Issue 243 September 2011

1 Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas LAURA GASCOIGNE Peter S. Graham, Untitled (Jelly fish drawing III), 1999. Image courtesy the artist and the British Museum, London.

1 Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas LAURA GASCOIGNE

Peter S. Graham, Untitled (Jelly fish drawing III), 1999.
Image courtesy the artist and the British Museum, London.

2 ‘Materiality’ and the print iconography of Michael Schlitz ANNE KIRKER Desert Girl, 2011, relief woodblock print on Japanese Kozo paper, 76 x 56cm. Winner of the Rick Amor Print Prize 2011. Image of work by Michael Schlitz; image courtesy the artist, graham galleries + editions, Brisbane, and Bett Gallery, Hobart .

2 ‘Materiality’ and the print iconography of Michael Schlitz ANNE KIRKER

Desert Girl, 2011, relief woodblock print on Japanese Kozo paper, 76 x 56cm. Winner of the Rick Amor Print Prize 2011. Image of work by Michael Schlitz; image courtesy the artist, graham galleries + editions, Brisbane, and Bett Gallery, Hobart .

3 Cultural Juxtaposition: Tell me, tell me: Australian and Korean Art 1976 – 2011 ADAM GECZY Yeesookyung, While Our Tryst Has Been Delayed, (still) 2010, video, sound, 16:25 minutes. Director: Yeesookyung; Film Producer: Kim Joonha; Performer: Jung Marie. © the artist.

3 Cultural Juxtaposition: Tell me, tell me: Australian and Korean Art 1976 – 2011 ADAM GECZY

Yeesookyung, While Our Tryst Has Been Delayed, (still) 2010, video, sound, 16:25 minutes.

Director: Yeesookyung; Film Producer: Kim Joonha; Performer: Jung Marie. © the artist.

4 Nam June Paik, Tate Liverpool GENEVIEVE O’CALLAGHAN Uncle, 1986. © Estate of Nam June Paik. Photograph by Cal Kowal.

4 Nam June Paik, Tate Liverpool GENEVIEVE O’CALLAGHAN

Uncle, 1986. © Estate of Nam June Paik. Photograph by Cal Kowal.

5 Land, sea and sky: contemporary art of the Torres Strait Islands ALISA DUFF Installation view with Kevin O’Brien's Family Tree, 2011,  marine polystyrene floats, stainless steel cable, timber, paint, polyethelene netting, 5.8 x 12.4 x 5.8m (installed, approx.); and (left) Alick Tipoti's mural Kaygasiw-Usul Trail of dust underwater created by the shovel nose shark)… Milky way, 2011, 7.5 x 53.48m. Both works commissioned for Land, Sea and Sky: Contemporary Art of the Torres Strait Islands.

5 Land, sea and sky: contemporary art of the Torres Strait Islands ALISA DUFF

Installation view with Kevin O’Brien's Family Tree, 2011, 

marine polystyrene floats, stainless steel cable, timber, paint, polyethelene netting, 5.8 x 12.4 x 5.8m (installed, approx.); and (left) Alick Tipoti's mural Kaygasiw-Usul Trail of dust underwater created by the shovel nose shark)… Milky way, 2011, 7.5 x 53.48m. Both works commissioned for Land, Sea and Sky: Contemporary Art of the Torres Strait Islands.

6 Ken Thaiday Senior – Staying close to Erub KATRINA CHAPMAN Sardine Scoop - Weres I, 2009, plywood, bamboo, plastic ties, paint, 11.6 x 11.6 x 19. 6cm. Image courtesy The Australian Art Print Network.

6 Ken Thaiday Senior – Staying close to Erub KATRINA CHAPMAN

Sardine Scoop - Weres I, 2009, plywood, bamboo, plastic ties, paint, 11.6 x 11.6 x 19. 6cm.
Image courtesy The Australian Art Print Network.

7 Portraying contemporary art: The Archibald Portrait Prize 2011 ARIELE HOFFMAN Amanda Marburg, DA (David Astle), oil on linen.

7 Portraying contemporary art: The Archibald Portrait Prize 2011 ARIELE HOFFMAN

Amanda Marburg, DA (David Astle), oil on linen.

8 Geoffrey de Groen: ‘the speechless image’ ANDREW SAYERS April 25 2011, 2011,  synthetic pigment on canvas, 126 x 138cm.

8 Geoffrey de Groen: ‘the speechless image’ ANDREW SAYERS

April 25 2011, 2011, 
synthetic pigment on canvas, 126 x 138cm.

9 Last migrations: Pamela Lofts’s Free fall KIERAN FINNANE Landfall (wind-scoured), 2011, charcoal and gouache on Arches watercolour paper, 120 x 81cm.

9 Last migrations: Pamela Lofts’s Free fall KIERAN FINNANE

Landfall (wind-scoured), 2011, charcoal and gouache on Arches watercolour paper, 120 x 81cm.

10 Moral shock: audience, guilt and Santiago Sierra’s ‘abyss of meaningless ness’ JENNIFER KALIONIS Santiago Sierra, Constructed To Be Held Horizontal To A Wall, 2010, 7 Forms Measuring 600 x 60 x 60cm, installation views, Gallery of Modern Art, Brisbane. Images courtesy the artist and GoMA.

10 Moral shock: audience, guilt and Santiago Sierra’s ‘abyss of meaningless ness’ JENNIFER KALIONIS

Santiago Sierra, Constructed To Be Held Horizontal To A Wall, 2010, 7 Forms Measuring 600 x 60 x 60cm, installation views, Gallery of Modern Art, Brisbane. Images courtesy the artist and GoMA.

11 Unleashed: the uncensored world of blogging with Tracey Clement NAOMI GALL Tracey Clement, Gecko Girl, embroidery on Irish linen, framed 35 x 35cm, 2010, based on an original drawing from c. early-mid 1970s made by Clement and her father Rob.  Photograph by Richard Glover.

11 Unleashed: the uncensored world of blogging with Tracey Clement NAOMI GALL

Tracey Clement, Gecko Girl, embroidery on Irish linen, framed 35 x 35cm, 2010, based on an original drawing from c. early-mid 1970s made by Clement and her father Rob. 
Photograph by Richard Glover.

12 review: Marley Dawson at Roslyn Oxley9 Gallery; Kenzee Patterson at Darren Knight Gallery PEDRO DE ALMEIDA Marley Dawson, installation view of HEAVY INDUSTRY / LIGHT COMMERCIAL, 2011, with (top left) High Speed Counter-balanced Discs (detail) and four Endless Loop sculptures.

12 review: Marley Dawson at Roslyn Oxley9 Gallery; Kenzee Patterson at Darren Knight Gallery PEDRO DE ALMEIDA

Marley Dawson, installation view of HEAVY INDUSTRY / LIGHT COMMERCIAL, 2011, with (top left) High Speed Counter-balanced Discs (detail) and four Endless Loop sculptures.

13 Tucker’s Images of Modern Evil CLAIRE DALGLEISH Image of Modern Evil 2, previous state, Albert Tucker Archive, Heide Museum of Modern Art, Melbourne.

13 Tucker’s Images of Modern Evil CLAIRE DALGLEISH

Image of Modern Evil 2, previous state, Albert Tucker Archive, Heide Museum of Modern Art, Melbourne.

14 THE MERCHANDISE OF VENICE ALEX TAYLOR KARLA BLACK, AT FAULT (DETAIL), 2011, CELLOPHANE, PAINT, SELLOTAPE, PLASTER POWDER, POWDER PAINT, SUGAR PAPER, CHALK, BATH BOMBS, RIBBON, WOOD, DIMENSIONS VARIABLE. COURTESY THE ARTIST AND GALLERY GISELA CAPITAIN.  PHOTOGRAPH BY GAUTIER DEBLONDE.       15 obituaries:  Judy Baypungala Boparry Nakarrana 1941 – 2011 by DJON MUNDINE David Larwill 1954 – 2011 by ASHLEY CRAWFORD

14 THE MERCHANDISE OF VENICE ALEX TAYLOR

KARLA BLACK, AT FAULT (DETAIL), 2011, CELLOPHANE, PAINT, SELLOTAPE, PLASTER POWDER, POWDER PAINT, SUGAR PAPER, CHALK, BATH BOMBS, RIBBON, WOOD, DIMENSIONS VARIABLE.
COURTESY THE ARTIST AND GALLERY GISELA CAPITAIN. 
PHOTOGRAPH BY GAUTIER DEBLONDE.

 

 

 

15 obituaries: 

Judy Baypungala Boparry Nakarrana 1941 – 2011
by DJON MUNDINE

David Larwill 1954 – 2011
by ASHLEY CRAWFORD

16 Letter from ART HK 11 DAVID WILLIAMS George Kuruvilla, The Dance of Life, 2011, fibreglass, 3 life-size figures, installation dimensions variable.  Courtesy Apparao Galleries, Madras. Image courtesy the artist. Photograph by David Williams.

16 Letter from ART HK 11 DAVID WILLIAMS

George Kuruvilla, The Dance of Life, 2011, fibreglass, 3 life-size figures, installation dimensions variable. 
Courtesy Apparao Galleries, Madras.
Image courtesy the artist. Photograph by David Williams.

17 em file: Tarn McLean LOUISE MARTIN-CHEW topopgraphy #5, 2011. Image of work by Tarn McLean, from her exhibitionInterscapes, 2011; courtesy the artist.

17 em file: Tarn McLean LOUISE MARTIN-CHEW

topopgraphy #5, 2011.
Image of work by Tarn McLean, from her exhibitionInterscapes, 2011; courtesy the artist.

18 3 decades of ARCOmadrid JUSTINE BAYOD ESPOZ Xooang Choi, untitled (The Girl). Images courtesy the artist. Photograph by Justine Bayod Espoz.

18 3 decades of ARCOmadrid JUSTINE BAYOD ESPOZ

Xooang Choi, untitled (The Girl).
Images courtesy the artist. Photograph by Justine Bayod Espoz.