November 2018 Issue 312
1 Dispatches: Andrew Stephens
May Gibbs, Eucalyptus Ficifolia (Red flowering gum), 1902, watercolour on cardboard, 30.6 x 23.4cm; State Art Collection, Art Gallery of Western Australia, Perth, purchased 1975; © The Northcott Society and Cerebral Palsy Alliance 2018; photo: Bo Wong
2 Notes from the field: Chloé Wolifson
Min Wong, It’s party time, 2018, digital print on stainless steel mirror, 100 x 100cm; image courtesy the artist and Hugo Michell Gallery, Adelaide; photo: Grant Hancock
3 on the precipice of change: Jane howard, Adelaide
Waqt al-tagheer: Time of change, exhibition installation view, ACE Open, Adelaide, 3 March – 21 April 2018, featuring a detail of: Abdul-Rahman Abdullah, 500 Books, 2018, carved wood, oil paint, aluminium leaf, 95 x 110 x 115cm; courtesy the artist and Moore Contemporary, Perth; photo: Sam Roberts Photography
4 Interior outlook: Gerry Wedd in conversation with Liz Nowell
Gerry Wedd, SONGS FOR A ROOM, 2018, installation views, ACE Open, Adelaide, 2018; glazed ceramic, dimensions variable; images courtesy the artist; photos: Sam Roberts Photography
5 Adelaide contemporary: a new-ish proposition: wendy walker, Adelaide
Diller Scofidio + Renfro and Woods Bagot, Adelaide Contemporary, North Terrace frontage, concept design, 2018; image courtesy Diller Scofidio + Renfro and Woods Bagot, New York and Adelaide, and Malcolm Reading Consultants, London
6 Sight Seeing: Anna Zagala, Adelaide
Molly Reynolds & Rolf de Heer: The Waiting Room, 2018, installation view, the Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, 2018; image courtesy the Anne & Gordon Samstag Museum of Art, Adelaide; photo: Sam Noonan
7 Kamak!: The mercurial art of john mawurndjul
John Mawurndjul, Ngalyod, c. 1981, earth pigments on stringybark (Eucalyptus tetrodonta), 120 x 61.5 x 30cm; Berndt Museum Collection, The University of Western Australia, Perth; © John Mawurndjul/Licensed by the Copyright Agency, 2018; photo: Berndt Museum
