1 Notes on the formation of a feminist curatorial practice for today: Aileen Burns,  Brisbane    Andrea Francke,  The Invisible Spaces of Parenthood , 2013–, installation views from the exhibition ‘The Grand Domestic Revolution GOES ON’, CCA Derry~Londonderry, 2013; photos: Andrea Francke

1 Notes on the formation of a feminist curatorial practice for today: Aileen Burns, Brisbane

Andrea Francke, The Invisible Spaces of Parenthood, 2013–, installation views from the exhibition ‘The Grand Domestic Revolution GOES ON’, CCA Derry~Londonderry, 2013; photos: Andrea Francke

  2 Ladies’ legacies: Women gifting art by women: Lisa Bryan-Brown,  Brisbane    etty Quelhurst,  Self portrait , 1948, oil on composition board, QUT Art Collection, Brisbane; gift of the artist under the Cultural Gifts Program, 1998

2 Ladies’ legacies: Women gifting art by women: Lisa Bryan-Brown, Brisbane

etty Quelhurst, Self portrait, 1948, oil on composition board, QUT Art Collection, Brisbane; gift of the artist under the Cultural Gifts Program, 1998

  3 Forty years and countinG: Louise R. Mayhew,  Sydney    Marie McMahon,  Needlework demonstrations , 1976, screenprint, 57.8 x 45.3cm, University of Sydney Art Collection, transferred from the Tin Sheds Gallery and Art Workshop to the University of Sydney, 2014

3 Forty years and countinG: Louise R. Mayhew, Sydney

Marie McMahon, Needlework demonstrations, 1976, screenprint, 57.8 x 45.3cm, University of Sydney Art Collection, transferred from the Tin Sheds Gallery and Art Workshop to the University of Sydney, 2014

  4 A proliferous moment: Contemporary feminism and the formation of new women’s collectives: Louise R. Mayhew,  Sydney    Clark Beaumont,  Camouflage , 2011, video still; image courtesy the artists

4 A proliferous moment: Contemporary feminism and the formation of new women’s collectives: Louise R. Mayhew, Sydney

Clark Beaumont, Camouflage, 2011, video still; image courtesy the artists

  5 Political feminism: Activist art in Australia in 2015: Courtney Coombs,  Brisbane    Mish Meijers and Tricky Walsh,  Angry Ladies , 2015, video still, 2:03 mins duration; image courtesy the artists

5 Political feminism: Activist art in Australia in 2015: Courtney Coombs, Brisbane

Mish Meijers and Tricky Walsh, Angry Ladies, 2015, video still, 2:03 mins duration; image courtesy the artists

  6 Queer spritz: Kate Britton,  Sydney    Spence Messih,  Physical bottom / mental top , 2014, installation view as part of ‘A matter of time’, Firstdraft, Sydney, 2014; steel, 81 x 58cm; image courtesy the artist; photo: Fiona Susanto

6 Queer spritz: Kate Britton, Sydney

Spence Messih, Physical bottom / mental top, 2014, installation view as part of ‘A matter of time’, Firstdraft, Sydney, 2014; steel, 81 x 58cm; image courtesy the artist; photo: Fiona Susanto

  7 Patriotism, patriarchy and politics: 2015 feminism in context: Chloé Wolifson,  Sydney    Brenda Samuels,  Aesop hand wash , 2015, oil on canvas, 30 x 30cm, image courtesy the artist

7 Patriotism, patriarchy and politics: 2015 feminism in context: Chloé Wolifson, Sydney

Brenda Samuels, Aesop hand wash, 2015, oil on canvas, 30 x 30cm, image courtesy the artist