1 Eating pulau with ghee: Dhaka Art Summit 2014 MAURICE O'RIORDAN Dhaka Art Summit 2014; image courtesy of Maurice O'Riordan

1 Eating pulau with ghee: Dhaka Art Summit 2014 MAURICE O'RIORDAN

Dhaka Art Summit 2014; image courtesy of Maurice O'Riordan

2 Rogerworld CRAIG JUDD Roger Ballen, Asylum, 2013, installation views, Museum of Old and New Art (MONA), Hobart; mixed-media and found objects; images courtesy MONA; photos: MONA/Rémi Chauvinmore

2 Rogerworld CRAIG JUDD

Roger Ballen, Asylum, 2013, installation views, Museum of Old and New Art (MONA), Hobart; mixed-media and found objects; images courtesy MONA; photos: MONA/Rémi Chauvinmore

3 In veneration of lost souls: Christian Boltanski’s Chance PEDRO DE ALMEIDA Christian Boltanski, Last News From Humans(details), 2014, installation views, Carriageworks, Sydney; images courtesy Carriageworks; photos: Zan Wimberley

3 In veneration of lost souls: Christian Boltanski’s Chance PEDRO DE ALMEIDA

Christian Boltanski, Last News From Humans(details), 2014, installation views, Carriageworks, Sydney; images courtesy Carriageworks; photos: Zan Wimberley

4 An absent presence: Anne Ferran’s ‘Shadow Land’ LEIGH ROBB Anne Ferran, Untitled [christening gown 1978/3043/2], 2001, silver gelatin photogram, 125 x 89.5cm; © the artist

4 An absent presence: Anne Ferran’s ‘Shadow Land’ LEIGH ROBB

Anne Ferran, Untitled [christening gown 1978/3043/2], 2001, silver gelatin photogram, 125 x 89.5cm; © the artist

5 Emily Floyd: In the knowledge garden GLENN BARKLEY Emily Floyd, Organic Practice, 2009, wooden sculptures (kota wood, huon pine, beechwood, ancient New Zealand kauri), cardboard presentation box, 60 x 61 x 40cm; image courtesy the artist and Anna Schwartz Gallery, Melbourne and Sydney

5 Emily Floyd: In the knowledge garden GLENN BARKLEY

Emily Floyd, Organic Practice, 2009, wooden sculptures (kota wood, huon pine, beechwood, ancient New Zealand kauri), cardboard presentation box, 60 x 61 x 40cm; image courtesy the artist and Anna Schwartz Gallery, Melbourne and Sydney

6 Alms to stray dogs and other stories Araya Rasdjarmrearnsook in conversation with JOHN CLARK Araya Rasdjarmrearnsook, Treachery of the Moon (still), 2012, single-channel video installation; image courtesy the artist

6 Alms to stray dogs and other stories Araya Rasdjarmrearnsook in conversation with JOHN CLARK

Araya Rasdjarmrearnsook, Treachery of the Moon (still), 2012, single-channel video installation; image courtesy the artist

7 From ‘Australia’ to ‘America’: Painting a nation ADAM GECZY John Singleton Copley, Portrait of a lady, 1771, oil on canvas, 126.9 x 100.3cm, Los Angeles County Museum of Art; purchased with funds provided by the American Art Council; image courtesy and © Museum Associates/LACMA

7 From ‘Australia’ to ‘America’: Painting a nation ADAM GECZY

John Singleton Copley, Portrait of a lady, 1771, oil on canvas, 126.9 x 100.3cm, Los Angeles County Museum of Art; purchased with funds provided by the American Art Council; image courtesy and © Museum Associates/LACMA

8 Melbourne HOW? HANNAH MATHEWS Ash Keating, NGV International North Wall Billboard Intervention, 2013, Weathershield Low Sheen on vinyl billboard; image courtesy the artist and the National Gallery of Victoria, Melbourne

8 Melbourne HOW? HANNAH MATHEWS

Ash Keating, NGV International North Wall Billboard Intervention, 2013, Weathershield Low Sheen on vinyl billboard; image courtesy the artist and the National Gallery of Victoria, Melbourne

9 TRIBUTE: Marea Gazzard AO, CBE MERRAN ESSAN Marea Gazzard and V.I.P, 2006, bronze; image courtesy of Utopia Art Sydney

9 TRIBUTE: Marea Gazzard AO, CBE MERRAN ESSAN

Marea Gazzard and V.I.P, 2006, bronze; image courtesy of Utopia Art Sydney

10 TRIBUTE: Ningura Napurrula SARITA QUINLIVAN Ningura Napurrula, Untitled, 2007, synthetic polymer on Belgian linen, 183 x 122cm; courtesy Papunya Tula Artists

10 TRIBUTE: Ningura Napurrula SARITA QUINLIVAN

Ningura Napurrula, Untitled, 2007, synthetic polymer on Belgian linen, 183 x 122cm; courtesy Papunya Tula Artists

11 TRIBUTE: Sam Ure-Smith JOANNA MENDELSSOHN Sam Ure-Smith, 1961; image courtesy National Archives of Australia (A1200, L39472); photo: W. Brindle


11 TRIBUTE: Sam Ure-Smith JOANNA MENDELSSOHN

Sam Ure-Smith, 1961; image courtesy National Archives of Australia (A1200, L39472); photo: W. Brindle