy the Anne & Gordon Samstag Museum of Art, Adelaide; photo: Sam Noonan https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540784934195-PF16Z4W6V4MWWMZDCI8U/Mawurndjul_image2.jpg Issue 312 November 2018 7 Kamak!: The mercurial art of john mawurndjul John Mawurndjul, Ngalyod, c. 1981, earth pigments on stringybark (Eucalyptus tetrodonta), 120 x 61.5 x 30cm; Berndt Museum Collection, The University of Western Australia, Perth; © John Mawurndjul/Licensed by the Copyright Agency, 2018; photo: Berndt Museum https://www.artmonthly.org.au/issue-313-summer-2018/19 daily 0.75 2019-03-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204283411-EPFU5Q92ZX28Q6K1YQED/jpeg.jpg Current https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543200195197-NB4K1B8SHAR3XDUO4WBP/Dispatches_Dec18_image3.jpg Current 1 Dispatches: andrew stephens Kiria Asike with noni-dyed pandanus, ‘Women’s Wealth’ workshop, Nazareth Rehabilitation Centre, Chabai, 2017; photo: Taloi Havini https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204797460-Z6G8OMOFGZIXMC10GF9P/Notes_Dec18_image1.jpg Current 2 Notes from the field: Chloé Wolifson Richard Bell, For the many, 2018, acrylic on linen, 180 x 240cm; image courtesy the artist and Milani Gallery, Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204820529-XLL2E9PX46MX5PQXG4PX/APT9_image1.jpg Current 3 curating atp9: staying with the questions: zara stanhope, brisbane Aisha Khalid, Your way begins on the other side, 2014, detail; gold-plated steel pins and fabric; Aga Khan Museum, Toronto; image courtesy the artist and Aga Khan Museum, Toronto https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204838301-WLLN3J7XOPFP89QW3LMR/ArtLords_image1.jpg Current 4 painting the streets of kabul: artlord’s omaid sharifi: Ally roche, Canberra ArtLords, I See You, 2015, installation view, National Directorate of Security Building, Kabul; acrylic on concrete; image courtesy Omaid Sharifi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204860238-UOSW3SOZ6S6LN1QFDRLF/Shiga_image2.jpg Current 5 revelations: ‘oceania’ at the royal academy: jenny harper, london Oceania, exhibition installation view, Royal Academy of Arts, London, featuring: Mata Aho Collective, Kiko Moana, 2017, polyethene tarpaulin and cotton thread, 11 x 4cm; photo: © David Parry/Royal Academy of Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204883600-3BR5Z7IFOBZ84AD81IFW/Tillers_image1.jpg Current 6 looking, rEADING AND THINKING: imants tillers’s ‘journey to nowhere’: jenny harper, riga Imants Tillers: Journey to Nowhere, exhibition installation view, Latvian National Museum of Art, Riga, 2018, featuring: Journey to Nowhere, 2017, acrylic, gouache on 90 canvas boards, 228.5 x 355cm; courtesy the artist and Roslyn Oxley9 Gallery, Sydney; photo: Otto Strazd https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204970491-XJ9VV59AHR0P4HSOTYV0/MONA_image2.jpg Current 7 against alienation: speculating on the post-human at mona: oscar capezio, hobart Toby Ziegler, Your shadow rising, exhibition installation view, Museum of Old and New Art (MONA), Hobart, 2018, with (from left): It'll soon be over (exquisite corpse), 2018, and The human engine, 2018; image courtesy the artist and MONA, Hobart; photo: MONA/Jesse Hunniford https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543204991073-IT1HGQWH3KMESCWCFXQO/Smart_image1.jpg Current 8 energising emotion: sally smart and the ballets russes: caren florance, canberra Sally Smart in her installation of ‘NGA Play’, National Gallery of Australia (NGA), Canberra, November 2018; image courtesy NGA, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543205025802-7FMP6KQRIXV9WRTOARAV/Artemis_image3.jpg Current 9 past and present: revisiting the artemis women’s art movement: annette pedersen, perth Penny Bovell, Down Pour, 2018, installation detail, ‘No Second Thoughts: Reflections on the ARTEMIS Women’s Art Forum’, Lawrence Wilson Art Gallery (LWAG), University of Western Australia, Perth, 2018; image courtesy the artist and LWAG, Perth; photo: Ilkka K Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543205047049-YOOND64T5NTX69H0PQZU/opening+our+eyes.jpg Current 10 on opening our eyes: christine nicholls Max Dupain, First Exhibition of the Tutini (Pukumani Grave Posts) at the Art Gallery of New South Wales, 1959, silver gelatin photograph, 17.5 x 25.5cm; artists: Laurie Nelson Mungatopi, Bob One Apuatimi, Jack Yarunga, Don Barukmadjua, Charlie Quiet Kwangdini and artist unknown; Art Gallery of New South Wales (AGNSW) Archive, Sydney; © AGNSW and estates of the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543203181367-YKQJ5HJQBRGWC3P8D09M/hidden+lake.jpg Current 11 surfacing: the art of louise olsen and stephen ormandy: michael fitzgerald Louise Olsen, Hidden Lake, 2018, oil on linen, 198 x 153cm; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543203382788-R8LJZ85GS9Y7CMYRV9H5/Ernabella_image1.jpg Current 12 because of her, we can!: revisiting early women’s art at ernabella: hannah kothe Marea Gazzard, Yipati Kuyata Williams, Yayampi Brown and Nyukana (Daisy) Baker at a lighthouse, South Coast, New South Wales, 1971; image courtesy Sturt Permanent Collection, Mittagong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543203653676-ATN8MFFHK8RYLUC18CCS/Angel_image.jpg Current 13 Anita Angel 1963 - 2018: chips mackinolty Anita Angel, 2010; image courtesy Charles Darwin University Art Collection and Art Gallery, Darwin; photo: Chris Knight, DigiFilm Australia Pty Ltd https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1543790877674-QGSDKT5BFJ1BKA0HG85X/Kunmanara_image.jpg Current 14 kunmanara nampitjinpa M. boko (nee williams) 1953 - 2017 Kunmanara M. Boko, Self Portrait, 2013; image courtesy Tangentyere Artists, Alice Springs; © the artist’s estate and Tangentyere Artists, Alice Springs https://www.artmonthly.org.au/issue-314-march-2019 daily 0.75 2019-03-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551669878988-SG6HPLFLL56EMAZRYHZD/314%2BCover.jpg 314 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551670854951-YOR2AFTYRKKTQ9VUZBJ9/Dispatches_March19_image1.jpg 314 1 Dispatches: andrew stephens Rhana Devenport, 2018; image courtesy the Art Gallery of South Australia, Adelaide; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551670992588-5HLL7XC8GJRP9MPOJD3E/Notes_March19_image3.jpg 314 2 Notes from the field: Chloé Wolifson Jason Wee, Labyrinths (Open Fire), 2017, galvanised steel, watercolour on cold press paper, acrylic panel, chiffon print on plywood, coated steel, 200 x 164cm; image courtesy the artist and Yavuz Gallery, Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551671144367-631A43UQ3F74SDKPHQ0D/Kochi_image2.jpg 314 3 Beyond the margins; the 4th kochi-muziris biennale; lleah smith, kochi The Otolith Group, O Horizon, 2018, still; 81mins 10 secs, 4K, colour; commissioned by bauhaus imaginista and co-produced with the Rubin Museum and the support of Project 88; photo: Lleah Smith https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551671352606-HMZ0F2FBKDT53XO7N8RZ/MCAandTate_image3.jpg 314 4 points of contact: natasha bullock in conversation with sook-kyung lee Helen Johnson, A Feast of Reason and a Flow of Soul, 2016, acrylic on canvas, wood, 396 x 325cm; Museum of Contemporary Art Australia and Tate, purchased jointly with funds provided by the Qantas Foundation, 2017 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551671533316-1P5OO5JN8O1R84NO3UZ6/Gibbs_image3.jpg 314 5 Hard, clear light reveals the bones’; visiting the gibbs farm; Patrick hutchings, kaipara harbour Andy Goldsworthy, Arches, 2005, pink Leadhills sandstone blocks stacked into 11 freestanding arches (each 7m long); image courtesy Gibbs Farm, Kaipara Harbour https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551671843539-BVZ32BL82P74352J7NNV/Berkowitz_image3.jpg 314 6 lauren berkowitz’s fragile structures; Emma-Kate wilson Lauren Berkowitz, Plastic Topographies, 2018, installation view, Ideas Platform, Artspace, Sydney, 2018; plastic and plants, 300 x 200 x 200cm; image courtesy the artist; photo: Jessica Maurer https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551672039615-9Y3AROYFLR796GKW2279/Connor_image3_lores.jpg 314 7 outside of all places; fiona connor’s sculpture; oscar capezio Fiona Connor, Community Notice Board (Cleaning Coop), 2018, detail; plasterboard, acrylic, silkscreen and UV prints on aluminium, staples, pins, 122 x 214 x 8cm; image courtesy the artist and Fine Arts, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551672173419-TXHCJIF5AE58ILSXJG0O/Tatsuo+Miyajima_Mega+Death_4.jpg 314 8 maximising minimalism; michael fitzgerald singapore Tatsuo Miyajima, Mega Death, 1999/2016, installation view, National Gallery Singapore, 2018; LED, IC, electric wire and infrared sensor, dimensions variable; Domus Collection, New York and Beijing; image courtesy National Gallery Singapore; © Domus Collection and Tatsuo Miyajima https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1551672377346-F2C2CX4EE750G61N6PX4/Artemis_image3.jpg 314 9 viscerally yours, china; mikala tai He Xiangyu, Tank Project, 2011–13, installation view, ‘Heavy Artillery’, White Rabbit Gallery, Sydney, 2016; Italian leather, 890 x 600 x 150cm; image courtesy White Rabbit Collection, Sydney; photo: David Roche https://www.artmonthly.org.au/issue-315-april-2019 daily 0.75 2019-04-08 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554683220111-YLYYQ8QZBREMZM8W4I5D/AMA315_APR_FrontCover.jpg Issue 315 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554683482102-JDDCM2LYAYQIFV32YOAD/Dispatches_April19_image3.jpg Issue 315 1 Dispatches: andrew stephens kirsha kaechele; photo: rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554683676134-ZHC8974R1KBDKIOLFOW9/Notes_April19_image1.jpg Issue 315 2 Notes from the field: Chloé Wolifson Jan Albers, rOckrOughrOuge, 2019, epoxy resin and spray-paint on polystyrene; image courtesy the artist and Fox Jensen McCrory, Auckland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554683903061-RKGN150KLHA2IOR72AAC/bauhaus_extraimage1.jpg Issue 315 3 finding freedom; hirschfeld-Mack at geelong gallery: Sally groom geelong Ludwig Hirschfeld-Mack, Musical instruments, 1950–65, monotype; Geelong Gallery, gift of Mrs Olive Hirschfeld, 1976 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554684954654-YJ06DYFSRI88036EK4XP/ChineseBible_image2.JPG Issue 315 4 writing their own history; yang zhichao’s chinese bible: Michael young Yang Zhichao, Panjiayuan flea market, Beijing, January 2015; photo: Michael Young https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554685178393-4PJOUL7IVCUQ6NP1MBHV/XiaoLu_image2.jpg Issue 315 5 resonance; xiao lu’s impossible dialogue at 4a: julie ewington sydney Xiao Lu, Polar (极地), 2016, installation detail view, 4A Centre for Contemporary Asian Art, Sydney, 2019; type-C prints and video documentation of performance, 23 October 2016; photos by Yi Zhilei; video filmed by Zhang Zhiqiang and Li Kai, edited by Zhang Li and Xiao Lu; courtesy the artist; photo: Kai Wasikowski https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554685405760-QL63UIUY7MCKF8IBXF63/Internet_image1.jpg Issue 315 6 stockholm syndrome and neuroscience; two young chinese artists, the great firewall and the internet: luise guest Miao Ying, Problematic GIFS – No Problem At All, 2016, GIF compilation on lightbox, flat-screen TV, 298 x 241 x 8cm; image courtesy White Rabbit Collection, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554685867257-UVLXLSVC2CVIZ5EWBS03/Unsworth_image1.jpg Issue 315 7 a poetic pilgrimage; anthony bond’s ken unsworth: gary sangster Ken Unsworth, The weight of stone, 2011, installation view, Cockatoo Island, Sydney, 2011; angel, steel cages, religious books, remote-control trucks, river stone and smoke, dimensions variable; image courtesy the artist; photo: Paul Green https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554686014517-7AB1F1N1ZMDV48JRKQQ8/National_image4.jpg Issue 315 8 pushing from the edges; michael fitzgerald in conversation with clothilde bullen, anna davis, daniel mudie cunningham and isobel parker philip The Unbound Collective (Ali Gumillya Baker, Faye Blanch, Natalie Harkin and Simone Tur), Sovereign Acts II, 2015; image courtesy and © the artists; photo: Steve Rendoulis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1554686199290-PQ3G8YRKMUIP8BP5YISP/Petyarre_image2.jpg Issue 315 9 kwementyaye (kathleen) petyarre c. 1938 - 2018: christine nicholls Kathleen Petyarre, Mountain Devil Lizard Dreaming, 1995, synthetic polymer paint on Belgian linen, 152 x 152cm; private collection, Sydney https://www.artmonthly.org.au/issue-316-may-2019 daily 0.75 2019-05-09 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557372513571-RUR6BZNCJ0X7FWLPYPHN/316+May+cover.png Issue 316 May 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557119716059-97GLRKLD8UXV8TNYN20E/Dispatches_May19_image3.jpg Issue 316 May 2019 1 Dispatches: andrew stephens Bianca Beetson, Beerwah & Tibrogargan, 2015, digital photo on metallic paper, 84x 59cm; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557119831566-O9Z5378U0JZ02C5R4AE8/Notes_May19_image5.jpg Issue 316 May 2019 2 Notes from the field: Chloé Wolifson Telly Tuita, from the series ‘A Professional Brown Man’, 2018, photographic work; image courtesy the artist and Weasel Gallery, Hamilton https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557120010644-AAHTMN5N7EKUQOK52ZDD/Adsett_image3.jpg Issue 316 May 2019 3 Peter Adsett’s ‘frame-work’ invites us to join in: patrick hutchings Peter Adsett, frame-work no. 7, frame-work no. 8 andframe-work no. 9, 2019, acrylic paint, pencil, linen, wallpaper, 50 x 40cm (each); courtesy the artist and Yuill / Crowley, Sydney; photo: Felix Adsett https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557120387050-1NRJHYY5J6VH85GS0NWW/Mitchell_image3.jpg Issue 316 May 2019 4 Encountering ‘afterness’; Dane Mitchell at the 58th venice biennale: andrew paul wood Dane Mitchell, Iris, Iris, Iris, 2017, installation view, Auckland Art Gallery Toi o Tāmaki, 2018; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557120652027-XXJAMC030EVG3EXKCZOV/Mesiti_image3.jpg Issue 316 May 2019 5 we shall assemble, play, dance and transgress; angela mesiti at the 58th venice biennale: dunja Rmandić Angelica Mesiti, Relay League, 2017, still; three-channel HD video, 16:9, colour, sound, 9mins 11secs duration; courtesy the artist and Anna Schwartz Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557120914075-O0Q5BU59HTPH1HAFJTDB/Hong+Kong_image2.jpg Issue 316 May 2019 6 beneath the juggernaut; encountering art basel hong kong: Michael fitzgerald, hong kong Gerasimos Floratos, Pressing into crowds, there is still space upstairs, 2018–19, installation view, ‘Encounters: Still We Rise’, Art Basel Hong Kong, 2019; wood, canvas, oil paint, mixed media, dimensions variable; image courtesy the artist and Pilar Corrias, London https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557121151678-GK7A4EP8ESCD79UN88C8/Temptation_image2.JPG Issue 316 May 2019 7 janet burchill and jennifer mccamley; culture jamming at heide: sophie Knezic, melbourne Janet Burchill and Jennifer McCamley, Inland Empire, 2008, installation view, Kellerberrin, Western Australia, 2008; neon tubing, electrical components, scaffolding, dimensions variable; image courtesy the artists and Neon Parc, Melbourne; © the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1557121328727-WJUKGSFDTP2BVKPZC1GM/Kovacs_image3.jpg Issue 316 May 2019 8 ildiko kovacs; a decade of mark making: rebecca blake Ildiko Kovacs, T.T., 2004, synthetic polymer paint on masonite, 63.5 x 64cm; Museum of Contemporary ArtAustralia, Sydney, donated through the Australian Government’s Cultural Gifts Program by Ann Lewis AO, 2009 https://www.artmonthly.org.au/issue-317-winter-2019 daily 0.75 2019-06-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559790111423-31L6FIBRISFXQPIGPD62/AMA317_Winter_FrontCover.jpg Issue 317 Winter 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559790332265-VRUVE8CM45ZG2JW5SYLS/Dispatches_image2.JPG Issue 317 Winter 2019 1 Dispatches: andrew stephens Consuelo Cavaniglia, Untitled (screen), 2018, powder-coated aluminium, coloured acrylic fixings; courtesy the artist, Kronenberg Mais Wright, Sydney, and Station Gallery, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559790423269-23OBJ7SWVASC2R9O0FCW/Notes_image3.jpeg Issue 317 Winter 2019 2 Notes from the field: Chloé Wolifson Mabel King, Three Tribes, n.d., acrylic on canvas, 106 x 177cm; courtesy the artist’s estate and Short Street Gallery, Broome https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559790629875-BMJTJ0DBDCLZNV6H5L7P/Nowhaus_image3.jpg Issue 317 Winter 2019 3 From bauhaus to nowhaus: kym maxwell and Meredith Turnbull Sarah crowEST, Dark Ruumbling Earth, 2019, documentation of performance, Melbourne Art Theatre, RMIT School of Art, Melbourne, 15 April 2019; courtesy the artist; photos: Yanni Florence https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559790871282-FZ9MNAJIN6KMXMUHZRJP/Felt_image2.jpg Issue 317 Winter 2019 4 FELT: LISA RADFORD AND NICHOLAS SELENITSCH IN CONVERSATION Lisa Radford (with Northern Theatre Company), Dear Masato, all at once (get a life, the only thing that cuts across the species is death), 2016, durational performance, West Space, Melbourne, 2016; courtesy the artist; photo: Teresa Noble https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559791150785-QPY2O7M59TE832FI1MIQ/Screen+Shot+2019-06-06+at+1.18.03+pm.png Issue 317 Winter 2019 5 TAREE MACKENZIE’S CARTESIAN UTOPIA: PARIS LETTAU AND AMELIA WINATA Taree Mackenzie, Pepper’s ghost, triangles, cyan and red, 2018, acrylic, MDF, reflective tint, LEDs, mirror-ball motor, paint, wood, vinyl; lightbox elements: 200 x 120 x 20cm; reflective screen:200 x 120 x 7cm; hanging sculpture: 140 x 87cm; brackets: 120 x 120cm; courtesy the artist and Neon Parc, Melbourne; photo: Christo Crocker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559791386448-1W10Y8ZGDCTOQGCJSDJX/Mikala_image2.jpg Issue 317 Winter 2019 6 RESURRECTING SPIRIT: MIKALA DWYER IN ‘BAUHAUS NOW!’: REX BUTLER Mikala Dwyer and Justene Williams, Red Rockers, 2010, video still; courtesy the artists, Sarah Cottier Gallery, Sydney, Roslyn Oxley9 Gallery, Sydney, and Anna Schwartz Gallery, Melbourne; copyright the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559791527147-ON0DC0UR04OH831DRQGT/Inked_image2.jpg Issue 317 Winter 2019 7 SOCIAL BUTTERFLIES: A BRIEF HISTORY OF AUSTRALIAN CARTOONS: MICHAEL FITZGERALD, CANBERRA Matthew Martin, [Untitled], 2010, the Sydney Morning Herald; image courtesy Matthew Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559792192092-TS6OINY2Q5Z1Z0JX5M03/Screen+Shot+2019-06-06+at+1.29.45+pm.png Issue 317 Winter 2019 8 FREESTANDING: SODEISHA AT NEWCASTLE ART GALLERY: JILL STOWELL, NEWCASTLE Kazuo Yagi, Design plan (Face),1977, black-fired earthenware, 28.5 x 18 x 18.5cm; Newcastle Art Gallery, gift of members of the Sodeisha group, 1981; image courtesy Newcastle Art Gallery https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559792437618-Q3FVBYZZL8Y4LB493MJW/Calder_image1.jpg Issue 317 Winter 2019 9 still moving: alexander calder at the NGV Alexander Calder: Radical Inventor, exhibition installation view, NGV International, Melbourne, 2019; © 2019 Calder Foundation, New York / Copyright Agency, Australia; photo: Brooke Holm https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559792766605-TTRIS8AVZIFKLMW3748P/Gemma_image2.jpg Issue 317 Winter 2019 10 performing alchemy: gemma sith at UNSW galleries: Chloé Wolifson, Sydney Gemma Smith, Multicoloured Adaptable #4, 2008, installation view, ‘Rhythm Sequence’, UNSW Galleries, Sydney, 2019; acrylic on aircraft plywood, dimensions variable; courtesy the artist, Milani Gallery, Brisbane, and Sarah Cottier Gallery, Sydney; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1559792911845-UNMW8CI0VZPPFU1HW2RY/Brook_image.jpg Issue 317 Winter 2019 11 Donald Brook and post-object art: Stephen Jones Herbert Flugelman, Donald Brook in Feathered Office, March 1971, colour transparency, 2.4 x 3.6cm; Art Gallery of New South Wales Archive, Sydney; © Herbert Flugelman, licensed by Copyright Agency, Australia https://www.artmonthly.org.au/issue-318-september-2019 daily 0.75 2019-09-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568079857562-N1E2QQONFD0D2OFWGUYX/AMA318_SEP_FC.jpg Issue 318 September 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568080051962-C86OTUCYTZQR8D9VXBF5/Dispatches_image1.jpg Issue 318 September 2019 1 Dispatches: andrew stephens Detail of Mangkaja Arts x Gorman Collection 2019 with work by Daisy Japulija, Sonia Kurarra, Tjigila Nada Rawlins and Ms Uhl for ‘The National 2019’, Museum of Contemporary Art Australia, Sydney, 2019; image courtesy Gorman, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568080233690-X60ZE5UESDZK50LX8L6X/Notes_image1.jpg Issue 318 September 2019 2 Notes from the field: Chloé Wolifson Oliver King, My initials are o.k., 2019, digital print on acrylic and mixed media, 116 x 78cm; courtesy the artist and Paulnache, Gisborne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568080499993-F1CLELZSI7G5P7LDVOPI/Awakenings_image2.jpg Issue 318 September 2019 3 awakening unheard voices: Alex burchmore, singapore Huang Yong Ping, Reptiles, 1989/2013, installation view, ‘Awakenings’, National Gallery Singapore, 2019; paper pulp, iron and washing machine, 495 x 1300 x 900cm; M+, Hong Kong; image courtesy National Gallery Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568080741012-5LPKXTV7R50OW8AGJYI5/Tokyo_image2.jpg Issue 318 September 2019 4 the view from tokyo: crossings, connections and context: judy annear, tokyo Mé, Contact, 2019, installation view, ‘Roppongi Crossing 2019: Connexions’, Mori Art Museum, Tokyo, 2019; mixed media, 230 x 700 x 800cm; image courtesy Mori Art Museum, Tokyo; photo: Kioku Keizo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568080997830-ZRT2J0TK8KMY01QDOGKJ/Vulnerability_image1.jpg Issue 318 September 2019 5 worrying together: ‘on vulnerability and doubt’ at acca: tom melick, melbourne Linda Marrinon, The four cruelties, 1982, detail; synthetic polymer paint on cardboard, 101.8 x 75.8cm (each, four panels); collection of the artist; courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568081350569-0GMHJ9DSKG3905FSPL0X/National_image4.jpg Issue 318 September 2019 6 broad specificity: ‘the national 2019’: tai mitsuji, sydney Nat Thomas, Postcards from the Edge, 2019, installation view, ‘The National 2019: New Australian Art’, Carriageworks, 2019; projection, set, fan, dimensions variable; courtesy and © the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568081529638-MP4P2X79NGFDZJ5GCC9H/Armitage_image1.jpg Issue 318 September 2019 7 under the skin: michael armitage’s ‘the promised land’: MICHAEL FITZGERALD, sydney Michael Armitage, Kampala Suburb, 2014, oil on Lubugo barkcloth, 196 x 150cm; private collection, London; image courtesy the artist and White Cube; © the artist; photo: Prudence Cuming Associates Ltd, White Cube https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568081790141-8VPOWMX7C1ONBMHD4WJ8/Savanhdary_image3.jpg Issue 318 September 2019 8 savanhdary vongpoothorn’s interwoven perspectives: rebecca blake, canberra Savanhdary Vongpoothorn, Wrapped 1, 2001, from the ‘Moonlight’ series; acrylic on perforated Japanese paper, 44.5 x 37.5cm; collection of Andrew Shapiro and Hannah Fink; photo: Andy Stevens https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568082196969-90AXZK4NGOD5UGVNKEE1/Screen+Shot+2019-09-10+at+12.22.47+pm.png Issue 318 September 2019 9 he yunchang: a buddhist’s approach to the unspeakable: yu-chieh li He Yunchang, One Meter of Democracy, 10 October 2010, performance documentation; 6 photographic prints, 32 x 46cm (each); image courtesy White Rabbit Collection, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1568082370513-6FNXHUSH1HEBJ2RB5JH6/Edmund_image.jpg Issue 318 September 2019 10 edmund capon am, obe 1940-2019: steven miller Edmund Capon AM, OBE with a calligraphy painting from his own collection in1999; photo: Jenni Carter, AGNSW https://www.artmonthly.org.au/issue-319-october-2019 daily 0.75 2019-10-01 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569896169287-DQ8MRNZG2R99TIFUEUFZ/AMA319_OCT_FrontCover.jpg Issue 319 October 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569375550181-89FR8IUQG7AMTT612R16/Dispatches_image2.jpg Issue 319 October 2019 1 Dispatches: andrew stephens Choy Ka Fai, Unbearable Darkness, 2019, production still; courtesy the artist and Performance Space, Sydney; photo: Katja Illner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569375692801-B117AD86G7UMP7848WO7/Notes_image4.jpg Issue 319 October 2019 2 Notes from the field: Chloé Wolifson Shelley Lasica, Dress: A Costumed Performance, 1998, documentation of collaboration with designer Martin Grant; courtesy the artist; photo: Kate Gollings https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569375864774-FNZYP1RRBY9BIUQGZ8IN/Marama_image.jpg Issue 319 October 2019 3 opening the windows: ‘marama dina’ at cac: michael fitzgerald, south western sydney Marama Dina, exhibition installation view of the vale ni soqo, Campbelltown Arts Centre, 2019; photo: Document Photography https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569385545353-IS55VC3PDTLLP6X3WE8U/OlleyQuilty_image.jpg Issue 319 October 2019 4 an unlikely marriage: olley and quilty at goma: Chloé wolifson, brisbane Ben Quilty, Margaret Olley, 2011, installation view, ‘Margaret Olley: A Generous Life’, Queensland Art Gallery / Gallery of Modern Art (QAGOMA), Brisbane, 2019; oil on linen, 170 x 150cm, Art Gallery of New South Wales, Sydney; image courtesy QAGOMA, Brisbane; photo: Natasha Harth https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569385709503-C19JNC0HY264FMRWV2SX/52artists_image1.jpg Issue 319 October 2019 5 postcards from a region: ‘52 artists 52 actions’ at artspace: genevieve trail, sydney image Courtesy Thames & Hudson Australia, Melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569386026850-LWJEDA234IGMCNYJ7TK6/Botanical_image3.jpg Issue 319 October 2019 6 odd couplings and troubling times in the west: gary dufour, perth Richard Woldendorp, Aerial over cleared and natural landscape, South Australia, 2008, inkjet colour photograph, 72 x 30cm; State Art Collection, Art Gallery of Western Australia, Perth; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569386241442-RDTIWXQU8NZBZJ8ZU8B5/Gough_image2.jpg Issue 319 October 2019 7 mind the gap: julie gough’s ‘tense past’ at tmag: lucy hawthorne, hobart Julie Gough, Missing or Dead, installation view, ‘Dark Path’, Dark Mofo, Hobart, June 2019; image courtesy Dark Mofo, Hobart; photo: Rémi Chauvin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569386653463-EJ838CLX2XHDK9IU4YZJ/Savvas_image1.jpg Issue 319 October 2019 8 finale: bouquet at Te Papa and Painting in the expanded field: nike savvas Nike Savvas with Finale: Bouquet (2019) at Toi Art, the Museum of New Zealand Te Papa Tongarewa, Wellington; image courtesy Te Papa, Wellington; photo: Jack Fisher https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569386972460-NKLMGSES4H0JDUP5Z6JR/Screen+Shot+2019-09-25+at+2.48.54+pm.png Issue 319 October 2019 9 the factory-assemblist and the scholar-artist in the historiography of chinese art: alex burchmore, melbourne Zhu Jinshi, The Ship of Time, 2018, installation view, ‘A Fairy Tale in Red Times: Works from the White Rabbit Collection’, NGV International, Melbourne, 2019; rice paper, bamboo, cotton thread, 300 x 300 x 1200cm (dimensions variable); White Rabbit Collection, Sydney; images courtesy the NGV, Melbourne; photos: Tom Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569387217731-Q311DBAZ679APM1DXAEI/Screen+Shot+2019-09-25+at+2.52.50+pm.png Issue 319 October 2019 10 stupid little dreamer: a short history of mop projects 2003-2016: daniel mudie cunningham, sydney George Adams and Daniel Mudie Cunningham before the opening of ‘Dress Code’, 17 February 2005; photo: Ron Adams https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1569387464830-0MXTT12SPNN5PJPUUZYU/Screen+Shot+2019-09-25+at+2.56.54+pm.png Issue 319 October 2019 11 fugitive pieces: tracey moffatt’s ‘portals’: leigh robb Tracey Moffatt, The Outlaw, 2019, from the series ‘Portals’, type-C print, 79 x 73cm, 79 x 117cm, edition of 6 + 2 AP; image courtesy the artist and Roslyn Oxley9 Gallery, Sydney https://www.artmonthly.org.au/issue-22-july-1989 daily 0.75 2019-10-09 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1570595363447-PLZEI6470LPK1Y46LBGL/AMA+%2322.jpg Issue 22 July 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 22 July 1989 1 Artists in the forests: Virginia Milson and John coburn 2 australian perspecta 89: anthony bond 3 historicism & spiritualism: marco marcon 4 film as art or art as film: film and video at perspecta: noelle Janaczewska 5 re-writing the seventies - the melbourne experience: charles green 6 the moment of re-assessment: Rosemary adam 7 wanted a little bit of incoherence: christopher heathcote, melbourne 8 gareth sansom, fiona hall etc: christopher allen, sydney 9 vida lahey; salle de reconnaissance: kate ravenswood, brisbane 10 Sculpture at mt gambier: pam zeplin 11 the grand louvre: deke dusinberre, paris 12 Artnotes - tax and the arts, recent agwa acquisitions, jack manton exhibition, critical-writer-in-residence, overseas residencies, ipex plumbing award, move for gallery, queensland gallery buys promised gifts, araluen festival, ici collection at ballarat, design museum london, close shave for critic, a bicentennial revisited, international master print fair, artbank enters corporate market 13 correspondence 14 more on fuller: neil brown 15 allen on brauer on allen on fuller: christopher allen 16 book review: cultivating the country: david dolan 17 salerooms: what’s been happening to lawson’s: Tony Palmer 18 arts law: the murray case of 1989: a tax victory for the arts: barry moore https://www.artmonthly.org.au/issue-21-june-1989 daily 0.75 2019-10-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1571108800897-M7GZHOQH4DZXXM9EB2B4/%2321+cover.jpg Issue 21 June 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 21 June 1989 1 Ruminations on black/white relations and the aboriginal arts board: jennifer isaacs 2 visual ecology: paul carter 3 my dear humphrey: bernard smith 4 tuckson at heide: arriving at the centre: jenny zimmer 5 prints and australia: kay vernon 6 robert hunter; jillian viva gibb: christopher Heathcote, melbourne 7 jelle van den berg; allan mitelman: jacques delaruelle, Sydney 8 the state of visual art in s.a.: adrian weston, adelaide 9 the first bharat bhavan international biennial of prints, bhopal, india: stephanie britton 10 artnotes - mary eagle to curate biennial of contemporary art, award to ken unsworth, work spaces in act, ‘Magiciens de la terre’, arts housing in sydney, good news, rumours, artspace international, judy chicago loss 11 correspondence 12 book review: what are aesthetics?: donald brook 13 recent ang acquisitions of contemporary art: john mcphee 14 salerooms: works of the 50s come into their own: charles nodrum 15 arts law: art as currency: a question of judgment: shane simpson https://www.artmonthly.org.au/issue-20-may-1989 daily 0.75 2019-10-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1571114288932-LJ4XBZ8E8BBYLMK6YWEU/%2320+cover.jpg Issue 20 May 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 20 May 1989 1 Art fest shock horror!: john mcdonald 2 what do you require of critics?: Peter Fuller, julie ewington, David Bromfield, Julie Rigg 3 Two views on ‘the necessity of australian art’, Part one: humphrey mcqueen 4 two views on ‘the necessity of australian art’, part two: Robin Wallace-crabbe 5 bit of a flop: marco Marcon, perth 6 art and nature: christopher allen, sydney 7 orr, hearman and kruger: christopher heathcote, melbourne 8 artnotes - controversial choice, perspecta artists, perspecta preview, mystery, south east asian visitors, best design, in canberra, touring prints, moet et chandon itinerary, europe’s cultural capital, baselitz knighted, cartier-bresson prize, foreign gallery in shanghai, peter fuller’s visit 9 artists no longer in residence: isobel johnston, london 10 art london 89: jonathan watkins 11 book review: kathleen o’connor: artist in exile: angela philp 12 the first national print symposium held over easter at the australian national gallery, Canberra: helen maxwell 13 art, work and the economic realities of staying alive: david throsby 14 salerooms: melbourne buyers go for sydney paintings: Tony palmer 15 arts law: copyright in aboriginal artworks: ‘a flash in the pan’: david shannon https://www.artmonthly.org.au/issue-19-april-1989 daily 0.75 2019-10-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1571199961138-2NON2IO52MNU1KIKWS6B/AMA+19+cover.jpg Issue 19 April 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 19 April 1989 1 opening shots 2 biennale mon amour: nick waterlow 3 corporate sponsorship of the visual arts in australia: biron valier 4 russian avant-garde and architecture: deanna petherbridge, london 5 the arts for tv or civilization and its discontents: kevin gough-yates 6 silver bags & wallpaper cows: memory holloway, new york 7 trans-tasman: wystan curnow, new zealand 8 send me more paint!: andrew sayers, canberra 9 humorous expressions: christopher heathcote, melbourne 10 looby, watkins & mcdonald’s duck project: jacques delaruelle, sydney 11 artnotes - a weekend of desire at pica 3 to 5 march, discussing psychoanalysis, sansom for indian triennale, ralph balson touring show, incidental intelligence, june wayne lecture programme, malevich at last, art fair news, artspace loses chair 12 correspondence 13 gauguin apotheosis: deke dusinberre 14 make space for art: nava 15 salerooms: australian art in london: colin gleadell 16 book review: varo: julie ewington 17 book review: a vision of hope: thancoupie 18 The politics of space from ‘alternative’ spaces to artist-run initiatives: peter anderson 19 Arts law: contracts for the commissioning of art works: william morrow https://www.artmonthly.org.au/issue-18-march-1989 daily 0.75 2019-10-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1571712991275-TMFZ9W496MYAXKPKR5DY/March+1989+cover.jpg Issue 18 March 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 18 March 1989 1 the return of cultural property: des griffin 2 penguins on the rocks: david bromfield 3 john berger: interviewed by janine burke in paris late last year 4 melancholy europe: christopher allen 5 australians in france: ian howard, paris 6 johnson at 50: jacques delaruelle 7 smorgon etc: christopher allen, sydney 8 summer famine: christopher heathcote, melbourne 9 australian photography: the 1980s: charles green 10 tucker drawings: barry pearce, canberra 11 artnotes - dr wilson departs, noel sheridan to head pica, letter from los angeles, great balls of art, new gallery in canberra, nava 12 correspondence 13 book review: no women: Julie ewington 14 book review: work in place: julie ewington 15 dreamings: a conversation between peter sutton and peter timms 16 print plague in canberra: helen maxwell 17 salerooms: hunt’s still on: tony palmer 18 arts law: helping artists to protect themselves in 1988: natasha serventy https://www.artmonthly.org.au/issue-17-december-1988 daily 0.75 2019-10-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1571802700431-4SRUGSM0TQBES41T3KKW/Issue+17+cover.jpg Issue 17 December 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 17 December 1988 1 a new wing for the art gallery of nsw: jenny towndrow 2 an australian contribution to british art?: bernard smith 3 australian decorative arts, 1788-1985: michael bogle, canberra 4 australian decorative arts, 1985-1988: julie ewington 5 for criticism: a reply: terry smith 6 bilas: art from papua new guinea: christopher allen 7 japonisme in japan: humphrey mcqueen 8 fire, death and destruction: memory holloway, new york 9 grounds for meaning: christopher heathcote, melbourne 10 insular expressions: art in hong kong: david clarke 11 artnotes - british art fair, south-east asia report, wanted: your old materials, conservators meet, australian art in china, a handful of exhibitions: a few talks more 12 correspondence 13 book review: an imbalance corrected: mary eagle 14 book review: bluebeard: john mcdonald 15 aboriginal art exhibitions and sales: jennifer isaacs 16 salerooms: cup week sales: charles nodrum 17 arts law: reconciling commercial and residential leases for the artist: david shannon https://www.artmonthly.org.au/issue-16-november-1988 daily 0.75 2019-10-23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1571804139910-JOKMNDKSUO0B43RFKN8N/Issue+16+cover.jpg Issue 16 November 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 16 November 1988 1 ‘le roi distribuant les recompenses aux artistes’: anna ward 2 tragedies without a hero: the art of francis bacon: Mikhail n. solokov 3 john nixon and the russian connection: grant hannan 4 from portapac to paintbox: noelle janaczewska 5 rosc: the dublin international after twenty-one years: noel sheridan 6 taking stock: memory holloway, new york 7 exhibition criticism and its makers: christopher heathcote, melbourne 8 firth-smith and brack: jacques delaruelle, sydney 9 artnotes: indian triennale, fairfield cultural centre, aboriginal art expert killed, coburn tapestries on tour, clarence award, review of aboriginal arts and crafts, 100 years of hobart art education, the forties in brisbane, Wa arts funding, 2nd asian arts festival, symposium on electronic art, trouble at the brewery, mclaren retrospective, british arts calendar, ny 10 correspondence 11 book review: deconstructed condition: liz brooks 12 jennifer isaacs talks to georgina beier - ‘the one born away from home’ 13 salerooms: problems of marketing: tony palmer 14 arts law: calling all artists - arts law’s free legal advice service threatened: natasha serventy https://www.artmonthly.org.au/issue-320-november-2019 daily 0.75 2019-11-04 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572841984057-QK52DVCRF9C45ZNN8DIT/AMA320_NOV_Cover.jpg Issue 320 November 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572222049502-8JP4AKX4SHRA3HDFAJJW/Novemberdispatches_image2.jpg Issue 320 November 2019 1 Dispatches: andrew stephens Plastique Fantastique, MEDUSA, installation view, Festival 10 Sentidos, Valencia, 2018; image courtesy Plastique Fantastique https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572222214858-YXYI7722JDCDUSWZ6J0Y/Novembernotes_image4.jpg Issue 320 November 2019 2 Notes from the field: Chloé Wolifson Bodily Space: Confessed and Concealed, exhibition installation view, Yavuz Gallery, Singapore, 2019; image courtesy the artist and Yavuz Gallery, Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572232020607-BKEAOBIA8ZS881NE8ODT/Flores_image2.jpg Issue 320 November 2019 3 to structure, supportively: patrick D. Flores Céline Condorelli, Proposal for Spatial Composition 13, 2019; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572232220570-3YX1QP9RLOSAB4C32IT7/Villa_image3.jpeg Issue 320 November 2019 4 a visual kind of excavation: finding carlos villa’s filipino roots: Mark Dean Johnson and Sherwin Rio Carlos Villa, My Roots, 1970–71, acrylic and feathers on canvas, 232.4 x 236.9cm; Whitney Museum of American Art, New York; courtesy the Carlos Villa Estate https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572232423358-WEGU7FDNSH2OCPZNP5AD/ChiangMai_image2.jpeg Issue 320 November 2019 5 On archiving and possibilities: thanavi chotpradit Detail of Somkiat Tangnamo’s slide archive at the Faculty of Fine Arts, Chiang Mai University; photo: Thanavi Chotpradit https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572232712206-PSXIISM6F1RTL2L8D07N/Albano_image2.jpg Issue 320 November 2019 6 an art-world making with ray albano: the future i will never have; judy freya sibayan Judy Freya Sibayan reading Ray Albano’s ‘How to Make your Dream into a Performance’ as part of Three Pieces by Huge Bartolome and Judy Freya Sibayan, ‘Thirteen Artists’, Cultural Center of the Philippines Art Museum, Manila, January 1977; courtesy Judy Freya Sibayan Archive https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572233044796-79T1JASBCJBEONWGN0UC/Rocks_image2.jpg Issue 320 November 2019 7 duck island to dorsoduro: ‘living rocks’ at venice; louise martin-chew, venice Living Rocks: A Fragment of the Universe, installation views, Magazzini del Sale, Venice, 2019; image courtesy the artists and the Art Gallery of South Australia, Adelaide; photo: Francesco Allegretto https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572233208664-CRZXCZ5Z1VMLQMCDGV9P/Indonesia_image1.jpg Issue 320 November 2019 8 worlds not far from here; tarun nagesh, canberra Melati Suryodarmo, Transaction of hollows, 2016/19, restaging of original durational performance (comprising bow, 800 arrows and costume); image courtesy the National Gallery of Australia, Canberra; © Melati Suryodarmo https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572233742159-M5J9O87BXZZMP9UFOJK4/Walker_image1.jpg Issue 320 November 2019 9 experiencing vegetal ontology: emma walker at lismore regional gallery; Moya costello, lismore Emma Walker, Dark Sublime, 2019, oil and mixed media on carved board,146 x 178cm (approx.); image courtesy the artist and Arthouse Gallery, Sydney; photo: Michelle Eabrys https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572234454448-VALPA6QZ6WTLJ60VXD8C/Contos_image4.jpg Issue 320 November 2019 10 sarah contos: chthonic fantasies; wes hill Sarah Contos, Voltron 1 (Black), 2019, leather, thread (work in progress); image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572234915969-TN7QP8CLU1RR1SSZE0DM/Mao_image1.jpg Issue 320 November 2019 11 fixing the boundaries: mao tongqiang’s leaseholds; minerva inwald Mao Tongqiang, Leaseholds, 2016, installation view; land ownership papers from various times in China’s history, found picture frames; image courtesy the artist and the White Rabbit Collection, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572235291367-2Z2A3O74ILGU9MWQLVES/Shepherdson_image.jpg Issue 320 November 2019 12 gordon shepherdson 1934 - 2019; bruce heiser Gordon Shepherdson in his Brisbane studio, n.d.; courtesy Philip Bacon Galleries, Brisbane, and Nicholas Thompson Gallery, Melbourne https://www.artmonthly.org.au/issue-15-october-1988 daily 0.75 2019-11-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1572925477185-QDYXQEU8DMX7B8HEFFEM/AMA%2B300%2Bres%2Bcover%2B15.jpg Issue 15 October 1988 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 15 October 1988 1 debunking a myth: tim jacobs 2 ‘provincialism refigured’ or culture disfigured?: bernice murphy 3 colin lanceley at home: jenny towndrow 4 the making of a gallery part ii: frank watters interviewed by john barbour 5 some old, some new: christopher heathcote, melbourne 6 aboriginal art - past and present: anna bock, townsville 7 drawing in australia: tim bonyhady, canberra 8 vital links: jacques delaruelle, sydney 9 ‘outgrowing assimilation?’: david mcdowell, tasmania 10 artnotes - international sculpture conference in dublin, national arts week, artists’ flags, fighting back, new foundation, marten bequest travelling scholarship, monumental row, greek and turkish art, illusions and exclusions 11 correspondence 12 book review: creator and destroyer: memory holloway 13 art education: whitewashing the arts: fay brauer and amanda weate 14 nava - 1988-89 federal budget to the arts, droit de suite, moral rights, drastic cuts face artbank 15 artslaw: pastiche, bricolage & appropriation: post-modernism and the infringement of copyright: william morrow 16 clifford faith - recent work: john neylon https://www.artmonthly.org.au/issue-321-summer-2019-20 daily 0.75 2019-12-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1575324905059-250VI5CZUTJDVCUAWQBO/AMA321_SUMMER_FrontCover.jpg Issue 321 Summer 2019/20 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574726890870-FWHIHXFEINYJD8WN19P9/Dispatches_Dec19_image1.jpg Issue 321 Summer 2019/20 1 Dispatches: andrew stephens Elizabeth Ann Macgregor with works by Kerrie Poliness and Jonny Niesche; image courtesy the Museum of Contemporary Art Australia, Sydney; photo: Nic Walker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574727063503-QO0LGZCJ6B8NRWCSOHRK/Decembernotes_image1.jpg Issue 321 Summer 2019/20 2 Notes from the field: Chloé Wolifson Angela Tiatia, Holding On, 2015, still; video installation, 12mins 12secs duration; image courtesy the artist and Sullivan + Strumpf, Sydney and Singapore; © Angela Tiatia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574727508396-01BT0XGG46QQGLRPH93P/Tarnathi_image1.jpg Issue 321 Summer 2019/20 3 ‘Tarnanthi 2019’: still listening: michael fitzgerald, adelaide Nyaparu (William) Gardiner, The Ballad of Billy Gardiner, 2014–18, installation view, ‘Tarnanthi 2019’, Art Gallery of South Australia (AGSA), Adelaide, 2019; image courtesy AGSA, Adelaide; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574727666055-E4MDFY4WKM10VCA4V5FR/Glass_image3.jpeg Issue 321 Summer 2019/20 4 noiseless currents, strong and deep: ‘new glass now’: nola anderson, corning Fredrik Nielsen, I was here, 2017, mixed-media installation; image courtesy Dunkers Kulturhus, Helsingborg https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574727878138-5KHRPZNAPCC157DPHL7J/RMIT_image1.jpg Issue 321 Summer 2019/20 5 a collegial history: ‘mastermakers’ at rmit gallery: anne brennan, melbourne MasterMakers, exhibition installation view, RMIT Gallery, Melbourne, 2019; courtesy RMIT Gallery, Melbourne; photo: Mark Ashkanasy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574728165246-XUGDEK6LHF6ZQ8ZJ7O8Y/Screen+Shot+2019-11-26+at+11.28.48+am.png Issue 321 Summer 2019/20 6 threads of social justice: ‘the #udhrquilt project’ at moad: meredith hinchliffe, canberra The #UDHRquilt Project, installation detail view, Museum of Australian Democracy (MoAD) at Old Parliament House, Canberra, 2019; image courtesy MoAD, Canberra; photo: Stefan Postles https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574728451215-TWKQODOEH805P0ZOUK2Y/Ormella_image2a.jpg Issue 321 Summer 2019/20 7 the power of yearning: raquel ormella’s ‘i hope you get this’: angus mcgrath, canberra Raquel Ormella, I hope you get this, 2018, silk and cotton embroidery thread on linen, 8 x 10cm; image courtesy the artist and Milani Gallery, Brisbane; photo: David Paterson; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574728670179-920J1ZW12PW84XN9TZHT/Ely_image1.jpg Issue 321 Summer 2019/20 8 a space to speculate: bonita ely’s ‘future tense’ at griffith: hilary thurlow, brisbane Bonita Ely,We Live to Be Surprised, 1989/2019, installation view, Griffith University Art Museum, Brisbane, 2019; plaster, mixed media, dimensions variable; image courtesy the artist and Milani Gallery, Brisbane; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574728851871-CYWYD0C8VASBGN2ESCS9/Jogja_image1.jpg Issue 321 Summer 2019/20 9 a playground at the earth’s middle: Chaitanya sambrani, yogyakarta Citra Sasmita, Timur Merah Project: The Embrace of My Motherland, 2019, acrylic on Kamasan canvas with turmeric and spices, each scroll 400 x 90cm; photo: Documentation Team, Biennale Jogja 2019 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574729119885-HC531KR3Z2U1NCA5R8NQ/Sheikh_cover.jpg Issue 321 Summer 2019/20 10 encyclopedic artist, enormous book: at home in the world: the art and life of gulammohammed sheikh: julie ewington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574729398493-GWWOSFMOKTF352H7CJSN/Bali_image2.jpg Issue 321 Summer 2019/20 11 imbued with taksu: balinese art in darwin: kellie joswig, darwin I Ketut Liyer, Tunggu Taksu (Awaiting Taksu), c. 1995, Chinese ink and acrylic on canvas, 98 x 67cm; Charles Darwin University Art Collection, Darwin, donated by Mary Hill and family in memory of Chris Hill, a lover of Balinese art, 2016 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574730058235-AWLAUR9ND3V5XVQRDYEC/Quilty_image2.jpg Issue 321 Summer 2019/20 12 what ben quilty offers us: anna zagala, adelaide Quilty, exhibition installation view, Art Gallery of South Australia, Adelaide, 2019; photo: Grant Hancock https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574730789899-9XWT7FXKXNTUESL1WOQU/Croft_image5.jpg Issue 321 Summer 2019/20 13 for my mother: brenda l. croft heart-in-hand, exhibition installation detail view, Canberra Contemporary Art Space (CCAS), Gorman Arts Centre, 2018; image courtesy CCAS, Canberra; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574730997688-BIPOTYO5JIUE0Z54DGI7/Posenenske_image2.jpg Issue 321 Summer 2019/20 14 into the light: charlotte posenenske at dia:beacon: amelia winata, new york Charlotte Posenenske, Vierkantrohre Serie DW (Square Tubes Series DW), 1967/2018, installation view, Dia:Beacon, New York, 2019; image courtesy Dia Art Foundation, New York; photo: Bill Jacobson Studio, New York; © Estate of Charlotte Posenenske, Frankfurt https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1574731233316-Q6EN1ZV7UYYP33CM80MG/Screen+Shot+2019-11-26+at+12.19.30+pm.png Issue 321 Summer 2019/20 15 milton moon 1926 - 2019: vicki grima Milton Moon c. 1970s; image courtesy Damon Moon https://www.artmonthly.org.au/issue-23-august-1989 daily 0.75 2020-02-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1580863631627-FOGTW6DMBZWMCELE0SZF/AMA%2323.jpg Issue 23 August 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 23 August 1989 1 A Russian’s view of modern painting: timothy foster 2 the making of the australian national gallery: james mollison with rosalie gascoigne, david mcneill and peter townsend 3 the pipers’ pay, the tunes they play: funded art magazines and the bonnin review: michael denholm 4 the continuing tradition: jenny isaacs 5 initiating the uninitiated: morag fraser 6 black and white: cultures of the print: nigel lendon 7 janet laurence; bill henson; ‘paradise lost’: christopher heathcote, melbourne 8 Almost anything goes: isobel johnston, london 9 twists and turns in an airless freezer: the 1989 whitney Biennial: memory Holloway, new york 10 artnotes - adelaide plaza sculpture, artists creative fellowships, dobell art prize, scotchmans hill prize, critic capped, casting a new line, cigar boxes, 9 x 5 foundation, asean artist exchange, raw vision, eyeline changes, moca moves, second melbourne art fair 11 correspondence 12 salerooms: rip-offs and write-ups: charles Nodrum 13 Arts Law: Sharing the proceeds: droit de suite for australia: michael mcmahon and margo fraser 14 book review: a long-awaited perspective of minimal art: alan r. dodge https://www.artmonthly.org.au/issue-24-september-1989 daily 0.75 2020-02-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1580869603518-LGFKB5LOI92LPSF7STJN/AMA%2B300%2Bres%2Bcover%2B24.jpg Issue 24 September 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 24 September 1989 1 A stitch in time … A cautionary tale about the perils of neglect 2 the making of the australian national gallery part ii: james mollison with rosalie gascoigne, david mcneill and peter townsend 3 when is art academic? notes on the ‘new academy’: roger benjamin 4 paint, pearls and swine: robert hunter paintings 1966-1988: julie ewington 5 commentaries: sets and series; robinson; green: christopher Heathcote, melbourne 6 parr and rrap: jacques delaruelle, sydney 7 faith sustained: martyn Jolly 8 aldo iacobelli: recent works: adrian weston, adelaide 9 conjurations: deke dusinberre, paris 10 artnotes - art criticism queensland style: the final solution; statement by des stephens, state librarian in response to the previous note; prominent chinese artists in australia; mapplethorpe in trouble again; vatican cover-up; stelarc returns to australia; japan at europalia; australians in paris; heads of art schools meet; politics of exile; aaa/amaa conferences; selected exhibitions abroad; michell endowment replaced; russian collectors get together; more lease problems; published in new york; forum art fair; us$130,000 could be yours; blake symposium; hiroshima gallery 11 correspondence 12 book reviews: a singular vision: margaret plant 13 book reviews: vivid memories: heather johnson 14 salerooms: business as usual: charles nodrum https://www.artmonthly.org.au/issue-24-september-1989-1 daily 0.75 2020-02-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1580870743689-BTL9EWSHJY21NUDOW1F8/AMA%2B300%2Bres%2Bcover%2B25.jpg Issue 25 October 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 25 October 1989 1 hans haacke and the era of sponsorship - mark thomson 2 at long last contemporary sculpture for melbourne! - ken scarlett 3 balson at heide: floating mosaics of colour - jenny zimmer 4 the making of the australian national gallery part iiI - james mollison with rosalie gascoigne, david mcneill and peter townsend 5 facilitating the market for aboriginal art: The aias visual artists biographical database - luke taylor commentaries 6 as good as its word - christopher heathcote, melbourne 7 worlds apart - christopher allen, sydney artnotes 8 agnsw artists-in-residence; national art & working life conference (postponed); cica opens in new york; christie’s expanding in australia; unkind cut; where patrick mccaughey went; the penalty for writing history; a home for warhol?; arx; new regional gallery; objects speak; arty stamps; amalgamation difficulties; filipina artists in australia; students’ show at albury; victorian artist directory service; international prize for australian artist correspondence book reviews 9 black and white aesthetic power: drawing in australia by andrew sayers - martin terry 10 guy debord: society as ‘spectacle’ - jacques delaruelle 11 Art magazines: Mags abroad - michael denholm 12 artslaw: signed, sealed and delivered - david martin and simon blackshield https://www.artmonthly.org.au/issue-26-november-1989 daily 0.75 2020-02-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1580871551275-V30QIM1J4UNF05VHFO7K/AMA%2B300%2Bres%2Bcover%2B26.jpg Issue 26 November 1989 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1540423802855-TYSCYTH458X9A7H1IU5L/block+1.jpg Issue 26 November 1989 1 a home town shrine to andy warhol 2 the art museum more or less - ian burn 3 arx ‘89: Arx report - noel sheridan 4 arx ‘89: metro nostalgia - paul carter 5 arx ‘89: urban thresholds - marco marcon commentaries 6 contemporary japanese art - jennifer towndrow, brisbane 7 art in action - andrew sayers, canberra 8 kevin connor - jacques delaruelle, sydney 9 the myth of a unified mainstream - christopher heathcote, melbourne 10 not a deviant in sight: the 1989 amaa & aaa conferences in melbourne - pat hoffie 11 aaa conference - christopher heathcote artnotes 12 donald friend (1915-1989); angry penguins attacked; the russians are coming; a charm of sausages; ngv changes; debate that wasn’t; women and their art; bp arts media award; more awards; moca, sydney, head appointed; performance space co-ordinator; faber-castell drawing awards; paris exhibition for david moore; saatchi sales; british museum; betty churcher for ang; redback graphix retrospective; landscaping and sculpture symposium; rikki shields, mantrika 13 grants for journals and fellowships 14 art education: heads of art and dsign schools go international - david williams 15 salerooms: the danger of overexposure - martin browne https://www.artmonthly.org.au/issue-322-march-2020 daily 0.75 2020-03-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583105268586-96HGD0IXQSJRYL57UNUV/AMA322_MAR_Cover.jpg Issue 322 March 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583105822686-48E94SP19V7KZ6HZUSV4/Notes_March20_image1a.jpg Issue 322 March 2020 1 Notes from the field: Chloé Wolifson Sandra Hill, Thin Veneer, 2015, oil on board, 119 x 119cm; courtesy the artist and Mossenson Galleries, Perth. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583106136856-EIBRUT37Z76PFLI00DVT/Screen+Shot+2020-03-02+at+10.41.42+am.png Issue 322 March 2020 2 ‘we are, we often feel, living on the edge of something good’: dunja rmandic john Prince Siddon, Dedication, 2020, atelier acrylic on canvas, 120 x 120cm; image courtesy Fremantle Arts Centre and the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583106600022-Q7Q6N3LG0YTLQP9VQS3B/Clothilde_image1.jpg Issue 322 March 2020 3 holding space: clothilde bullen Mabel Juli, Garnkiny Ngarranggarni, 2016, ochre and pigment on canvas, 150 x 150 x 3cm; Museum of Contemporary Art, Sydney, purchased with funds provided by the MCA Foundation, 2016; © Mabel Juli/Copyright Agency, 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583106769039-N4ZU7UVIS70Z889WZKKN/Gemma_image1.jpg Issue 322 March 2020 4 notes on art history in perth at the start of a new decade: gemma weston Tania Ferrier: Angry Underwear and Other Statements, image for exhibition flyer, ARTEMIS Gallery, Perth, April 1989; inkjet print from black-and-white photograph; © and courtesy Tania Ferrier https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583106950345-ZTBIBS2MH5JDKS782ZG3/Screen+Shot+2020-03-02+at+10.55.24+am.png Issue 322 March 2020 5 the project state: melissa mcgrath Jessee Lee Johns/The Commonwealth of New Bayswater, South Mole Resort, 2019; image courtesy the artist and Fremantle Biennale; photo: Duncan Wright https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583107220401-IJKN7T0T1VMU20XQ2YXB/Kelly_image1.jpg Issue 322 March 2020 6 fly-in fly-out: the itinerant western australian art scene: kelly fliedner Consuelo Cavaniglia, filters II, 2018, installation view, ‘Edge of Contrast’, KRONENBERG MAIS WRIGHT, Sydney, 2019; tinted acrylic, dimensions variable; courtesy the artist and KRONENBERG MAIS WRIGHT, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583107433512-C5BHMDSSJISIFRGUEQLL/Screen+Shot+2020-03-02+at+11.02.02+am.png Issue 322 March 2020 7 mirrored, masked and afoot: ‘singapore art week 2020’: michael fitzgerald, singapore Pierre Huyghe, Untitled (Human Mask), 2014, film still; courtesy the artist; Marian Goodman Gallery, New York; Hauser & Wirth, London; Esther Schipper, Berlin; and Anna Lena Films, Paris https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583108392081-NFANOMQQFIYOATFJ0AG9/Fashioning_image2.jpg Issue 322 March 2020 8 behind the lens: ‘fashioning black identity’ at monash gallery of art: rosalind lemoh, melbourne Omar Victor Diop, A Moroccan man (1913), from the 2014 ‘Project Diaspora’ series; image courtesy and © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583108545992-EVO9UT2HJ88K0VS7R2Z0/Screen+Shot+2020-03-02+at+11.21.57+am.png Issue 322 March 2020 9 wake up in paradise: andrew montana, sydney Jenny Kee and Linda Jackson: Step into Paradise, exhibition installation view, Powerhouse Museum, Sydney, 2019–20; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1583108817546-XULMDY9VJH3VR235E1FE/Ramsay_image3.jpg Issue 322 March 2020 10 hugh ramsay: the ‘problem picture’ of a problem painter: angus trumble Hugh Ramsay, Miss Nellie Patterson, 1903, oil on canvas, 122.3 x 92.2cm; National Gallery of Australia, Canberra, purchased 1966 https://www.artmonthly.org.au/issue-323-april-2020 daily 0.75 2020-03-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585693753700-OU32CS9VHLYNUN197S7O/AMA323_APR_Front+Cover.jpg Issue 323 April 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585007774718-9VF76XJK6SKNWMVLI759/Screen+Shot+2020-03-24+at+10.53.46+am.png Issue 323 April 2020 1 dispatches: andrew stephens Anthea da Silva, Elizabeth, 2019, charcoal and oil on canvas; courtesy the artist and the National Portrait Gallery, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585008209960-P1IOYE00CJE7Z0F32XAJ/Notes_April2020_image3.jpg Issue 323 April 2020 2 NOTES FROM THE FIELD: CHLOÉ WOLIFSON Linda Puna, Ngayuku Ngura (My Home), 2020, acrylic on linen, 152 x 152cm; courtesy the artist and Mimili Maku Arts https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585008366968-0CJUAVXRJP7HT62YYS3E/Water_image1.jpg Issue 323 April 2020 3 ebb and flow: ‘water’ at qagoma: rebecca blake, brisbane Olafur Eliasson, Riverbed, 2014, installation detail, Queensland Art Gallery / Gallery of Modern Art (QAGOMA), Brisbane, 2019–20; courtesy the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York and Los Angeles; photo: Natasha Harth, QAGOMA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585013163880-P6HXBXHU5Y9LDOPYNIJ8/Japan_image3.jpg Issue 323 April 2020 4 gods and monsters: ‘japan supernatural’ at agnsw: emily wakeling, sydney Japan supernatural, exhibition installation view, Art Gallery of New South Wales (AGNSW), Sydney, 2019–20; artworks © the artists; photo: Jenni Carter, AGNSW https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585013344785-VEXK4JRJ2PCTJN7VY4XF/eXdeMedici_image3.jpeg Issue 323 April 2020 5 ex de medici: belling the cat: sophia halloway, canberra eX de Medici, The Law (Ops), 2013–14, watercolour on paper, 114 x 161.5cm; Shepparton Art Museum; image courtesy the artist and Sullivan+Strumpf, Sydney and Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585013578720-7IIK35DTVZSNOMGRGH53/Screen+Shot+2020-03-24+at+12.32.32+pm.png Issue 323 April 2020 6 philip noakes’s expanded universe of objects: ted snell, perth Philip Noakes, Stratum I, 2020, Britannia silver, fine gold, 18.7 x 21.5 x 15.5cm; courtesy the artist and Australian Galleries, Sydney; photo: Robert Frith https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585013763450-SXCFKH6LYJH2TYIHQGWU/HaringBasquiat_image5.jpg Issue 323 April 2020 7 ‘that distant galaxy’: haring and basquiat in the 1980s: michael fitzgerald, melbourne Keith Haring / Jean-Michel Basquiat: Crossing Lines, exhibition installation view, NGV International, Melbourne, 2019–20; © Estate of Jean-Michel Basquiat, licensed by Artestar, New York; © Keith Haring Foundation; photo: Tom Ross https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585013911124-8I5ABEZB22YGGJR027G4/Screen+Shot+2020-03-24+at+12.38.11+pm.png Issue 323 April 2020 8 simon denny: remote control: oscar capezio, hobart Simon Denny, Amazon worker cage patent drawing as virtual King Island Brown Thornbill cage, 2019, installation view, ‘Mine’, Museum of Old and New Art (MONA), Hobart, 2019–20; photo: Jesse Hunniford, MONA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585014302943-OYXGWAJ2370J1BF05GLK/Streeton_image1.jpg Issue 323 April 2020 9 a new streeton attribution: the grand canal (1908): sarah schmidt Arthur Streeton, The Grand Canal, 1908, oil on canvas, 93 x 169cm (36.61 x 66.54in); private collection; photo: Glen Watson https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1585695329764-BARXH5UDYXYKJ7H9JJ6K/Mollison.JPG Issue 323 April 2020 10 very good at looking: james mollison, founding director of the national gallery: daniel thomas james mollison ao and robert hughes ao with jackson pollock’s blue poles (1952); © Pollock-Krasner Foundation, art/copyright agency https://www.artmonthly.org.au/issue-324-winter-2020 daily 0.75 2020-06-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1591055987090-ZTX6V6L3507COD1T6MN7/AMA324_WINTER_FrontCover.jpg Issue 324 Winter 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589784830105-6WZZQ7RC1YFO0RGU7FM8/XUy9XSkw.jpeg Issue 324 Winter 2020 1 Dispatches: andrew Stephens A children’s project responding to Daniel Boyd’s Captain no beard (2005) from the National Gallery of Australia (NGA) collection; courtesy the artist and NGA, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589785138427-JW7F7Z50ZAJ6NEKSHVLG/lSCr-_4Q.jpeg Issue 324 Winter 2020 2 freedom and horror: viewing art during covid-19: michael Fitzgerald, sydney et al., are we sorry? (bringing them home ... testimonies of removal #1–20), 2020, installation detail, Yuill/Crowley, Sydney, 2020; mixed media (woollen blankets, embroidered texts, compressed in flexi-storage bags), each 60 x 80cm or 80 x 60cm, arrangement and dimensions variable; courtesy the artist and Yuill/Crowley, Sydney; photo: Aimee Crouch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589785303930-0C5UVOUOLIIRWVOYL4CJ/5wri1CIQ.jpeg Issue 324 Winter 2020 3 black friday in gotham: pat hoffie, new york Image courtesy and © Pat Hoffie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589785514578-XSL0ALSA6607DX9AHMZ9/CzeERyuw.jpeg Issue 324 Winter 2020 4 a practice of protest and protection: the masks of jemima wyman: lucy jackson Jemima Wyman, Flourish (No.7) [working title], 2019, detail; hand-cut photos on paper, 132 x 101.5cm; courtesy the artist; Commonwealth and Council, Los Angeles; Milani Gallery, Brisbane; and Sullivan+Strumpf, Sydney and Singapore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589785827592-LCGXARH5X4D7SN9AVK43/Capture.JPG Issue 324 Winter 2020 5 watching you, watching me: giselle stanborough’s ‘cinopticon’: stephanie berlangieri, sydney Giselle Stanborough, Cinopticon (Mirror), 2020, still; single-channel HD video with mirrored film, 9:16, no sound, 5 mins duration; courtesy the artist and Carriageworks, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589786082384-O6AU8TH0LX3NRRI76JK1/bYIOFPCw.png Issue 324 Winter 2020 6 read so that writing won’t fail us: existential crisis and digital platforms: zara stanhope Website screenshot courtesy A+A Online https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589786929313-NF7LMZMXC9ZV5GFHJOWM/cnuD-yqg.jpeg Issue 324 Winter 2020 7 a good time to be a post-internet artist: sophia halloway, canberra Jess Herrington, Slinky Face, 2019, augmented reality face filter (available on Instagram @jess.herrington; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589787131386-EIWTCA4JVQN8PLPR6DA7/mv3UW35g.jpeg Issue 324 Winter 2020 8 arresting the touristic gaze: therese ritchie and the art of representation in a transient place: koulla roussos, darwin Therese Ritchie, Shortgrass people 1, 2003, inkjet print, 40 x 60cm; Charles Darwin University Art Collection, Darwin, gift of the artist, 2010 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589787278888-S5U95S6DNAWA2L1N0L5Z/sRNT1DJA.jpeg Issue 324 Winter 2020 9 the archive and the public square: alex burchmore, seoul Shin Meekyoung,Translation Series: Venus, 2006–13, installation view, ‘The Square: Part 2, 1950–2019’, National Museum of Modern and Contemporary Art (MMCA), Gwacheon, 2019; soap, colour pigment, varnish; MMCA Gwacheon; photo: Alex Burchmore https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589787676428-LL03XWEJHSKO8TQJGUAC/6RcK8dGm.jpeg Issue 324 Winter 2020 10 making connections: mitiana arbon, winnie dunn, enoch mailangi and talia smith in conversation Wansolwara: One Salt Water, exhibition installation view, UNSW Galleries, Sydney, 2020 with (from left): Caroline Monnet, Creatura Dada, 2016; Gutinarra Yunupingu, Gurrutu’mi Mala (My Connections), 2019; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589787809273-5U83ETV1EV5GM7AN3MBM/Capture.JPG Issue 324 Winter 2020 11 some notes on anne wallace’s ‘strange ways’: Hamish sawyer, brisbane Anne Wallace, She Is, 2001, oil on canvas, 164 x 197cm; National Gallery of Australia, Canberra, purchased 2002; image courtesy the artist and Darren Knight Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589788037717-XTZSSKG1TEKUH6ZOSZUH/52if-jpg.jpeg Issue 324 Winter 2020 12 room to exhale: mel o’callaghan’s ‘centre of the centre’: anabelle lacroix Mel O’Callaghan, Respire, respire, 2019, performance view, Artspace, Sydney, 2019; photo: Clemens Habicht https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589788377684-X03V0GVBV8BJTLD9SONK/Capture2.JPG Issue 324 Winter 2020 13 daniel thomas to a t: michael fitzgerald Robert walker, daniel thomas in his apartment at elizabeth bay from the robert walker archive, 1965, black-and-white negative, 6 x 6cm; national art archive, art gallery of new south wales, sydney, gift of the robert walker family, 2008; © estate of robert walker https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1589788703892-INHIE4OB62LO44QF7VX1/Capture.JPG Issue 324 Winter 2020 14 the christo backlash: daniel thomas Art Monthly Australia, no. 46, December/January 1991–92; photo: Bob Newman https://www.artmonthly.org.au/ivp daily 0.75 2024-10-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/43e09cf1-3609-4f71-9f44-8f31b8d146c0/IVP2024-1.jpg Indigenous Voices Program https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c922e2e5-e30c-401e-a13d-4a981572acee/Creative-Logo.png Indigenous Voices Program https://www.artmonthly.org.au/issue-325-spring-2020 daily 0.75 2020-08-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598916807258-Q3YY4ITN3EA3NUUQ4MRD/AMA325_SPRING_Cover.jpg Issue 325 Spring 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598322208543-2QAN2NXYFL2CTYQI9EA6/q-SqHcVg.jpg Issue 325 Spring 2020 1 Pat larter: femail artist: lisa catt and claire eggleston pat larter, mardi gras, 1995, mail art sent to peter maloney, photographed in his canberra studio, july 2020; paint and glitter collage on card; photo: raquel ormella https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598322375201-KVMKK6PWC9MSRVB691OI/T50BZq_g.jpg Issue 325 Spring 2020 2 herstory is yet to be written: women’s work and the institution: louise r. mayhew frances phoenix, queen of spades, 1975, previously known as kunda, 1976; found doily on cotton, plastic zipper, 50 x 42 x 3cm; collection of toni robertson, sydney; courtesy the artist’s estate; photo: andrew curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598322583139-F6D8EN5MZ8WDT0IF32OQ/s6Tz_6qw.jpg Issue 325 Spring 2020 3 hand over hand: jane o’sullivan rhonda hamlyn and susannah hamlyn, everyday, 1994, woven wool, 94cm (width); museum of applied arts and sciences, sydney; courtesy the estate of the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598322733386-JQOZISWWT6LOUR0SGU60/8GBe6Jsw.jpg Issue 325 Spring 2020 4 the past is female: a reading of odd roads and she persists: louise r. mayhew courtesy red barn publishing, skibbereen https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598322895853-6GL8PVAZYDDS19F83FYW/Screen+Shot+2020-08-25+at+12.34.26+pm.png Issue 325 Spring 2020 5 expletives not deleted: wanting to know her name: caren florance, cobargo illustration courtesy caren florance https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598323047577-TG52ONENVAFBVVR7NPZW/mkBLqx1g.jpg Issue 325 Spring 2020 6 signal creative: thinking about you, and counting the beat: abigail moncrieff the galaxy girls perform ‘neon caves’ at the 2018 enlighten festival in canberra; image courtesy signal creative https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598323183353-CV4SZ0NRIAMHQ6GGP5LB/voRQ8LPQ.jpg Issue 325 Spring 2020 7 moving together: the practices and activism of amrita hepi and bhenji ra: annette an-jen liu amrita hepi, monumental, 2020, performance documentation, gertrude contemporary, melbourne, 2020; image courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598323316412-ZT97DBC6HAARZPJNXAGA/1zbzKf9Q.jpg Issue 325 Spring 2020 8 collaboration is the key: elizabeth reidy make or break, unveilings, 2018, performance documentation, kyneton contemporary art triennial, 2018; public survey, shopfront residency, performance series based on survey results, and book published by ruin press in 2019; image courtesy the artists; photo: zan wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598323527664-BPU9RM8JU3V1XLCIT6A3/TgFRvBmQ.jpg Issue 325 Spring 2020 9 no justice, no peace: quiet resistance in women’s figurative work from tangentyere artists: hannah kothe, mparntwe doris thomas, new days and old days, titjikala, 2020; courtesy the artist and tangentyere artists, mparntwe https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598323705091-UQ2DC8GXQS02MPXVZ4GM/UmZmJxZA.jpg Issue 325 Spring 2020 10 the australian war memorial and collecting aboriginal art in a moment: erin vink yhonnie scarce, blue danube [black], 2015, hand-blown glass bomb and yams, 21 x 60 x 21cm; australian war memorial, canberra, purchased 2016; courtesy the artist and this is no fantasy, melbourne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598323885560-LU8EN52WA4FWTDONLTWF/grfAEgIg.jpg Issue 325 Spring 2020 11 adopting the first name of a famous man: elvis richardson on making art and lists: chloe wolifson elvis richardson, men vs women, 1965 australian house of representatives hansard, 2017, edited original bound hansard from parliament house library deaccession, 45 x 30 x 8cm; courtesy the artist and hugo michell gallery, adelaide https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1598324028341-ZDTQNG43WQFVSX38XHHN/vb4ux2Hw.jpg Issue 325 Spring 2020 12 so that her name will be remembered: rebecca blake, canberra philippa cullen and jo lloyd commission 2020, national gallery of australia, canberra; image courtesy jo lloyd and sage arts, melbourne https://www.artmonthly.org.au/issue-326-summer-202021 daily 0.75 2021-03-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606774780155-PIVVRRTNOAG8GE1CPJPB/AMA326_SUMMER_Cover.jpg Issue 326 Summer 2020/21 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606720522063-UXMYDE1MI4EMVNMLJ5L6/Liu.jpg Issue 326 Summer 2020/21 1 insta-tutional critique: annette an-jen liu Posted @changethemuseum_aunz on 24 July 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606720698450-E36NLNRE67GI47BRJNSE/Halloway.jpg Issue 326 Summer 2020/21 2 through the ‘looking glass’ at tarrawarra museum of art: sophia halloway Judy Watson, standing stones, ashes to ashes, 2020, earth, acrylic, graphite on canvas, 229 x 181cm; courtesy the artist and Milani Gallery, Brisbane; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606721592974-O5F0G2V8T15HG74V0K6F/Scott.jpg Issue 326 Summer 2020/21 3 ‘contour 556’: creating and holding space: saskia scott, canberra Megan Cope, Walangala, 2020, installation view, ‘Contour 556’, Kingston Foreshore, Canberra, 2020; perforated concrete and swamp reeds, dimensions variable; courtesy the artist and Milani Gallery, Brisbane; photo: Chris Bulloch https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606722105535-LNUOFDPU2C6F34BJKEQ3/Sambrani.jpg Issue 326 Summer 2020/21 4 ‘nirin’: a call from the edge: chaitanya sambrani, sydney The Mulka Project, Watami Manikay (Song of the Winds), 2020, installation view, 22nd Biennale of Sydney, Art Gallery of New South Wales, 2020; commissioned by the Biennale of Sydney; contributors: Joseph Brady, Rebecca Charlesworth, Ishmael Marika, Mundatjngu Mununggurr, Patrina Munungurr, Arian Pearson, Siena Stubbs, Wukun Wanambi, Gutingarra Yunupingu; courtesy Buku-Larrnggay Mulka Centre, Yirrkala; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606722326433-NJTBPZHSWFLDGECH70R4/Watts.jpg Issue 326 Summer 2020/21 5 a drone opera: matthew sleeth’s neo-baroque expression: oliver watts Matthew Sleeth, A Drone Opera, 2019, production still from multichannel video installation; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606722513913-G6NC6A6NSL3Z8B7FFQL1/Lieutenant.jpg Issue 326 Summer 2020/21 6 beauty, trauma and giving up the ghost: james lieutenant in conversation James Lieutenant, Wardrobe, 2020, acrylic on canvas, 74 x 50cm; courtesy the artist and Galerie pompom, Sydney; photo: Docqment https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606722803836-2KOP46BGIDXY9AAI2GM9/Eastwood.jpg Issue 326 Summer 2020/21 7 isolation and the artist’s studio: david eastwood Anne Zahalka’s studio, Sydney, 2020, from ‘Lockdown Studio’; courtesy Griffith University Art Museum, Brisbane, and the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606722951452-9B3D425BMBKDMC1GS9KO/Grishin.jpeg Issue 326 Summer 2020/21 8 barry pearce’s peter kingston: paintings and drawings: sasha grishin barry pearce, peter kingston: paintings and drawings, the beagle press, sydney, 2019, 220 pages, AU$120 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606723114267-192BO9J6NDGQN4TCPVMT/Brooks.jpg Issue 326 Summer 2020/21 9 judith brooks’s the women’s gallery 1988-1995: juliette peers judith brooks (ed.), the women’s gallery 1988-1995, mouse in house publishing, barwon heads, 2019, 288 pages, au$56 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606772321649-EA13JBNFYZFXNUG9R1Z5/Edmond.jpg Issue 326 Summer 2020/21 10 ian fairweather: a life in letters: martin edmond claire roberts and john thompson (eds), ian fairweather: a life in letters, text, melbourne, 2019, 574 pages, au$59.99 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606772515914-A8WAQNGW492QMCT9TC4X/Gibson.jpg Issue 326 Summer 2020/21 11 justin paton’s mccahon country: ross gibson justin paton, mccahon country, penguin random house new zealand and auckland art gallery toi o tamaki, 2019, 303 pages, au$59.99 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606772729288-Y5BLNQUEGD8OO0U04WCR/Engberg.jpg Issue 326 Summer 2020/21 12 kate daw 1965-2020: juliana engberg Kate Daw, 2017; image courtesy Sarah Scout Presents, Melbourne; photo: Giulia McGauran https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606772865977-WKC0I3NLWYNP0FTH5D5X/Delany.jpg Issue 326 Summer 2020/21 13 john nixon 1949-2020: max delany John Nixon in his Melbourne studio, 2016; courtesy Sarah Cottier Gallery, Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606773070946-INLVZGUSX7SCUOE2BUY1/Hoffie.jpg Issue 326 Summer 2020/21 14 penny evans: a handful of dust: pat hoffie Penny Evans: Language of the Wounded, exhibition installation view, Lismore Regional Gallery, 2020; courtesy the artist and Lismore Regional Gallery; photo: Michelle Eabry https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606773248935-H9UWT0EZYM84KXQSB25W/Hungerford.jpg Issue 326 Summer 2020/21 15 chandler coventry: the next painting: belinda hungerford Dick Watkins, Duck and glove, 1968, synthetic polymer paint on canvas, 167.8 x 167.8cm; Chandler Coventry Collection, NERAM, Armidale; gift of Chandler Coventry, 1979 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606773423780-EPSUO1R7L9CM4WUT2TBB/Kidd.jpg Issue 326 Summer 2020/21 16 made in australia: the trajectory of the kangaroo in the artbank collection: courtney kidd Treahna Hamm, Kangaroo Dreaming, 1997, etching, printed in colour from four plates, 58.5 x 55cm, Artbank collection https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606773569520-YYC4833GR4CFHG189NEY/Carroll.jpeg Issue 326 Summer 2020/21 17 modern art exchanges in asia - an unlikely beginning?: alison carroll Xu Beihong, Portrait of Rabindranath Tagore, 1940, colour on paper, 51 x 50cm, Xu Beihong Museum, Beijing; reproduced with the permission of the Xu family https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606773755391-HGJC1AROVGFG3PTR5KMK/Guest.jpg Issue 326 Summer 2020/21 18 public bodies, private lives: the work of cao yu and pixy liao: luise guest Cao Yu, 90°C IV, 2019, marble, silk stocking, 56 x 46 x 36cm; courtesy the artist and Galerie Urs Meile, Beijing and Lucerne https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606773970957-NCY2AJHF12TIOT5DNF53/Chun.jpg Issue 326 Summer 2020/21 19 magic is utopia: jumaadi’s grand private cosmology: matt chun, imogiri Jumaadi in his studio at Imogiri, October 2019; photo: Matt Chun https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606774130782-31XUT3V6ORKUJ74A90BD/Tapaya.jpg Issue 326 Summer 2020/21 20 ngayulu minyma tjanpinya: i am a tjanpi woman: tjunkaya tapaya, pukatja Tjunkaya Tapaya working on her self-portrait Ngayulu Minyma Tjanpinya, I am a Tjanpi Woman, 2017; courtesy ADC, Sydney; © Tjanpi Desert Weavers, NPY Women’s Council; photo: Stephanie Simcox https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1606774346765-2XGVZT7G8LIGEK1WWK3P/Miller.jpg Issue 326 Summer 2020/21 21 step into my shoes (fausto santini please): steven miller Adrienne Doig, Feminist Cliché (Dresden Plate), 2012, patchwork, appliqué and embroidery on linen, 99 x 77cm; private collection; courtesy the artist and Martin Browne Contemporary, Sydney https://www.artmonthly.org.au/issue-327-autumn-2021 daily 0.75 2022-12-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614729577747-SCYJABM1EHEPLODFSFU6/thumbnail_AMA327_AUTUMN_Cover.jpg Issue 327 Autumn 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614729883595-LU95RSA7AO4DWMMBFI68/v5dTkHtw.jpg Issue 327 Autumn 2021 1 BE WELL, OR ELSE!: TONI ROSS Atelier van lieshout (AVL), Wellness skull, 2007, installation view, sudeley castle, winchcombe, united kingdom, 2010: fibreglass and wood, 450 x 250cm; courtesy avl; photo: rolant davis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614730201371-AAZWC6BEW3L8M843FLPU/OjwJB_GA.jpg Issue 327 Autumn 2021 2 ‘new ways of feeling, and ways of feeling new’: absurdity and sincerity in the work of the institute for new feeling: emma crott the institute for new feeling, group, 2013, performance at via festival/newmoves contemporary dance festival, pittsburgh, 2013; courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614730357555-BR6RJ5L78T634VHL2ZOD/V5CpCPKA.png Issue 327 Autumn 2021 3 ‘clean beauty’ branding: a bricolage of bodily and spiritual health, ancient wisdom and ethical virtue: juliana luna Mora and toni ross screenshot of instagram post @herbivorebotanicals from 24 november 2019, accessed 18 january 2021; courtesy herbivore botanicals https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614730609352-O0EC1ZVSKNY1B4REX8LH/unspecified.jpg Issue 327 Autumn 2021 4 corporate spirituality in timur si-qin’s 'new peace’: grant stevens Timur si-qin: campaign for a new protocol, part 1, exhibition installation detail, societe berlin, 2018; courtesy the artist and societe berlin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614730809191-N3CP6ZWZWT0KGSXUMRT5/y5VVmx6w.jpg Issue 327 Autumn 2021 5 decisions, decisions, decisions: amber boardman’s cartoon worlds: wes hill amber boardman, paint shelves, 2020, oil on canvas, 152.4 x 254cm; courtesy the artist and chalk horse, sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614730999581-N4EDUQQS28Z6KAWHXNOG/0055y-eM.jpg Issue 327 Autumn 2021 6 wellness versus art: robert leonard chiharu shiota, the web of time, 2020, installation view (with the artist), ‘toi art’, museum of new zealand te papa tongarewa, wellington; courtesy te papa; photo: jack fisher https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614731211955-8LJ293UAL55GG7LUGOQ3/Yv4OFyuA.jpg Issue 327 Autumn 2021 7 anthony mannix’s mixed realities: anthony white anthony mannix, cover image for i am cut viciously, apothecary archive, sydney, 2020; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614731384436-ER3CI1KRWEU2K22HKJAM/unspecifiedfoley.jpg Issue 327 Autumn 2021 8 all men choose the path they walk: art and the scales of justice: fiona foley fiona foley, stud gins, 2003, detail: textile, synthetic polymer paint on wool fabric, dimensions variable; national gallery of australia, canberra, gift of fiona foley, donated through the australian government’s cultural gifts program, 2011; courtesy the artist and andrew baker art dealer, brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614731607231-KDHN8GIHYXZWPZ0AQ976/RTxF63pQ.jpg Issue 327 Autumn 2021 9 art education in crisis under covid: ann stephen occupation campaign, sydney college of the arts, rozelle, c. 2016; courtesy honi soit https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614731744994-KHG43ZGPX5OX9SUZSUTO/HzsRBtvs.jpg Issue 327 Autumn 2021 10 planting the seeds: ‘space yz’ at campbelltown arts centre: luke letourneau space yz, exhibition installation view, campbelltown arts centre, 2021, with (clockwise from centre foreground): savanhdary vongpoothorn, legs on seeds, 1992/2020; kay andonopoulos, the everyday internalised, 2004; ben tankard, the tower, 2002; and mary donnelly, making the invisible visible series - senza titolo s.bw11, 2006, and waiting 1 Dec.06, 2006; courtesy the artists; photo: lucy parakhina https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1614732052965-2BKKN7N75AY00GV80IDM/thomas.jpg Issue 327 Autumn 2021 11 daniel thomas’s recent past: writing australian art: ann stephen daniel thomas (right) and harald szeemann in the new storage area of the art gallery of new south wales (AGNSW), sydney, 1971; national art archive, agnsw, sydney; photo: brian adams https://www.artmonthly.org.au/issue-328-winter-2021 daily 0.75 2021-08-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622595768457-IBVEPVHBTDYG6E42H3Q0/AMA328_WINTER_FC.jpg Issue 328 Winter 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622597686463-YEJASZS7J1965JW65Z40/aa3KE2DQ.jpeg Issue 328 Winter 2021 1 Big targets: William Kelly’s Can Art Stop a Bullet?: Michael fitzgerald William Kelly, Peace or War: The Big Picture, 2016, installation view, La Trobe Reading Room, State Library Victoria, Melbourne, 2016; limited edition print on archival paper, 1260 x 160cm; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622597924196-SZULNVRTNJ0UGGO9PY96/ballarat328.jpg Issue 328 Winter 2021 2 Seeking transcendence: ‘Out of the darkness’ at the Art Gallery of Ballarat: Koulla Roussos James Money, Guilty/charged, 2017, ink and enamel on board; collection of Robert House; © James Money https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622598096855-ZMVKILWPS7YSTQKK9E00/Graham_image1.jpg Issue 328 Winter 2021 3 Black sands and portals through time: Brett Graham’s Tai Moana Tai Tangata: anna-marie white Brett Graham: Tai Moana Tai Tangata, exhibition installation views Govett-Brewster Art Gallery/Len Lye Centre, Ngāmotu New Plymouth, 2020–21; courtesy the artist; photo: Neil Pardington https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622598582803-WS5PWDGNXE5Y0J9F9CPP/Upacara_image2.jpg Issue 328 Winter 2021 4 A collector’s offering: ‘Upacara’ at Mosman Art Gallery: Siobhan Campbell Artist unknown, bald figure, East Java, fourteenth–fifteenth century; terracotta, 28 x 21 x 14cm; collection of Dr John Yu AC; photo: Tim Connolly https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622598811184-8ZS22DCFZOB5J02U667Z/WARWAR_image3.jpg Issue 328 Winter 2021 5 Ritual homage: ‘WARWAR’ at Newcastle Art Gallery: Brian Robinson Dr Ken Thaiday Senior, hammerhead shark (beizam) headdress, n.d., wood, bamboo, feathers, paint, twine, 94 x 111.6 x 112cm; National Museum of Australia, Canberra; courtesy the artist; photo: Dean McNicoll https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622598915626-YA7L3YK3PNFM7POKB7J3/Boyd_image2.jpg Issue 328 Winter 2021 6 Daniel Boyd: Shadowing the Enlightenment: Erin Vink Daniel Boyd, Pediment/Impediment, 2020, installation detail, Contemporary Art Project #1, Penelope Gallery, Chau Chak Wing Museum, University of Sydney, 2020–21; photo: David James https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622599050723-ZLGFBERIQEY8QT7EB532/Cross_image3.jpg Issue 328 Winter 2021 7 Icarus, my Son: Dean Cross Dean Cross, Untitled collateral collage #1 (Right Wing Study), 2021, digital collage; courtesy the artist and Yavuz Gallery, Singapore and Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622599379239-3IX9FON7BPMY1AHTTD3Q/Video_image1.jpg Issue 328 Winter 2021 8 Constructing a case for the first truly global contemporary medium: Genevieve Trail Nam June Paik, TV Buddha, 1974/2002, installation view, ‘Refocusing on the Medium: The Rise of East Asia Video Art’, OCAT Shanghai, 2020–21; CCTV video installation; courtesy OCAT Shanghai https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622599669895-AO7Q73YFOLR270FR9L3U/Triennial_image.jpg Issue 328 Winter 2021 9 Publishing precedence: Michael Fitzgerald NGV Triennial 2020, National Gallery of Victoria, Melbourne, 1073 pages, AU$79.95 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622599904590-J8PNU4XI91T2A4CK5BAK/NightBlue_image1.jpg Issue 328 Winter 2021 10 Night Blue: Angela O’Keeffe Jackson Pollock, Blue poles, 1952,  enamel and aluminium paint with glass on canvas, 212.1 x 488.9cm; National Gallery of Australia, Canberra, purchased 1973; © Pollock-Krasner Foundation, ARS/Copyright Agency https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622600045511-70O4K05NY17XQT32VTTH/Ellis_image3.jpg Issue 328 Winter 2021 11 A sensate space: Nicole Ellis’s ‘Fabrications’: Craig Judd Nicole Ellis, Light Matter Yellow, 2018, fabric and acrylic paint on canvas, 118.5 x 88cm; courtesy the artist; photo: Exact Image https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622600288145-NB961JG9EYJK81K7JHCV/She-Oak_image2.jpg Issue 328 Winter 2021 - Make it stand out 12 Finding shadows in the sunlight: Michael Fitzgerald Iso Rae, Young girl, Étaples, c. 1892, oil on canvas, 105.5 x 59.5cm; NGV, Melbourne, purchased with funds donated by Krystyna Campbell-Pretty AM and family, Professor Graham Peirson and Christine Peirson, and the Norma Atwell Bequest, 2020 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622600418169-7Z8E614LGBLDZW6RFAN0/Olsen_image6.jpg Issue 328 Winter 2021 - Make it stand out 13 Where am I going? Moments of illumination and doubt in the work of John Olsen: Chloé Wolifson John Olsen, Where the bee sucks, there suck I, 1984–86, oil on composition board, 183 x 244.6cm; National Gallery of Victoria, Melbourne, presented through the Art Foundation of Victoria by John Olsen, Governor, 1986 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622600562551-J4Z9LBYGKQ6L1ZBBGNDY/Hamilton_image.jpg Issue 328 Winter 2021 - Make it stand out 14 Antony Hamilton 1955 – 2020: Ross Wolfe Antony Hamilton, c. 1975; courtesy Helen Fuller https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1622600679501-MHWPLI9VMNIBBFXAGCJX/Grounds_image.jpg Issue 328 Winter 2021 - Make it stand out 15 Marr Roy Grounds 1930 – 2021: Nigel Lendon Marr Grounds with Pete the dog, bunker installation, 2nd Biennale of Sydney, Art Gallery of New South Wales, Sydney, 1976; courtesy the artist’s estate https://www.artmonthly.org.au/issue-329-spring-2021 daily 0.75 2022-12-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630459344104-SXTM38A4C4PK9X9E5PIQ/AMA329_Cover.jpg Issue 329 Spring 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630459272194-U5H2Q0WA2WP2X41JWAA4/39t9LRSw.jpg Issue 329 Spring 2021 1 Beyond visibility: ‘The National 2021’ Tess Maunder, Sydney Lorraine Connelly-Northey, Narrbong Galang, 2021, installation view, ‘The National 2021: New Australian Art’, Carriageworks, Sydney, 2021; courtesy and © the artist; photo: Zan Wimberley https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630459574520-DPT92KKABIR6HMHNIII3/Wayfaring_image1.JPG Issue 329 Spring 2021 2 ‘Still working themselves out’: taiwanese photographs from the 1970s and 1980s: Annette An-Jen Liu Wayfaring: Photography in 1970s–80s Taiwan, exhibition installation view, Australian Centre on China in the World, Australian National University, Canberra, 2021; photo: Chin-Jie Melodie Liu https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630460194324-8DS1S32XZCD3OWZP652A/Curran_image1.jpg Issue 329 Spring 2021 3 Tony Curran: On paying attention: Amy Walters, canberra Tony Curran, Bright Pixel #4, 2020, oil on linen, 41 x 31cm; courtesy the artist; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630460358822-POK2IR722OEF2IUJEEMX/Mayo_image1.jpg Issue 329 Spring 2021 4 seeing what’s there: Rebecca Mayo’s Embracing the familiar: caren florance, canberra Rebecca Mayo: Embracing the Familiar, exhibition installation view, Tuggeranong Arts Centre, Canberra, 2021; photo: Brenton McGeachie https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630460889712-P7305VLCJDDY4CQHSNH1/MacPherson_image1.jpg Issue 329 Spring 2021 5 Secret power: Robert MacPherson’s ‘Nominal Gestures’: Ingrid Periz Robert MacPherson, 11 FROG POEMS, WATER WITCH, FOR THE MEMORY OF: TONY GOLDEN; JOE BIRCH; GUNTER CHRISTMANN; “OLD CHARLIE” POLLOCK; ALEC WILSON; “OLD JIM” TALTY; ERNIE WILLIAMS; BRIAN CHANTRILL; “WIZARD SMITH”; GEORGE NOBLE; COX MIRIAM VALE, 2020, installation view, Griffith University Art Museum, Brisbane, 2020; wire, copper and plastic, dimensions variable; Griffith University Art Museum, donated through the Australian Government’s Cultural Gifts Program by an anonymous donor, 2021; courtesy the artist and Yuill/Crowley, Sydney; photo: Carl Warner https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630461004736-9QS7ZBITKLR3TOMVYTKF/Beckett_image1.jpg Issue 329 Spring 2021 6 clarice beckett’s edgy calm: Daniel Thomas, adelaide Clarice Beckett: The present moment, exhibition installation view, Art Gallery of South Australia, Adelaide, 2021; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630461395106-NF083BQS52BM0WC7FAWK/Foley_image1.jpg Issue 329 Spring 2021 7 ‘it is important to know your history to understand society today’: Fiona Foley in conversation with Louise Martin-chew Fiona Foley, The Magna Carta Tree #3, 2021, inkjet print; courtesy the artist and Andrew Baker Art Dealer, Brisbane; photo: Mick Richards https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630461737983-MOK1M800GD3DKBD14PHZ/WindowlessWorlds_image2.jpg Issue 329 Spring 2021 8 Metaphors in broken glass: Sam Bowker Tim Silver, Crypt figure A and Crypt figure B, 2019, installation view, ‘Windowless Worlds’, National Art Glass Gallery, Wagga Wagga Art Gallery, 2021; courtesy Wagga Wagga Art Gallery; photo: Tayla Martin https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630461906286-VBFJ5JTLRGUIINORGNHE/IOTA_image2.png Issue 329 Spring 2021 9 This whole big story about the Indian Ocean: jude van der merwe, perth Yee I-Lann, Tepo Aniya Nombor Na (Mat with a number), 2020, Bajau Sama Dilaut pandanus weave with commercial dye, 366 x 427cm; weavers: Kak Sanah, Kak Kinnuhong, Kak Budi, Kak Roziah, Adik Darwisa, Adik Enidah, Adik Dela, Adik Asima, Adik Dayang, Adik Tasya, Adik Alisya, Adik Erna; courtesy the artist; photo: Andy Chia https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630462054719-TBG2AFRKZOBB7Z1VBERP/Salote_image1.jpg Issue 329 Spring 2021 10 Salote Tawale: Performing in multiple registers: Andy Butler Salote Tawale: I don’t see colour, exhibition installation view, Perth Institute of Contemporary Arts, 2021; photo: Bo Wong https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630462181773-O9JF1BZLEVKSE9UNSLPJ/Meeks_image.jpg Issue 329 Spring 2021 11 arone meeks 1957 - 2021: sasha Grishin Arone Meeks; courtesy Boomalli Aboriginal Artists Co-operative, Sydney; photo: Sharon Hickey https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1630462259523-2SET5R4ZEIO8NZSF7MUM/Larsen_image.jpg Issue 329 Spring 2021 - Make it stand out 12 Helge Larsen 1929 - 2021: david williams Helge Larsen, 1990; photo: Steven Lojewski https://www.artmonthly.org.au/issue-330-summer-2021-22 daily 0.75 2022-12-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a3981e11-a91c-4585-a60c-5f4293a7edfe/AMA330_SUMMER_Cover.jpg Issue 330 Summer 2021/22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/fb5fad60-e41b-4134-a2bb-7749e4f0b926/PFT132lU.jpeg Issue 330 Summer 2021/22 1 A POSITIVE TANGO: ARTISTS AND INSTITUTIONS IN APT10: JASMIN STEPHENS Phuong Ngo and Michelle Hamer, Untitled No. 45 (Collaborative racist paintings), 2020, detail; synthetic polymer paint and mixed media on plywood boards, 25.4 x 40.6cm (diptych); courtesy the artists https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/b2101df0-24e5-4615-bbe0-58b2a2332c5f/M%2B_image1.jpeg Issue 330 Summer 2021/22 2 ON GLOBAL CULTURAL AUTHORITY AND ‘DESTINATIONALITY’: M+ MUSEUM DIRECTOR SUHANYA RAFFEL IN CONVERSATION WITH ZETA XU The Horizon Terrace, M+, Hong Kong; courtesy Herzog & de Meuron; photo and © Virgile Simon Bertrand https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/33d3169e-f3a2-4000-8f3b-c2253032ccb0/Bycroft_image3.jpeg Issue 330 Summer 2021/22 3 MADISON BYCROFT’S BIOPIC: A FLUID IDENTITY FOR TROUBLED TIMES: EVE SULLIVAN, Adelaide Madison Bycroft, BIOPIC or Charles Geneviève Louis Auguste André Timothée, 2021, production still; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1cd4435a-9664-401e-813c-221c5446908a/EuroMasters4.jpeg Issue 330 Summer 2021/22 4 A BLOCKBUSTER FROM NEW YORK: DANIEL THOMAS, brisbane Georges de La Tour, The Fortune-Teller, c. 1630s, oil on canvas, 101.9 x 123.5cm; The Metropolitan Museum of Art, New York, Rogers Fund, 1960 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f94e39bb-3cc3-4367-b4f0-7a01e284a832/Wainewright_image4.jpg Issue 330 Summer 2021/22 5 NOTES ON A SCANDAL: THE STRANGE CASE OF THOMAS Griffiths WAINEWRIGHT: MICHAEL FITZGERALD Thomas Griffiths Wainewright, Group of standing and reclining figures, c. 1840–44, pencil, 25.7 x 35.6cm (sheet); Art Gallery of Ballarat, purchased with funds from the Lady Currie Bequest, 1978 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a8d09642-a0ae-43cd-a2c5-a5da5249c7b7/Fairweather_image3.jpeg Issue 330 Summer 2021/22 6 ERA[i]SED PORTRAIT OF IAN FAIRWEATHER: MOYA COSTELLO Ian Fairweather, Monastery, 1961, synthetic polymer paint and gouache on cardboard mounted on composition board, 144.5 x 185.5cm; National Gallery of Australia, Canberra, purchased 1976; © Ian Fairweather/DACS, London, licensed by Copyright Agency, 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/b1acae6f-59d9-4f0d-8298-ae038c76bbaf/Bonyhady_image3.jpg Issue 330 Summer 2021/22 7 NATION GAZING: TIM BONYHADY’S TWO AFTERNOONS IN THE KABUL STADIUM: AMY WALTERS I weave what I have seen: The War Rugs of Afghanistan, exhibition installation view, Drill Hall Gallery, Australian National University, Canberra, 2021; photo: Rob Little, RLDi https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f741ecf1-b3b5-446a-8a08-f57760d91efe/MUMA_image1.jpg Issue 330 Summer 2021/22 8 HARVESTING A ‘FOREST OF IDEAS’: MUMA’S RECENT PUBLICATIONS: CHLOÉ WOLIFSON Courtesy MUMA and Powered by Power, Melbourne and Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/b6a6aca6-c001-469e-884f-bfdfeee6d409/Martin_image2.jpeg Issue 330 Summer 2021/22 9 BREAKING AWAY: MANDY MARTIN IN QUEANBEYAN AND BEYOND: VIRGINIA RIGNEY Mandy Martin, Wrapped trees, 1979, gouache and watercolour on paper, 70.1 x 102.5cm; CMAG, Canberra, gift of the artist, 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/07dc52d1-5576-4ddc-8b6d-f2ebfdaaf026/Yarinkura_image1.jpeg Issue 330 Summer 2021/22 10 NEW IDEAS FROM OLD: INNOVATIVE TRADITION IN THE WORK OF LENA YARINKURA AND KAMARRANG BOB BURRUWAL: HENRY SKERRITT Tarnanthi 2020: Open Hands, exhibition installation view featuring works by Lena Yarinkura and Yolanda Rostron, Art Gallery of South Australia, Adelaide, 2020; © the artists, Maningrida Arts and Culture, and Copyright Agency; photo: Saul Steed https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/6bcbe1d8-4848-4357-8ac0-219c862e69be/Parrots_image1.jpeg Issue 330 Summer 2021/22 11 PRETTY POLYGLOT: PARROTISATION AS THE DIFFERENCE IN REPETITION: TESSA LAIRD Sergio Vega, Telephones of Paradise, 2005, installation view, 51st Venice Biennale, 2005; 7 sculptures/telephone cabins, painted fibreglass mounted on iron plates, 244 x 91 x 122cm each; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/2c70677d-5817-4e87-bdbf-d09bba99188b/Mesiti_image4.jpg Issue 330 Summer 2021/22 - Make it stand out 12 WE SPIN IN CIRCLES IN THE NIGHT AND ARE DEVOURED BY FIRE: CLARA SCHULMANN Angelica Mesiti: Over the Air and Underground, exhibition installation view, Galerie Allen, Paris, 2021; courtesy the artist and Galerie Allen, Paris; photo: Aurélien Mole https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/9a404319-aee7-4963-a1e1-8a72857cf009/KMN_image1.jpeg Issue 330 Summer 2021/22 - Make it stand out 13 KNOW ITS NAME: REX BUTLER Know My Name: Australian Women Artists 1900 to Now, Part One, exhibition detail view, National Gallery of Australia (NGA), Canberra, 2020–21; courtesy NGA, Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7a5b0047-6dd5-4229-ab7e-665fc3a380c9/ColourChart_image2.jpeg Issue 330 Summer 2021/22 - Make it stand out 14 ‘THE COLOUR CHART’: RUMINATIONS ON THE WHITE POWER STATUS QUO: LÉULI ESHARĀGHI Archie Moore, Family Tree, 2021, installation detail, ‘The Colour Line: Archie Moore and W. E. B. Du Bois’, UNSW Galleries, Sydney, 2021; Conté crayon on blackboard paint on board, 488 x 488 x 1.2cm; courtesy the artist, UNSW Galleries and The Commercial, Sydney; photo: Zan Wimberley https://www.artmonthly.org.au/issue-331-autumn-2022 daily 0.75 2022-12-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/3486979f-29c2-46d4-850b-23a8820f37c4/AMA331_AUT_Cover.jpg Issue 331 Autumn 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/9eeea9a6-df57-4f1c-979a-27c81c66f27f/Gatt_image4.jpg Issue 331 Autumn 2022 1 BOUND TO THE FLOW: A STREAM OF CONSCIOUSNESS: JAMES GATT WURA-NATASHA OGUNJI, LAGOONS AND LAGOONS AND LAGOONS, 2021, DETAIL; THREAD, INK, GRAPHITE, COLLAGE ON TRACING PAPER, 6 PANELS, 152.5 X 366CM (OVERALL); COURTESY THE ARTIST AND FRIDMAN GALLERY, NEW YORK; PHOTO: JASON MANDELLA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a2281e32-0801-4834-9edd-917bd4cfd4f3/Anderson_image2.jpg Issue 331 Autumn 2022 2 A NEW DISPOSITION: SUSIE ANDERSON CAROLINA CAYCEDO, SIMULACRO / SIMULACRUM, 2015, DETAIL; PHOTOGRAPH PRINTED ON FABRIC, 700 X 150CM; COURTESY THE ARTIST AND INSTITUTO DE VISIÓN, BOGOTÁ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bac8910f-a71f-4bf2-89e8-30d14313a764/Cerveny_page48b.jpg Issue 331 Autumn 2022 3 ALEX CERVENY: VISIBLE WORLDS: TALiA LINZ ALEX CERVENY, ATLÂNTIDA, 2021, DETAIL; OIL ON LINEN, 100 X 72CM; COURTESY THE ARTIST AND GOMIDE & CO, SÃO PAULO; PHOTO: DING MUSA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/9e405fb2-590e-44f4-8690-5659a1b5ff26/Amakaba.jpg Issue 331 Autumn 2022 4 AMAKABA: TABITA REZAIRE TABITA REZAIRE, AMAKABA, 2021, PRODUCTION STILL (FROM A VIDEO 4MINS 4SECS DURATION); COURTESY AMAKABA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/83150184-c966-44c6-8b69-7f37cc293061/IVI_image.jpg Issue 331 Autumn 2022 5 YOU CAN’T GO BY YOURSELF: CAPTAIN ‘AUNOFO HAVEA FUNAKI SATUALA IN CONVERSATION WITH IVI Captain ‘aunoFo Havea Funaki Satuala on the ‘Pacific Voyagers’ journey in 2012, which saw seven sun- and wind-powered vaka travel from Aotearoa New Zealand to San Diego, organised by the Okeanos Foundation; photo: Natalia Tsoukala https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4d02eef6-d180-48fc-aa2f-8aa7d706d3a4/Warren_image1.JPG Issue 331 Autumn 2022 6 BETWEEN HISTORY AND MYTHMAKING: A LANDSLIDE: MADELEINE COLLIE KIRA O’REILLY, TIDE TURNING, SEA DEFENCE, 2017, FOR ]PERFORMANCE S P A C E[ WAKE FESTIVAL, FOLKESTONE, 2017; PHOTO: LUKE JONES https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c262479b-e01d-4632-85da-9dcd3fa17473/Milledge_image4b.jpeg Issue 331 Autumn 2022 7 CLARE MILLEDGE: CIRCLES OF RESONANCE: ANABELLE LACROIX CLARE MILLEDGE, EIDOTHEA: IMMORTAL CLONES OF THE PERLITE DEPOSITS & HOLLOW-BEARER, 2020, INSTALLATION VIEW, FAUVETTE LOUREIRO MEMORIAL SCHOLARSHIPS FINALIST EXHIBITION, SYDNEY COLLEGE OF THE ARTS, UNIVERSITY OF SYDNEY, 2020; COURTESY THE ARTIST; PHOTO: JESSICA MAURER https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a8fe427f-23b8-49aa-8b82-d109104eaef9/BarkLadies_image1.jpg Issue 331 Autumn 2022 8 MIRRORED REALMS: THE BARK LADIES OF YIRRKALA: MICHAEL FITZGERALD, MELBOURNE BARK LADIES: ELEVEN ARTISTS FROM YIRRKALA, EXHIBITION INSTALLATION DETAIL, NGV INTERNATIONAL, MELBOURNE, 2021; PHOTO: TOM ROSS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/44585920-b58e-43e8-9d52-86564d766581/AAANZ_image1.jpg Issue 331 Autumn 2022 9 DISSEMINATING PUBLISHING EXCELLENCE: THE 2021 AWAPAS COURTESY AUCKLAND UNIVERSITY PRESS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/63c7ecb9-a2cc-41ef-b703-6a034951d383/Lendon_image3.png Issue 331 Autumn 2022 10 NIGEL LENDON 1944 - 2021: ANN STEPHEN, GORDON BULL, DEBORAH CLARK, HOWARD MORPHY, TIM BONYHADY, EMMA BEER AND ALEKS DANKO NIGEL LENDON (RIGHT) AND TIM BONYHADY AT THEIR 2021 EXHIBITION ‘I WEAVE WHAT I HAVE SEEN: THE WAR RUGS OF AFGHANISTAN’ AT THE DRILL HALL GALLERY, CANBERRA; PHOTO: ROB LITTLE, RLDI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4fb8f738-cff0-408d-bbe4-c07b5a1951c5/MacPherson_image_lores.png Issue 331 Autumn 2022 11 ROBERT MACPHERSON 1937 - 2021: INGRID PERIZ ROBERT MACPHERSON, N.D., COURTESY TREVOR SMITH; PHOTO: RICHARD SKINNER https://www.artmonthly.org.au/issue-333-spring-2022 daily 0.75 2022-12-15 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/fe17c9dd-a773-4a17-934c-893a82c2c89a/AMA333_SPRING_Cover.jpg Issue 333 Spring 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/58369ad5-b46d-48bd-b3e1-71103f901a86/Embassy_image6.jpeg Issue 333 Spring 2022 1 RICHARD BELL’S EMBASSY: TO INFINITY AND BEYOND: KATINA DAVIDSON (KULLILLI/YUGGERA) RICHARD BELL, EMBASSY, 2013– , INSTALLATION VIEW, DOCUMENTA 15, KASSEL, 2022; CANVAS TENT WITH ANNEX, ALUMINIUM FRAME, POLYMER PAINT ON PLY, SINGLE-CHANNEL DIGITAL VIDEO (BLACK-AND-WHITE, SOUND), ARCHIVE, DIMENSIONS VARIABLE; COURTESY THE ARTIST AND MILANI GALLERY, MEANJIN/BRISBANE; PHOTO: GEORGIA BOE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4888d2aa-d7a3-46ac-9717-df995b4d6408/Marawili_image1.jpg Issue 333 Spring 2022 2 EVERYTHING STARTS WITH A SENSE OF PLACE: THE ART OF DJAMBAWA MARAWILI: REBECCA RAY (MERIAM) DJAMBAWA MARAWILI, YATHIKPA, 2009, DETAIL; NATURAL PIGMENTS ON BARK, 206 X 79CM; COURTESY THE ARTIST AND BUKU-LARRŊGAY MULKA CENTRE, YIRRKALA; © THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4c217431-8b8d-4721-b9ad-01a0fcf1265c/Tuppy_image1.jpeg Issue 333 Spring 2022 3 TJUKURPA PULKATJARA NINTINI: AN IMPORTANT STORY TO SHARE: TUPPY NGINTJA GOODWIN (PITJANTJATJARA) SOME OF THE PARTICIPATING MIMILI MAKU ARTISTS FOR KULILAYA MUNU NINTIRIWA (LISTEN AND LEARN) (2020), AT MIMILI; COMMISSIONED FOR THE 22ND BIENNALE OF SYDNEY, ‘NIRIN’, 2020, WITH GENEROUS ASSISTANCE FROM FONDATION OPALE; COURTESY THE ARTISTS AND MIMILI MAKU ARTS; PHOTO: MEG HANSEN PHOTOGRAPHY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ebe59519-30eb-4097-9785-295a517e389c/Ceremony_image4.jpeg Issue 333 Spring 2022 4 TIME, HISTORY, LEGACY AND PRESENCE: ‘CEREMONY’, THE 4TH NATIONAL INDIGENOUS ART TRIENNIAL: AMANDA HAYMAN (KALKADOON/WAKKA WAKKA), KAMBERRI/CANBERRA PAUL GIRRAWAH HOUSE, MULANGGARI YUR-WANG (ALIVE AND STRONG), 2021–22, PHOTOGRAPHED IN PROGRESS, ‘CEREMONY’, NGA, KAMBERRI/CANBERRA, 2021; COURTESY AND © THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/98c7ad9f-8eac-464f-b6d3-53bc80240f87/Dakota_image1a.jpg Issue 333 Spring 2022 5 A FRIEND: DAKOTA FEIRER (BUNDJALUNG/GUMBAYNGGIRR) BRENDON KELSON, ABORIGINAL TENT EMBASSY, 1996, SILVER GELATIN PHOTOGRAPH, 17 X 22CM; NATIONAL LIBRARY OF AUSTRALIA, KAMBERRI/CANBERRA, PIC P1838/1-13 LOC Q97 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4621225c-76c9-453c-bac1-0b0a3f0d8956/LandRights_image2.jpg Issue 333 Spring 2022 6 We are still here: Art and Country: Juanita Kelly-Mundine (West Bundjalung/Yuin) ANDREW SNELGAR, WORK IN PROGRESS, 2021, COMMISSIONED BY THE NATIONAL GALLERY OF AUSTRALIA, KAMBERRI/CANBERRA FOR THE 4TH NATIONAL INDIGENOUS ART TRIENNIAL, ‘CEREMONY’, PURCHASED 2022; COURTESY AND © THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/d3c1a92c-ebac-4fa3-b2b7-06d30a198d5c/Bell_2022_03.jpeg Issue 333 Spring 2022 7 THE SOUND THAT MARKS THE CHANGE: JAZZ MONEY (WIRADJURI) RICHARD BELL, UMBRELLA EMBASSY, 2021, ACRYLIC ON CANVAS, 180 X 240CM; COURTESY THE ARTIST AND MILANI GALLERY, MEANJIN/BRISBANE; PHOTO: CARL WARNER https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a90e6768-f249-435f-b7f6-447153aaad11/Global_image4.jpeg Issue 333 Spring 2022 8 FIRST NATIONS GLOBAL ARTS AND REPRESENTATION: TINA BAUM (GULUMIRRGIN [LARRAKIA]/WARDAMAN/KARAJARRI), EUROPE MIRDIDINGKINGATHI JUWARNDA SALLY GABORI, EXHIBITION INSTALLATION VIEW, FONDATION CARTIER POUR L’ART CONTEMPORAIN, PARIS, 2022; COURTESY THE ARTIST’S ESTATE AND ALCASTON GALLERY, MELBOURNE; PHOTO: © THIBAUT VOISIN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/6a4051f2-89c9-466c-ad86-6346423b57d3/Dakota_image2c.jpg Issue 333 Spring 2022 9 STAND IN THE RAIN: DAKOTA FEIRER (BUNDJALUNG/GUMBAYNGGIRR) REKO RENNIE, WHAT DO WE WANT?, 2022, STILL FROM 3-CHANNEL HD VIDEO, SOUND; COMMISSIONED BY ACMI AND ARTBANK; COURTESY THE ARTIST AND STATION, NAARM/MELBOURNE AND WARRANG/SYDNEY; PHOTO: ELLERY RYAN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a2193c37-7c9d-4b3b-8883-5e0c6a0c20a3/Mellor_image1.jpg Issue 333 Spring 2022 10 SPEAKING OF AN UNQUIET COUNTRY: DANIE MELLOR (MAMU/NGAGEN/NGAJAN) DANIE MELLOR, ABOVE AND BELOW, 2016, WAX PASTEL, WASH WITH OIL PIGMENT, WATERCOLOUR AND PENCIL ON PAPER MOUNTED ON ALUMINIUM, 96 X 120CM; PRIVATE COLLECTION; COURTESY THE ARTIST AND TOLARNO GALLERIES, NAARM/MELBOURNE; PHOTO: MIM STIRLING https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/5d6f40c1-116f-4252-a130-1c615d1f7813/Dakota_image3.jpg Issue 333 Spring 2022 11 FINAL CAMP: DAKOTA FEIRER (BUNDJALUNG/GUMBAYNGGIRR) RICHARD BELL, FROM LITTLE THINGS BIG THINGS GROW, 2020, INSTALLATION VIEW, MILANI GALLERY, MEANJIN/BRISBANE, 2020; ACRYLIC ON CANVAS, 4 PANELS, 300 X 600CM; NATIONAL GALLERY OF AUSTRALIA, KAMBERRI/CANBERRA, PURCHASED 2021; COURTESY THE ARTIST AND MILANI GALLERY, MEANJIN/BRISBANE; PHOTO: CHARLIE HILLHOUSE https://www.artmonthly.org.au/issue-332-winter-2022 daily 0.75 2022-12-22 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1e7938d1-6ba3-4a4a-8127-e5ea0c5a1bce/AMA332_WINTER_Cover.jpg Issue 332 Winter 2022 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c6cc14e7-b344-4dc6-b6d2-47715706e3dc/SAM_image1.jpg Issue 332 Winter 2022 1 FROM ‘CRIES AND WHISPERS’ TO ‘BROWN POTS’: A LONG JOURNEY TO THE SHEPPARTON ART MUSEUM: PETER HILL, SHEPPARTON SHEPPARTON ART MUSEUM, 2021; PHOTO: © CAM MATHESON https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1f47a098-4466-450b-8a59-accde8a278d2/Bundanon_image1.jpg Issue 332 Winter 2022 2 NO ONE PERSON CAN OWN THE LANDSCAPE: REBIRTH AT BUNDANON: SOPHIA HALLOWAY, ILLAROO THE BRIDGE, BUNDANON, 2021; PHOTO: ZAN WIMBERLEY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/e3a43644-0318-482a-81e7-08f78a96217e/RMOA_image4.jpg Issue 332 Winter 2022 3 NAVIGATING AN ARCHITECTURE (AND POETICS) OF PLACE: Michael Fitzgerald, ROCKHAMPTON WELCOME HOME, EXHIBITION INSTALLATION VIEW, ROCKHAMPTON MUSEUM OF ART, 2022; COURTESY RMOA, ROCKHAMPTON https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/b783f5fc-422e-4a9f-83a3-ff7e8c4eccc1/DataImaginary_image5.jpg Issue 332 Winter 2022 4 REITERATING OUR FEARS AND FANTASIES: ‘THE DATA IMAGINARY’: LOUISE R. MAYHEW, BRISBANE JOANA MOLL, THE HIDDEN LIFE OF AN AMAZON USER, 2019, INSTALLATION VIEW, ‘THE DATA IMAGINARY: FEARS AND FANTASIES’, GRIFFITH UNIVERSITY ART MUSEUM, BRISBANE, 2021; WEBSITE: WWW.JANAVIRGIN.COM/AMZ/AMAZON.HTML, PRINTED STACK OF CODE ON A4 PAPER, THREE TEXT INTERPRETATIONS OF THE WORK, BOOK PURCHASED FROM AMAZON; COURTESY THE ARTIST; PHOTO: CARL WARNER https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/08a6701f-ca15-41c4-85f3-e347fdf39353/Glissant_image1.jpg Issue 332 Winter 2022 5 EXALTING A POETICS FOR THE FUTURE: ‘THIS LANGUAGE THAT IS EVERY STONE’: ELLIE BUTTROSE, BRISBANE PHUONG NGO, NO ONE UNDERSTANDS MY ILLS, NOR THE TERROR THAT FILLS MY BREAST, WHO DOES NOT KNOW THE HEART OF A MOTHER, 2020, INSTALLATION VIEW, ‘THIS LANGUAGE THAT IS EVERY STONE’, INSTITUTE OF MODERN ART, BRISBANE, 2022; PIGMENT PRINT, FOUND POSTCARD, 40 X 25.5CM; MURRAY ART MUSEUM ALBURY, PURCHASED 2020; COURTESY THE ARTIST; PHOTO: JOE RUCKLI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f7b32eb8-8c21-412c-b2c3-a010f5be6c32/Nolan_image2.jpg Issue 332 Winter 2022 6 NOLAN’S CAREER PATHWAY: CHRISTOPHER HEATHCOTE SIDNEY NOLAN, LEDA AND SWAN, 1960, POLYVINYL ACETATE ON COMPOSITION BOARD, 121.5 X 121.5CM; TARRAWARRA MUSEUM OF ART, GIFT OF EVA BESEN AND MARC BESEN AO, 2001; © THE TRUSTEES OF THE SIDNEY NOLAN TRUST / BRIDGEMAN IMAGES https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a20bbc78-124d-4955-ac51-bbba2a7c0c9f/Queer_image3.jpg Issue 332 Winter 2022 7 BEAUTIFUL FAILURE: ‘QUEER’ AT THE NGV: Michael Fitzgerald, MELBOURNE Worcester Royal Porcelain Co., Aesthetic teapot , 1882, porcelain, 15.4 x 17.5 x 8.5cm (overall) ; NATIONAL GALLERY OF VICTORIA (NGV), Melbourne, the Dr Robert Wilson Collection, presented through the NGV Foundation by Dr Robert Wilson, Honorary Life Benefactor, 2002 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8ab8f2c2-e9fd-4dde-8b9f-28853747cae8/NFT_image1.jpg Issue 332 Winter 2022 8 THE FUTURE OF THE ART MARKET OR A BLIP ON THE BLOCKCHAIN? ZETA XU DAMIEN HIRST, 3395. WHERE YOU WENT WRONG, AS PART OF ‘THE CURRENCY’, 2021, DIGITAL IMAGE; NATIONAL GALLERY OF VICTORIA, MELBOURNE, PURCHASED THROUGH THE NGV FOUNDATION, 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/9e211108-6427-4e54-99c7-8725c921604e/Kihara_image2.jpg Issue 332 Winter 2022 9 FAʻAFAFABULOUS: LÉULI ESHRĀGHI, VENICE YUKI KIHARA, ‘VĀRCHIVE’, INSTALLATION DETAIL VIEW, ‘PARADISE CAMP’, 59TH VENICE BIENNALE, 2022; PHOTO: LUKE WALKER https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/dfc4fc9f-43d3-407f-811b-a3994a8411b1/Yonetani_image2.jpg Issue 332 Winter 2022 10 INTERNALISING OUR ANXIETY: KEN + JULIA YONETANI’S ‘TO BE HUMAN’: EMILY WAKELING KEN + JULIA YONETANI, FUMIE TILES, 2003, INSTALLATION VIEW, CSIRO DISCOVERY CENTRE, CANBERRA, 2003; CERAMICS; COURTESY THE ARTISTS AND MIZUMA ART GALLERY, TOKYO; ©︎ KEN + JULIA YONETANI; PHOTO: NOELENE LUCAS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a68101c0-6072-4af4-beed-efe803742b37/Anwar_image4.jpg Issue 332 Winter 2022 11 ‘THE ONLY THING YOU CAN HOLD TO IS MEMORY’: THE POLITICS OF REMEMBRANCE AND ERASURE IN WORKS BY RUSHDI ANWAR: BLAKE PALMER RUSHDI ANWAR, A FEW LINES OF HISTORY, 2011, DETAIL; PHOTOGRAPHIC PRINTS TREATED WITH SMOKE MOUNTED ON WOODEN BOARDS ON PAINTED WALL, 15 X 10CM (EACH PANEL), INSTALLATION DIMENSIONS VARIABLE; COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c50d7cdf-ca0b-45a3-9147-ef96ba4824a5/Elliott_image2.jpg Issue 332 Winter 2022 - Make it stand out 12 A VERY SERIOUS INTENT: DAVID ELLIOTT’S ART AND TROUSERS: JOHN CLARK DAVID ELLIOTT, 2020; PHOTO: KATE ELLIOTT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/5b6a99de-f3aa-4ff2-b100-49ebbff2c98a/Best_image2.jpg Issue 332 Winter 2022 - Make it stand out 13 THE STRUGGLE TO SUPPRESS THE SELF: SUSAN BEST’S IT’S NOT PERSONAL: ELSPETH PITT NAT RANDALL AND ANNA BRECKON, THE SECOND WOMAN, 2016, PERFORMANCE VIEW, ‘LIVEWORKS 2017’, CARRIAGEWORKS, SYDNEY, WITH SET DESIGN BY GENEVIEVE MURRAY; COURTESY THE ARTISTS; PHOTO: HEIDRUN LÖHR https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1877622a-f104-4764-b54a-3e7368db06e7/Valamanesh_image1.jpg Issue 332 Winter 2022 - Make it stand out 14 HOSSEIN VALAMANESH 1949–2022: MICHAEL FITZGERALD HOSSEIN VALAMANESH, FALLEN BRANCH, 2005, INSTALLATION VIEW, ‘THIS WILL ALSO PASS’, INSTITUT DES CULTURES D’ISLAM, PARIS, 2021; COURTESY THE ARTIST’S ESTATE AND GAGPROJECTS, ADELAIDE; PHOTO: MARC DOMAGE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8afc96c9-36a9-4ded-91d7-bf7068c667bc/Whisson_image2.jpg Issue 332 Winter 2022 - Make it stand out 15 KEN WHISSON 1927–2022: LESLEY HARDING KEN WHISSON: AS IF, EXHIBITION INSTALLATION VIEW, MUSEUM OF CONTEMPORARY ART AUSTRALIA (MCA), SYDNEY, 2012; COURTESY MCA, SYDNEY; PHOTO: JENNI CARTER https://www.artmonthly.org.au/issue-334-summer-2022-23 daily 0.75 2023-03-06 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c3901f31-f101-4090-b897-00e80a85766c/AMA334_SUMMER_Cover.jpg Issue 334 Summer 2022/23 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/90b66b8c-6b65-4841-9b67-e51e292595a5/image+1.jpg Issue 334 Summer 2022/23 1 harbouring home: do ho suh at the mca: en young ahn do ho suh, floor, 1997-2000, detail, lehman maupin gallery, New York, 2000; pvc figures, glass plates, phenolic sheets, polyurethane resin; courtesy the artist and lehman maupin gallery, new york, Hong Kong, seoul, london; © the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/560c149b-3539-4799-aabb-84f0d25a3eb4/image+2..jpg Issue 334 Summer 2022/23 2 serial affirmations: the 5th aichi triennale: emily wakeling, aichi prefecture ROMAN ONDAK, EVENT HORIZON, 2016, INSTALLATION VIEW, 5TH AICHI TRIENNALE, 2022; © AICHI TRIENNALE ORGANISING COMMITTEE; PHOTO: TOLOLO STUDIO https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/6baaa652-8133-494f-b0bd-da567b2afd6d/image+3.jpg Issue 334 Summer 2022/23 3 DOCUMENTA 15: RUANGRUPA’S TRIAL IN RADICAL HOSPITALITY: PAT HOFFIE, KASSEL DAN PERJOVSCHI, GENEROSITY, REGENERATION, TRANSPARENCY, INDEPENDENCE, SUFFICIENCY, LOCAL ANCHOR AND MOST OF ALL HUMOUR, 2022, Installation DETAIL, FRIDERICIANUM, DOCUMENTA 15; PHOTO: PAT HOFFIE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/9b2972f4-d558-4c11-bee9-d39c55010170/image+4.jpg Issue 334 Summer 2022/23 4 ALTERED STATES: JEREMY SHAW AT MONA: YARRAN GATSBY, NIPALUNA/HOBART JEREMY SHAW, PHASE SHIFTING INDEX, 2020, INSTALLATION VIEW, MUSEUM OF OLD AND NEW ART (MONA), NIPALUNA/HOBART, 2022; PHOTO: JESSE HUNNIFORD https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1b3627d1-185d-4ae2-b5b0-13d75fc3c73b/image5.jpg Issue 334 Summer 2022/23 5 EXPLORING A MEDIUM: ‘CLAY DYNASTY’ AT THE POWERHOUSE: JULIA JONES, WARRANG/SYDNEY MARGARET DODD, TWO BLUES HOLDEN, 1976-77, EARTHENWARE, 17.5 X 20CM; POWERHOUSE MUSEUM, WARRANG/SYDNEY, PURCHASED 1987; PHOTO: MARINCO KOJDANOVSKI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/51c3853e-3fc9-43dc-a1f6-543c0fff9754/image+6.jpg Issue 334 Summer 2022/23 6 TONAL DISSONANCE: MAX MELDRUM IN BALLARAT: JULIETTE PEERS, BALLARAT MAX MELDRUM, MICA SMITH, 1923, OIL ON CANVAS, 72 X 61.2cm; ART GALLERY OF BALLARAT, PURCHASED BY PUBLIC SUBSCRIPTION, 1934; © ESTATE OF MAX MELDRUM https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/df6c1181-4050-406a-b8e5-732cc39d98eb/image+7.jpg Issue 334 Summer 2022/23 7 ECHOES AND EXCAVATIONS: NARELLE JUBELIN’S ‘NALGURES’ (SOMEPLACE): ANN STEPHEN, SANTIaGO DE COMPOSTELA NaRELLE JUBELIN: NALGURES, INSTALLATION VIEW, GALICIAN CENTRE OF CONTEMPORARY ART (CGAC), SANTIAGO DE COMPOSTELA, 2022; PHOTO: MANU SUÁREZ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/5b5970ca-14fb-4caf-8e46-6731befb952d/image+8.jpg Issue 334 Summer 2022/23 8 MATERIAL TRUTHS: ‘GLASSTRESS 2022: STATE OF MIND’: ZSUZSANNA SOBOSLAY, VENICE KOEN VANMECHELEN, TEMPTATION - ANTINOUS, 2021, STATUARIO MARBLE AND MURANO GLASS, 102 X 70 X 40CM; COURTESY THE ARTIST AND BERENGO STUDIO, MURANO; PHOTO: FRANCESCO ALLEGRETTO https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c586bd72-1d43-4c27-874c-6c443da96c47/image+9.jpg Issue 334 Summer 2022/23 9 FROM BREATH: YHONNIE SCARCE’S STORYTELLING IN GLASS: TINA BAUM (GULUMIRRGIN [LARRAKIA]/WARDAMAN/KARAJARRI) YHONNIE SCARCE, SHADOW CREEPER, 2022, INSTALLATION VIEW, ‘RECLAIM THE EARTH’, PALAIS DE TOKYO, PARIS, 2022; BLOWN GLASS YAMS, STAINLESS STEEL, REINFORCED WIRE; COURTESY THE ARTIST AND THIS IS NO FANTASY, NAARM/MELBOURNE; PHOTO: AURÉLIEN MOLE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/2e0f8fea-bdfa-4542-8960-c1316b9812f1/image+10.jpg Issue 334 Summer 2022/23 10 BLANCHE TILDEN: MAKING MEMORIES AND MEANING IN GLASS: KELLY GELLATLY BLANCHE TILDEN, RIPPLE EFFECT, 2019-21, INSTALLATION COMPRISING RIPPLE EFFECT 01-07, SALVAGED GLASS LENSES, 9 CARAT GOLD, OXIDISED STERLING SILVER, DIMENSIONS VARIABLE; COURTESY THE ARTIST AND GALLERY FUNAKI, NAARM/MELBOURNE; © BLANCHE TILDEN; PHOTO: ANDREW CURTIS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/910d804f-0e95-426b-8b3a-70bec7945910/image+11.jpg Issue 334 Summer 2022/23 11 LAYERED LANDSCAPES IN AUSTRALIAN GLASS: JEFFREY SARMIENTO KIrSTIE REa: THE BREADTH OF STILLNESS, 2022, INSTALLATION VIEW, TOYAMA GLASS ART MUSEUM, TOYAMA; COURTESY TOYAMA GLASS ART MUSEUM, TOYAMA; PHOTO: WATANABE OSAMU https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/6304b226-27af-440a-9954-a64aa8b1de27/image+12.jpg Issue 334 Summer 2022/23 - Make it stand out 12 IN GOOD COMPANY: KLAUS MOJE’S WALL PANELS: NOLA ANDERSON KLAUS MOJE LAYING OUT THE PIECE FOR UNTITLED 2, 2006, FROM THE ‘LANDSCAPE’ SERIES IN HIS WAPENGO STUDIO https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/d68f537c-8bf4-42cb-81cb-f87b84f0cd8f/image+13.jpg Issue 334 Summer 2022/23 - Make it stand out 13 THE CHRYSALIS EFFECT: THINKING THROUGH NEW PRACTICES IN GLASS: JULIE EWINGTON JESSICA MURTAGH, MODERN RELIC: THE GOOD WIFE AND THE MENTAL LOAD, 2022; BLOWN GLASS, SANDBLASTED AND ENGRAVED; CoURTeSY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1cf2a5a2-b59c-4793-85aa-d5532be60fcc/image14.jpg Issue 334 Summer 2022/23 - Make it stand out 14 BEING ‘MEDIUMED’: LOUIS GRANT AND SPENCE MESSIH: ROBERT COOK LOUIS GRANT, AFTERGLOW, 2022, INSTALLATION VIEW, ‘BREAKABLE HEAVEN’, CANBERRA CONTEMPORARY ART SPACE MANUKA, KAMBERRI/CANBERRA, 2022; HOT-CAST AND COLD-WORKED GLASS, Neon, ACRYLIC, VINYL; COURTESY THE ARTIST; PHOTO: BRENTON MCGEACHIE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f4c0d705-5308-4197-95b3-d40d0ae9096e/image+15.jpg Issue 334 Summer 2022/23 - Make it stand out 15 GENERATING A NEW METHODOLOGY IN GLASS: CONSUELO CAVANIGLIA IN CONVERSATION WITH AIMEE FRODSHAM CONSUELO CAVANIGLIA, UNTITLED, 2022, installation DETAIL, ‘NIGHT CHANGES THINGS, YOU CAN’T SEE EXACTLY HOW BUT YOU CAN FEEL IT IN YOUR BONES’, CANBERRA GLASSWORKS, 2022; TIMBER, ACRYLIC PAINT AND KILNFORMED GLASS; COURTESY THE ARTIST AND STATION, NAARM/MELBOURNE AND WARRANG/SYDNEY https://www.artmonthly.org.au/issue-335-autumn-2023 daily 0.75 2023-05-31 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/992d22ad-49dd-405d-97cc-5dc9ce9e8e92/AMA335_AUTUMN_Covers.jpg Issue 335 Autumn 2023 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/6729017f-fb1b-49b1-a337-cb6bba949cdc/WatsonJohnson_image3.jpg Issue 335 Autumn 2023 1 (UN)TANGLING THE THREADS THAT BIND THEM: JUDY WATSON AND HELEN JOHNSON: OSCAR CAPEZIO, KAMBERRI/CANBERRA AND NAARM/MELBOURNE HELEN JOHNSON, FOUNDATION, 2021–22, SYNTHETIC POLYMER PAINT AND PENCIL ON UNSTRETCHED CANVAS, DOUBLE-SIDED; COMMISSIONED WITH THE ASSISTANCE OF THE BALNAVES FOUNDATION, 2021–22; COURTESY THE ARTIST AND SUTTON GALLERY, NAARM/MELBOURNE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bd5bfc41-a0be-44fd-8054-321444cb73c0/Mais_image1.jpg Issue 335 Autumn 2023 2 THEIR OWN PRIVATE EVENING: HILARIE MAIS’S ‘NIGHT SIMILE’: GEORGE EGERTON-WARBURTON, NEW YORK CITY HILARIE MAIS: NIGHT SIMILE, EXHIBITION INSTALLATION VIEW, DOWNS & ROSS, NEW YORK, 2022; COURTESY THE ARTIST AND DOWNS & ROSS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/3c5ea8c5-093d-43a1-83a4-8006028bac05/Hepworth_image4.jpg Issue 335 Autumn 2023 3 BARBARA HEPWORTH: EMOTION, RECOLLECTED IN TRANQUILLITY: PATRICK HUTCHINGS, NAARM/MELBOURNE BARBARA HEPWORTH, TWO FORMS, YELLOW AND BROWN, 1947, OIL AND GRAPHITE ON HARDBOARD, 29 X 23.5CM; KETTLE’S YARD, UNIVERSITY OF CAMBRIDGE, BEQUEATHED BY PRIAULX RAINIER, 1986; BARBARA HEPWORTH © BOWNESS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ca44d80e-c6ef-44f8-b1b7-2ade4dda1b33/AIR_image4.jpg Issue 335 Autumn 2023 4 THAT INVISIBLE ELEMENT: ‘AIR’ AT QAGOMA: REBECCA BLAKE, MEANJIN/BRISBANE RACHEL MOUNSEY, MALLACOOTA FIRES IN THE SKY 1, 2020, FROM ‘MALLACOOTA FIRES IN THE SKY’ SERIES, INKJET PRINT ON CANSON PLATINE FIBRE RAG PAPER, 100 X 150CM; QAGOMA, MEANJIN/BRISBANE, PURCHASED THROUGH THE QAGOMA FOUNDATION, 2022; COURTESY AND © RACHEL MOUNSEY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ede66607-04e0-43dc-af23-e9cde2037f22/Benson_image1.jpg Issue 335 Autumn 2023 5 YOU AND ME: A COLLECTIVE BEAUTY: STEVEN LINDSAY ROSS LIAM BENSON, PARTICIPATORY COMMUNITY EMBROIDERY, YOU AND ME, 2013–17, GLASS SEED AND BUGLE BEADS, SEQUINS, COTTON, ORGANZA AND STEEL, 132 X 223CM; MUSEUM OF CONTEMPORARY ART AUSTRALIA, WARRANG/SYDNEY, GIFT OF THE ARTIST, 2018; FOR A FULL LIST OF COMMUNITY PARTICIPANTS’ NAMES AND LOCATIONS SEE: WWW.LIAMBENSON.NET/PROJECT-6 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/324fdd34-a275-493e-9d95-b6efa79f5871/Goldin_image1.jpg Issue 335 Autumn 2023 6 FIRSTS AND SECONDS: ON NAN GOLDIN AND MATTHEW SLEETH: DANIEL MUDIE CUNNINGHAM MATTHEW SLEETH, THE FIRST CUT IS THE DEEPEST [PART 1], 2021, STILL FROM DURATIONAL PERFORMANCE, KRONENBERG MAIS WRIGHT, WARRANG/SYDNEY, 2021; COURTESY THE ARTIST AND KRONENBERG MAIS WRIGHT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/88b29308-6767-4dc8-b53b-bf85d4e367d6/Dickens_image1.jpg Issue 335 Autumn 2023 7 BOWERBIRDING: KARLA DICKENS AT CAMPBELLTOWN: FIONA KELLY MCGREGOR, WARRANG/SYDNEY KARLA DICKENS, FEVER, 2022, MIXED MEDIA, 124 X 124CM; COURTESY THE ARTIST; PHOTO: MICHELLE EABRY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/64e7393c-16c9-44d5-ac94-8099a40887da/Commons_image2.jpg Issue 335 Autumn 2023 8 EMBARRASSMENT OF RICHES: ‘CULTURAL COMMONS’ AT THE UNIVERSITY OF MELBOURNE: GILES FIELKE CLOSE-UP OF ‘DIGITAL BRICKS’ AT THE ENTRANCE TO SCIENCE GALLERY MELBOURNE; PHOTO: TOBY WELCH https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/73c616fb-8e65-42cb-886b-07f466c0267d/Blakebrough_image1.jpg Issue 335 Autumn 2023 9 LES BLAKEBROUGH 1930 – 2022: ANNE BRENNAN LES BLAKEBROUGH AM, 2010; COURTESY THE ARTIST’S ESTATE AND SABBIA GALLERY, WARRANG/SYDNEY; PHOTO: NICHOLAS WATT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/99bc645f-07e6-4807-b83a-08ff84eacf34/Spate_image.jpg Issue 335 Autumn 2023 10 VIRGINIA SPATE 1937 – 2022: JULIE EWINGTON VIRGINIA SPATE; COURTESY PYRMONT HISTORY GROUP, WARRANG/SYDNEY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/27abd567-ef02-4d9d-8e88-e40424e4d20f/Trumble_image1.jpeg Issue 335 Autumn 2023 11 ANGUS TRUMBLE 1964 – 2022: SARAH THOMAS COURTESY BLACK INC., NAARM/MELBOURNE; PHOTO: GRAHAM TIDY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/337a17a1-3e1c-4e8c-a261-dbd23668d557/AAANZ_image2a.jpg Issue 335 Autumn 2023 - Make it stand out 12 ELEVATING ART WRITING AND CONTESTING PARADIGMS: THE 2022 AWAPAS COURTESY NATIONAL GALLERY OF VICTORIA AND THAMES & HUDSON, NAARM/MELBOURNE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/cc46c04e-daf6-48a0-b80b-738f538e0220/Tillers_image1.jpeg Issue 335 Autumn 2023 - Make it stand out 13 APPROP … : A MANNER PROPER TO THE CIRCUMSTANCES: MOYA COSTELLO IMANTS TILLERS, 2018; COURTESY GIRAMONDO PUBLISHING, WARRANG/SYDNEY; PHOTO: CORINNA & DYLAN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/2b5c4df0-47e1-4914-9796-886af5e12a2a/Fugitive_image4.jpg Issue 335 Autumn 2023 - Make it stand out 14 BODY OF WORK: PETER MALONEY’S FUGITIVE TEXT: RUTH WALLER PAGES FROM FUGITIVE TEXT, COURTESY THE ARTIST AND M.33, NAARM/MELBOURNE; PHOTOS: BOB NEWMAN https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7209ced9-a255-4d14-8734-d112aa2a3bbc/Lewers_image2.jpg Issue 335 Autumn 2023 - Make it stand out 15 HALCYON DAYS AT EMU PLAINS: MARGo LEWERS: NO LIMITS: ANDREW ANDERSONS MARGO LEWERS, YELLOW AND GREY, C. 1971, COLOURED PLEXIGLASS; COURTESY THE ARTIST’S ESTATE; PHOTO: TIM WHEELER https://www.artmonthly.org.au/issue-336-winter-2023 daily 0.75 2023-11-30 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bfbed95c-b353-4878-9f10-0cb4d76ee12a/AMA336-Cover+For+Mockup.jpg Issue 336 Winter 2023 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/3ba41296-bffe-4b4e-97d3-11345c8ee99e/SydneyModern_image4.jpg Issue 336 Winter 2023 1 ‘SYDNEY MODERN’: THE ART GALLERY OF NSW TRANSFORMED: DANIEL THOMAS FRANCIS UPRITCHARD, HERE COMES EVERYBODY, 2022, INSTALLATION VIEW; COMMISSIONED FOR THE ‘SYDNEY MODERN PROJECT’ WITH FUNDS PROVIDED BY PETER WEISS AO, THE DROGA FAMILY IN MEMORY OF VIBEKE DROGA, THE HADLEY FAMILY, AND THE ART GALLERY OF NEW SOUTH WALES (AGNSW) FOUNDATION 2022; © FRANCIS UPRITCHARD; PHOTO: © AGNSW, CHRISTOPHER SNEE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/32bcf3e8-bda2-4116-bdf4-287e99886d06/NewPower_image2d.jpg Issue 336 Winter 2023 2 APPARITIONS: ‘A NEW POWER’ AND ‘BRIGHT SPARKS’ AT THE BODLEIAN LIBRARIES: ELISA DECOURCY STUDIO OF WILLIAM EDWARD KILBURN, QUEEN VICTORIA WITH THE PRINCESS ROYAL, THE PRINCE OF WALES, PRINCESS ALICE, PRINCESS HELENA AND PRINCE ALFRED, 17 JANUARY 1852, SCRATCHED DAGUERREOTYPE; ROYAL COLLECTION, LONDON https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/cfaae977-ca37-4a02-b398-fc8ffae1990c/Light_image1.jpg Issue 336 Winter 2023 3 ALL OF THE LIGHTS: ‘LIGHT FROM TATE’ IN AUCKLAND: YARRAN GATSBY ANISH KAPOOR, UNTITLED, 1992, INSTALLATION VIEW, ‘LIGHT FROM TATE’, AUCKLAND ART GALLERY TOI O TAMAKI, 2023; WOOD, FIBREGLASS AND PIGMENT, 208.5 X 119 X 143CM; EDMISTON TRUST COLLECTION, AUCKLAND ART GALLERY TOI O TAMAKI, PURCHASED 1993 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/957f5939-448b-468b-8478-003e6931532c/FanDongwang_image2.jpg Issue 336 Winter 2023 4 BETWEEN AND BEYOND: FAN DONGWANG’S SCULPTURAL PAINTING: JOHN CLARK FAN DONGWANG, ARHAT, 2023, ACRYLIC ON CANVAS, 181 X 124CM; COURTESY THE ARTIST AND ART ATRIUM, WARRANG/SYDNEY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/faaa9ce5-59f7-48ba-9af7-241bea6f57e2/Gwangju_image3.JPG Issue 336 Winter 2023 5 NEITHER SOFT NOR WEAK: GWANGJU’S 14TH BIENNALE: CHIN-JIE MELODIE LIU CHARWEI TSAI, A TEMPLE, A SHRINE, A MOSQUE, A CHURCH, 2022; INSTALLATION VIEW, 14TH GWANGJU BIENNALE, ‘SOFT AND WEAK LIKE WATER’, 2023; COURTESY THE ARTIST AND GWANGJU BIENNALE FOUNDATION; PHOTO: GLIMWORKERS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/74a7befe-82dc-42bb-ac06-168eaa955708/Screen+Shot+2023-05-31+at+3.14.34+pm.jpg Issue 336 Winter 2023 6 ROSS GIBSON 1956 – 2023: GEOFFREY BATCHEN COURTESY VICTORIA UNIVERSITY OF WELLINGTON https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ea1fb6bd-9568-4c1e-8e6f-80564a65d160/Bell_image1.jpeg Issue 336 Winter 2023 7 CHRISTOPHER BELL 1948 – 2023: SOPHIE CHURCH, ANDREW MCNAMARA, SEUMAS SPARK AND ANN STEPHEN CHRIS BELL WITH RESI SCHWARZBAUER LAUNCHING THE BIOGRAPHY LUDWIG HIRSCHFELD-MACK: MORE THAN A BAUHAUS ARTIST DURING THE ‘BAUHAUS NOW’ EXHIBITION AT THE MUSEUM OF BRISBANE IN 2021 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/91d36a3a-c99c-49cf-93a6-ac0cd221af61/CH_ArtMonthly_1.jpg Issue 336 Winter 2023 8 PAIRED: CHRISTOPHER HANRAHAN CHRISTOPHER HANRAHAN, PAIRED, 2017–2019–2023, DETAIL; COMMISSIONED BY ART MONTHLY AUSTRALASIA IN COLLABORATION WITH THE MURRAY ART MUSEUM ALBURY; COURTESY THE ARTIST AND SARAH COTTIER GALLERY, WARRANG/SYDNEY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/3c4e547f-f161-4c17-87b1-c8439369a8a8/KnightBaylis_image4c.jpg Issue 336 Winter 2023 9 TWO HEARTS: ON PAUL KNIGHT AND TROY-ANTHONY BAYLIS: DANIEL MUDIE CUNNINGHAM PAUL KNIGHT, UNTITLED (CHAMBER MUSIC), 2009– , CHROMOGENIC PRINT, 31 X 31.5CM (FRAMED), ED. 1/1 + 1 AP; COURTESY THE ARTIST AND NEON PARC, NAARM/MELBOURNE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/545ed210-9ff7-4b1d-a5bb-121c99f22ae2/ThinSkin_image3.jpg Issue 336 Winter 2023 10 A NERVOUS CANVAS: THIRTY THOUGHTS ON THIN SKIN: JENNIFER HIGGIE MIA BOE, WONGARI MARAT MARAT (DINGO SPIRIT), 2023, SYNTHETIC POLYMER PAINT ON LINEN, 198 X 122CM; COURTESY THE ARTIST AND SUTTON GALLERY, NAARM/MELBOURNE; PHOTO: CHRISTIAN CAPURRO https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/a9191bce-62d1-4d00-afc8-296a6f9682c5/Perkins_image2.jpg Issue 336 Winter 2023 11 A GLIMMER: THEA ANAMARA PERKINS (ARRERNTE/KALKADOON) THEA ANAMARA PERKINS, BONDI BEACH, 2023, ACRYLIC ON BOARD, 30.5 X 40.5CM; ART GALLERY OF NEW SOUTH WALES (AGNSW), LA PRAIRIE ART AWARD 2023; © THEA ANAMARA PERKINS; IMAGE © AGNSW https://www.artmonthly.org.au/issue-337-summer-202324 daily 0.75 2024-04-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/05512dd3-66d5-4afd-8aa8-c872ef8bb1d5/AMA337+Front+Cover.jpg Issue 337 Summer 2023/24 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f3d7fc6e-7871-4ad1-afbf-b5a3af550eba/Tina_image.JPEG Issue 337 Summer 2023/24 1 INDIGENOUS ART COMMISSIONS: ALWAYS WAS, ALWAYS WILL BE: TINA BAUM (GULUMIRRGIN [LARRAKIA]/WARDAMAN/KARAJARRI) Tina Baum pictured with mirragma gunugurr-wa (2023) by Roque Lee and Trent Lee, in Garramilla/Darwin, 2023; courtesy Tina Baum https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/d96b5a55-d81a-4204-aeed-794c98392add/Aidan_image1.jpg Issue 337 Summer 2023/24 2 COMMISSIONING CONNECTIONS TO COUNTRY: AIDAN HARTSHORN (WALGALU [WOLGAL/WOLGALU]/WIRADJURI) Jonathan Jones working on untitled (walam-wunga.galang) at Henderson’s Marble & Granite in Naarm/Melbourne; courtesy the artist and the National Gallery of Australia, Kamberri/Canberra; photo: Christian Capurro https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/45022a9b-c2de-4798-b3cc-a3089cee7648/Dominique_image1.jpg Issue 337 Summer 2023/24 3 COMMISSIONED BY COUNTRY: DOMINIQUE CHEN (GAMILAROI) Megan Cope, Kinyingarra Guwinyanba (On-Country), 2022, documentation image; courtesy the artist and Milani Gallery, Meeanjin/Brisbane; photo: Cian Saunders https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/19f51ced-d2e5-4ed8-8f59-4d5d8398d618/Freja_image4.jpg Issue 337 Summer 2023/24 4 JANET FIELDHOUSE’S SISTER WORKS: FREJA CARMICHAEL (NGUGI PEOPLE OF QUANDAMOOKA) Janet Fieldhouse, Sister Charm, 2023, installation view, National Gallery of Australia (NGA), Kamberri/Canberra, 2023, on loan from the artist and Art Makers; courtesy the artist; PHOTO: NGA, Kamberri/Canberra https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7968f189-8c07-414f-bf03-4e4c7fe879fa/Jenny_image1.jpeg Issue 337 Summer 2023/24 5 DURANGEN: GROWING BUNDJALUNG PLANT KNOWLEDGES: JENNY FRASER (MIGUNBURRI/YUGAMBEH/BUNDJALUNG) Deidre Currie, Tweed River, 2023; photo: Jenny Fraser https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/0d7a3dac-895e-4887-8394-240f75241420/Jessica_image4.jpg Issue 337 Summer 2023/24 6 A COLLECTIVE UNDERTAKING: JESSICA CLARK (PALAWA/PALLAWAH) James Howard, Subterranean Frequencies, 2023, installation detail, ‘Between Waves’, ACCA, NaArm/Melbourne, 2023; courtesy the artist; photo: Andrew Curtis https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/53ef9531-626c-4533-9b47-425f88f05951/Jessyca_image2.jpg Issue 337 Summer 2023/24 7 BLACK SKIES: JESSYCA HUTCHENS (PALYKU) Jimmy Frank Japarula, Kooloongka, 2023, installation view, ‘Black Sky’, Lawrence Wilson Art Gallery, Boorloo/Perth, 2023; snappy gum, yakula resin, sinew, earth pigment, metamorphic rock, 64 x 25 x 5cm; courtesy Nyinkka Nyunyu Art and Culture Centre, Tennant Creek; photo: Rebecca Mansell https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/5ce1924b-c391-437b-ab3f-e164ba281ee9/Kimberley_image5.jpg Issue 337 Summer 2023/24 8 DREAMING BIG: COMMISSIONING ‘SHADOW SPIRIT’: KIMBERLEY MOULTON (YORTA YORTA) John Prince Siddon, High Country, 2023, installation view, ‘Shadow Spirit’, RISING, Flinders Street Station, Naarm/Melbourne, 2023; photo: Eugene Hyland https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/79d2a885-cfec-4632-823b-fd3f668ba5ae/Maya_image2.jpg Issue 337 Summer 2023/24 9 JENNA LEE: BALARR (TO BECOME LIGHT): MAYA HODGE (LARDIL/YANGKAAL) Jenna Lee and Kojima ShOten, Balarr (To become light), 2023, installation DETAIL, ‘Melbourne Now’, the Ian Potter Centre: NGV Australia, NaArm/Melbourne, 2023; courtesy the artist and MARS Gallery, NaArm/Melbourne; photo: Sean Fennessy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/337d4f6d-815e-478e-9cb0-b33f2c8353d6/Nathan_image1c.jpg Issue 337 Summer 2023/24 10 OBSERVATIONS FROM THE ARRIVAL LOUNGE: NATHAN POHIO (WAITAHA, KATI MAMOE, KAI TAHU, NGATI KAHUNGUNU, TAU IWI) Lisa Reihana, Ihi, 2020, still from two-channel UHD-Video with stereo sound (DEtail), installed at Aotea – Te PokapU/Aotea Centre, TAmaki Makaurau/Auckland; courtesy the artist https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/9ef9e423-d960-4961-9dfd-497f43370f35/Simon_image1_hires.jpg Issue 337 Summer 2023/24 11 PUBLIC CULTURAL MARKERS: SIMON CARMICHAEL (NGUGI PEOPLE OF QUANDAMOOKA) Richard Bell, Pay the Rent (UK), 2023, installation view, Turbine Hall, Tate Modern, London, 2023; courtesy the artist and Milani Gallery, Meeanjin/Brisbane https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/da9f0113-d682-4c41-8b68-18f15823203f/Tristen_image3.jpg Issue 337 Summer 2023/24 - Make it stand out 12 CONTINUING A COMMISSIONING LEGACY: TRISTEN HARWOOD (NGALAKAN) Kent Morris, Unvanished, 2022, installation view, Federation Square, Naarm/Melbourne, 2022; created in collaboration with Studio John Fish, with soundscape design by James Henry and augmented reality by PHORIA; courtesy the artist and Vivien Anderson Gallery, Naarm/Melbourne; photo: Kristian Laemmle-Ruff https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c64f53d9-7a33-40a4-855c-aed4a57ea28e/Tyson_image1.jpg Issue 337 Summer 2023/24 - Make it stand out 13 MANY WAYS TO CONNECT: COMMISSIONS: TYSON FRIGO (WIRADJURI/YUIN) DhaNaN Dhukarr (Many Pathways), 2023, installation detail, ‘Shaped by the Sea’, Australian National Maritime Museum (ANMM), gADIGAL NURA/Sydney, 2023; courtesy the artists, Buku-LarrNgay Mulka Centre, Yirrkala, and ANMM, gADIGAL NURA/Sydney https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/0cee3515-58f5-4d85-afe2-ecce464402e6/Zena_image4.jpg Issue 337 Summer 2023/24 - Make it stand out 14 MAKING ‘NGARATYA (TOGETHER, US GROUP, ALL IN TOGETHER)’: A CULTURALLY GROUNDED COMMISSIONING PROCESS: ZENA CUMPSTON (BARKANDJI) MENINDEE, 2022; PHOTO: RAYMOND ZADA Please note macrons and international phonetic alphabets do not appear on this webpage. https://www.artmonthly.org.au/issue-338-autumn-2024 daily 0.75 2024-06-19 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1a319440-ed39-4933-9dd7-64afe21f16a2/AMA%23338_AUTUMN_Front+Cover.jpg Issue 338 Autumn 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/35036fb3-13e6-4913-bbe3-30aa863fe877/HMB-EM-Headshots.png Issue 338 Autumn 2024 1 EDITORIAL: ON ENDURANCE: HAYLEY MILLAR BAKER AND EMILY MCDANIEL IN CONVERSATION GUEST EDITORS Hayley Millar Baker and Emily McDaniel https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ee11b9fd-4b49-4783-8d9e-f04c029a8506/8_BLACKANDBLUR.jpg Issue 338 Autumn 2024 2 BLACK AND BLUR: LILAH BENETTI LILAH BENETTI, FROM THE SERIES BLACK AND BLUR, 2024; COMMISSIONED BY PHOTO AUSTRALIA FOR PHOTO 2024 INTERNATIONAL FESTIVAL OF PHOTOGRAPHY; COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7077e4f5-e4de-4622-b844-59154a176b24/4.+Swell+2021.jpg Issue 338 Autumn 2024 3 INCANTATIONS: MAY YOUR INNER TERRAIN BE TENDER: HANNAH BRONTË HANNAH BRONTË, SWELL, 2021, PRODUCTION STILL (FROM A VIDEO 22SECS DURATION); COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/3a8b8702-f267-48c1-8554-fc8052e24e08/1.+Winant+%28MoMA%29.jpg Issue 338 Autumn 2024 4 YOU CAN'T HAVE FEMINIST COALITION WITHOUT JOY: CARMEN WINANT CARMEN WINANT, MY BIRTH, 2018, INSTALLATION DETAIL, ‘BEING: NEW PHOTOGRAPHY’, THE MUSEUM OF MODERN ART, NEW YORK, 2018; FOUND PAPERS AND PHOTOGRAPHIC PRINTS WITH TAPE; DIMENSIONS VARIABLE; COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/3c8e3266-c68c-4d87-bdc4-85ef74d1a967/Image+4.jpg Issue 338 Autumn 2024 - Make it stand out 5 DECARCERATING ARCHIVES: ON OUR TERMS: RAPHAELA ROSELLA RAPHAELA ROSELLA AND AMELIA ROSELLA, MY OTHER HALF, 2015–23, INSTALLATION VIEW, ‘YOU’LL KNOW IT WHEN YOU FEEL IT’, INSTITUTE OF MODERN ART, MEANJIN/BRISBANE, 2023; COURTESY THE ARTIST; PHOTO: LOUIS LIM   https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4a4d3262-b4ca-4958-b4f1-d624cef7a125/Aura_34.jpg Issue 338 Autumn 2024 6 RESILIENCE OF THE HUMAN SPIRIT: HODA AFSHAR WITH HAYLEY MILLAR BAKER HODA AFSHAR, UNTITLED #34, 2020–23, FROM THE SERIES ‘AURA’; COURTESY THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/fa4c0274-7b95-4f0a-a3ae-80c0bdffab2a/2.+Burney_Linda_2022_3070_FINAL+PRINT+FILE.jpg Issue 338 Autumn 2024 7 NAABAMI (THOU SHALL/WILL): BARANGAROO (ARMY OF ME): BRENDA L. CROFT BRENDA L. CROFT, LINDA II (WIRADJURI), 2022, DETAIL, FROM THE SERIES ‘NAABAMI (THOU SHALL/WILL SEE): BARANGAROO (ARMY OF ME)’, 2019–22, INKJET PRINT FROM ORIGINAL TINTYPE, WITH ASSISTANCE FROM PRUE HAZELGROVE, 112 X 143 CM; COURTESY AND © THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bd78477d-ee4b-4b99-a022-dedae0018e3a/Julie+Rrap_The+Other+Portrait.png Issue 338 Autumn 2024 8 RRAP TO RRAP: JULIE RRAP IN CONVERSATION WITH JULIE PARR JULIE RRAP, THE OTHER PORTRAIT, 2021, DIGITAL PRINT, LEFT AND RIGHT SIDE DETAIL, 70 X 73 CM EACH; COURTESY THE ARTIST, ROSLYN OXLEY9 GALLERY, WARRANG/SYDNEY AND ARC ONE GALLERY, NAARM/MELBOURNE https://www.artmonthly.org.au/24th-biennale-of-sydney-issue daily 0.75 2024-07-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/dded5a4a-074e-40fb-a972-b265471423b2/AMA338_Cartier_FrontCover.jpg 24th Biennale of Sydney Issue https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/618db11a-f016-45fd-9f1b-ee440f5dbaa8/Tony+Albert+and+artists.jpg 24th Biennale of Sydney Issue 1 WELCOME TO THIS SPECIAL EDITION OF ART MONTHLY AUSTRALASIA: TONY ALBERT (GIRRAMAY/KUKU YALANJI/YIDINJI) TONY ALBERT (FRONT ROW, SECOND FROM RIGHT) WITH THE ARTISTS WHO WERE COMMISSIONED TO MAKE NEW WORKS FOR THE 24TH BIENNALE OF SYDNEY AND REPRESENTATIVES FROM THE BIENNALE AND THE FONDATION CARTIER. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4721f9cc-1ec8-458d-a975-ba870473f344/Badu+Gili+-+Celestial_Sydney+Opera+House_credit_Daniel+Boud_004+%281%29.jpg 24th Biennale of Sydney Issue 2 AN INTRODUCTION TO THE FONDATION CARTIER POUR L’ART CONTEMPORAIN: HERVÉ CHANDÈS 3 AN INTRODUCTION TO THE BIENNALE OF SYDNEY: BARBARA MOORE 4 AN INTRODUCTION TO ‘TEN THOUSAND SUNS’: COSMIN COSTINAȘ AND INTI GUERRERO NIKAU HINDIN FOR BADU GILI: CELESTIAL (THE 2024 COMMISSION ALSO FEATURES ARTIST GAIL MABO) PROJECTED ONTO THE BENNELONG SAILS OF THE SYDNEY OPERA HOUSE. PRESENTED IN COLLABORATION WITH THE BIENNALE OF SYDNEY, THE SYDNEY OPERA HOUSE AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN. PHOTO: DANIEL BOUD https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/262d282e-00c7-4572-81e5-2dc11068b34d/First+spread%E2%80%94HIGH+RES+COMING%E2%80%94Kaylene+Whiskey+-+Biennale+of+Sydney+2024_White+Bay+Power+Station_credit_Daniel+Boud_052+%281%29.jpg 24th Biennale of Sydney Issue - Make it stand out 5 A STEP FORWARD: DANIEL BROWNING (BUNDJALUNG/KULLILLI) 6 ‘MY MIND SWAYS …’: JOHN PULE KAYLENE WHISKEY AT WHITE BAY POWER STATION WITH KAYLENE TV, 2023. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN WITH GENEROUS ASSISTANCE FROM THE AUSTRALIAN GOVERNMENT THROUGH CREATIVE AUSTRALIA. COURTESY THE ARTIST, IWANTJA ARTS AND ROSLYN OXLEY9 GALLERY. PHOTO: DANIEL BOUD https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1d8602df-3398-4035-8032-f8659b8be8ba/Full+bleed+option%E2%80%94Yangamini_Biennale+of+Sydney+2024_004.jpg 24th Biennale of Sydney Issue 7 RESHAPING LANDSCAPES: REBECCA RAY (MERIAM) 8 MEETING THE PAST AND FACING THE FUTURE: LEAH LUI-CHIVIZHE (KEMER KEMER MERIAM/MALULIGAL) YANGAMINI, MAPURTITI NONGA (EVIL ASS DREAMING), 2024. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN WITH GENEROUS ASSISTANCE FROM THE AUSTRALIAN GOVERNMENT THROUGH CREATIVE AUSTRALIA. COURTESY THE ARTISTS. © YANGAMINI. INSTALLATION VIEW, 24TH BIENNALE OF SYDNEY, ‘TEN THOUSAND SUNS,’ UNSW GALLERIES. PHOTO: MARK POKORNY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/78e31c62-2aca-4322-b5e8-2340360de35b/Opening+spread%E2%80%94Mangala+Bai_Biennale+of+Sydney+2024_005+%281%29.jpg 24th Biennale of Sydney Issue - Make it stand out 8 WRITTEN ON THE BODY: AMIT ARJEL-SHARMA 9 PRIDE AND PROTEST: WILLIAM YANG MANGALA BAI MARAVI AT WHITE BAY POWER STATION IN FRONT OF BAIGA GODNA INDIAN TRIBE, 2024. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN. COURTESY THE BAIGA TRIBE. ARTIST ASSISTANT: AMIT ARJEL-SHARMA. © BAIGA TRIBE. PHOTOGRAPH: MARK POKORNY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/54c47139-2bfb-4042-b64c-a702da3ebace/Eric+Paul-Riege_Biennale+of+Sydney+2024_i010.jpg 24th Biennale of Sydney Issue 10 A SANCTUARY FOR SHARING: ALICIA HOLLIER 11 MAPPING THE STARS: NIKAU HINDIN (TE RARAWA/NGĀPUHI) AND GAIL MABO (MERIAM) IN CONVERSATION WITH BILLIE PHILLIPS ERIC-PAUL RIEGE with YOO' [UNSTRUNG], 2023-24. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FOUNDATION CARTIER POUR L’ART CONTEMPORAIN WITH GENEROUS SUPPORT FROM THE TERRA FOUNDATION FOR AMERICAN ART. COURTESY THE ARTIST, BOCKLEY GALLERY AND STARS GALLERY. © ERIC-PAUL RIEGE. INSTALLATION VIEW, 24TH BIENNALE OF SYDNEY, ‘TEN THOUSAND SUNS,’ 2024, ARTSPACE. PHOTO: MARK POKORNY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/918166b0-96ec-4dce-9848-cd3335d19150/Doreen+Chapman+at+AGNSW_ChristopherSnee-March+24-013+%281%29.jpg 24th Biennale of Sydney Issue 12 ‘HOW MANY TIMES …’: JOHN PULE 13 FINDING LIGHT IN THE DARK: JASMINE CRACIUN (BARKINDJI/MALYANGAPA) DOREEN CHAPMAN, UNTITLED, 2023; UNTITLED, 2023; UNTITLED, 2023. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN WITH GENEROUS ASSISTANCE FROM THE AUSTRALIAN GOVERNMENT THROUGH CREATIVE AUSTRALIA. COURTESY THE ARTIST AND SPINIFEX HILL STUDIO, SOUTH HEDLAND. © DOREEN CHAPMAN AND SPINIFEX HILL STUDIO. INSTALLATION VIEW, 24TH BIENNALE OF SYDNEY, ‘TEN THOUSAND SUNS,’ 2024, ART GALLERY OF NEW SOUTH WALES. PHOTO: CHRISTOPHER SNEE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ef30fb08-7f2e-410b-94a8-d24ed9b59099/Kieran+Satour+Spread.jpeg 24th Biennale of Sydney Issue 14 NOTHING ABOUT US, WITHOUT US: KIERAN SATOUR (GURINDJI/PERTAME ARRERNTE/WORIMI) 15 OLD BUILDING, NEW HEART: TYSON FRIGO ‘MURRIGAL’ (WIRADJURI/YUIN) FROM FAR LEFT: CRISTINA FLORES PESCOR.N; ERIC-PAUL RIEGE; AND MANGALA BAI MARAVI, ALL CAPTURED ON SUPER 8 FILM AT THE BIENNALE OF SYDNEY BY KIERAN SATOUR https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/75064438-883b-430f-a119-f4117aa271f0/COL-JOS-7790-tweak.jpg 24th Biennale of Sydney Issue 16 BAND TOGETHER: BEAU NEILSON, JOSH MILCH AND LIAM KEENAN (GOMEROI) IN CONVERSATION WITH TONY ALBERT 17 FROM THE AMAZON TO VENICE: BRUCE ALBERT JOSECA YANOMAMI, DRAWING, 2002-2010, COLOURED PENCILS AND FELT PEN ON PAPER; COLLECTION OF THE FONDATION CARTIER POUR L'ART CONTEMPORAIN. © JOSECA / © BRUCE ALBERT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/72b7419c-0252-4edc-bcf7-b1e9390915cf/240301_MCA_0179_HighRes.jpg 24th Biennale of Sydney Issue - Make it stand out 18 BUILDING BRIDGES: KIMBERLEY MOULTON (YORTA YORTA) AND ERIN VINK (NGIYAMPAA) IN CONVERSATION WITH TONY ALBERT 19 ‘THATS THE END …’: JOHN PULE FREDDY MAMANI, DIABLADA, 2024, WOOD, GLOSS ENAMEL. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN. COURTESY THE ARTIST AND LAPLURINACIONAL.COM.BO. © FREDDY MAMANI SILVESTRE. INSTALLATION VIEW, 24TH BIENNALE OF SYDNEY, ‘TEN THOUSAND SUNS,’ 2024, MUSEUM OF CONTEMPORARY ART AUSTRALIA. PHOTO: HAMISH MCINTOSH https://www.artmonthly.org.au/issue-339-winter-2024 daily 0.75 2024-09-03 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/bf2ba037-d642-41ce-8a36-14a4fd7fba3d/AMA339_Winter_FrontCover.jpg Issue 339 Winter 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ee0a7f7a-d8ae-497d-b9e3-faee8aa187f1/NEW%E2%80%94Cristina+Flores+Pescoran.jpg Issue 339 Winter 2024 1 THE TEXTILE TURN IN CONTEMPORARY ART: CHLOÉ WOLIFSON CRISTINA FLORES PESCORÁN, ABRAZAR EL SOL (EMBRACE THE SUN), 2023-24, INSTALLATION VIEW, ‘24TH BIENNALE OF SYDNEY: TEN THOUSAND SUNS’, WHITE BAY POWER STATION, 2024. COMMISSIONED BY THE BIENNALE OF SYDNEY AND THE FONDATION CARTIER POUR L’ART CONTEMPORAIN. COURTESY THE ARTIST. © THE ARTIST. PHOTO: DOCUMENT PHOTOGRAPHY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8c08ce26-4cac-4b6a-8c17-82a208d8d44a/Third+spread%E2%80%942N0A6710.jpg Issue 339 Winter 2024 2 CONSTANT CHANGE: COBY EDGAR (LARRAKIA/JINGILI) ADA NABULWAD AT WORK. COURTESY OF MARRAWUDDI ARTS AND CULTURE AND POWERHOUSE. PHOTO: TIM HILLIER https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/031bf391-49d7-44f8-baa1-5d6c272e2ee3/Spread+2%E2%80%94eucalyptusdyedfabricforweaving12016-w968%402x.jpg Issue 339 Winter 2024 3 WARP, WEFT AND WILLIAMSON: BLAKE GRIFFITHS EUCALYPTUS-DYED SILK FABRIC BEING TORN INTO STRIPS AND WOUND ONTO STICK SHUTTLES FOR THE WEAVING EUCALYPTS PROJECT. PHOTO: IAN HOBBS https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7a019a22-dd13-4781-a074-044fe68ac5db/Second+spread%E2%80%941.+003_ACEWalkthrough_untitled+transcriptions+of+country_Artspace_credit_AnnaKucera.jpg Issue 339 Winter 2024 4 DRAWN TOGETHER: PEDRO DE ALMEIDA MEMBERS OF THE ACE EMBROIDERERS COLLECTIVE AND YAMANE FAYED (THIRD FROM LEFT) WITH WORKS FROM THE PROJECT THEY COLLABORATED ON WITH JONATHAN JONES, UNTITLED (TRANSCRIPTIONS OF COUNTRY), 2021-23, AT ARTSPACE, 2024. PHOTO: ANNA KUCERA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/da32a5fc-315e-4bdc-8471-085708bbfd06/Hero+image%E2%80%94SID93963%23%23M.jpg Issue 339 Winter 2024 5 TEXTILES AND AFFECT IN THE WORK OF LOUISE BOURGEOIS: BELINDA VON MENGERSEN LOUISE BOURGEOIS, ODE À LA BIÈVRE, 2007, DETAIL, ILLUSTRATED BOOK, DIGITAL PRINTS AND SCREEN ON FABRIC, 25 PAGES, 29.2 X 38.1 (EACH); PRIVATE COLLECTION, NEW YORK. © THE EASTON FOUNDATION. PHOTO: CHRISTOPHER BURKE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/531f77cc-53b2-496f-b399-58e94ec8469a/First+spread%E2%80%94Studio+view_Graziella+Guidotti.jpg Issue 339 Winter 2024 6 MAKING CONNECTIONS: JACQUELINE STOJANOVIĆ THE STUDIO OF FLORENTINE MASTER WEAVER GRAZIELLA GUIDOTTI. PHOTO: JACQUELINE STOJANOVIĆ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/e185f622-b6f6-45c6-80f9-e6e731269644/sve20171101d004-2.jpg Issue 339 Winter 2024 7 FUTURE THREADS: KATE SCARDIFIELD IRIS VAN HERPEN, HYPERSONIC SPEED TOP, DETAIL, FROM THE CAPRIOLE COLLECTION, 2018. COURTESY OF IRIS VAN HERPEN. © SØLVE SUNDSBØ. PHOTO: SØLVE SUNDSBØ https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/5e7a64e8-dfa5-4dd4-82ab-6e7ff348544c/Spread+2%E2%80%94Nikau+Hindin%2C+Hina+Puamohala+Kneubuhl+and+Rongomai+Grbic-Hoskins+holding+Ka+%E2%80%98Upena+Komo.+Photo+by+Te+Kuru+Dewes.jpg Issue 339 Winter 2024 8 AUMOANA: THE CURRENTS OF TE MOANA-NUI-A-KIWA CONVERGE: RONGOMAI GRBIC-HOSKINS (TE RARAWA/NGĀPUHI/NGĀTIWAI) NIKAU HINDIN, HINA PUAMOHALA KNEUBUHL AND RONGOMAI GRBIC-HOSKINS HOLDING KA ‘UPENA KOMO. PHOTO: TE KURU DEWES https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/348e4a78-f028-4aca-a4c4-e09d365f7532/Spread+1%E2%80%94Camille+Laddawan+%E2%80%94+Photo+by+Tasha+Tylee.jpg Issue 339 Winter 2024 9 MULTIPLE CODINGS: JULIE EWINGTON CAMILLE LADDAWAN, REF., 2022, 24-KARAT GOLD, GLASS BEADS, PALLADIUM, THREAD, 36 X 36 CM. COURTESY OF CAMILLE LADDAWAN. PHOTO: TASHA TYLEE https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/cc1fdd01-b9fa-4ce2-8fe3-1ba55abfebc5/Spread+1%E2%80%9411973Joseph+and+GloryDWC+.jpg Issue 339 Winter 2024 10 THREADS OF CONTINUITY AND LOSS: KAY LAWRENCE DIANA WOOD CONROY, THE GLORY OF THE LORD, 1973, WOVEN TAPESTRY, WOOL ON LINEN WARP, 2.7 X 2.7 M; COLLECTION OF ROBERT MENZIES COLLEGE, MACQUARIE UNIVERSITY, SYDNEY. PHOTO: DIANA WOOD CONROY, https://www.artmonthly.org.au/issue-340-spring-2024 daily 0.75 2024-12-02 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8df3659d-7739-4b97-aae7-22944a700ba2/AMA340+Spring+Front+Cover.jpg Issue 340 Spring 2024 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c74712ee-e3c6-44a2-b0d1-70c0d4370188/Opinion-Horizontal.jpg Issue 340 Spring 2024 1 LOOKING AHEAD: ALEXIE GLASS-KANTOR, BEN QUILTY, CASSANDRA BIRD, CLOTHILDE BULLEN, ERICA GREEN, HAYLEY MILLAR BAKER, JOSÉ DA SILVA, SEBASTIAN GOLDSPINK AND TERRY WU https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/5a1af402-c9bc-42ee-8e3d-9a7e7236bc75/Bell-Moore.jpg Issue 340 Spring 2024 2 ARCHIE MOORE WINS THE GOLDEN LION. (FOR AUSTRALIA.): RICHARD BELL ARCHIE MOORE, ‘KITH AND KIN’, EXHIBITION INSTALLATION VIEW, THE AUSTRALIA PAVILION, VENICE, 2024. COURTESY OF ARCHIE MOORE AND THE COMMERCIAL. © ARCHIE MOORE. PHOTOS: ANDREA ROSSETTI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8e7defaa-eca1-47ae-a0a4-b513bc4653c8/Law2.png Issue 340 Spring 2024 3 THE LONG WAY HOME: MICHELLE LAW CHUN YIN RAINBOW CHAN, GIRL IN THE GLOAMING, 2024, DETAIL. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/27c06760-eb88-41d7-9f5c-d47f246f7f11/SaVAge+K%27lub+opening+weekend-27.jpg Issue 340 Spring 2024 4 TAKING A SEAT AT THE TABLE: ROSANNA RAYMOND (AOTEAROA NEW ZEALAND-BORN SAMOAN/PALAGI) SALVADOR BROWN ACKNOWLEDGING THE KEEPER, ON LOAN TO THE SAVAGE K’LUB BY ARTIST MARGARET AULL, DURING THE OPENING ACTI.VA.TIONS OF ‘SAVAGE K’LUB: TE PAEPAE AORA’I – WHERE THE GODS CANNOT BE FOOLED’ AT THE NATIONAL GALLERY OF AUSTRALIA, KAMBERRI/CANBERRA, 2024. COURTESY OF THE NATIONAL GALLERY OF AUSTRALIA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1cf33060-0020-49ea-b9ab-e5783bcc45f0/McIlroy-Fresco.jpg Issue 340 Spring 2024 5 OUT OF THE BOX: TOM MCILROY DANNY FROMMER, ‘THE OBSERVER’, EXHIBITION INSTALLATION VIEW, AL FRESCO, KAMBERRI/CANBERRA, 2024. COURTESY OF AL FRESCO https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/851f7493-31ce-496e-9762-fd6b0edfad0e/Sayed-Alavi.jpg Issue 340 Spring 2024 6 A CONVERSATION BETWEEN BIRDS: BAHAR SAYED ELYAS ALAVI, MATAM ماتم, 2024, THREE-CHANNEL VIDEO INSTALLATION WITH SOUND, 11 MINUTES DURATION. COURTESY OF ELYAS ALAVI https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/30e87eae-bcd2-4249-9923-8ce873105785/Walsh+-+Brian+Fuata+.jpg Issue 340 Spring 2024 7 VALUING THE EXPERIENCE: ANADOR WALSH BRIAN FUATA, APPARITIONAL CHARLATAN MINOR APPEARANCES (ACCUMULATIONS 2020-2021), 2021. THIS PERFORMANCE AT THE 10TH ASIA PACIFIC TRIENNIAL OF CONTEMPORARY ART (APT10), QUEENSLAND ART GALLERY | GALLERY OF MODERN ART (QAGOMA), MEANJIN/BRISBANE, 2021. COURTESY OF QAGOMA. PHOTO: BRAD WAGNER https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/83ba60be-25cb-4963-a7aa-0db0e99f863f/Meehan2.jpg Issue 340 Spring 2024 8 KEEP THINKING: OLIVIA MEEHAN MAJID MIRMOHAMADI AND MAJID CARPETS, SAFAVID CHARBAGH CARPET, 2017. INSTALLATION VIEW, ‘GARDEN AT THE END OF TIME’, TIN SHEDS GALLERY, WARRANG/SYDNEY, 2024. COURTESY OF TIN SHEDS GALLERY. PHOTO: MAJA BASKA https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f3eede27-498a-4e55-b3e5-36ca9a284130/Chen-QAGOMA.jpg Issue 340 Spring 2024 9 CONTINUITY AND CHANGE: DOMINIQUE CHEN (GAMILAROI) CAROL MCGREGOR (WATHAURUNG), SKIN COUNTRY, 2018, DETAIL. COLLECTION OF QUEENSLAND ART GALLERY | GALLERY OF MODERN ART (QAGOMA). PURCHASED IN 2020 WITH FUNDS FROM CONSTANTINE CARIDES AND ELENE CARIDES IN MEMORY OF THEIR PARENTS KIRYACOS AND MARY CARIDES THROUGH THE QAGOMA FOUNDATION. © CAROL MCGREGOR https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/c23cb768-f3ea-448b-9215-296eb2ee746a/Sam-Jarman.jpg Issue 340 Spring 2024 10 ALL THE RAGE: SAMUEL TE KANI (NGAPUHI) ‘DEREK JARMAN: DELPHINIUM DAYS’, EXHIBITION INSTALLATION VIEW, GUS FISHER GALLERY, TAMAKI MAKAURAU/AUCKLAND, 2024. PHOTO: SAMUEL HARTNETT Please note macrons in the Te Reo Maori terms do not appear on this webpage. https://www.artmonthly.org.au/current daily 0.75 2024-12-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7ebc40fe-06e8-47ec-8547-e808e49c9dc9/AMA341+Summer+Front+Cover.jpg Current https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4658199e-9120-4091-b307-cafce69e3765/Opinion-Horizontal.jpg Current 1 PAINTING A PICTURE: ABDUL ABDULLAH, CHRISTOPHER BASSI, DEAN CROSS, GIAN MANIK, JELENA TELECKI, KHADIM ALI, LOUISE ZHANG, MARIKIT SANTIAGO AND PRUDENCE FLINT https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/4705cde1-108e-4a8b-bafb-4410e3ab916a/Mia+Boe.jpg Current 2 BACK TO THE FUTURE: MERRYANA SALEM (WONNARUA) MIA BOE, THE DESIGN, DETAIL, OIL AND ACRYLIC ON LINEN, 31 X 56 CM. COURTESY OF ROSLYN OXLEY9 GALLERY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/67e684d8-2f7c-4e30-a666-9d973274797e/Spread+4%E2%80%94Maria+Kozic+3.jpg Current 3 IN HER OWN IMAGE: ISABELLA TRIMBOLI MARIA KOZIC, MISS DECEMBER, 1999, SYNTHETIC POLYMER PAINT ON CANVAS, 123 X 214 CM. COURTESY OF THE ARTIST AND NEON PARC https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/f007989f-a744-4b8d-98af-d23e5ea523c8/Queenie+McKenzie.jpg Current 4 THE AFTERMATH: VISUALIZING GENOCIDE: STEPHEN GILCHRIST QUEENIE MCKENZIE, MISTAKE CREEK MASSACRE, 1997, DETAIL, EARTH PIGMENTS ON CANVAS, 121 X 91 X 2.8 CM. NATIONAL MUSEUM OF AUSTRALIA, KAMBERRI/CANBERRA, 2005.0102.0001. COURTESY OF THE NATIONAL MUSEUM OF AUSTRALIA. © QUEENIE MCKENZIE / COPYRIGHT AGENCY, 2024. https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/36bd6d11-227e-4deb-82f2-594ccd070bc6/VENETIAN-LARTER.jpg Current 5 THINKING OF DICKIE: EMMA BEER RICHARD LARTER, VENETIANS, 2013, DETAIL, CHROMA PAINTS AND VARNISH ON CANVAS, 60 X 45 CM. PHOTO: BENJAMIN SHINGLES https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/709c01d1-a8cf-4670-8dd4-2f6a5372ae84/Dale+Frank.jpg Current 6 DEAD ENDS AND EMPTY PROMISES: OSCAR CAPEZIO DALE FRANK, ‘THOSE EXCITED COLON POLYPS’, EXHIBITION INSTALLATION VIEW, NEON PARC, NAARM/MELBOURNE, 2024. COURTESY OF NEON PARC https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/561c5b9a-ab10-4d91-8bbe-7ea1ca241110/Spread+3%E2%80%94Kirsten+Hudson+2.JPG Current 7 TO SEE THE SEA: LARA CHAPMAN KIRSTEN HUDSON, ODE (AN ACKNOWLEDGMENT OF SEA COUNTRY), 2024, WORK-IN-PROGRESS CAMERA-LESS FILM STILL MADE WITH DIY BIO-PLASTIC CELLULOID CREATED FROM WHADJUK SEA COUNTRY AND MACROALGAE, DIY MACROALGAE, CEPHALOPOD INKS AND SEAWEED SUSTAINABLY FORAGED FROM WHADJUK COUNTRY SHORELINE, DIGITISED USING A DIY OPTICAL PRINTER. COURTESY OF THE ARTIST AND THE LAWRENCE WILSON ART GALLERY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/8adbba9b-dc49-4e0c-b768-5c277540b000/Spread+2%E2%80%94Eden+Race%2C+2021.jpg Current 8 RAISING THE GAME: JO BRAGG (NGĀTI POROU) ANTO YELDEZIAN, EDEN RACE, 2021, DETAIL. COURTESY OF THE ARTIST https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7daabc9a-ffc3-4821-bfb1-fae66a2e857f/Joan+Ross.jpg Current 9 CHANGING THE SUBJECT: SOPHIA HALLOWAY JOAN ROSS, VIEW OF MANLY, LAND OF THE TAME, 2021, HAND-COLOURED PIGMENT PRINT ON RAG PAPER, 49 X 69 CM. COURTESY OF THE ARTIST AND N.SMITH GALLERY https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/ff8ef444-7949-40c8-9cc2-c85425b4e84e/Spread+2%E2%80%94REKOSPECTIVE+The+Art+of+Reko+Rennie+-+Photo+Kate+Shanasy+%2836%29.jpg Current 10 AN ANCIENT SONG WILL HOLD YOU: DECLAN FRY REKO RENNIE, REGALIA (GOLD), 2013. INSTALLATION VIEW, ‘REKOSPECTIVE: THE ART OF REKO RENNIE’, THE NATIONAL GALLERY OF VICTORIA, NAARM/MELBOURNE, 2024–25. PHOTO: KATE SHANASy https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/7805db26-4d8d-402d-9751-79f6f38b484c/Spread+2%E2%80%93IMA_TheClumpedSpirit_installationview_20241024_jruckli_145.jpg Current - Make it stand out 11 OUT OF OFFICE: CALLUM MCGRATH JAMES BARTH, THE CLUMPED SPIRIT, 2024. INSTALLATION VIEW, ‘THE CLUMPED SPIRIT’, THE INSTITUTE OF MODERN ART, MEANJIN/BRISBANE, 2024. PHOTO: JOE RUCKLI. COURTESY OF THE INSTITUTE OF MODERN ART https://www.artmonthly.org.au/back-issues daily 0.75 2017-02-15 https://www.artmonthly.org.au/back-issues/quoted-postage monthly 0.5 2017-02-16 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1487202244135-J5B0UW4MBH11BOF6ZRQ9/Subs_Print_1500.jpg Back Issues - Quoted postage https://www.artmonthly.org.au/single-issue-purchase daily 0.75 2021-03-11 https://www.artmonthly.org.au/single-issue-purchase/single-article-pdf monthly 0.5 2024-06-05 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1652234842129-IT9JGR8718YJ4TKEIQ20/Art_Monthly_2022_046.jpg Single Issue purchase - Single Article PDF https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1525836975084-DMUEP29AMBNNZ9VOYTZ5/Screen+Shot+2018-05-09+at+1.33.03+pm.jpg Single Issue purchase - Single Article PDF https://www.artmonthly.org.au/single-issue-purchase/current-issue monthly 0.5 2024-12-10 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/604e9962-3a27-4ee5-a010-1beb4a0d1441/AMA_Facebook_1200x900px.jpeg Single Issue purchase - Current Issue 341 Summer 2024/25 https://www.artmonthly.org.au/print-sales daily 0.75 2018-07-11 https://www.artmonthly.org.au/print-sales/tony-coleing-japanese-scientific-experiment-1993-edition-of-99 monthly 0.5 2022-08-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1526349501495-F4VKQM248DBTSNV169H8/Tony%2BColeing%2BJapanese%2BScientific%2BExperiment%2B1993.JPG Print Sales - Tony Coleing https://www.artmonthly.org.au/print-sales/ex-de-medici-its-a-global-world-2008-edition-of-50 monthly 0.5 2025-05-14 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1526349814316-XQY740JRVFSRATS2QXG0/1504571460321.jpeg Print Sales - eX de Medici https://www.artmonthly.org.au/print-sales/geoffrey-ricardo-untitled-1994-edition-of-50 monthly 0.5 2025-05-14 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1534898211090-88XSKATI7KGZ0GUT2HWQ/G+Riccardo.JPG Print Sales - Geoffrey Ricardo https://www.artmonthly.org.au/print-sales/elisabeth-kruger-hung-and-drawn-and-1989-edition-of-99 monthly 0.5 2022-08-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1526349189090-RJFKUY958TQHLX011CLM/1504571460333.jpeg Print Sales - Elisabeth Kruger https://www.artmonthly.org.au/print-sales/richard-bell-nightscape-1992-edition-of-99 monthly 0.5 2022-08-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1526349118205-ZNYT061TYAG3QC2SC75Y/1504571460329.jpeg Print Sales - Richard Bell https://www.artmonthly.org.au/print-sales/mike-parr-the-wind-1993-edition-of-99 monthly 0.5 2024-12-11 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1526349084962-C6YJNIZYLAZYK85X1VLN/1504571460325.jpeg Print Sales - Mike Parr https://www.artmonthly.org.au/print-sales/vernon-ah-kee-gaze-2012-edition-of-30 monthly 0.5 2022-08-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532671564789-3OS4REMAS1089S7TI08S/1504571460318.jpeg Print Sales - Vernon Ah Kee https://www.artmonthly.org.au/print-sales/g-w-bot-treaty-glyphs-2013-edition-of-25 monthly 0.5 2022-08-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1532671533017-QM08MTIO7IL5PNAEA8F2/1504571460313.png Print Sales - G. W. Bot https://www.artmonthly.org.au/print-sales/pair-ruth-waller-1996 monthly 0.5 2022-08-18 https://images.squarespace-cdn.com/content/v1/56b18de945bf2166272994ac/1524024807136-NG4IV7AWZ4MUDJK98D1T/waller.web.300.jpg Print Sales - Ruth Waller https://www.artmonthly.org.au/donation daily 0.75 2018-05-15