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November 2017 Issue 303

  1 Dispatches: Andrew Stephens   Paul Uhlmann,  Batavia skull (camera obscura II) , 2015, photo-print on aluminium, 15 x 12cm; image courtesy the artist

1 Dispatches: Andrew Stephens

Paul Uhlmann, Batavia skull (camera obscura II), 2015, photo-print on aluminium, 15 x 12cm; image courtesy the artist

  2 October in The Galleries: Chloé Wolifson    Parallel Park, In Time , 2017, performance installation; image courtesy Outer Space; photo: Llewellyn Millhouse

2 October in The Galleries: Chloé Wolifson

Parallel Park, In Time, 2017, performance installation; image courtesy Outer Space; photo: Llewellyn Millhouse

  3 Towards an idea of the 'West': Sally Quin,  Perth    Susanna Castleden,  Globe Ball , 2013, maps, exercise ball, varnish, 65 x 65 x 65cm; image courtesy the artist; photo: Robert Frith at Acorn

3 Towards an idea of the 'West': Sally Quin, Perth

Susanna Castleden, Globe Ball, 2013, maps, exercise ball, varnish, 65 x 65 x 65cm; image courtesy the artist; photo: Robert Frith at Acorn

  4 'Yolngu and Martu coming together': Curtis Taylor and 'In Cahoots': Sheridan Coleman,  Perth    Fire from Martu  burning Country , east of Parnngurr Community, 2017; image courtesy the artists and Fremantle Arts Centre; photo: Curtis Taylor

4 'Yolngu and Martu coming together': Curtis Taylor and 'In Cahoots': Sheridan Coleman, Perth

Fire from Martu burning Country, east of Parnngurr Community, 2017; image courtesy the artists and Fremantle Arts Centre; photo: Curtis Taylor

  5 'Absolute Zest': Eight Years of the Schenberg Fellowship: Ted Snell,  Perth    Shan Turner-Carroll, from the 2012 series ‘Primal Crowns’; image courtesy the artist

5 'Absolute Zest': Eight Years of the Schenberg Fellowship: Ted Snell, Perth

Shan Turner-Carroll, from the 2012 series ‘Primal Crowns’; image courtesy the artist

  6 Artists Pages: Ian Strange 'ISLAND'   Ian Strange,  ‘RUN’,  2017, archival photographic print, 119 x 153cm; image courtesy the artist

6 Artists Pages: Ian Strange 'ISLAND'

Ian Strange, ‘RUN’, 2017, archival photographic print, 119 x 153cm; image courtesy the artist

  7 Independence, space and art: Jason Wee and Grace Samboh in Conversation   The Free and the Brave: Artist-Initiated Spaces and Platforms, Southeast Asia Forum at Marina Bay Sands for Art Stage Singapore, 12 January 2017, with (from left): Nathalie Johnston, Norberto ‘Peewee’ Roldan, Grace Samboh, Jason Wee and Chuong-Đài Võ; image courtesy Art Stage Singapore

7 Independence, space and art: Jason Wee and Grace Samboh in Conversation

The Free and the Brave: Artist-Initiated Spaces and Platforms, Southeast Asia Forum at Marina Bay Sands for Art Stage Singapore, 12 January 2017, with (from left): Nathalie Johnston, Norberto ‘Peewee’ Roldan, Grace Samboh, Jason Wee and Chuong-Đài Võ; image courtesy Art Stage Singapore

  8 Tom Nicholson's Historical Reckoning: Sophie Knezic,  Melbourne    Tom Nicholson,  I was born in Indonesia , exhibition installation views, the Ian Potter Museum of Art, Melbourne, 2017; images courtesy the artist and Milani Gallery, Brisbane; photos: Christian Capurro

8 Tom Nicholson's Historical Reckoning: Sophie Knezic, Melbourne

Tom Nicholson, I was born in Indonesia, exhibition installation views, the Ian Potter Museum of Art, Melbourne, 2017; images courtesy the artist and Milani Gallery, Brisbane; photos: Christian Capurro

  9 Curating Community: 'Good Neighbours' at Artbank: Elizabeth Reidy, Sydney    Good Neighbours , exhibition installation views, Artbank, Sydney, 2017; images courtesy Artbank; photos: Document Photography

9 Curating Community: 'Good Neighbours' at Artbank: Elizabeth Reidy, Sydney

Good Neighbours, exhibition installation views, Artbank, Sydney, 2017; images courtesy Artbank; photos: Document Photography

  10 Utopianism and us: 'Call of the Avant-Garde' at heide: Alison Carroll,  Melbourne    Call of the Avant-Garde: Constructivism and Australia Art, exhibition installation views, Heide Museum of Modern Art, Melbourne, 2017; photos: Christian Capurro

10 Utopianism and us: 'Call of the Avant-Garde' at heide: Alison Carroll, Melbourne

Call of the Avant-Garde: Constructivism and Australia Art, exhibition installation views, Heide Museum of Modern Art, Melbourne, 2017; photos: Christian Capurro

  11 Curating Histories: 'Red Green Blue' at Griffith: Ellie Buttrose,  Brisbane    Troy Innocent and Dale Nason,  Cyber Dada  Manifesto, 1990, still from video, 5 mins 48 secs duration; image courtesy the artists

11 Curating Histories: 'Red Green Blue' at Griffith: Ellie Buttrose, Brisbane

Troy Innocent and Dale Nason, Cyber Dada Manifesto, 1990, still from video, 5 mins 48 secs duration; image courtesy the artists