May 2015 Issue 279
 

1 ‘#madeforinstagram’: Art Basel Hong Kong 2015: Alison Kubler

MyeongBeom Kim’s untitled deer taxidermy at Gallery IHN, Art Basel Hong Kong 2015; © Art Basel

2 Robert Gober’s ‘The Heart Is Not a Metaphor’: Julie Ewington

Robert Gober, The Heart Is Not a Metaphor, installation view, the Museum of Modern Art (MoMA), New York; image courtesy and © MoMA; photo: Jonathan Muzikar; © 2014 Robert Gobermore

3 A room of one’s own: Australia’s new pavilion in Venice: Michael Fitzgerald

Australian Pavilion entry, southern elevation; image courtesy the Australia Council for the Arts; photo: John Gollings

4 Expanding the horizon: Future Perfect and the Singapore scene: Lucy Rees

image: Future Perfect Directors David Teh, Nina Miall and Jasper Knight; image courtesy Future Perfect, Singapore

5 Anecdote and theme: Reflections on curating contemporary art from Southeast AsiA: Lee Weng Choy

Simryn Gill, Hugging the Shore, exhibition view, NTU Centre for Contemporary Art Singapore (NTU CCA Singapore), 2015, with Dalam, 2001; photo: NTU CCA Singapore

6 What can institutions do? The IMA’s Aileen Burns and Johan Lundh in conversation: Tim Walsh

Aileen Burns and Johan Lundh; image courtesy the Institute of Modern Art, Brisbane; photo: Carl Warner

7 To the fore: The growing legacy of QCA’s Bachelor of Contemporary Australian Indigenous Art: Ellie Buttrose

Dale Harding, his legacy to the Colony; their ongoing privilege, 2015, mixed-media installation, 100 x 140 x 40cm; image courtesy the artist

8 Michael Zavros: Beyond beauty?: Peter McKay

Michael Zavros, Medusa Discus, 2015, archival ink on hahnemuhle photo rag, 60 x 60cm; image courtesy the artist, Starkwhite, Auckland, and Philip Bacon Galleries, Brisbane

9 Colin Lanceley 1938 – 2015: Barry Pearce

Colin Lanceley; image courtesy Australian Galleries, Melbourne and Sydney; photo: Paul Green

10 Robert Jacks 1943 – 2014: Kirsty Grant

Robert Jacks, Bendigo Art Gallery, November 2009; image courtesy Ian H. Hill; photo: Ian H. Hill