Art Monthly Australasia-Issue 280 June 2015

June 2015 Issue 280

1 Dispatches: gabriella coslovichArtspace, sydney; image courtesy artspace and dunn & hillam architects; photo: brett boardman — **1 Dispatches: gabriella coslovich**
Artspace, sydney; image courtesy artspace and dunn & hillam architects; photo: brett boardman

2 On audiences, artists and connectivity: A NSW roundtable: Michael FitzgeraldFrom left: Michael Dagostino, Brett Adlington, Elizabeth Ann Macgregor, Lisa Havilah, Suhanya Raffel and Talia Linz at Carriageworks, Sydney, 22 April 2015; image courtesy… — **2 On audiences, artists and connectivity: A NSW roundtable: Michael Fitzgerald**
From left: Michael Dagostino, Brett Adlington, Elizabeth Ann Macgregor, Lisa Havilah, Suhanya Raffel and Talia Linz at Carriageworks, Sydney, 22 April 2015; image courtesy and © Bob Newman

3 reflections on the ‘regional’: joe eisenberg in conversation: anna waldmannjoe eisenberg at his ‘director’s choice’ exhibition, maitland regional art gallery (mrag), 2014; image courtesy the maitland mercury; photo: stuart scott — **3 reflections on the ‘regional’: joe eisenberg in conversation: anna waldmann**
joe eisenberg at his ‘director’s choice’ exhibition, maitland regional art gallery (mrag), 2014; image courtesy *the maitland mercury*; photo: stuart scott

4 channelling a chameleon: ‘bungaree: the first australian’: larissa behrendtkarla dickens, life like liquid, 2015, video still; image courtesy the artist and mosman art gallery, sydney — **4 channelling a chameleon: ‘bungaree: the first australian’: larissa behrendt**
karla dickens, *life like liquid*, 2015, video still; image courtesy the artist and mosman art gallery, sydney

5 a total creative force: the ‘sydney 6’: christine francemargo lewers, orange with white, 1971, plexiglass construction, 31 x 51.5 x 12.3cm; collection penrith regional gallery & the lewers bequest collection, gift of tanya crothers and darani … — **5 a total creative force: the ‘sydney 6’: christine france**
margo lewers, *orange with white*, 1971, plexiglass construction, 31 x 51.5 x 12.3cm; collection penrith regional gallery & the lewers bequest collection, gift of tanya crothers and darani lewers 1979

6 an untold story: how three artistic couples became the ‘sydney 6’: cassi platecarl and jocelyn plate, 1946; image courtesy cassi plate — **6 an untold story: how three artistic couples became the ‘sydney 6’: cassi plate**
carl and jocelyn plate, 1946; image courtesy cassi plate

7 the big picture: locust joneslocust jones, several months in the life of the world, 2015, detail; ink, pencil, oil and pigment on paper (saunders waterford 300gsm), 150 x 1000cm; image courtesy the artist and dominik mersch gallery, sydney, and ka… — **7 the big picture: locust jones**
locust jones, *several months in the life of the world*, 2015, detail; ink, pencil, oil and pigment on paper (saunders waterford 300gsm), 150 x 1000cm; image courtesy the artist and dominik mersch gallery, sydney, and karen woodbury gallery, melbourne; photo: silversalt

8 nigel milsom: surface tension: rachel kentnigel milsom, judo house part 6 (the white bird), 2014-15, oil on linen, 230 x 195cm, yuill/crowley, sydney; image courtesy the artist and yuill/crowley, sydney — **8 nigel milsom: surface tension: rachel kent**
nigel milsom, *judo house part 6 (the white bird)*, 2014-15, oil on linen, 230 x 195cm, yuill/crowley, sydney; image courtesy the artist and yuill/crowley, sydney

9 the elephant in the room: uses and misuses of animals in curatorial practice: janine burkeanastasia klose, the farnsworth series, 2014, detail; mixed-media, dimensions variable; image courtesy the artist and tolarno galleries, melbourne — **9 the elephant in the room: uses and misuses of animals in curatorial practice: janine burke**
anastasia klose, *the farnsworth series*, 2014, detail; mixed-media, dimensions variable; image courtesy the artist and tolarno galleries, melbourne

10 dark poet: trent parke’s ‘the black rose’: pedro de almeidatrent parke, cemetery, adelaide, 2007; © trent parke/magnum photos — **10 dark poet: trent parke’s ‘the black rose’: pedro de almeida**
trent parke, *cemetery, adelaide*, 2007; © trent parke/magnum photos

11 Margaret west 1936-2014: eva czernis-rylmargaret west, august 2011; image courtesy vincent west — **11 Margaret west 1936-2014: eva czernis-ryl**
margaret west, august 2011; image courtesy vincent west

12 vernon treweeke 1939-2015: rhonda davisEffy Alexakis, vernon treweeke, 2014, digital photograph; image courtesy the artist and the estate of vernon treweeke — **12 vernon treweeke 1939-2015: rhonda davis**
Effy Alexakis, *vernon treweeke*, 2014, digital photograph; image courtesy the artist and the estate of vernon treweeke

13 Betty Churcher 1931-2015: alan dodgebetty churcher, 2008; photo: adam knott — **13 Betty Churcher 1931-2015: alan dodge**
betty churcher, 2008; photo: adam knott

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.

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