AMA302_OCT_LG.jpg

October 2017 Issue 302

  1 Dispatches:  Andrew Stephens   Tjala Arts women's collaborative painting for the APY Art Centre Collective and Purple House Fundraiser auction in Adelaide on 15 October 2017; image courtesy the artists and Ernabella Arts, Pukatja

1 Dispatches:  Andrew Stephens

Tjala Arts women's collaborative painting for the APY Art Centre Collective and Purple House Fundraiser auction in Adelaide on 15 October 2017; image courtesy the artists and Ernabella Arts, Pukatja

  2 October in The Galleries, Chloé Wolifson   Caz Haswell, Drinker of White Wine, 2017, velvet, cotton and metallic thread, steel rod, 129 x 120cm; image courtesy the artist and Flinder's Street Gallery, Sydney

2 October in The Galleries, Chloé Wolifson

Caz Haswell, Drinker of White Wine, 2017, velvet, cotton and metallic thread, steel rod, 129 x 120cm; image courtesy the artist and Flinder's Street Gallery, Sydney

  3 THE intimacy of Shared Stories: A South Australian Roundtable, Liz Nowell, Adelaide   Ali Gumillya Baker, sovereignGODDESSnotdomestic #1, 2017, digital photograph on lightbox, 120 x 83cm; image courtesy the artist

3 THE intimacy of Shared Stories: A South Australian Roundtable, Liz Nowell, Adelaide

Ali Gumillya Baker, sovereignGODDESSnotdomestic #1, 2017, digital photograph on lightbox, 120 x 83cm; image courtesy the artist

  4 States of Commonality and correspondence: 'The Drawing Exchange,' Joe Frost, Adelaide   The Drawing Exchange, installation view with artist Liz Bradshaw, National Art School (NAS), Sydney, August 2017; Image courtesy NAS, Sydney: Steven Cavanagh

4 States of Commonality and correspondence: 'The Drawing Exchange,' Joe Frost, Adelaide

The Drawing Exchange, installation view with artist Liz Bradshaw, National Art School (NAS), Sydney, August 2017; Image courtesy NAS, Sydney: Steven Cavanagh

  5 Every Face has a Story, Every Story has a Face: Kulila! Marlene Rubuntja, Larapinta   Trudy Inkamala, Roxanne Petrick, Dulcie Raggett, Marlene Rubuntja, Rosabella Ryder, Dulcie Sharpe, Roxanne Sharpe and Valerie Stafford, Every Face has a Story, Every Story has a Face: Kulila! 2016, 9-piece soft sculpture, 228 x 120 x 100cm; Art Gallery of South Australia; image courtesy the artists and Yarrenyty Altere Artists, Larapinta

5 Every Face has a Story, Every Story has a Face: Kulila! Marlene Rubuntja, Larapinta

Trudy Inkamala, Roxanne Petrick, Dulcie Raggett, Marlene Rubuntja, Rosabella Ryder, Dulcie Sharpe, Roxanne Sharpe and Valerie Stafford, Every Face has a Story, Every Story has a Face: Kulila! 2016, 9-piece soft sculpture, 228 x 120 x 100cm; Art Gallery of South Australia; image courtesy the artists and Yarrenyty Altere Artists, Larapinta

  6 Clay Bosses: Indigenous Potters at the JamFactory, Hannah Kothe, Pukatja   Derek Jungarrayi Thompson in the Studio; iage courtesy the artist and ernabella Arts, Pukatja

6 Clay Bosses: Indigenous Potters at the JamFactory, Hannah Kothe, Pukatja

Derek Jungarrayi Thompson in the Studio; iage courtesy the artist and ernabella Arts, Pukatja

  7 Pepai Jangala Carroll's Journey Home, Luke Scholes, Walungurru   Pepai Jengala Carroll, Mu Mu, 2017, synthetic polymer paint on linen, 175 x 280cm; image courtesy theartist and Ernabella Arts, Pukatja; photo: Rhett Hammerton

7 Pepai Jangala Carroll's Journey Home, Luke Scholes, Walungurru

Pepai Jengala Carroll, Mu Mu, 2017, synthetic polymer paint on linen, 175 x 280cm; image courtesy theartist and Ernabella Arts, Pukatja; photo: Rhett Hammerton

  8 Hossein Valamanesh: in his Mother's hands, Andrew Purvis, Adelaide   Hossein Valamanesh, Passing Time, 2011, MDF, MONITOR AND Media Player, 61 x 52 x 52cm, 4 minute loop; image courtesy the artist and GAGPROJECTS, Adelaide; Photo: M. Kluvenek

8 Hossein Valamanesh: in his Mother's hands, Andrew Purvis, Adelaide

Hossein Valamanesh, Passing Time, 2011, MDF, MONITOR AND Media Player, 61 x 52 x 52cm, 4 minute loop; image courtesy the artist and GAGPROJECTS, Adelaide; Photo: M. Kluvenek

  9 Making   a Splash: 'Skulptur Projecte Münster 2017,' En Young Ahn, Münster   Nicole Eisenman, Sketch for a Fountain, 2017, installation view, 'Skulptur Projekte Münster 2017', 2017; Bronze, plaster, basin; Photo: En Young Ahn

9 Making a Splash: 'Skulptur Projecte Münster 2017,' En Young Ahn, Münster

Nicole Eisenman, Sketch for a Fountain, 2017, installation view, 'Skulptur Projekte Münster 2017', 2017; Bronze, plaster, basin; Photo: En Young Ahn

  10 Solidarity: live your greece myth, Audrey Schmidt, Athens and Greece   Gordon Hookey, Solidarity, 2017, installation view, 'documenta 14', Athens School of Fine Art, 2017; acrylic paint on concrete; image courtesy and © Gordon Hookey/VG Bild-Kunst, Bonn 2017; Photo: Stathis Mamalakis

10 Solidarity: live your greece myth, Audrey Schmidt, Athens and Greece

Gordon Hookey, Solidarity, 2017, installation view, 'documenta 14', Athens School of Fine Art, 2017; acrylic paint on concrete; image courtesy and © Gordon Hookey/VG Bild-Kunst, Bonn 2017; Photo: Stathis Mamalakis

  11 Venice 2017: The Good, the Bad and the Ugly  , Janis Lejins, Venice   Eliza Douglas in Anne Imhof, Faust, 2017; installation view, German Pavillion, 57th Venice Biennale, 2017; image courtesy the artist and the german pavillion 2017; photo and © Nadine Fraczhowski

11 Venice 2017: The Good, the Bad and the Ugly, Janis Lejins, Venice

Eliza Douglas in Anne Imhof, Faust, 2017; installation view, German Pavillion, 57th Venice Biennale, 2017; image courtesy the artist and the german pavillion 2017; photo and © Nadine Fraczhowski

  12 Tribute: Sydney Ball 1933-2017, Anne Lozley   Sydney Ball with Zonal Turn, 1969; image courtesy the estate of Sydney Ball and Sullivan+Strumpf, Sydney and Singapore

12 Tribute: Sydney Ball 1933-2017, Anne Lozley

Sydney Ball with Zonal Turn, 1969; image courtesy the estate of Sydney Ball and Sullivan+Strumpf, Sydney and Singapore