November 2004 Issue 174

  1 Video magic at the Performance Space: ADAM GECZY,  Sydney     John Gillies,  The Mary Stuart Tapes , 2000, still from singe channel DVD projection. Performer Clare Grant. Courtesy of the artist and Performance Space, Sydney

1 Video magic at the Performance Space: ADAM GECZY, Sydney

John Gillies, The Mary Stuart Tapes, 2000, still from singe channel DVD projection. Performer Clare Grant. Courtesy of the artist and Performance Space, Sydney

  2 An argument for resale royalty for artists: DONALD RICHARDSON   JErica Seccombe,  Stretching the dollar , 2004, computer-generated drawing. Copyright of Art Monthly Australia, October 2004

2 An argument for resale royalty for artists: DONALD RICHARDSON

JErica Seccombe, Stretching the dollar, 2004, computer-generated drawing. Copyright of Art Monthly Australia, October 2004

  3 Sculpture, sculpture, and more sculpture!: KEN SCARLETT   Robert Owen (artist), with Denton Corker Marshall (architects),  Webb Bridge , 2003, Docklands, Melbourne

3 Sculpture, sculpture, and more sculpture!: KEN SCARLETT

Robert Owen (artist), with Denton Corker Marshall (architects), Webb Bridge, 2003, Docklands, Melbourne

  4 A philanthropic milestone: TarraWarra Museum of Art in the Yarra Valley: SARAH THOMAS,  Victoria    Installation detail from the exhibition  Echo  at TarraWarra Museum of Art, showing William Delafield Cook,  Hanging Rock , 1985, synthetic polymer paint on canvas, collection of TarraWarra Art Museum (top); and unknown maker,  Sofa  (part of a drawing-room suite), c.1865,  blackwood  (Acacia melanoxion) and silk. Collection of the National Gallery of Victoria (bottom). Photo Jenna Blyth   5 Sky train: The 21st NATSIAA in Darwin: MAURICE O'RIORDAN   Flora Nulyarima Napaljarri Hotl,  Train , 2004, acrylic on canvas. Courtesy of the artist and Julalikari Arts. Photo Gilbert Herrada, MAGNT

4 A philanthropic milestone: TarraWarra Museum of Art in the Yarra Valley: SARAH THOMAS, Victoria

Installation detail from the exhibition Echo at TarraWarra Museum of Art, showing William Delafield Cook, Hanging Rock, 1985, synthetic polymer paint on canvas, collection of TarraWarra Art Museum (top); and unknown maker, Sofa (part of a drawing-room suite), c.1865, blackwood (Acacia melanoxion) and silk. Collection of the National Gallery of Victoria (bottom). Photo Jenna Blyth

5 Sky train: The 21st NATSIAA in Darwin: MAURICE O'RIORDAN

Flora Nulyarima Napaljarri Hotl, Train, 2004, acrylic on canvas. Courtesy of the artist and Julalikari Arts. Photo Gilbert Herrada, MAGNT

  6 Letter from New York:(Un)Conventional Art: ANONDA BELL    Icon doll of the Pants of Fire organisation. Photo Anonda Bell

6 Letter from New York:(Un)Conventional Art: ANONDA BELL

Icon doll of the Pants of Fire organisation. Photo Anonda Bell

  7  Three colours: Gordon Bennett and Peter Robinson  at the Heide Museum of Modern Art: STEPHEN HALEY,  Melbourne    Gordon Bennett,  Self portrait (but I always wanted to be one of the good guys) , 1990, oil on canvas. Private collection. Courtesy of the artist and Bellas Milani Gallery, Brisbane

7 Three colours: Gordon Bennett and Peter Robinson at the Heide Museum of Modern Art: STEPHEN HALEY, Melbourne

Gordon Bennett, Self portrait (but I always wanted to be one of the good guys), 1990, oil on canvas. Private collection. Courtesy of the artist and Bellas Milani Gallery, Brisbane

  8  Hilarie Mais: Survey of works 1974 – 2004  at the ANU Drill Hall Gallery: ANNE SANDERS,  Canberra    Installation detail from the exhibition  HIlarie Mais: Survey of works 1974 - 2004 , at the ANU Drill Hall Gallery, Canberra

8 Hilarie Mais: Survey of works 1974 – 2004 at the ANU Drill Hall Gallery: ANNE SANDERS, Canberra

Installation detail from the exhibition HIlarie Mais: Survey of works 1974 - 2004, at the ANU Drill Hall Gallery, Canberra