Issue 197 March 2007

1 Where to now? The 5th Asia-Pacific Triennial of Contemporary Art CHAITANYA SAMBRANI Gussie R Bento [Hawai’I, United States, b1932], Na kalaunu a me na kahili o Kamehameha IV [The crown and the kahili of Kamehameha IV], c1980, kapa kuiki quilt: commercial cotton cloth, synthetic batting with hand appliqué and contour quilting. Collection of the artist.

1 Where to now? The 5th Asia-Pacific Triennial of Contemporary Art CHAITANYA SAMBRANI

Gussie R Bento [Hawai’I, United States, b1932], Na kalaunu a me na kahili o Kamehameha IV [The crown and the kahili of Kamehameha IV], c1980, kapa kuiki quilt: commercial cotton cloth, synthetic batting with hand appliqué and contour quilting. Collection of the artist.

2 Cinema (and post-cinema) effects in APT5 ADRIAN MARTIN Beck Cole [Australia, b1975, Warramungu/Luritja people] Production still from The Lore of Love, 2005, Digital Betacam, 25 minutes, colour, stereo, Australia, Pintupi, Warlpiri, Luritja and English. Image courtesy of CAAMA Productions and the artist.

2 Cinema (and post-cinema) effects in APT5 ADRIAN MARTIN

Beck Cole [Australia, b1975, Warramungu/Luritja people] Production still from The Lore of Love, 2005, Digital Betacam, 25 minutes, colour, stereo, Australia, Pintupi, Warlpiri, Luritja and English. Image courtesy of CAAMA Productions and the artist.

3 The Queensland Art Gallery & its Gallery of Modern Art DANIEL THOMAS Installation view in December 2006 of the Gallery of Modern Art, Indigenous Australian Art Collection display, GoMA level 3, Gallery 3.2. The photograph shows work by artists including Thancoupie [Australia, b1937, Thainakuith people]; Emily Evans [Australia, b1975, Lardil language group]; Queenie McKenzie [Australia 1915-1998, Kija (Gidja)/Nakarra language group]; Ron Yunkaporta [Australia b1956, Wik-Ngathan language group]; Joe Ngallametta [Australia 1945-2005, Kugu Muminh/Kugu Uwanh language group]; Michael Boiyool Anning [Australia, b1955, Yidinyji language group]; and Desley Henry [Australia 1951-2005, Jirrbal language group].

3 The Queensland Art Gallery & its Gallery of Modern Art DANIEL THOMAS

Installation view in December 2006 of the Gallery of Modern Art, Indigenous Australian Art Collection display, GoMA level 3, Gallery 3.2. The photograph shows work by artists including Thancoupie [Australia, b1937, Thainakuith people]; Emily Evans [Australia, b1975, Lardil language group]; Queenie McKenzie [Australia 1915-1998, Kija (Gidja)/Nakarra language group]; Ron Yunkaporta [Australia b1956, Wik-Ngathan language group]; Joe Ngallametta [Australia 1945-2005, Kugu Muminh/Kugu Uwanh language group]; Michael Boiyool Anning [Australia, b1955, Yidinyji language group]; and Desley Henry [Australia 1951-2005, Jirrbal language group].

4 Impressionism to Pop Art: The international art rehang at the National Gallery of Australia JOHN MCPHEE Pablo Picasso, Nature morte au masque, 4 mars 1937 [Still-life with mask, 4 March 1937],1937, cardboard, metal, wood, string, oil paint and sand on canvas. National Gallery of Australia, Canberra.

4 Impressionism to Pop Art: The international art rehang at the National Gallery of Australia JOHN MCPHEE

Pablo Picasso, Nature morte au masque, 4 mars 1937 [Still-life with mask, 4 March 1937],1937, cardboard, metal, wood, string, oil paint and sand on canvas. National Gallery of Australia, Canberra.

5 Art from the future: Alberto Giacometti and James Angus CHRISTOPHER CHAPMAN Alberto Giacometti, Project for a book IV [Projet pour un livre IV], 1951, lithographic crayon. Marguerite and Aimé Maeght Foundation, Saint-Paul. Gift of Marguerite and Aimé Maeght, 1974. © Alberto Giacometti/ADAGP. Licensed by Viscopy, Sydney, 2006.

5 Art from the future: Alberto Giacometti and James Angus CHRISTOPHER CHAPMAN

Alberto Giacometti, Project for a book IV [Projet pour un livre IV], 1951, lithographic crayon. Marguerite and Aimé Maeght Foundation, Saint-Paul. Gift of Marguerite and Aimé Maeght, 1974. © Alberto Giacometti/ADAGP. Licensed by Viscopy, Sydney, 2006.

6 The Singapore Biennale 2006: Belief GINA FAIRLEY mran Qureshi, Wuzu 2, 2006, painting installation, at Masjid Sultan, Singapore Biennale 2006 (detail). Photo courtesy of Gina Fairley.

6 The Singapore Biennale 2006: Belief GINA FAIRLEY

mran Qureshi, Wuzu 2, 2006, painting installation, at Masjid Sultan, Singapore Biennale 2006 (detail). Photo courtesy of Gina Fairley.

7 Getting to know the Latin neighbours: The South Project KEVIN MURRAY

7 Getting to know the Latin neighbours: The South Project KEVIN MURRAY

8 Book review CLIVE FARO Jill Julius Matthews  Dance Hall and Picture Palace: Sydney’s romance with modernity  

8 Book review CLIVE FARO

Jill Julius Matthews 

Dance Hall and Picture Palace: Sydney’s romance with modernity