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August 2018 Issue 309

1 Dispatches: Andrew Stephens   brook andrew, 2015: image courtesy the biennale of sydney; photo: trent walter

1 Dispatches: Andrew Stephens

brook andrew, 2015: image courtesy the biennale of sydney; photo: trent walter

2 notes from the field: Chloé Wolifson   danh vo,  dos xx ambar,  2016, dos xx ambar beer box found in mexico city, gilded in thailand, 50 x 140cm; image courtesy the artist, arndt art agency (a3), berlin, and kurimanzutto, mexico city

2 notes from the field: Chloé Wolifson

danh vo, dos xx ambar, 2016, dos xx ambar beer box found in mexico city, gilded in thailand, 50 x 140cm; image courtesy the artist, arndt art agency (a3), berlin, and kurimanzutto, mexico city

3 Curating 'from will to form': emily cormack in conversation with amita kirpalani   starlie geikie,  abri i , 2018, archival pigment inkjet print on hahnemühle photo rag, 74.5 x 111.8cm; image courtesy the artist

3 Curating 'from will to form': emily cormack in conversation with amita kirpalani

starlie geikie, abri i, 2018, archival pigment inkjet print on hahnemühle photo rag, 74.5 x 111.8cm; image courtesy the artist

4 a celebration of life force: 'divided worlds': chris reid,  adelaide    emily floyd,  icelandic puffins,  2017, installation view, 'divided worlds', anne & gordon samstag museum of art, adelaide, 2018; photo: saul steed

4 a celebration of life force: 'divided worlds': chris reid, adelaide

emily floyd, icelandic puffins, 2017, installation view, 'divided worlds', anne & gordon samstag museum of art, adelaide, 2018; photo: saul steed

5 reorient: surveying a region in the 'apb foundation signature art prize 2018': tai mitsuji,  singapore    leung chi wo and sara wong,  he was lost yesterday and we found him today,  2015, detail from photographic series; image courtesy the artists and blindspot gallery, hong kong

5 reorient: surveying a region in the 'apb foundation signature art prize 2018': tai mitsuji, singapore

leung chi wo and sara wong, he was lost yesterday and we found him today, 2015, detail from photographic series; image courtesy the artists and blindspot gallery, hong kong

6 the dynamic terrain of the contemporary desert: kim mahood   kaylene whiskey work featured in the  desert mob  2017 exhibition, araluen arts centre: cultural precinct, alice springs, 2017; image courtesy araluen arts centre, alice springs

6 the dynamic terrain of the contemporary desert: kim mahood

kaylene whiskey work featured in the desert mob 2017 exhibition, araluen arts centre: cultural precinct, alice springs, 2017; image courtesy araluen arts centre, alice springs

7 eric bridgeman: 'kala büng (colours join together)'    eric bridgeman: my brother and the beast,  2018, exhibition installation view, gallerysmith, melbourne, 2018; image courtesy the artist and gallerysmith, melbourne; photos: ian hill

7 eric bridgeman: 'kala büng (colours join together)'

eric bridgeman: my brother and the beast, 2018, exhibition installation view, gallerysmith, melbourne, 2018; image courtesy the artist and gallerysmith, melbourne; photos: ian hill

8 action and re-action: peter maloney and 'missing in action': caren florance,  canberra     peter maloney: missing in action,  exhibition installation view, drill hall gallery, canberra, 2018: image courtesy the artist and utopia art sydney; photo: rob little, rldi

8 action and re-action: peter maloney and 'missing in action': caren florance, canberra

peter maloney: missing in action, exhibition installation view, drill hall gallery, canberra, 2018: image courtesy the artist and utopia art sydney; photo: rob little, rldi

9 polixeni papapetrou 1960-2018: natalie king    art monthly's  july 2008 cover featuring polixeni papapetrou,  olympia as lewis carroll's beatrice hatch before white cliffs,  2003, detail; type-C print

9 polixeni papapetrou 1960-2018: natalie king

art monthly's july 2008 cover featuring polixeni papapetrou, olympia as lewis carroll's beatrice hatch before white cliffs, 2003, detail; type-C print