September 2003 Issue 163

  1 The labyrinthine effect at the Australian Centre for Contemporary Art: John Mateer     2 Anne von Bertouch: Nick Mitzevich     3 Between grit and belief: The Stedelijk Museum's Colin McCahon retrospective in Melbourne: Mary Eagle     4 Celebrating the sixties - then and now:   Nick Waterlow     5 Dear Hilary     6 Part 2 - The art of darkness:  Reflections on an encounter with Albert Speer:  Philippe Mora     7 Recent political art exhibitions in Australia:   Adam Geczy     8 Team New Zealand: New Zealand at Venice: Louise Tegart     9 The sculpture of David Jensz: Kim Mahood     10 Vandalising objects, destroying art: Andrew Benjamin     11 War, what is it good for? 'Requiem: By the photographers who died in Vietnam and Indochina': Alison Kubler

1 The labyrinthine effect at the Australian Centre for Contemporary Art: John Mateer

2 Anne von Bertouch: Nick Mitzevich

3 Between grit and belief: The Stedelijk Museum's Colin McCahon retrospective in Melbourne: Mary Eagle

4 Celebrating the sixties - then and now: Nick Waterlow

5 Dear Hilary

6 Part 2 - The art of darkness: Reflections on an encounter with Albert Speer: Philippe Mora

7 Recent political art exhibitions in Australia: Adam Geczy

8 Team New Zealand: New Zealand at Venice: Louise Tegart

9 The sculpture of David Jensz: Kim Mahood

10 Vandalising objects, destroying art: Andrew Benjamin

11 War, what is it good for? 'Requiem: By the photographers who died in Vietnam and Indochina': Alison Kubler