AMA300_Cover_LG.jpg

August 2017 Issue 300

1. Vieux*: Catherine townsend From left: Studio International assistant editor John McEwen, Peter Townsend and André Cadere (with pole) outside the Bloomsbury pub, c. 1972–73; photo courtesy Catherine Townsend and André Cadere

1. Vieux*: Catherine townsend

From left: Studio International assistant editor John McEwen, Peter Townsend and André Cadere (with pole) outside the Bloomsbury pub, c. 1972–73; photo courtesy Catherine Townsend and André Cadere

2. Looking Into The Chinese Mirror: Peter Townsend William Townsend, Peter Townsend, 1936–37, oil and pastel on canvas, 76 x 63cm; courtesy Catherine Townsend; photo: Sarah Ainslie

2. Looking Into The Chinese Mirror: Peter Townsend

William Townsend, Peter Townsend, 1936–37, oil and pastel on canvas, 76 x 63cm; courtesy Catherine Townsend; photo: Sarah Ainslie

3. friends: Peter Townsend and China: Claire Roberts Gu Yuan, Starvation, 1930s, woodcut, printed in black ink, from one block, 9.8 x 11.6cm, National Gallery of Australia, Canberra; Peter Townsend Collection, purchased with the assistance of the Australia-China Council 1985

3. friends: Peter Townsend and China: Claire Roberts

Gu Yuan, Starvation, 1930s, woodcut, printed in black ink, from one block, 9.8 x 11.6cm, National Gallery of Australia, Canberra; Peter Townsend Collection, purchased with the assistance of the Australia-China Council 1985

4. Autres temps, autres moeurs: Michael Hobbs No.1, June 1987: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd Cover caption (as published): Paddy Jumbaji from Turkey Creek, Western Australia uses natural earth pigments on hardboard, 82 x 102cm

4. Autres temps, autres moeurs: Michael Hobbs

No.1, June 1987: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd Cover caption (as published): Paddy Jumbaji from Turkey Creek, Western Australia uses natural earth pigments on hardboard, 82 x 102cm

5. From the Clock tower: David Williams No.193, September 2006: edited by Deborah Clark; designed by bKathreen Ricketson Peter Townsend in the Art Monthly Australia office, in the clock tower of the ANU School of Art, Canberra, c. 1993; photo: Douglas Holleley

5. From the Clock tower: David Williams

No.193, September 2006: edited by Deborah Clark; designed by bKathreen Ricketson Peter Townsend in the Art Monthly Australia office, in the clock tower of the ANU School of Art, Canberra, c. 1993; photo: Douglas Holleley

6. The Large Man At The Door: Julie Ewington No.8, March 1988: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd John Brack, Portrait of Fred Williams, 1958, detail; oil on canvas, 112.7 x 90.8cm, Art Gallery of South Australia, Adelaide

6. The Large Man At The Door: Julie Ewington

No.8, March 1988: edited by Peter Townsend; production layout by Janet Gough; typesetting by Dawson Magazines Pty Ltd John Brack, Portrait of Fred Williams, 1958, detail; oil on canvas, 112.7 x 90.8cm, Art Gallery of South Australia, Adelaide

7. Peter Townsend, Art Monthly and Asia: Alison Carroll No.40, May 1991: edited by Peter Townsend; designed by ANU Graphic Design

7. Peter Townsend, Art Monthly and Asia: Alison Carroll

No.40, May 1991: edited by Peter Townsend; designed by ANU Graphic Design

8. 300 Covers Art Monthly in Australia 1987-2017 300 covers: ART MONTHLY in Australia 1987–2017, exhibition installation views, Foyer Gallery, ANU School of Art & Design, Canberra, June 2017; photo: Aishah Kenton

8. 300 Covers Art Monthly in Australia 1987-2017

300 covers: ART MONTHLY in Australia 1987–2017, exhibition installation views, Foyer Gallery, ANU School of Art & Design, Canberra, June 2017; photo: Aishah Kenton

9. Homage to Peter Townsend: Laurence Weiner Lawrence Weiner’s homage to Peter Townsend first appeared as a projection at a memorial event for Peter Townsend at Tate Britain, London, in 2006; and subsequently in the exhibition ‘Five Issues of Studio International’, curated by Jo Melvin, at Raven Row, London, in 2015; and is kindly reproduced here courtesy the artist

9. Homage to Peter Townsend: Laurence Weiner

Lawrence Weiner’s homage to Peter Townsend first appeared as a projection at a memorial event for Peter Townsend at Tate Britain, London, in 2006; and subsequently in the exhibition ‘Five Issues of Studio International’, curated by Jo Melvin, at Raven Row, London, in 2015; and is kindly reproduced here courtesy the artist