1 Magicians of the Artworld DONALD BROOK Lorene Taurerewa, Ringmaster (detail), charcoal on paper, 150cm x 177.8cm; image courtesy the artist; see p. 32 for full image and related article on Taurerewa’s drawings.

1 Magicians of the Artworld DONALD BROOK

Lorene Taurerewa, Ringmaster (detail), charcoal on paper, 150cm x 177.8cm;
image courtesy the artist; see p. 32 for full image and related article on Taurerewa’s drawings.

2 U-Ram Choe at John Curtin University Gallery, Perth JOHN MATEER U-Ram Choe, Una Lumino Ortus (scientific name: Anmopispl avearium cirripedia URAM, 2009, metallic material, motor, LED, custom CPU board, Polycarbonate , 143 x 130 x 47cm. Image courtesy the artist and John Curtin Gallery, Perth.

2 U-Ram Choe at John Curtin University Gallery, Perth JOHN MATEER

U-Ram Choe, Una Lumino Ortus (scientific name: Anmopispl avearium cirripedia URAM, 2009,
metallic material, motor, LED, custom CPU board, Polycarbonate , 143 x 130 x 47cm. Image courtesy the artist and John Curtin Gallery, Perth.

3 Stelarc ASHLEY CRAWFORD Stelarc, Ear on Arm, 2011, installation view Lorne Sculpture 2011. Image courtesy the artist and Scott Livesey Galleries, Melbourne.

3 Stelarc ASHLEY CRAWFORD

Stelarc, Ear on Arm, 2011, installation view Lorne Sculpture 2011. Image courtesy the artist and Scott Livesey Galleries, Melbourne.

4 Room to breathe: A Way of Calling, Linden Centre for Contemporary Arts, Melbourne JAN BRYANT Sheila and Nicholas Pye,  A Life of Errors, 2006, video still, courtesy the artist and the Curator’s Office, Washington DC

4 Room to breathe: A Way of Calling, Linden Centre for Contemporary Arts, Melbourne JAN BRYANT

Sheila and Nicholas Pye,  A Life of Errors, 2006, video still, courtesy the artist and the Curator’s Office, Washington DC

5 Lady Sheila Cruthers (1925–2011) JOHN CRUTHERS Lady Cruthers giving a talk on women's art in New York in about 1987, reading from Janine Burke's book Australian women artists 1840-1940.

5 Lady Sheila Cruthers (1925–2011) JOHN CRUTHERS

Lady Cruthers giving a talk on women's art in New York in about 1987, reading from Janine Burke's book Australian women artists 1840-1940.

6 Syntax of fetish & fashion: Love Lace, Powerhouse Museum, Sydney ADAM GECZY Richard Nylon, String Pictures with Lenses, 2010, aluminium, rubber, white elastic, steel spring and plastic magnifier lenses, 90 x 106cm. Image courtesy the artists; photo by Powerhouse Museum

6 Syntax of fetish & fashion: Love Lace, Powerhouse Museum, Sydney ADAM GECZY

Richard Nylon, String Pictures with Lenses, 2010, aluminium, rubber, white elastic, steel spring and plastic magnifier lenses, 90 x 106cm. Image courtesy the artists; photo by Powerhouse Museum

7 Fred Williams – The Poetry of Paint ALAN R. DODGE Weipa III, 1977, gouache on paper. Collection: National Gallery of Austra lia, Canberra. All works this article of work by Fred Williams; all images © e state of Fred Williams

7 Fred Williams – The Poetry of Paint ALAN R. DODGE

Weipa III, 1977, gouache on paper. Collection: National Gallery of Austra lia, Canberra. All works this article of work by Fred Williams; all images © e state of Fred Williams

8 Spaced: out West REBECCA COATES Sohan Ariel Hayes & Michael Woodley, Birndi Wirndi – Worlds Apart, 2010, dual channel HD video, PAL. with 2-channel audio, stereo, 14 mins duration archival vi deo, images, text, architectural model (foamcore and inkjet print), 8 x 3.5m; installation view, Spaced: art out of place, Fremantle Arts Centre, Perth, 2012; image courtesy the artists

8 Spaced: out West REBECCA COATES

Sohan Ariel Hayes & Michael Woodley, Birndi Wirndi – Worlds Apart, 2010, dual channel HD video, PAL. with 2-channel audio, stereo, 14 mins duration archival vi deo, images, text, architectural model (foamcore and inkjet print), 8 x 3.5m; installation view, Spaced: art out of place, Fremantle Arts Centre, Perth, 2012; image courtesy the artists

9 The Dealer's Hand: Traditions of Representation in Drawings by Lorene Taurerewa 2008 – 2010 WARWICK McLEOD Lorene Taurerewa, Master of Ceremonies (detail), 2010, charcoal on paper, 149.86 x 203.3cm. Image courtesy the artist.

9 The Dealer's Hand: Traditions of Representation in Drawings by Lorene Taurerewa 2008 – 2010 WARWICK McLEOD

Lorene Taurerewa, Master of Ceremonies (detail), 2010, charcoal on paper, 149.86 x 203.3cm. Image courtesy the artist.

10 Negotiating Home, History and Nation, Singapore Art Museum MICHELLE ANTOINETTE Yee I-Lann, Sulu Stories, 2005, digital print, 13 pieces, variable dimensions. Collection: Singapore Art Museum

10 Negotiating Home, History and Nation, Singapore Art Museum MICHELLE ANTOINETTE

Yee I-Lann, Sulu Stories, 2005, digital print, 13 pieces, variable dimensions. Collection: Singapore Art Museum

11 Mildura Palimpsest #8: Collaborators and Saboteurs MERRYN GATES Ken + Julia Yonetani, Still Life: The Food Bowl, Murray River salt, Rio Vista House; image courtesy the artists, photo: Shayne Hill

11 Mildura Palimpsest #8: Collaborators and Saboteurs MERRYN GATES

Ken + Julia Yonetani, Still Life: The Food Bowl, Murray River salt, Rio Vista House; image courtesy the artists, photo: Shayne Hill

12 Remembering Tomorrow, As Modern as Tomorrow: Photographers in Postwar Melbourne CHRISTOPHER HEATHCOTE Helmut Newton, Workmen putting the finishing touches to rear of amenities block, c. 1951–54, gelatin silver photograph, gift of the Shell Company of Australia, 2005

12 Remembering Tomorrow, As Modern as Tomorrow: Photographers in Postwar Melbourne CHRISTOPHER HEATHCOTE

Helmut Newton, Workmen putting the finishing touches to rear of amenities block, c. 1951–54, gelatin silver photograph, gift of the Shell Company of Australia, 2005

13 Elan at Benalla Art Gallery JAN JONES View of Benalla Art Gallery, on the banks of the Broken River, Benalla; gallery designed by Melbourne architects Philip Sargent and Colin Munro

13 Elan at Benalla Art Gallery JAN JONES

View of Benalla Art Gallery, on the banks of the Broken River, Benalla; gallery designed by Melbourne architects Philip Sargent and Colin Munro

14 Surface tension: Brendan Van Hek's light travels JOHN BARRETT-LENNARD Brendan Van Hek, Maze 4, 2011. Image courtesy the artist and Galerie Düsseldorf, Perth

14 Surface tension: Brendan Van Hek's light travels JOHN BARRETT-LENNARD

Brendan Van Hek, Maze 4, 2011. Image courtesy the artist and Galerie Düsseldorf, Perth

15 Clifton Dolliver: Eye Box 2, Sirius Arts Centre, Cork JONELLE MANION Clifton Dolliver, 'Linkeage', Eye Box 2, 2011, diorama installation; installation view, Sirius Arts Centre, Cork. Image courtesy the artist

15 Clifton Dolliver: Eye Box 2, Sirius Arts Centre, Cork JONELLE MANION

Clifton Dolliver, 'Linkeage', Eye Box 2, 2011, diorama installation; installation view, Sirius Arts Centre, Cork. Image courtesy the artist

16 Close to Zero ADRIAN CLEMENT Carl André, The way north, south and west, (uncarved blocks), 1975, Western red cedar, 4 units: 30.5 x 30.5 x 91.5cm each, 91.5 x 1 22 x 152.5cm overall; copyright Carl Andrew, John Kaldor Family Gallery, Art Gallery of NSW

16 Close to Zero ADRIAN CLEMENT

Carl André, The way north, south and west, (uncarved blocks), 1975, Western red cedar, 4 units: 30.5 x 30.5 x 91.5cm each, 91.5 x 1 22 x 152.5cm overall; copyright Carl Andrew, John Kaldor Family Gallery, Art Gallery of NSW

17 The Spectacle of Deconstruction: Christian Capurro, Agatha Gothe-Snape, Debra Phillips ALTAIR ROELANTS Christian Capurro, Agatha Gothe-Snape, Debra Phillips, installation view, BREENSPACE, Sydney, 2011. Image courtesy the artists and BREENSPACE, Sydney

17 The Spectacle of Deconstruction: Christian Capurro, Agatha Gothe-Snape, Debra Phillips ALTAIR ROELANTS

Christian Capurro, Agatha Gothe-Snape, Debra Phillips, installation view, BREENSPACE,
Sydney, 2011. Image courtesy the artists and BREENSPACE, Sydney