1 Pushing boundaries: 25 years of ‘Desert Mob’ by Christopher Raja Irene Mpetyane Entata, Camel, 1995, hand-coiled and modelled terracotta with applied underglazes, 20 x 13cm, Araluen Art Collection, Alice Springs

1 Pushing boundaries: 25 years of ‘Desert Mob’ by Christopher Raja

Irene Mpetyane Entata, Camel, 1995, hand-coiled and modelled terracotta with applied underglazes, 20 x 13cm, Araluen Art Collection, Alice Springs

2 Alice or Taos: Two sides of the same coin by Rex Butler and A. D. S. Donaldson Photo courtesy and © Bob Newman

2 Alice or Taos: Two sides of the same coin by Rex Butler and A. D. S. Donaldson

Photo courtesy and © Bob Newman

3 Beauty and the burial of difference: The Yirrkala drawings by Darren Jorgensen Gumuk Gumana, Dhalwangu freshwater at Gängan, 1947, crayon on brown paper, 155 x 74cm; Berndt Museum, The University of Western Australia, Perth; © the estate of the artist

3 Beauty and the burial of difference: The Yirrkala drawings by Darren Jorgensen

Gumuk Gumana, Dhalwangu freshwater at Gängan, 1947, crayon on brown paper, 155 x 74cm; Berndt Museum, The University of Western Australia, Perth; © the estate of the artist

4 The Mulka Project: The whole picture by Wukun Wanambi with Henry Skerritt Images courtesy and © The Mulka Project, Yirrkala

4 The Mulka Project: The whole picture by Wukun Wanambi with Henry Skerritt

Images courtesy and © The Mulka Project, Yirrkala

5 A tale of two cities by Chayni Henry Chayni Henry, On Lebuh Pantai, 2015, watercolour on ivory board; image courtesy the artist

5 A tale of two cities by Chayni Henry

Chayni Henry, On Lebuh Pantai, 2015, watercolour on ivory board; image courtesy the artist

6 John R. Walker: The catching point by John Zubrzycki John R. Walker; image courtesy the artist and Utopia Art Sydney

6 John R. Walker: The catching point by John Zubrzycki

John R. Walker; image courtesy the artist and Utopia Art Sydney

7 ‘Things I Once Knew’: Revealing Patrick Hall at TMAG by Jonathan Holmes Patrick Hall, Tall stories from the art world, 1993, cabinet with doors and drawers; Tasmanian Museum and Art Gallery (TMAG), Hobart, presented by the Moët & Chandon Australian Art Foundation, through the Art Foundation of Tasmania, 1993; image courtesy the artist; photo: Simon Cuthbert

7 ‘Things I Once Knew’: Revealing Patrick Hall at TMAG by Jonathan Holmes

Patrick Hall, Tall stories from the art world, 1993, cabinet with doors and drawers; Tasmanian Museum and Art Gallery (TMAG), Hobart, presented by the Moët & Chandon Australian Art Foundation, through the Art Foundation of Tasmania, 1993; image courtesy the artist; photo: Simon Cuthbert

8 Jacobus Capone: Dark Learning by Jess Day   Jacobus Capone, Dark Learning, 7-channel HD video installation, PS Art Space, Fremantle, 2015; images courtesy the artist

8 Jacobus Capone: Dark Learning by Jess Day

 

Jacobus Capone, Dark Learning, 7-channel HD video installation, PS Art Space, Fremantle, 2015; images courtesy the artist

9 Theatre of labour: The 56th Venice Biennale by Juliana Engberg Bruce Nauman, Human nature / Life death / Knows Doesn’t Know, 1983, neon (background), with Adel Abdessemed,Nympheas, 2015, set of knives, dimensions variable (foreground); installation view, 56th Venice Biennale, 2015; image courtesy the Venice Biennale; photo: Alessandra Chemollo

9 Theatre of labour: The 56th Venice Biennale by Juliana Engberg

Bruce Nauman, Human nature / Life death / Knows Doesn’t Know, 1983, neon (background), with Adel Abdessemed,Nympheas, 2015, set of knives, dimensions variable (foreground); installation view, 56th Venice Biennale, 2015; image courtesy the Venice Biennale; photo: Alessandra Chemollo