Art Monthly Australasia-Issue 283 September 2015

1 ‘Small enough to be agile’: A South Australian roundtable: WENDY WALKERAustralian Experimental Art Foundation (AEAF), Lion Arts Centre, North Terrace, Adelaide; image courtesy AEAF, Adelaide — **1 ‘Small enough to be agile’: A South Australian roundtable: WENDY WALKER**
Australian Experimental Art Foundation (AEAF), Lion Arts Centre, North Terrace, Adelaide; image courtesy AEAF, *Adelaide*

2 A coming forth on Kaurna land: NICI CUMPSTONYhonnie Scarce on Tjarutja country at Taranaki bomb site Maralinga, South Australia; image courtesy the artist and the Art Gallery of South Australia, Adelaide; photo: Janelle Low, 2015 — **2 A coming forth on Kaurna land: NICI CUMPSTON**
Yhonnie Scarce on Tjarutja country at Taranaki bomb site Maralinga, South Australia; image courtesy the artist and the Art Gallery of South Australia, *Adelaide*; photo: Janelle Low, 2015

3 Lawrence Daws: Gondwana dreaming: JOHN NEYLONLawrence Daws, Glasshouse Mountains with Poinciana, 2012, oil on canvas, 100 x 120cm; image courtesy the artist and Philip Bacon Galleries, Brisbane — **3 Lawrence Daws: Gondwana dreaming: JOHN NEYLON**
Lawrence Daws, *Glasshouse Mountains with Poinciana*, 2012, oil on canvas, 100 x 120cm; image courtesy the artist and Philip Bacon Galleries, *Brisbane*

4 Michelle Nikou: In the evening there is feeling: ELLE FREAKMichelle Nikou, Spoons, 2000, cast lead, 22 x 72 x 4cm (approx.); image courtesy the artist and Darren Knight Gallery, Sydney — **4 Michelle Nikou: In the evening there is feeling: ELLE FREAK**
Michelle Nikou, *Spoons*, 2000, cast lead, 22 x 72 x 4cm (approx.); image courtesy the artist and Darren Knight Gallery, *Sydney*

5 On the edge of the unknown: ‘Believe not every spirit, but try the spirits’: JENNY MCFARLANEBelieve not every spirit, but try the spirits, 2015, exhibition view with Georgiana Houghton watercolours, Monash University Museum of Art, Melbourne; imag… — **5 On the edge of the unknown: ‘Believe not every spirit, but try the spirits’: JENNY MCFARLANE**
*Believe not every spirit, but try the spirits*, 2015, exhibition view with Georgiana Houghton watercolours, Monash University Museum of Art, Melbourne; image courtesy the Victorian Spiritualists’ Union; photo: Zan Wimberley

6 Lee Ufan: Close encounters with nothingness: PATRICK HUTCHINGSLee Ufan, Dialogue, 2009, oil and mineral pigment on canvas; image courtesy the Fukutake Foundation; photo: Tadasu Yamamoto — **6 Lee Ufan: Close encounters with nothingness: PATRICK HUTCHINGS**
Lee Ufan, *Dialogue*, 2009, oil and mineral pigment on canvas; image courtesy the Fukutake Foundation; photo: Tadasu Yamamoto

7 Greg Semu: Bridging the gap: RACHAEL VANCEGreg Semu, Earning my Stripes #1, 2015, pigment print on Hahnemühle Photo Baryta, edition of 10, 100 x 133.4cm; © the artist and Alcaston Gallery, Melbourne, 2015 — **7 Greg Semu: Bridging the gap: RACHAEL VANCE**
Greg Semu, *Earning my Stripes #1*, 2015, pigment print on Hahnemühle Photo Baryta, edition of 10, 100 x 133.4cm; © the artist and Alcaston Gallery, Melbourne, 2015

8 Mirdidingkingathi Juwarnda (Mrs Gabori) c. 1924–2015: BRUCE MCLEANMirdidingkingathi Juwarnda (Mrs Gabori), Dibirdibi Country, 2012, synthetic polymer paint on linen, 121 x 484cm (four panels); Collection Queensland Art Gallery/Gallery of Modern Ar… — **8 Mirdidingkingathi Juwarnda (Mrs Gabori) c. 1924–2015: BRUCE MCLEAN**
Mirdidingkingathi Juwarnda (Mrs Gabori), Dibirdibi Country, 2012, synthetic polymer paint on linen, 121 x 484cm (four panels); Collection Queensland Art Gallery/Gallery of Modern Art, Brisbane; © estate of the artist, Mornington Island Art and Alcaston Gallery, Melbourne

Art Monthly Australasia

Art Monthly Australasia is Australasia’s flagship visual arts publication, providing a critical platform for its artists. Published since 1987 under six full-time editors (Peter Townsend, Peter Timms, Philippa Kelly, Deborah Clark, Maurice O’Riordan and, from 2014, Michael Fitzgerald), it is Australasia’s only monthly visual arts magazine placing visual arts in a contemporary, historical and regional context.

Based at the ANU School of Art in Canberra since 1992, Art Monthly Australasia is a non-profit charitable organisation whose income is derived from sales of the magazine, advertising, sponsorship and government funding. Its board comprises leaders in their fields of visual arts scholarship, practice and curating, along with business and finance.

Since 2015, Art Monthly has also fostered critical discourse across the Asia-Pacific region with a new International Council, which, along with increased participation at international art fairs and biennales, is helping to provide a meaningful new context for its artists.