June 2006 Issue 190

  1 From today photography is dead: Portraiture in the digital age, MICHAEL DESMOND   Samuel Foss,  The chief, the one who sold Africa to the colonists , 1997, type C photograph. Courtesy of Jean-Marc Patras, Paris, and Jack Shinman Gallery, New York.   2 Moderinism is back! 21st century modern: 2006 Adelaide Biennial of Australian Art, EVE SULLIVAN

1 From today photography is dead: Portraiture in the digital age, MICHAEL DESMOND

Samuel Foss, The chief, the one who sold Africa to the colonists, 1997, type C photograph. Courtesy of Jean-Marc Patras, Paris, and Jack Shinman Gallery, New York.

2 Moderinism is back! 21st century modern: 2006 Adelaide Biennial of Australian Art, EVE SULLIVAN

  3 Xstrata Coal Emerging Indigenous Art Award 2006, JEREMY ECCLES   Jonathon Jones, Kamilaroi,Wiradjuri people,  Lumination fall wall weave , 2004/06, electrical cable, light fittings, bulbs and MDF board. Collection of the artist. Courtesy of Gallery Barry Keldoulis, Sydney.

3 Xstrata Coal Emerging Indigenous Art Award 2006, JEREMY ECCLES

Jonathon Jones, Kamilaroi,Wiradjuri people, Lumination fall wall weave, 2004/06, electrical cable, light fittings, bulbs and MDF board. Collection of the artist. Courtesy of Gallery Barry Keldoulis, Sydney.

  4 Good times & friendship: Artist initiatives and relational aesthetics, ANN FINEGAN   Sarah Goffman,  Refuse , 2005. Installation view,  Situation , Museum of Contemporary Art, Sydney, 2005. Photo Greg Weight.

4 Good times & friendship: Artist initiatives and relational aesthetics, ANN FINEGAN

Sarah Goffman, Refuse, 2005. Installation view, Situation, Museum of Contemporary Art, Sydney, 2005. Photo Greg Weight.

  5 Marketing the myth: Glasgw's designs on Chalres Rennie Mackintosh, ANDREW MONTANA   The drawing room at Hill House, Helensburgh, Scotland. Designed by Charles Rennie Mackintosh. Copyright The National Trust for Scotland Photo Library.

5 Marketing the myth: Glasgw's designs on Chalres Rennie Mackintosh, ANDREW MONTANA

The drawing room at Hill House, Helensburgh, Scotland. Designed by Charles Rennie Mackintosh. Copyright The National Trust for Scotland Photo Library.

  6 Blow up the inside world: David M Thomas, ANNA ZAGALA,  Brisbane    David M Thomas,  Every day I am a day older,  1995, photograph. Courtesy of the artist.

6 Blow up the inside world: David M Thomas, ANNA ZAGALA, Brisbane

David M Thomas, Every day I am a day older, 1995, photograph. Courtesy of the artist.

  7 Oh, boy! The portraits of Gary Lee, GARY LEE   Gary Lee,  Self-portrait with Manish in Hanuman Temple , 2004. Courtesy of Karen Brown Gallery.

7 Oh, boy! The portraits of Gary Lee, GARY LEE

Gary Lee, Self-portrait with Manish in Hanuman Temple, 2004. Courtesy of Karen Brown Gallery.

  8 BOOK REVIEW:  Geoffrey Batchen, Forget me not: Photography and remembrance , KATE DAVIDSON   Van Gough Museum, Amsterdam and Princeton Architectural Press, New York, 2004 128 pp. RRP $60 (hardback); $37.50 (softback).

8 BOOK REVIEW: Geoffrey Batchen, Forget me not: Photography and remembrance, KATE DAVIDSON

Van Gough Museum, Amsterdam and Princeton Architectural Press, New York, 2004 128 pp. RRP $60 (hardback); $37.50 (softback).

  9 BOOK REVIEW: Bill Culbert,  Light wine things , HELEN ENNIS   dunedin Public Art Gallery, 2005 120 pp. RRP NZ $29.95.

9 BOOK REVIEW: Bill Culbert, Light wine things, HELEN ENNIS

dunedin Public Art Gallery, 2005 120 pp. RRP NZ $29.95.