April 2017 Issue 297

  1 Dispatches: Glass act: Andrew Stephens   Lisa Cahill,  Road trip series #2, Rain on the Hume,  2016, kiln-formed glass with ceramic decals, nine parts, 65 x 88 x 2cm overall; collection the artist; © the artist; photo: Greg Piper

1 Dispatches: Glass act: Andrew Stephens

Lisa Cahill, Road trip series #2, Rain on the Hume, 2016, kiln-formed glass with ceramic decals, nine parts, 65 x 88 x 2cm overall; collection the artist; © the artist; photo: Greg Piper

  2 Subcontinental shifts: The 9th India Art Fair: Sebastian Goldspink,  New Delhi    Reena Saini Kallat,  Woven Chronicle,  2011–16, installation view, 9th Art Fair India, New Delhi, 2017; photo: © Andy Barnham

2 Subcontinental shifts: The 9th India Art Fair: Sebastian Goldspink, New Delhi

Reena Saini Kallat, Woven Chronicle, 2011–16, installation view, 9th Art Fair India, New Delhi, 2017; photo: © Andy Barnham

  3 Carpark chic: Art Fair Philippines 2017: Chloé Wolifson,  Manila    Maria Jeona Zoleta,  Forced Farts, Cartoon Pain and Daddy Issues Or Accident By Voodoo while I Masturbate Underwater with My Adult Diaper Rash until Hell Freezes Over is a Freak Show,  2017, installation view, 5th Art Fair Philippines, Manila, February 2017; image courtesy Art Fair Philippines

3 Carpark chic: Art Fair Philippines 2017: Chloé Wolifson, Manila

Maria Jeona Zoleta, Forced Farts, Cartoon Pain and Daddy Issues Or Accident By Voodoo while I Masturbate Underwater with My Adult Diaper Rash until Hell Freezes Over is a Freak Show, 2017, installation view, 5th Art Fair Philippines, Manila, February 2017; image courtesy Art Fair Philippines

  4 Chang sae Tang: The material conditions of the archive: Clare Veal,  Singapore    Works by Tang Chang displayed outside the Tang Chang Private Museum, Nakhon Pathom, during the collection survey, 2015; left to right:  Untitled (10),  n.d., oil on canvas, 207 x 245cm;  Untitled (2),  1969, oil on canvas with impasto medium, 246 x 208cm;  Untitled (1),  1969, oil on canvas with impasto medium, 208 x 244cm; and  Untitled (11),  n.d., oil on canvas, with impasto medium, 245 x 108.5cm

4 Chang sae Tang: The material conditions of the archive: Clare Veal, Singapore

Works by Tang Chang displayed outside the Tang Chang Private Museum, Nakhon Pathom, during the collection survey, 2015; left to right: Untitled (10), n.d., oil on canvas, 207 x 245cm; Untitled (2), 1969, oil on canvas with impasto medium, 246 x 208cm; Untitled (1), 1969, oil on canvas with impasto medium, 208 x 244cm; and Untitled (11), n.d., oil on canvas, with impasto medium, 245 x 108.5cm

  5 Alex Martinis Roe: Recovering feminism’s past: Macushla Robinson,  New York    Alex Martinis Roe,  It was about opening the very notion that there was a particular perspective,  2015–17, source image; 3-channel video installation: 2 channels digital video, high definition, colour, sound; 1 channel digital video transferred from 16mm film, standard definition, colour, sound; powder-coated aluminium, wood panels, projection foils, books and archival materials, framed A1 offset printed poster; image courtesy and © Margot Nash

5 Alex Martinis Roe: Recovering feminism’s past: Macushla Robinson, New York

Alex Martinis Roe, It was about opening the very notion that there was a particular perspective, 2015–17, source image; 3-channel video installation:
2 channels digital video, high definition, colour, sound; 1 channel digital video transferred from 16mm film, standard definition, colour, sound; powder-coated aluminium, wood panels, projection foils, books and archival materials, framed A1 offset printed poster; image courtesy and © Margot Nash

  6 On the crest: 40 years of the ANU School of Art: Yolande Norris,  Canberra    The ANU School of Art illuminated in rainbow colours in solidarity for the victims of the Orlando nightclub shooting, June 2016; photo: Denise Ferris

6 On the crest: 40 years of the ANU School of Art: Yolande Norris, Canberra

The ANU School of Art illuminated in rainbow colours in solidarity for the victims of the Orlando nightclub shooting, June 2016; photo: Denise Ferris

  7 Teaching tomorrow’s artists in a changing world: A roundtable   Students working in the studios of the National Art School (NAS), Sydney, 2016; images courtesy NAS and Zan Wimberley; photos: Zan Wimberley

7 Teaching tomorrow’s artists in a changing world: A roundtable

Students working in the studios of the National Art School (NAS), Sydney, 2016; images courtesy NAS and Zan Wimberley; photos: Zan Wimberley

  8 Kirstie Rea: Glass alchemies: Zsuzsi Soboslay,  Canberra    Kirstie Rea,  Balancing the blades,  2004, kiln-formed, wheel-cut glass, 110 x 120 x 37cm; National Gallery of Australia, Canberra, purchased 2004

8 Kirstie Rea: Glass alchemies: Zsuzsi Soboslay, Canberra

Kirstie Rea, Balancing the blades, 2004, kiln-formed, wheel-cut glass, 110 x 120 x 37cm; National Gallery of Australia, Canberra, purchased 2004

  9 Toba Khedoori: Tracing time Gary Dufour,  Los Angeles     Toba Khedoori,  exhibition installation view, Los Angeles County Museum of Art, 2016–17, with (from left):  Untitled (white fireplace),  2005, and  Untitled (black fireplace),  2006; © Toba Khedoori: photo: © Fredrik Nilsen

9 Toba Khedoori: Tracing time Gary Dufour, Los Angeles

Toba Khedoori, exhibition installation view, Los Angeles County Museum of Art, 2016–17, with (from left): Untitled (white fireplace), 2005, and Untitled (black fireplace), 2006; © Toba Khedoori: photo: © Fredrik Nilsen

  10 The Museum of Modern Love: Heather Rose   Excerpt from  The Museum of Modern Love  by Heather Rose; Allen & Unwin, Sydney, Melbourne, Auckland and London, 2016, 284 pages, AU$27.99

10 The Museum of Modern Love: Heather Rose

Excerpt from The Museum of Modern Love by Heather Rose; Allen & Unwin, Sydney, Melbourne, Auckland and London, 2016, 284 pages, AU$27.99

  11 Running to-and-fro: Terry Smith’s  Talking Contemporary Curating:  Sophie Knezic   Terry Smith,  Talking Contemporary Curating,  from the ‘Perspectives in Curating’ series; Independent Curators International, New York, 2015, 344 pages, US$19.95

11 Running to-and-fro: Terry Smith’s Talking Contemporary Curating: Sophie Knezic

Terry Smith, Talking Contemporary Curating, from the ‘Perspectives in Curating’ series; Independent Curators International, New York, 2015, 344 pages, US$19.95

  12 Modernism in motion: Peter Pinson’s  Gerald Lewers Sculptor:  Ken Scarlett   Peter Pinson,  Gerald Lewers Sculptor , Phillip Mathews Book Publishers, Sydney, 2016, 83 pages, AU$40

12 Modernism in motion: Peter Pinson’s Gerald Lewers Sculptor: Ken Scarlett

Peter Pinson, Gerald Lewers Sculptor, Phillip Mathews Book Publishers, Sydney, 2016, 83 pages, AU$40