1 ‘Small enough to be agile’: A South Australian roundtable: WENDY WALKER   Australian Experimental Art Foundation (AEAF), Lion Arts Centre, North Terrace, Adelaide; image courtesy AEAF,  Adelaide

1 ‘Small enough to be agile’: A South Australian roundtable: WENDY WALKER

Australian Experimental Art Foundation (AEAF), Lion Arts Centre, North Terrace, Adelaide; image courtesy AEAF, Adelaide

  2 A coming forth on Kaurna land: NICI CUMPSTON   Yhonnie Scarce on Tjarutja country at Taranaki bomb site Maralinga, South Australia; image courtesy the artist and the Art Gallery of South Australia,  Adelaide ; photo: Janelle Low, 2015

2 A coming forth on Kaurna land: NICI CUMPSTON

Yhonnie Scarce on Tjarutja country at Taranaki bomb site Maralinga, South Australia; image courtesy the artist and the Art Gallery of South Australia, Adelaide; photo: Janelle Low, 2015

  3 Lawrence Daws: Gondwana dreaming: JOHN NEYLON   Lawrence Daws,  Glasshouse Mountains with Poinciana , 2012, oil on canvas, 100 x 120cm; image courtesy the artist and Philip Bacon Galleries,  Brisbane

3 Lawrence Daws: Gondwana dreaming: JOHN NEYLON

Lawrence Daws, Glasshouse Mountains with Poinciana, 2012, oil on canvas, 100 x 120cm; image courtesy the artist and Philip Bacon Galleries, Brisbane

  4 Michelle Nikou: In the evening there is feeling: ELLE FREAK   Michelle Nikou,  Spoons , 2000, cast lead, 22 x 72 x 4cm (approx.); image courtesy the artist and Darren Knight Gallery,  Sydney

4 Michelle Nikou: In the evening there is feeling: ELLE FREAK

Michelle Nikou, Spoons, 2000, cast lead, 22 x 72 x 4cm (approx.); image courtesy the artist and Darren Knight Gallery, Sydney

  5 On the edge of the unknown: ‘Believe not every spirit, but try the spirits’: JENNY MCFARLANE    Believe not every spirit, but try the spirits , 2015, exhibition view with Georgiana Houghton watercolours, Monash University Museum of Art, Melbourne; image courtesy the Victorian Spiritualists’ Union; photo: Zan Wimberley

5 On the edge of the unknown: ‘Believe not every spirit, but try the spirits’: JENNY MCFARLANE

Believe not every spirit, but try the spirits, 2015, exhibition view with Georgiana Houghton watercolours, Monash University Museum of Art, Melbourne; image courtesy the Victorian Spiritualists’ Union; photo: Zan Wimberley

  6 Lee Ufan: Close encounters with nothingness: PATRICK HUTCHINGS   Lee Ufan,  Dialogue , 2009, oil and mineral pigment on canvas; image courtesy the Fukutake Foundation; photo: Tadasu Yamamoto

6 Lee Ufan: Close encounters with nothingness: PATRICK HUTCHINGS

Lee Ufan, Dialogue, 2009, oil and mineral pigment on canvas; image courtesy the Fukutake Foundation; photo: Tadasu Yamamoto

  7 Greg Semu: Bridging the gap: RACHAEL VANCE   Greg Semu,  Earning my Stripes #1 , 2015, pigment print on Hahnemühle Photo Baryta, edition of 10, 100 x 133.4cm; © the artist and Alcaston Gallery, Melbourne, 2015

7 Greg Semu: Bridging the gap: RACHAEL VANCE

Greg Semu, Earning my Stripes #1, 2015, pigment print on Hahnemühle Photo Baryta, edition of 10, 100 x 133.4cm; © the artist and Alcaston Gallery, Melbourne, 2015

  8 Mirdidingkingathi Juwarnda (Mrs Gabori) c. 1924–2015: BRUCE MCLEAN   Mirdidingkingathi Juwarnda (Mrs Gabori), Dibirdibi Country, 2012, synthetic polymer paint on linen, 121 x 484cm (four panels); Collection Queensland Art Gallery/Gallery of Modern Art, Brisbane; © estate of the artist, Mornington Island Art and Alcaston Gallery, Melbourne

8 Mirdidingkingathi Juwarnda (Mrs Gabori) c. 1924–2015: BRUCE MCLEAN

Mirdidingkingathi Juwarnda (Mrs Gabori), Dibirdibi Country, 2012, synthetic polymer paint on linen, 121 x 484cm (four panels); Collection Queensland Art Gallery/Gallery of Modern Art, Brisbane; © estate of the artist, Mornington Island Art and Alcaston Gallery, Melbourne